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L'Oiseau-Lyre - The Baroque Era


Release Date: 06/17/2014 
Label:  Decca   Catalog #: 002072902   Spars Code: DDD 
Composer:  Thomas Augustine ArneWilliam BoyceJohn BlowHenry Purcell,   ... 
Performer:  Catherine BottLibby CrabtreeMichael GeorgeEmma Kirkby,   ... 
Conductor:  Christopher HogwoodPhilip PickettJoshua RifkinChristophe Rousset,   ... 
Orchestra/Ensemble:  Academy of Ancient MusicWestminster Abbey School Choristers ChoirNew London Consort Orchestra,   ... 
Number of Discs: 50 
Recorded in: Stereo 
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CD:  $144.99
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Notes and Editorial Reviews

This 50-CD Original Jackets Collection celebrates the greatest Baroque recordings from Decca’s pioneering early music label, L’Oiseau-Lyre. Alongside best-selling albums of Vivaldi’s Four Seasons, Handel’s Messiah, and Bach’s Brandenburg Concertos is a fascinating historical and geographic tour of the era – Scarlatti and Vivaldi (Italy), Rameau and Couperin (France), the Bach family (Germany), Arne and Purcell (England), and many more.

This set contains the following albums on 50 CDs:

Arne: Eight Overtures / Hogwood,
Read more AAM

Boyce: Symphonies, Op 2 / Hogwood, AAM

Blow: Venus & Adonis / Bott, George, Pickett, New London Consort

Purcell: Theatre Music Vol 1 / Hogwood, AAM (currently only available in multi-disc collections)

Purcell: The Indian Queen / Kirkby, Finley, Bott, Hogwood, AAM

Purcell: Sweeter Than Roses / Catherine Bott (currently only available as part of this box)

Handel: Water Music Suite No 1, Fireworks Music / Hogwood, AAM (currently only available in multi-disc collections)

Handel: Concerti Grossi Op 6 / Hogwood, Handel & Haydn Society (2 CDs; currently only available as part of this box)

Handel, Arne, Lampe: Arias / Emma Kirkby

Handel: Italian Cantatas, The Alchymist / Kirkby, Nelson, Hogwood, AAM

Handel: Messiah / Kirkby, Nelson, Hogwood, AAM (2 CDs)

Handel: La Resurrezione / Kirkby, Partridge, Hogwood, AAM (2 CDs; currently only available as part of this box)

Handel: Orlando / Augér, Bowman, Hogwood, AAM (3 CDs)

Bach: Goldberg Variations / Christophe Rousset (currently only available as part of this box)

Bach: Brandenburg Concertos / Pickett, New London Consort (2 CDs)

Bach: Concertos for 3 & 4 Harpsichords (currently only available as part of this box)

Bach: Cantatas No 8, 78 & 99 / Rifkin, Bach Ensemble (currently only available complete as part of this box)

Bach: Coffee Cantata, Peasant Cantata / Kirkby, Hogwood, AAM (currently only available as part of this box)

C. P. E. Bach: 6 Symphonies / Hogwood, AAM (currently only available as part of this box)

J. C. Bach: Six Favorite Overtures / Hogwood, AAM

Telemann: Double & Triple Concertos / Hogwood, AAM

Biber: Requiem / Pickett, New London Consort

Musique pour le Chambre du Roy / Hogwood, AAM (2 CDs)

Rebel: Les Elemens; Destouches / Hogwood, AAM

Royer: Pièces de Clavecin 1746 / Christophe Rousset

Rameau: Ouvertures / Rousset, Les Talens Lyriques

Couperin: Trois Leçons de Ténèbres / Kirkby, Nelson, Hogwood

Albinoni: 12 Concertos Op 9 / Manze, Hogwood, AAM (2 CDs)

Carissimi: 8 Cantatas (currently only available as part of this box)

Geminiani: Concerti Grossi / Schröder, Hogwood, AAM

Pergolesi: Stabat Mater, Salve Regina / Kirkby, Bowman, Hogwood, AAM (currently only available as part of this box)

A. Scarlatti: Il Giardino di Rose / Dantone, Accademia Bizantina (currently only available as part of this box)

Scarlatti: Sonatas / Colin Tilney

Vivaldi: Four Seasons / Hogwood, AAM

Vivaldi: Stabat Mater, Nisi Dominus / Bowman, Hogwood, AAM

Vivaldi: 3 Cello Concertos, Sonatas / Coin, Hogwood, AAM

Vivaldi: Violin Concertos Op 6 / Manze, Hogwood, AAM

Vivaldi: Oboe Concertos / Hammer, de Bruine, Hogwood, AAM

Vivaldi: Gloria; Bach: Magnificat / Preston, Choir of Christ Church Cathedral Oxford (currently only available complete as part of this box)

Christmas Concertos / Hogwood, AAM

Concerti di Flauti - Telemann, Heinichen, Marcello / Loeki Stardust Quartet, Hogwood, AAM

Il Pianto di Maria - The Virgin's Lament / Fink, Antonini, Il Giardino Armonico Read less

Works on This Recording

1.
Overture no 3 in G major by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
2.
Overture no 1 in E minor by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
3.
Overture no 2 in A major by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
4.
Overture no 4 in F major by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
5.
Overture no 5 in D major by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
6.
Overture no 6 in B flat major by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
7.
Overture no 7 in D major by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
8.
Overture no 8 in G minor by Thomas Augustine Arne
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 18th Century; England 
9.
Symphonies (8), Op. 2 by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1737-1756; England 
10.
Symphonies (8), Op. 2: no 1 in B flat major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1756; England 
11.
Symphonies (8), Op. 2: no 2 in A major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1756; England 
12.
Symphonies (8), Op. 2: no 3 in C major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1749; England 
13.
Symphonies (8), Op. 2: no 4 in F major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1751; England 
14.
Symphonies (8), Op. 2: no 5 in D major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1739; England 
15.
Symphonies (8), Op. 2: no 6 in F major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1742; England 
16.
Symphonies (8), Op. 2: no 7 in B flat major by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1740; England 
17.
Symphonies (8), Op. 2: no 8 in D minor by William Boyce
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: ?1737; England 
18.
Venus and Adonis by John Blow
Performer:  Catherine Bott (Speaker), Libby Crabtree (Soprano), Michael George (Baritone)
Conductor:  Philip Pickett
Orchestra/Ensemble:  Westminster Abbey School Choristers Choir,  New London Consort Orchestra
Period: Baroque 
Written: ?1681; England 
19.
Indian Queen, Z 630 by Henry Purcell
Performer:  Emma Kirkby (Soprano), Gerald Finley (Bass), Thomas Williams (Treble),
Catherine Bott (Soprano), Libby Crabtree (Soprano), Julian Podger (Tenor),
David Thomas (Bass), Helen Parker (Soprano), John Mark Ainsley (Tenor),
Simon Berridge (Tenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music Chorus,  Academy of Ancient Music Chamber Ensemble
Period: Baroque 
Written: 1695; England 
Date of Recording: 07/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 73 Minutes 27 Secs. 
Language: English 
20.
Sweeter than roses, Z 585 by Henry Purcell
Performer:  Rachel Podger (Violin), Catherine Bott (Soprano), Mark Levy (Bass Viola da gamba),
Paula Chateauneuf (Guitar), Anthony Robson (Oboe), Pamela Thorby (Recorder),
Pavlo Beznosiuk (Violin), Paula Chateauneuf (Theorbo), Richard Egarr (Harpsichord)
Period: Baroque 
Written: By 1696; England 
21.
History of King Richard II, Z 581: Retir'd from any mortal's sight by Henry Purcell
Performer:  Pamela Thorby (Recorder), Anthony Robson (Oboe), Pavlo Beznosiuk (Violin),
Mark Levy (Bass Viola da gamba), Paula Chateauneuf (Theorbo), Rachel Podger (Violin),
Paula Chateauneuf (Guitar), Richard Egarr (Harpsichord), Catherine Bott (Soprano)
Period: Baroque 
Written: 1681; England 
22.
King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell
Performer:  Rachel Podger (Violin), Pavlo Beznosiuk (Violin), Anthony Robson (Oboe),
Paula Chateauneuf (Theorbo), Paula Chateauneuf (Guitar), Richard Egarr (Harpsichord),
Mark Levy (Bass Viola da gamba), Catherine Bott (Soprano), Pamela Thorby (Recorder)
Period: Baroque 
Written: 1691; England 
23.
Sir Anthony Love, Z 588 "Rambling Lady": Pursuing Beauty by Henry Purcell
Performer:  Pavlo Beznosiuk (Violin), Pamela Thorby (Recorder), Rachel Podger (Violin),
Catherine Bott (Soprano), Anthony Robson (Oboe), Paula Chateauneuf (Theorbo),
Mark Levy (Bass Viola da gamba), Richard Egarr (Harpsichord), Paula Chateauneuf (Guitar)
Period: Baroque 
Written: 1690; England 
24.
Oedipus, Z 583: Music for a while by Henry Purcell
Performer:  Richard Egarr (Harpsichord), Rachel Podger (Violin), Pavlo Beznosiuk (Violin),
Anthony Robson (Oboe), Paula Chateauneuf (Theorbo), Paula Chateauneuf (Guitar),
Catherine Bott (Soprano), Pamela Thorby (Recorder), Mark Levy (Bass Viola da gamba)
Period: Baroque 
Written: ?1692; England 
25.
Henry the Second, Z 580: In vain 'gainst love I strove by Henry Purcell
Performer:  Pamela Thorby (Recorder), Richard Egarr (Harpsichord), Catherine Bott (Soprano),
Anthony Robson (Oboe), Pavlo Beznosiuk (Violin), Rachel Podger (Violin),
Paula Chateauneuf (Theorbo), Paula Chateauneuf (Guitar), Mark Levy (Bass Viola da gamba)
Period: Baroque 
Written: 1692; England 
26.
Rule a Wife and Have a Wife, Z 587: There's not a swain by Henry Purcell
Performer:  Richard Egarr (Harpsichord), Paula Chateauneuf (Guitar), Catherine Bott (Soprano),
Pamela Thorby (Recorder), Anthony Robson (Oboe), Pavlo Beznosiuk (Violin),
Rachel Podger (Violin), Paula Chateauneuf (Theorbo), Mark Levy (Bass Viola da gamba)
Period: Baroque 
Written: 1693; England 
27.
Fairy Queen, Z 629: Thrice happy lovers "An Epithalamium" by Henry Purcell
Performer:  Richard Egarr (Harpsichord), Paula Chateauneuf (Guitar), Paula Chateauneuf (Theorbo),
Rachel Podger (Violin), Anthony Robson (Oboe), Pavlo Beznosiuk (Violin),
Pamela Thorby (Recorder), Mark Levy (Bass Viola da gamba), Catherine Bott (Soprano)
Period: Baroque 
Written: 1692; England 
28.
Fairy Queen, Z 629: Oh, oh, let me weep "The Plaint" by Henry Purcell
Performer:  Mark Levy (Bass Viola da gamba), Richard Egarr (Harpsichord), Paula Chateauneuf (Guitar),
Paula Chateauneuf (Theorbo), Pavlo Beznosiuk (Violin), Rachel Podger (Violin),
Anthony Robson (Oboe), Pamela Thorby (Recorder), Catherine Bott (Soprano)
Period: Baroque 
Written: 1692; England 
29.
Timon of Athens, Z 632: The cares of lovers by Henry Purcell
Performer:  Catherine Bott (Soprano), Mark Levy (Bass Viola da gamba), Pamela Thorby (Recorder),
Pavlo Beznosiuk (Violin), Anthony Robson (Oboe), Rachel Podger (Violin),
Paula Chateauneuf (Theorbo), Paula Chateauneuf (Guitar), Richard Egarr (Harpsichord)
Period: Baroque 
Written: 1694; England 
30.
Tyrannic Love, Z 613 "Royal Martyr": Ah, how sweet it is to love by Henry Purcell
Performer:  Richard Egarr (Harpsichord), Paula Chateauneuf (Guitar), Paula Chateauneuf (Theorbo),
Mark Levy (Bass Viola da gamba), Pamela Thorby (Recorder), Catherine Bott (Soprano),
Anthony Robson (Oboe), Pavlo Beznosiuk (Violin), Rachel Podger (Violin)
Period: Baroque 
Written: 1694; England 
31.
Tempest, Z 631 "Enchanted Island": Dear pretty youth by Henry Purcell
Performer:  Mark Levy (Bass Viola da gamba), Rachel Podger (Violin), Pavlo Beznosiuk (Violin),
Paula Chateauneuf (Theorbo), Richard Egarr (Harpsichord), Catherine Bott (Soprano),
Anthony Robson (Oboe), Pamela Thorby (Recorder), Paula Chateauneuf (Guitar)
Period: Baroque 
Written: circa 1695; England 
32.
Bonduca, Z 574: O lead me to some peaceful gloom by Henry Purcell
Performer:  Richard Egarr (Harpsichord), Mark Levy (Bass Viola da gamba), Paula Chateauneuf (Guitar),
Catherine Bott (Soprano), Rachel Podger (Violin), Anthony Robson (Oboe),
Pavlo Beznosiuk (Violin), Pamela Thorby (Recorder), Paula Chateauneuf (Theorbo)
Period: Baroque 
Written: 1695; England 
33.
My lodging is on the cold ground by Matthew Locke
Performer:  Paula Chateauneuf (Theorbo), Catherine Bott (Soprano)
34.
Lovely Selina by John Blow
Performer:  Mark Levy (Bass Viola da gamba), Paula Chateauneuf (Theorbo), Catherine Bott (Soprano)
Period: Baroque 
Written: 1689; England 
35.
Where art thou, God of Dreams? by Giovanni Battista Draghi
Performer:  Pavlo Beznosiuk (Violin), Rachel Podger (Violin), Catherine Bott (Soprano),
Paula Chateauneuf (Guitar), Mark Levy (Bass Viola da gamba), Richard Egarr (Harpsichord),
Pamela Thorby (Recorder), Paula Chateauneuf (Theorbo)
Period: Baroque 
Written: 1683; England 
36.
Find me a lonely cave by John Eccles
Performer:  Mark Levy (Bass Viola da gamba), Catherine Bott (Soprano)
37.
Dry those eyes by John Weldon
Performer:  Pavlo Beznosiuk (Violin), Rachel Podger (Violin), Catherine Bott (Soprano),
Paula Chateauneuf (Guitar), Mark Levy (Bass Viola da gamba), Richard Egarr (Harpsichord),
Pamela Thorby (Recorder), Paula Chateauneuf (Theorbo)
38.
Halcyon Days, for soprano & ensemble by John Weldon
Performer:  Rachel Podger (Violin), Pavlo Beznosiuk (Violin), Anthony Robson (Oboe),
Paula Chateauneuf (Theorbo), Paula Chateauneuf (Guitar), Richard Egarr (Harpsichord),
Mark Levy (Bass Viola da gamba), Catherine Bott (Soprano), Pamela Thorby (Recorder)
39.
Music for the Royal Fireworks, HWV 351 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1749; London, England 
40.
Water Music Suite no 1 in F major, HWV 348 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1715-1717; London, England 
41.
Concerti grossi (12), Op. 6: no 1 in G major, HWV 319 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
42.
Concerti grossi (12), Op. 6: no 2 in F major, HWV 320 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
43.
Concerti grossi (12), Op. 6: no 3 in E minor, HWV 321 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
44.
Concerti grossi (12), Op. 6: no 4 in A minor, HWV 322 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
45.
Concerti grossi (12), Op. 6: no 5 in D major, HWV 323 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
46.
Concerti grossi (12), Op. 6: no 6 in G minor, HWV 324 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
47.
Concerti grossi (12), Op. 6: no 7 in B flat major, HWV 325 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
48.
Concerti grossi (12), Op. 6: no 8 in C minor, HWV 326 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
49.
Concerti grossi (12), Op. 6: no 9 in F major, HWV 327 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
50.
Concerti grossi (12), Op. 6: no 10 in D minor, HWV 328 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
51.
Concerti grossi (12), Op. 6: no 11 in A major, HWV 329 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
52.
Concerti grossi (12), Op. 6: no 12 in B minor, HWV 330 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Handel and Haydn Society
Period: Baroque 
Written: 1739; London, England 
53.
Alessandro Severo, HWV A13: Overture by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1738 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 5 Minutes 31 Secs. 
54.
Britannia: Welcome Mars by John Frederick Lampe
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1732; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 4 Minutes 31 Secs. 
Language: English 
55.
Dione: Pretty Warblers by John Frederick Lampe
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1732; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 7 Minutes 56 Secs. 
Language: English 
56.
Hornpipe in D major, HWV 356 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 1 Minutes 34 Secs. 
57.
Rosemond: Rise, Glory, rise by Thomas Augustine Arne
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 6 Minutes 34 Secs. 
Language: English 
58.
Ariodante, HWV 33: Neghittosi or voi che fate? by George Frideric Handel
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1734-1735; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 3 Minutes 42 Secs. 
Language: Italian 
59.
Alcina, HWV 34: Credete al mio dolore by George Frideric Handel
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1735; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 5 Minutes 37 Secs. 
Language: Italian 
60.
Alcina, HWV 34: Tornami a vagheggiar by George Frideric Handel
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1735; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 4 Minutes 20 Secs. 
Language: Italian 
61.
March in D major, HWV 345 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: 20th Century 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 1 Minutes 23 Secs. 
62.
Alexander's Feast, HWV 75: War, he sung, is toil and trouble by George Frideric Handel
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1736; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 5 Minutes 1 Secs. 
Language: English 
63.
L'Allegro, il Penseroso ed il Moderato, HWV 55: Sweet bird, that shun'st the noise of folly by George Frideric Handel
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1740; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 13 Minutes 0 Secs. 
Language: English 
64.
Saul, HWV 53: Capricious man by George Frideric Handel
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1738-1739; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 3 Minutes 45 Secs. 
Language: English 
65.
Comus: By the rushy-fringed bank by Thomas Augustine Arne
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1738; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 4 Minutes 32 Secs. 
Language: English 
66.
Comus: Brightest Lady, thrice upon thy finger's tip by Thomas Augustine Arne
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1738; London, England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 1 Minutes 43 Secs. 
Language: English 
67.
The Tempest: Ariel's Song "Where the bee sucks" by Thomas Augustine Arne
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1746; England 
Date of Recording: 09/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 2 Minutes 21 Secs. 
Language: English 
68.
Italian Duets: no 15, Qual fior che all' alba ride, HWV 192 by George Frideric Handel
Performer:  Judith Nelson (Soprano), Emma Kirkby (Soprano), Patrizia Kwella (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: ?1708; Italy 
Language: Italian 
69.
Nell' africaine selve, HWV 136 by George Frideric Handel
Performer:  David Thomas (Bass)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1708; Italy 
Language: Italian 
70.
Italian Duets: no 16, Nò, di voi non vo'fidarmi, HWV 189 by George Frideric Handel
Performer:  Emma Kirkby (Soprano), Susan Sheppard (Cello), Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1741; London, England 
Language: Italian 
71.
Nella stagion, che di viole et rose, HWV 137 by George Frideric Handel
Performer:  Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Italy 
Language: Italian 
72.
Italian Duets: no 10, Tacete, ohimè, tacete, HWV 196 by George Frideric Handel
Performer:  David Thomas (Bass), Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1710; London, England 
Language: Italian 
73.
Italian Duets: no 14, Se tu no lasci amore, HWV 193 by George Frideric Handel
Performer:  Emma Kirkby (Soprano), Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1720-1724; London, England 
Language: Italian 
74.
The Alchemist, HWV 43 by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1710; London, England 
75.
I like the am'rous youth that's free, HWV 228 no 11 by George Frideric Handel
Performer:  Patrizia Kwella (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1737; London, England 
Language: English 
76.
'Twas when the seas were roaring, HWV 228 no 19 by George Frideric Handel
Performer:  Patrizia Kwella (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1715; England 
Language: English 
77.
Love's but the frailty of the mind, HWV 218 by George Frideric Handel
Performer:  Patrizia Kwella (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1740; London, England 
Language: English 
78.
Messiah, HWV 56 by George Frideric Handel
Performer:  Emma Kirkby (Soprano), Carolyn Watkinson (Mezzo Soprano), Paul Elliott (Tenor),
David Thomas (Bass), Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Christ Church Cathedral Choir
Period: Baroque 
Written: 1741; London, England 
Language: English 
79.
La resurrezione, HWV 47 by George Frideric Handel
Performer:  Carolyn Watkinson (Alto), David Thomas (Bass), Patrizia Kwella (Soprano),
Emma Kirkby (Soprano), Ian Partridge (Tenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1708; Italy 
Length: 110 Minutes 0 Secs. 
Language: Italian 
80.
Orlando, HWV 31 by George Frideric Handel
Performer:  David Thomas (Bass), Arleen Augér (Soprano), Catherine Robbin (Mezzo Soprano),
Emma Kirkby (Soprano), James Bowman (Countertenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1733; London, England 
Language: Italian 
81.
Goldberg Variations, BWV 988 by Johann Sebastian Bach
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 1741-1742; Nuremberg, Germany 
Date of Recording: 09/1994 
Venue:  St. Hippolyte Church, Castres, France 
Length: 76 Minutes 44 Secs. 
82.
Brandenburg Concerto no 1 in F major, BWV 1046 by Johann Sebastian Bach
Performer:  Gail Hennessy (Oboe), Philip Turbett (Bassoon), Catherine Latham (Oboe),
Pavlo Beznosiuk (Violino Piccolo), Catherine Mackintosh (Viola), Lucy Russell (Violin),
Rachel Podger (Violin), Christian Rutherford (French Horn), Richard Tunnicliffe (Cello),
James Eastaway (Oboe), Andrew [French Horn] Clark (French Horn), David Roblou (Harpsichord),
Tom Finucane (Archlute), Richard Egarr (Organ), Paula Chateauneuf (Archlute),
Peter McCarthy (Violone)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1717; ?Cöthen, Germany 
Date of Recording: 03/1993 
Venue:  Walthamstow Town Hall, London 
Length: 20 Minutes 1 Secs. 
83.
Brandenburg Concerto no 2 in F major, BWV 1047 by Johann Sebastian Bach
Performer:  Philip Pickett (Recorder), Pavlo Beznosiuk (Violin), Catherine Latham (Oboe),
David Staff (Trumpet), Rachel Podger (Violin), Peter McCarthy (Violone),
Paula Chateauneuf (Archlute), Tom Finucane (Archlute), Richard Egarr (Organ),
Richard Tunnicliffe (Cello), David Roblou (Harpsichord), Catherine Mackintosh (Viola),
Lucy Russell (Violin)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1717-1718; ?Cöthen, Germany 
Date of Recording: 01/1993 
Venue:  Walthamstow Town Hall, London 
Length: 11 Minutes 18 Secs. 
84.
Brandenburg Concerto no 4 in G major, BWV 1049 by Johann Sebastian Bach
Performer:  David Roblou (Harpsichord), Richard Egarr (Organ), Peter McCarthy (Violone),
Rachel Podger (Violin), Richard Tunnicliffe (Cello), Lucy Russell (Violin),
Catherine Mackintosh (Viola), Catherine Latham (Recorder), Tom Finucane (Archlute),
Paula Chateauneuf (Archlute), Pavlo Beznosiuk (Violin), Philip Pickett (Recorder)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: circa 1720; ?Cöthen, Germany 
Date of Recording: 01/1993 
Venue:  Walthamstow Town Hall, London 
Length: 15 Minutes 10 Secs. 
85.
Brandenburg Concerto no 5 in D major, BWV 1050 by Johann Sebastian Bach
Performer:  Richard Tunnicliffe (Cello), Peter McCarthy (Violone), David Roblou (Harpsichord),
Catherine Mackintosh (Viola), Lisa Beznosiuk (Flute), Rachel Podger (Violin),
Pavlo Beznosiuk (Violin), Richard Egarr (Organ)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1720-1721; ?Cöthen, Germany 
Date of Recording: 03/1993 
Venue:  Walthamstow Town Hall, London 
Length: 20 Minutes 38 Secs. 
86.
Brandenburg Concerto no 6 in B flat major, BWV 1051 by Johann Sebastian Bach
Performer:  Paula Chateauneuf (Archlute), Peter McCarthy (Violone), Joanna Levine (Bass Viola da gamba),
Pavlo Beznosiuk (Viola), Catherine Mackintosh (Viola), David Roblou (Organ),
Mark Levy (Bass Viola da gamba), Tom Finucane (Archlute)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1708-1710; ?Weimar, Germany 
Date of Recording: 01/1993 
Venue:  Walthamstow Town Hall, London 
Length: 16 Minutes 17 Secs. 
87.
Brandenburg Concerto no 3 in G major, BWV 1048 by Johann Sebastian Bach
Performer:  David Roblou (Harpsichord), Daniel Yeadon (Cello), David Watkin (Cello),
Richard Tunnicliffe (Cello), Alan George (Viola), Martin Kelly (Viola),
Catherine Mackintosh (Viola), Lucy Russell (Violin), Rachel Podger (Violin),
Pavlo Beznosiuk (Violin), Richard Egarr (Organ), Peter McCarthy (Violone)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1711-1713; ?Weimar, Germany 
Date of Recording: 03/1993 
Venue:  Walthamstow Town Hall, London 
Length: 10 Minutes 34 Secs. 
88.
Concerto for 3 Harpsichords in C major, BWV 1064 by Johann Sebastian Bach
Performer:  Davitt Moroney (Harpsichord), Christophe Rousset (Harpsichord), Christopher Hogwood (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
89.
Concerto for 3 Harpsichords in D minor, BWV 1063 by Johann Sebastian Bach
Performer:  Colin Tilney (Harpsichord), Christophe Rousset (Harpsichord), Davitt Moroney (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
90.
Concerto for 4 Harpsichords in A minor, BWV 1065 by Johann Sebastian Bach
Performer:  Christopher Hogwood (Harpsichord), Christophe Rousset (Harpsichord), Colin Tilney (Harpsichord),
Davitt Moroney (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
91.
Concerto for 3 Violins in D major, BWV 1064 by Johann Sebastian Bach
Performer:  Catherine Mackintosh (Violin), Monica Huggett (Violin), Christopher Hirons (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1738-1739; Leipzig, Germany 
92.
Concerto for 4 Violins and Cello in B minor, Op. 3 no 10/RV 580 by Antonio Vivaldi
Performer:  John Holloway (Violin), Elizabeth Wilcock (Violin), Catherine Mackintosh (Violin),
Monica Huggett (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1711; Venice, Italy 
93.
Jesu, der du meine Seele, BWV 78 by Johann Sebastian Bach
Conductor:  Joshua Rifkin
Orchestra/Ensemble:  Bach Ensemble
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
94.
Liebster Gott, wenn werd' ich sterben?, BWV 8 by Johann Sebastian Bach
Conductor:  Joshua Rifkin
Orchestra/Ensemble:  Bach Ensemble
Period: Baroque 
Written: 1724; Leipzig, Germany 
Language: German 
95.
Was Gott tut, das ist wohlgetan, BWV 99 by Johann Sebastian Bach
Performer:  Jan Opalach (Bass Baritone), Julianne Baird (Soprano), Allan Fast (Countertenor),
Frank Kelley (Tenor)
Conductor:  Joshua Rifkin
Orchestra/Ensemble:  Bach Ensemble
Period: Baroque 
Written: 1724; Leipzig, Germany 
96.
Schweigt stille, plaudert nicht, BWV 211 "Coffee Cantata" by Johann Sebastian Bach
Performer:  Rogers Covey-Crump (Tenor), David Thomas (Bass), Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1734-1735; Leipzig, Germany 
Language: German 
97.
Mer Hahn en neue Oberkeet, BWV 212 "Peasant Cantata" by Johann Sebastian Bach
Performer:  Emma Kirkby (Soprano), David Thomas (Bass)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1742; Leipzig, Germany 
Language: German 
98.
Sinfonias (6), Wq 182 by Carl Philipp Emmanuel Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: 1773; Hamburg, Germany 
99.
Overtures (6), no 1 in D major by Johann Christian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: England 
100.
Overtures (6), no 2 in D major by Johann Christian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: England 
101.
Overtures (6), no 3 in D major by Johann Christian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: England 
102.
Overtures (6), no 4 in C major by Johann Christian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: England 
103.
Overtures (6), no 5 in G major by Johann Christian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: England 
104.
Overtures (6), no 6 in G major by Johann Christian Bach
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
Written: England 
105.
Concerto for 3 Trumpets in D major, BD 2 by Georg Philipp Telemann
Performer:  Friedemann Immer (Trumpet), Michael Laird (Trumpet), Ian Wilson (Trumpet)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
106.
Quadro in B flat major by Georg Philipp Telemann
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
107.
Concerto for Recorder and Flute in E minor, TV 52 no e 1 by Georg Philipp Telemann
Performer:  Timothy Mason (Recorder), John Turner (Flute)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Germany 
108.
Concerto polonois in G major, Z 9 by Georg Philipp Telemann
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
109.
Concerto for Flute, Oboe d'Amore and Viola d'Amore in E major, TV 53 no E 1 by Georg Philipp Telemann
Performer:  John Turner (Flute), Clare Shanks (Viola d'amore), Clare Shanks (Oboe d'amore)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1730-1740; Hamburg, Germany 
110.
Requiem a 15 by Heinrich Ignaz Biber
Performer:  Tessa Bonner (Soprano), Christopher Robson (Countertenor), John Mark Ainsley (Tenor),
Catherine Bott (Soprano), Michael George (Bass)
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 17th Century; Bohemia 
Language: Latin 
111.
Ballettae for Violin, 2 Violas and Viola da Gamba by Heinrich Ignaz Biber
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 17th Century; Salzburg, Austria 
112.
Battalia for Violin, Strings and Basso Continuo in D major by Heinrich Ignaz Biber
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 1673 
113.
Serenade in C major "Nightwatchman's Call" by Heinrich Ignaz Biber
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 17th Century; Salzburg, Austria 
114.
Sonata for Strings and Basso Continuo in B flat major "Die Bauernkirchfahrt" by Heinrich Ignaz Biber
Conductor:  Philip Pickett
Orchestra/Ensemble:  New London Consort
Period: Baroque 
Written: 17th Century; Salzburg, Austria 
115.
Trio Sonata for 2 Violins and Basso Continuo in C minor "La Pucelle " by François Couperin
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: France 
116.
Qu'on ne me dise plus by François Couperin
Performer:  Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1697; France 
117.
Doux liens de mon coeur by François Couperin
Performer:  Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1701; France 
118.
Le triomphe de la constance by Michel Monteclair
Performer:  Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
119.
Suite no 1 by Jean-Baptiste Forqueray
Performer:  Christophe Coin (Bass Viola Da Gamba)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
120.
Les nations: Suite de simphonie en trio by François Couperin
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: France 
121.
Sonatas (12) for Violin/Flute and Basso Continuo, Op. 9: no 6 in D major by Jean-Marie Leclair
Performer:  Monica Huggett (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1743; France 
122.
Pièces de viole, Book 3: Suite in F major by Marin Marais
Performer:  Christophe Coin (Bass Viola Da Gamba)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1711; Paris, France 
123.
Pièces de viole, Book 5: Suite no 7 in E minor - Tableau de l'opération de la taille by Marin Marais
Performer:  Christophe Coin (Bass Viola Da Gamba)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1725; Paris, France 
124.
Pan et Syrinx by Michel Monteclair
Performer:  Judith Nelson (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
125.
La gamme et autres morceaux de simphonie: La Sonnerie de Sainte Geneviève du Mont à Paris by Marin Marais
Performer:  Christophe Coin (Bass Viola Da Gamba), Monica Huggett (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: by 1723; Paris, France 
126.
Les élémens by Andre Destouches
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1721; Paris, France 
Date of Recording: 06/1978 
Venue:  St. Paul's, Arnos Grove, London 
127.
Les élémens by Jean-Féry Rebel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1737; Paris, France 
Date of Recording: 06/1978 
Venue:  St. Paul's, Arnos Grove, London 
128.
Pièces de clavecin, livre I: no 1, La majesteuse by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 3 Minutes 57 Secs. 
129.
Pièces de clavecin, livre I: no 2, La Zaïde by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 5 Minutes 3 Secs. 
130.
Pièces de clavecin, livre I: no 3, Les matelots by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 2 Minutes 24 Secs. 
131.
Pièces de clavecin, livre I: no 4a, Tambourin I by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 1 Minutes 43 Secs. 
132.
Pièces de clavecin, livre I: no 4b, Tambourin II by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
133.
Pièces de clavecin, livre I: no 5, L'incertaine by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 3 Minutes 30 Secs. 
134.
Pièces de clavecin, livre I: no 6, L'aimable by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 5 Minutes 2 Secs. 
135.
Pièces de clavecin, livre I: no 7, La bagatelle by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 1 Minutes 26 Secs. 
136.
Pièces de clavecin, livre I: no 8, Suite de la bagatelle by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 2 Minutes 26 Secs. 
137.
Pièces de clavecin, livre I: no 9, La remouleuse by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 2 Minutes 54 Secs. 
138.
Pièces de clavecin, livre I: no 10, Les tendres sentiments by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 6 Minutes 37 Secs. 
139.
Pièces de clavecin, livre I: no 11, Le vertigo by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 5 Minutes 8 Secs. 
140.
Pièces de clavecin, livre I: no 12, Allemande in C minor by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 5 Minutes 1 Secs. 
141.
Pièces de clavecin, livre I: no 13, La sensible by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 4 Minutes 10 Secs. 
142.
Pièces de clavecin, livre I: no 14, La marche des Scythes by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: by 1746; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 6 Minutes 15 Secs. 
143.
La chasse de Zaïde by Joseph Nicolas P. Royer
Performer:  Christophe Rousset (Harpsichord)
Period: Baroque 
Written: 1739; France 
Date of Recording: 08/1991 
Venue:  Church of Saint-Hippolyte, Castres 
Length: 3 Minutes 15 Secs. 
144.
Les fêtes de Polymnie: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: by 1745; France 
Length: 8 Minutes 52 Secs. 
145.
Les Indes galantes: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1735/1761; France 
146.
Zaïs: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
147.
Castor et Pollux: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1737; Paris, France 
148.
Naïs: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: by 1749; France 
149.
Platée: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1745; France 
150.
Les fêtes d'Hébé: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1739; Paris, France 
151.
Zoroastre: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1732; France 
152.
Dardanus: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1739/1744; France 
153.
Les Paladins: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1760; France 
154.
Hippolyte et Aricie: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1733; Paris, France 
155.
Le temple de la gloire: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1745; France 
156.
Pygmalion: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1748; Paris, France 
157.
Les Surprises de l'Amour: Prologue - Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
158.
Les fêtes de l'Hymen et de l'Amour: Overture by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: 1747; France 
159.
Acante et Céphise: Voeux de la nation by Jean-Philippe Rameau
Conductor:  Christophe Rousset
Orchestra/Ensemble:  Les Talens Lyriques
Period: Baroque 
Written: France 
160.
Concerti (12) à 5, Op. 9: no 1 for Violin in B flat major by Tomaso Albinoni
Performer:  Andrew Manze (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 12/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 6 Minutes 46 Secs. 
161.
Concerti (12) à 5, Op. 9: no 4 for Violin in A major by Tomaso Albinoni
Performer:  Andrew Manze (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 12/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 8 Minutes 27 Secs. 
162.
Concerti (12) à 5, Op. 9: no 7 for Violin in D major by Tomaso Albinoni
Performer:  Andrew Manze (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 02/1997 
Venue:  Henry Wood Hall, London, England 
Length: 11 Minutes 30 Secs. 
163.
Concerti (12) à 5, Op. 9: no 10 for Violin in F major by Tomaso Albinoni
Performer:  Andrew Manze (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 02/1997 
Venue:  Henry Wood Hall, London, England 
Length: 10 Minutes 32 Secs. 
164.
Concerti (12) à 5, Op. 9: no 2 for Oboe in D minor by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 12/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 12 Minutes 11 Secs. 
165.
Concerti (12) à 5, Op. 9: no 3 for 2 Oboes in F major by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe), Alfredo Bernardini (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 12/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 10 Minutes 2 Secs. 
166.
Concerti (12) à 5, Op. 9: no 5 for Oboe in C major by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 12/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 8 Minutes 35 Secs. 
167.
Concerti (12) à 5, Op. 9: no 6 for 2 Oboes in G major by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe), Alfredo Bernardini (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 12/1994 
Venue:  Walthamstow Assembly Hall, London 
Length: 9 Minutes 16 Secs. 
168.
Concerti (12) à 5, Op. 9: no 8 for Oboe in G minor by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 02/1997 
Venue:  Henry Wood Hall, London, England 
Length: 10 Minutes 12 Secs. 
169.
Concerti (12) à 5, Op. 9: no 9 for 2 Oboes in C major by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe), Alfredo Bernardini (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 02/1997 
Venue:  Henry Wood Hall, London, England 
Length: 10 Minutes 18 Secs. 
170.
Concerti (12) à 5, Op. 9: no 11 for Oboe in B flat major by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 02/1997 
Venue:  Henry Wood Hall, London, England 
Length: 11 Minutes 13 Secs. 
171.
Concerti (12) à 5, Op. 9: no 12 for 2 Oboes in D major by Tomaso Albinoni
Performer:  Frank De Bruine (Oboe), Alfredo Bernardini (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
Date of Recording: 02/1997 
Venue:  Henry Wood Hall, London, England 
Length: 7 Minutes 12 Secs. 
172.
Concerti (12) à 5, Op. 9 by Tomaso Albinoni
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1722; Venice, Italy 
173.
Leçons de tenébres by François Couperin
Performer:  Emma Kirkby (Soprano), Jane Ryan (Bass Viola da gamba), Judith Nelson (Soprano),
Christopher Hogwood (Organ)
Period: Baroque 
Written: 1713-1717; Paris, France 
Date of Recording: 05/1977 
Venue:  St Jude-on-the-Hill, Hampstead, London 
Language: French 
174.
Victoria, Christo resurgenti by François Couperin
Performer:  Judith Nelson (Soprano), Jane Ryan (Bass Viola da gamba), Christopher Hogwood (Organ),
Emma Kirkby (Soprano)
Period: Baroque 
Written: Paris, France 
Date of Recording: 05/1977 
Venue:  St Jude-on-the-Hill, Hampstead, London 
Length: 6 Minutes 13 Secs. 
Language: French 
175.
No, no, non si speri by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: by 1674; Italy 
176.
Deh, memoria by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: 17th Century; Italy 
177.
Apritevi inferni by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: 17th Century; Italy 
178.
Bel tempo per me se n'ando by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: Italy 
179.
In un mar di pensieri by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: Italy 
180.
V'intendo v'intendo ochhi by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: Italy 
181.
Suonerà l'ultima tromba by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: Italy 
182.
Amor mio, che cosa è questo by Giacomo Carissimi
Performer:  Trevor [viola da gamba] Jones (Viola Da Gamba), Martyn Hill (Tenor), Robert Spencer (Lute)
Period: Baroque 
Written: Italy 
183.
Concerti grossi (6), Op. 3: no 1 in D major by Francesco Geminiani
Performer:  Jaap Schröder (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; England 
184.
Concerti grossi (6), Op. 3: no 2 in G minor - Allegro by Francesco Geminiani
Performer:  Jaap Schröder (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; England 
185.
Concerti grossi (6), Op. 3: no 3 in E minor by Francesco Geminiani
Performer:  Jaap Schröder (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; England 
186.
Concerti grossi (6), Op. 3: no 4 in D minor by Francesco Geminiani
Performer:  Jaap Schröder (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; England 
187.
Concerti grossi (6), Op. 3: no 5 in B flat major by Francesco Geminiani
Performer:  Jaap Schröder (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; England 
188.
Concerti grossi (6), Op. 3: no 6 in E minor by Francesco Geminiani
Performer:  Jaap Schröder (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1733; England 
189.
Stabat Mater by Giovanni Battista Pergolesi
Performer:  Emma Kirkby (Soprano), James Bowman (Countertenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1736; Pozzuoli, Italy 
Date of Recording: 08/1988 
Venue:  St Jude-on-the-Hill, Hampstead, London 
Length: 37 Minutes 17 Secs. 
Language: Latin 
190.
Salve Regina in C minor by Giovanni Battista Pergolesi
Performer:  Emma Kirkby (Soprano)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1736; Pozzuoli, Italy 
Date of Recording: 08/1988 
Venue:  St Jude-on-the-Hill, Hampstead, London 
Language: Latin 
191.
Agar et Ismaele esiliati: Sinfonia by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1683; Italy 
Date of Recording: 09/2000 
Venue:  Casa Romei, Ferrara, Italy 
Length: 5 Minutes 17 Secs. 
192.
San Filippo Neri: Introdutione by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: by 1705; Italy 
Date of Recording: 09/2000 
Venue:  Casa Romei, Ferrara, Italy 
Length: 1 Minutes 41 Secs. 
193.
Cain overo Il primo omicidio: Sinfonia by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1707; Venice, Italy 
Date of Recording: 09/2000 
Venue:  Casa Romei, Ferrara, Italy 
Length: 3 Minutes 48 Secs. 
194.
Il giardino di rose: Overture by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1707; Italy 
Date of Recording: 09/2000 
Venue:  Casa Romei, Ferrara, Italy 
Length: 4 Minutes 42 Secs. 
195.
L'assunzione della Beata Vergine Maria: Sinfonia by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1703; Rome, Italy 
Date of Recording: 09/2000 
Venue:  Casa Romei, Ferrara, Italy 
Length: 2 Minutes 16 Secs. 
196.
Il regno di Maria assunta in Cielo: Sinfonia by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: 1705/1706; Rome, Italy 
Date of Recording: 09/2000 
Venue:  Casa Romei, Ferrara, Italy 
Length: 3 Minutes 37 Secs. 
197.
Concerto for Harpsichord no 1 in C major by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
Date of Recording: 09/2001 
Venue:  Casa Romei, Ferrara, Italy 
Length: 7 Minutes 8 Secs. 
198.
Concerto for Harpsichord no 2 in A major by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
Date of Recording: 09/2001 
Venue:  Casa Romei, Ferrara, Italy 
Length: 8 Minutes 36 Secs. 
199.
Concerto for Harpsichord no 3 in E minor by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
Date of Recording: 09/2001 
Venue:  Casa Romei, Ferrara, Italy 
Length: 11 Minutes 4 Secs. 
200.
Concerto for Harpsichord no 4 in C minor by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
Date of Recording: 09/2001 
Venue:  Casa Romei, Ferrara, Italy 
Length: 11 Minutes 35 Secs. 
201.
Concerto for Harpsichord no 5 in G major by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
Date of Recording: 09/2001 
Venue:  Casa Romei, Ferrara, Italy 
Length: 6 Minutes 58 Secs. 
202.
Concerto for Harpsichord no 6 in E flat major by Alessandro Scarlatti
Performer:  Ottavio Dantone (Harpsichord)
Conductor:  Ottavio Dantone
Orchestra/Ensemble:  Accademia Bizantina
Period: Baroque 
Written: Italy 
Date of Recording: 09/2001 
Venue:  Casa Romei, Ferrara, Italy 
Length: 8 Minutes 51 Secs. 
203.
Sonata for Harpsichord in A major, K 428/L 131 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: by 1754; Madrid, Spain 
204.
Sonata for Harpsichord in A major, K 429/L 132 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
205.
Sonata for Harpsichord in E minor, K 147/L 376 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
206.
Sonata for Harpsichord in E minor, K 198/L 22 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
207.
Sonata for Harpsichord in E minor, K 98/L 325 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
208.
Sonata for Harpsichord in C major, K 326/L 201 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: by 1752 
209.
Sonata for Harpsichord in C major, K 327/L 152 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
210.
Sonata for Harpsichord in F minor, K 466/L 118 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
211.
Sonata for Harpsichord in F minor, K 467/L 476 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
212.
Sonata for Harpsichord in E flat major, K 123/L 111 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
213.
Sonata for Harpsichord in G major, K 454/L 184 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
214.
Sonata for Harpsichord in G major, K 124/L 232 by Domenico Scarlatti
Performer:  Colin Tilney (Harpsichord)
Period: Baroque 
Written: 18th Century 
215.
Concerto for Violin in E major, Op. 8 no 1/RV 269 "Primavera" by Antonio Vivaldi
Performer:  Christopher Hirons (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1725; Venice, Italy 
Length: 9 Minutes 14 Secs. 
216.
Concerto for Violin in G minor, Op. 8 no 2/RV 315 "L'estate" by Antonio Vivaldi
Performer:  John Holloway (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
Length: 10 Minutes 14 Secs. 
217.
Concerto for Violin in F major, Op. 8 no 3/RV 293 "L'autunno" by Antonio Vivaldi
Performer:  Alison Bury (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
Length: 10 Minutes 35 Secs. 
218.
Concerto for Violin in F minor, Op. 8 no 4/RV 297 "L'inverno" by Antonio Vivaldi
Performer:  Catherine Mackintosh (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1725; Venice, Italy 
Length: 8 Minutes 27 Secs. 
219.
Concerto for Strings in G minor, RV 153 by Antonio Vivaldi
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
220.
Nisi Dominus in G minor, RV 608 by Antonio Vivaldi
Performer:  James Bowman (Countertenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Language: Latin 
221.
Stabat Mater in F minor, RV 621 by Antonio Vivaldi
Performer:  James Bowman (Countertenor)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Language: Latin 
222.
Concerto for Cello in D minor, RV 406 by Antonio Vivaldi
Performer:  Christophe Coin (Cello)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 08/1990 
Venue:  EMI Abbey Road Studios, London 
Length: 8 Minutes 45 Secs. 
223.
Sonata for Cello and Basso Continuo in A minor, RV 44 by Antonio Vivaldi
Performer:  Christophe Coin (Cello), Ageet Zweistra (Cello), Christopher Hogwood (Organ),
Eugène Ferré (Guitar)
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 09/1990 
Venue:  Walthamstow Town Hall, London 
Length: 11 Minutes 24 Secs. 
224.
Concerto for Cello in C minor, RV 402 by Antonio Vivaldi
Performer:  Christophe Coin (Cello)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 08/1990 
Venue:  EMI Abbey Road Studios, London 
Length: 9 Minutes 24 Secs. 
225.
Sonata for Cello and Basso Continuo in E flat major, RV 39 by Antonio Vivaldi
Performer:  Christopher Hogwood (Harpsichord), Eugène Ferré (Guitar), Ageet Zweistra (Cello),
Christophe Coin (Cello)
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 09/1990 
Venue:  Walthamstow Town Hall, London 
Length: 13 Minutes 18 Secs. 
226.
Sonata for Cello and Basso Continuo in G minor, RV 42 by Antonio Vivaldi
Performer:  Christopher Hogwood (Organ), Eugène Ferré (Guitar), Christophe Coin (Cello),
Ageet Zweistra (Cello)
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 09/1990 
Venue:  Walthamtow Town Hall, London 
Length: 14 Minutes 15 Secs. 
227.
Concerto for Cello in G major, RV 414 by Antonio Vivaldi
Performer:  Christophe Coin (Cello)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 08/1990 
Venue:  EMI Abbey Road Studios, London 
Length: 9 Minutes 52 Secs. 
228.
Concertos (6) for Violin, Op. 6 by Antonio Vivaldi
Performer:  Andrew Manze (Violin)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1716-1717; Venice, Italy 
Date of Recording: 07/1996 
Venue:  Henry Wood Hall, London, England 
Length: 45 Minutes 28 Secs. 
229.
Concerto for Violin in A major, RV 335 "The cuckow" by Antonio Vivaldi
Performer:  Andrew Manze (Violin), Christopher Hogwood (Organ)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 07/1996 
Venue:  Henry Wood Hall, London, England 
Length: 10 Minutes 58 Secs. 
230.
Concerto for Oboe in F major, RV 457 by Antonio Vivaldi
Performer:  Stephen Hammer (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 03/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 8 Minutes 50 Secs. 
231.
Concerto for Oboe in A minor, RV 461 by Antonio Vivaldi
Performer:  Stephen Hammer (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 03/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 9 Minutes 41 Secs. 
232.
Concerto for 2 Oboes in D minor, RV 535 by Antonio Vivaldi
Performer:  Frank De Bruine (Oboe), Stephen Hammer (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 03/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 8 Minutes 33 Secs. 
233.
Concerto for Oboe in A minor, RV 463 by Antonio Vivaldi
Performer:  Frank De Bruine (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 03/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 8 Minutes 57 Secs. 
234.
Concerto for Oboe in C major, RV 447 by Antonio Vivaldi
Performer:  Frank De Bruine (Oboe)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 03/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 13 Minutes 11 Secs. 
235.
Concerto for 2 Oboes and 2 Clarinets in C major, RV 559 by Antonio Vivaldi
Performer:  Eric Hoeprich (Clarinet), Stephen Hammer (Oboe), Frank De Bruine (Oboe),
Antony Pay (Clarinet)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 03/1991 
Venue:  Walthamstow Assembly Hall, London 
Length: 10 Minutes 8 Secs. 
236.
Magnificat in D major, BWV 243 by Johann Sebastian Bach
Performer:  Judith Nelson (Soprano), Carolyn Watkinson (Alto), Paul Elliott (Tenor),
David Thomas (Bass), Emma Kirkby (Soprano)
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Christ Church Cathedral Choir
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
237.
Gloria in D major, RV 589 by Antonio Vivaldi
Performer:  Judith Nelson (Soprano), Carolyn Watkinson (Alto), Paul Elliott (Tenor),
David Thomas (Bass)
Conductor:  Simon Preston
Orchestra/Ensemble:  Academy of Ancient Music,  Christ Church Cathedral Choir
Period: Baroque 
Written: Venice, Italy 
Language: Latin 
238.
Christmas Oratorio, BWV 248: no 10, Sinfonia in G major by Johann Sebastian Bach
Performer:  Christopher Hogwood (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
239.
Concerti grossi (12), Op. 6: no 8 in G minor "Christmas" by Arcangelo Corelli
Performer:  Christopher Hogwood (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1708-1712; Rome, Italy 
240.
Suite Noel by François Joseph Gossec
Performer:  Christopher Hogwood (Harpsichord)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Classical 
241.
Messiah, HWV 56: Pastoral Symphony "Pifa" by George Frideric Handel
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 1742; London, England 
242.
Concerti Grossi (12), Op. 8: no 6 in G minor "Christmas Concerto" by Giuseppe Torelli
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: circa 1709; Italy 
243.
Sonata no 12 for 7 by Pavel Josef Vejvanovsky
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
244.
Sonata Natalis in G minor by Pavel Josef Vejvanovsky
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: 17th Century; Moravia, Czech Repub 
245.
Pastorale for Organ and Strings in D major by Gregor Joseph Werner
Performer:  Christopher Hogwood (Organ)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music
Period: Baroque 
Written: Eisentadt, Austria 
246.
Concerto à 8 for 4 Recorders and Strings in C major by Johann David Heinichen
Performer:  Daniel Brüggen (Recorder), Bertho Driever (Recorder), Paul Leenhouts (Recorder),
Karel Van Steenhoven (Recorder)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Written: Germany 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 7 Minutes 29 Secs. 
247.
Concerto for 4 Recorders and Basso Continuo in D minor by Johann Christian Schickhardt
Performer:  Daniel Brüggen (Recorder), Paul Leenhouts (Recorder), Bertho Driever (Recorder),
Karel Van Steenhoven (Recorder)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Written: Germany 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 9 Minutes 56 Secs. 
248.
Concerto for 2 Recorders and Strings in A minor by Georg Philipp Telemann
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Written: Germany 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 8 Minutes 44 Secs. 
249.
Concertos (6) for 2 Flutes/Oboes "La cetra": no 6 in G major by Alessandro Marcello
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Written: circa 1740; Italy 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 4 Minutes 41 Secs. 
250.
Concerto for 2 Recorders and Strings in B flat major by Georg Philipp Telemann
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Written: Germany 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 8 Minutes 24 Secs. 
251.
Concerto for 4 Recorders and Basso Continuo in G major by Johann Christian Schickhardt
Performer:  Daniel Brüggen (Recorder), Bertho Driever (Recorder), Paul Leenhouts (Recorder),
Karel Van Steenhoven (Recorder)
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 7 Minutes 20 Secs. 
252.
Concerto for Double Orchestra in A major, RV 585 by Antonio Vivaldi
Conductor:  Christopher Hogwood
Orchestra/Ensemble:  Academy of Ancient Music,  Loeki Stardust Quartet Amsterdam
Period: Baroque 
Written: Venice, Italy 
Date of Recording: 06/1992 
Venue:  Henry Wood Hall, London 
Length: 10 Minutes 1 Secs. 
253.
Concerto for Strings in E flat major, RV 130 "Sonata al Santo Sepolcro" by Antonio Vivaldi
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: Venice, Italy 
Length: 4 Minutes 49 Secs. 
254.
Giunta l'ora fatal, HWV 234 "Il pianto di Maria" [spurious] by George Frideric Handel
Performer:  Bernarda Fink (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: by 1711; Italy 
Length: 22 Minutes 13 Secs. 
Notes: This work, originally attributed to Handel, is now known to be by Giovanni Battista Ferrandini. 
255.
Passacalia a 4 by Biagio Marini
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: Venezia, 1655; Italy 
Length: 3 Minutes 48 Secs. 
256.
Selva morale e spirituale: Pianto della Madonna by Claudio Monteverdi
Performer:  Bernarda Fink (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 1641 
Length: 7 Minutes 16 Secs. 
257.
Concerto for Strings in D minor, RV 129 "Madrigalesco" by Antonio Vivaldi
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: Venice, Italy 
Length: 4 Minutes 9 Secs. 
258.
Sinfonia for Strings in B minor, RV 169 "al Santo Sepolcro" by Antonio Vivaldi
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: Venice, Italy 
Length: 4 Minutes 31 Secs. 
259.
Il Martirio di San Lorenzo, for voice, chalumeau & strings: Sento già mancar la vita by Francesco B. Conti
Performer:  Bernarda Fink (Mezzo Soprano)
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Length: 5 Minutes 59 Secs. 
260.
Sonata for Orchestra in C minor by Johann Georg Pisendel
Conductor:  Giovanni Antonini
Orchestra/Ensemble:  Il Giardino Armonico
Period: Baroque 
Written: 18th Century; Germany 
Length: 4 Minutes 9 Secs. 

Customer Reviews

Average Customer Review:  1 Customer Review )
 L'Oiseau-Lyre reissues on CDs July 15, 2014 By JOHN D. T. (Boston, MA) See All My Reviews "So far I've had time to listen to but six or seven of the discs in this box, not one of which had I already listened to on LPs in my collection. For that reason, I can't compare the sound quality of the CDs to the sound quality of the vinyl originals. But I can say this: the sound is very good--at worst--to brilliant--at best. And the performances are uniformly wonderful. I recommend this set with no reservations. -jdt" Report Abuse
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