WGBH Radio WGBH Radio theclassicalstation.org

Ballet For A Lonely Violinist / Vadim Gluzman, Angela Yoffe


Release Date: 08/29/2006 
Label:  Bis   Catalog #: 1592   Spars Code: n/a 
Composer:  Dmitri ShostakovichLera Auerbach
Performer:  Vadim GluzmanAngela Yoffe
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 7 Mins. 

In Stock: Usually ships in 24 hours.  
On sale! $21.99
CD:  $17.99
In Stock
MP3: $9.99
What's this?




Notes and Editorial Reviews


The angst, the tortured emotion, the relentless grinding dissonance, and dare I say it, the noise! Shostakovich's violin sonata has to be one of the ugliest works ever written for violin and piano and there's no getting around the fact that you have to be "in the mood" or you'll never get through its gritty, hard hitting 30-plus minutes. If you are in the mood, you couldn't do better than this rendition by Vadim Gluzman and his pianist partner Angela Yoffe, who've proven their mettle as a team in similarly challenging repertoire (type Q6722 in Search Reviews) and who truly understand and exploit Shostakovich's edgy, urgent, agitated style and pungent, pointy sound-world to the extent that
Read more after the final morendo violin passage you may just need to sit in total silence for awhile.


Wisely, the pair chose to program the same composer's jaunty, light, and very stylish Jazz Suite No. 1, in a 2005 transcription by the violinist's father, immediately following the Sonata, and the pair milk the Waltz, Polka, and Foxtrot for all they're worth, with Gluzman especially playful and spirited with the expressive bowing effects.


Lera Auerbach's Lonely Suite for solo violin, which is dedicated to Gluzman, tells somewhat of a story based on the "themes of loneliness and fragmentation". Each of its six brief sections identifies and in some violinistic way expresses a mood or condition or situation, from "Boredom" and "No Escape" to "Worrisome Thought" and "Question", the latter turning out to be unanswered. Auerbach uses the violin in the most basic ways, focusing on simple effects rather than flashy virtuosic display or sophisticated melodic material. For example, "Dancing with Oneself" is a kind of pseudo-duet articulated using both bow and pizzicato; "Worrisome Thought" employs col legno alternated with a single-note melody; "Boredom" sounds like a double-stop etude.


We're back to the agitated, discordant late-Shostakovian world of the disc's opening work with Auerbach's Sonata No. 2 (Ah, the sul ponticello!)--and its subtitle, "September 11", makes its timbral, textural, and thematic context perfectly clear. It's both angry and meditative, but mostly angry, and here the composer's avid stylistic regard for Shostakovich is evident everywhere--the chromaticism, the driving rhythmic sequences, the craggy melodies. And speaking of melodies, she manages to briefly incorporate a segment of "America the Beautiful" into the piece, sadly, pathetically spoken by the violin all alone. A mournful, searching solo follows, and when the piano enters once more it's really a marvelous moment where the keyboard figures and textures perfectly meld into the violin's moody utterance.


This is really a very fine piece, expertly written for these two instruments, and although I'm very wary of any works that tag onto the 9/11 tragedy either as an obligatory or crassly commercial endeavor, this definitely isn't one of those. It's very good music, regardless of its composer's motivation (she began writing it on September 12), and Gluzman and Yoffe's performance should convince other artists to consider adding it to their own repertoire. The sound is absolutely first-rate. All I can say is, if you're ready for this, don't hesitate!
--David Vernier, ClassicsToday.com Read less

Works on This Recording

1. Sonata for Violin and Piano, Op. 134 by Dmitri Shostakovich
Performer:  Vadim Gluzman (Violin), Angela Yoffe (Piano)
Period: 20th Century 
Written: 1968; USSR 
Length: 32 Minutes 36 Secs. 
2. Suite for Jazz Orchestra no 1, Op. 38b by Dmitri Shostakovich
Performer:  Vadim Gluzman (Violin), Angela Yoffe (Piano)
Period: 20th Century 
Written: 1934; USSR 
Length: 7 Minutes 53 Secs. 
Notes: Arranger: Michael Gluzman 
3. Lonely Suite, Op. 70 "Ballet for a Lonely Violinist" by Lera Auerbach
Performer:  Vadim Gluzman (Violin), Angela Yoffe (Piano)
Period: 20th Century 
4. Sonata for Violin and Piano no 2, Op. 63 "September 11" by Lera Auerbach
Performer:  Vadim Gluzman (Violin), Angela Yoffe (Piano)
Period: 20th Century 

Sound Samples

Violin Sonata, Op. 134: I. Andante
Violin Sonata, Op. 134: II. Allegretto
Violin Sonata, Op. 134: III. Largo - Andante
Jazz Suite No. 1 (arr. violin and piano): I. Waltz
Jazz Suite No. 1 (arr. violin and piano): II. Polka
Jazz Suite No. 1 (arr. violin and piano): III. Foxtrot
Lonely Suite, Op. 70, "Ballet for a Lonely Violinist": I. Dancing with Oneself: Andante
Lonely Suite, Op. 70, "Ballet for a Lonely Violinist": II. Boredom: Moderato
Lonely Suite, Op. 70, "Ballet for a Lonely Violinist": III. No Escape: Allegro
Lonely Suite, Op. 70, "Ballet for a Lonely Violinist": IV. Imaginary Dialogue: Andantino
Lonely Suite, Op. 70, "Ballet for a Lonely Violinist": V. Worrisome Thought: Moderato
Lonely Suite, Op. 70, "Ballet for a Lonely Violinist": VI. Question: [ad lib.]
Violin Sonata No. 2, Op. 63, "September 11"

Customer Reviews

Be the first to review this title
Review This Title
Review This Title Share on Facebook