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Mozart: La Clemenza Di Tito / Kozenà, Mackerras, Scottish Co


Release Date: 04/11/2006 
Label:  Deutsche Grammophon   Catalog #: 477579   Spars Code: DDD 
Composer:  Wolfgang Amadeus Mozart
Performer:  David WatkinHillevi MartinpeltoMagdalena KozenáChristine Rice,   ... 
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  Scottish Chamber OrchestraScottish Chamber Chorus
Number of Discs: 2 
Recorded in: Stereo 
Length: 2 Hours 8 Mins. 

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Notes and Editorial Reviews

Critics, scholars and biographers once damned Mozart's last serious opera (composed almost simultaneously with Die ZauberflOte but performed at Prague three weeks earlier). Few of these estimable commentators had the opportunity or inclination to appreciate the virtues of opera seria. Nowadays it seems that anybody who respects the musico-dramatic merit of operas composed before 1780 will suffer no problems admiring Mozart's finely crafted enlightenment opera. Metastasio's libretto (adapted by Caterino Mazzola) focuses on the poignant dilemmas of three formidable protagonists: the benevolent and well intentioned Emperor Tito, maligned by the hateful Vitellia, whose insatiable thirst for vengeance finds a gullible instrument in her youthful Read more lover Sesto....

Sir Charles Mackerras completes his slowcooking cycle of Mozart's seven mature operas with the Scottish Chamber Orchestra (most of them have been on Telarc but this is his first release for many years on DG). There are few Mozartians of Mackerras's standard: every aria, ensemble, march, chorus and recitative is steeped in absorbing Mozartian rhetoric, colour, personality and style. There are no traces of artificiality or idiosyncrasy. Period brass and timpani lend precision and idiomatic colour, and the modern strings and woodwind are stirring, balanced and lyrical. From the first few minutes of the stirring yet immaculately judged overture, he delivers something special.

Rainer Trost's voice has lost its youthful purity since his memorable Ferrando in John Eliot Gardiner's Cosi fan tutte a little over a decade ago, but the acquisition of darkness and striking authority suits the dignity of his compassionate 'Del pii sublime soglio'. His richly textured coloratura and Mackerras's flowing grandeur are marvellous companions in the opera's jubilant final chorus ('Tu, è ver, m'assolvi, Augusta').

Hillevi Martinpelto's seductive Vitellia makes Sesto's obsession thoroughly convincing: 'Deh, se placer mi vuoi has the perfect synthesis of power, passion and purity (her ornamentation is every bit as courageous as any of Jacobs's singers, but also fits smoothly with the harmony). She magnificently conveys Vitellia's voyage from vulnerability to penitent heroism in 'Ecco ii punto', and follows it with a radiant 'Non pie di fiori' (few sopranos manage to get the audience to end up sympathising with Vitellia to this extent).

However, Magdalena Kozena's Sesto steals the show. She is an outstanding Mozart singer; she sings her heart out in the dynamic accompanied recitative 'Oh Del, che smania e questa' that leads into the quintet at the end of Act 1 (Mackerras and the SCO strings respond with stunning energy), and her arias are consistently marvellous.

Mackerras and Jacobs both provide fresh impetus to the least-regarded opera of Mozart's maturity. If one must choose between them, the veteran pays richer dividends than the maverick.

-- David Vickers, Gramophone [6/2006]
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Works on This Recording

1.
La clemenza di Tito, K 621 by Wolfgang Amadeus Mozart
Performer:  David Watkin (Cello), Hillevi Martinpelto (Soprano), Magdalena Kozená (Mezzo Soprano),
Christine Rice (Soprano), Ronald Schneider (Fortepiano), John Relyea (Bass),
Lisa Milne (Soprano), Rainer Trost (Tenor)
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  Scottish Chamber Orchestra,  Scottish Chamber Chorus
Period: Classical 
Written: 1791; Prague 
Date of Recording: 08/2005 
Venue:  Usher Hall, Edinburgh, Scotland 
Length: 127 Minutes 31 Secs. 
Language: Italian 

Sound Samples

La clemenza di Tito, K.621: Overture
La clemenza di Tito, K.621 / Act 1: "Ma che? sempre l'istesso"
La clemenza di Tito, K.621 / Act 1: "Come ti piace imponi"
La clemenza di Tito, K.621 / Act 1: "Amico, il passo affretta"
La clemenza di Tito, K.621 / Act 1: "Deh se piacer mi vuol" - "Chi ciecamente crede"
La clemenza di Tito, K.621 / Act 1: "Amico, ecco il momento"
La clemenza di Tito, K.621 / Act 1: "Deh prendi un dolce amplesso"
La clemenza di Tito, K.621 / Act 1: Marcia
La clemenza di Tito, K.621 / Act 1: "Serbate, oh Dei custodi"
La clemenza di Tito, K.621 / Act 1: "Te della patria il Padre" - "Basta, basta, oh miei fidi"
La clemenza di Tito, K.621 / Act 1: Marcia
La clemenza di Tito, K.621 / Act 1: "Adesso, oh Sesto, parla per me"
La clemenza di Tito, K.621 / Act 1: "Del più sublime soglio"
La clemenza di Tito, K.621 / Act 1: "Non ci pentiam"
La clemenza di Tito, K.621 / Act 1: "Ah perdona al primo affetto"
La clemenza di Tito, K.621 / Act 1: Di Tito al piè
La clemenza di Tito, K.621 / Act 1: "Ah, se fosse intorno al trono"
La clemenza di Tito, K.621 / Act 1: "Felice me!" - "Ancora mi schernisce?"
La clemenza di Tito, K.621 / Act 1: "Parto, ma tu ben mio"
La clemenza di Tito, K.621 / Act 1: "Vedrai, Tito, vedrai"
La clemenza di Tito, K.621 / Act 1: "Vengo... aspettate... Sesto!..."
La clemenza di Tito, K.621 / Act 1: "Oh Dei, che smania è questa"
La clemenza di Tito, K.621 / Act 1: "Deh conservate, o Dei"
La clemenza di Tito, K.621 / Act 2: "Sesto, come tu credi"
La clemenza di Tito, K.621 / Act 2: "Torna di Tito a lato"
La clemenza di Tito, K.621 / Act 2: "Partir deggio, o restar?" - "Sesto! - Che chiedi?"
La clemenza di Tito, K.621 / Act 2: "Se al volto mai ti senti"
La clemenza di Tito, K.621 / Act 2: "Ah grazie si rendano"
La clemenza di Tito, K.621 / Act 2: "Già de' pubblici giuochi"
La clemenza di Tito, K.621 / Act 2: "Tardi s'avvede"
La clemenza di Tito, K.621 / Act 2: "No, così scellerato"
La clemenza di Tito, K.621 / Act 2: "Tu fosti tradito"
La clemenza di Tito, K.621 / Act 2: "Che orror! che tradimento!" - "Ingrato!"
La clemenza di Tito, K.621 / Act 2: "Quello di Tito è il volto!"
La clemenza di Tito, K.621 / Act 2: "Odimi, oh Sesto; siam soli"
La clemenza di Tito, K.621 / Act 2: "Deh per questo istante solo"
La clemenza di Tito, K.621 / Act 2: Ove s'intese mai più contumace infedeltà?
La clemenza di Tito, K.621 / Act 2: "Se all'impero"
La clemenza di Tito, K.621 / Act 2: "Non giova lusingarsi"
La clemenza di Tito, K.621 / Act 2: "S'altro che lagrime"
La clemenza di Tito, K.621 / Act 2: "Ecco il punto, oh Vitellia"
La clemenza di Tito, K.621 / Act 2: "Non più di fiori"
La clemenza di Tito, K.621 / Act 2: "Che del ciel, che degli Dei"
La clemenza di Tito, K.621 / Act 2: "Sesto, de' tuoi delitti"
La clemenza di Tito, K.621 / Act 2: "Ma che giorno è mai questo?"
La clemenza di Tito, K.621 / Act 2: "Tu, è ver, m'assolvi, Augusto"

Customer Reviews

Average Customer Review:  1 Customer Review )
 Very Fine Performance January 19, 2014 By Henry S. (Springfield, VA) See All My Reviews "Sir Charles MacKerras leads the Scottish Chamber Orchestra and a great cast of Mozartian singers in a thoroughly enjoyable performance of La Clemenza di Tito, a more serious composition in the pantheon of Mozart's masterworks and perhaps not as well known as his great comic singspiel operas. With a story line portraying repeated pardons and acts of forgiveness issued by Roman Emperor Titus in the face of recurring outrages by his inner circle, the recording emphasizes ambient lightness and exquisitely nuanced textures in the singing. The outstanding work of the Scottish Chamber Orchestra merges perfectly with the cast in a steady succession of operatic gems- arias, duos, trios, and recitative, all displaying Mozart's distinctive flair. I found the scale of this recording, using a smaller chamber orchestra, to be totally appropriate, as at no time does the orchestral score overwhelm the singers. I submit that this fine digital recording merits serious consideration, especially if you are interested in exploring some of Mozart's works that may lie slightly outside the mainstream canon of his most famous operatic works. Sir Charles MacKerras, the SCO, and the cast will not disappoint you. Highly recommended." Report Abuse
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