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Purcell: Music For Queen Mary / Stephen Cleobury, Et Al


Release Date: 04/04/2006 
Label:  Warner Classics   Catalog #: 44438   Spars Code: DDD 
Composer:  Henry Purcell
Performer:  Alastair RossPaula ChateauneufOliver BrettRichard Campbell,   ... 
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of Ancient MusicCambridge King's College Choir
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 10 Mins. 

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Notes and Editorial Reviews

Includes work(s) by Henry Purcell. Ensembles: King's College Choir, Academy of Ancient Music. Conductor: Stephen Cleobury. Includes work(s) by Henry Purcell. Ensembles: King's College Choir, Academy of Ancient Music. Conductor: Stephen Cleobury. Read less

Works on This Recording

1.
Come, ye sons of art, away, Z 323 by Henry Purcell
Performer:  Alastair Ross (Harpsichord), Paula Chateauneuf (Theorbo), Oliver Brett (Chamber Organ),
Richard Campbell (Viola da gamba), Joseph Crouch (Cello), Katharina Spreckelsen (Oboe),
Rachel Brown (Recorder), Rachel Beckett (Recorder), David Hansen (Countertenor),
Jacques Imbrailo (Bass), Kate Royal (Soprano), Timothy Mead (Countertenor)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of Ancient Music,  Cambridge King's College Choir
Period: Baroque 
Written: 1694; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 22 Minutes 18 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
2.
Praise the Lord, O Jerusalem, Z 46 by Henry Purcell
Performer:  Richard Campbell (Viola da gamba), Paula Chateauneuf (Theorbo), Joseph Crouch (Cello),
Joe Adams (Countertenor), Nick [bass voice] Morris (Bass), Edward Saklatvala (Tenor),
Alastair Ross (Chamber Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of Ancient Music,  Cambridge King's College Choir
Period: Baroque 
Written: ?1689; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 5 Minutes 51 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
3.
Love's goddess sure was blind, Z 331 by Henry Purcell
Performer:  Paula Chateauneuf (Theorbo), Richard Campbell (Viola da gamba), Joseph Crouch (Cello),
Andrew Staples (Tenor), Alastair Ross (Harpsichord), Edward Phillips (Boy Soprano),
Jacques Imbrailo (Bass), Kate Royal (Soprano), Timothy Mead (Countertenor),
David Hansen (Countertenor), Tom Winpenney (Chamber Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of Ancient Music,  Cambridge King's College Choir
Period: Baroque 
Written: 1692; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 20 Minutes 1 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
4.
March and Canzona in C minor, Z 860 by Henry Purcell
Performer:  David Blackadder (Flatt Trumpet), Ben Hoffnung (Percussion), Susan Addison (Flatt Trumpet),
Stephen Saunders (Flatt Trumpet), Phillip Bainbridge (Flatt Trumpet)
Period: Baroque 
Written: 1692; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 8 Minutes 8 Secs. 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
5.
Man that is born of a woman, Z 27 by Henry Purcell
Performer:  Alastair Ross (Chamber Organ), Edward Phillips (Boy Soprano), James [bass voice] Browning (Bass),
John McMunn (Tenor), David Allsopp (Countertenor)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Baroque 
Written: circa 1680-1682; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 2 Minutes 45 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
6.
In the midst of life, Z 17b by Henry Purcell
Performer:  Edward Phillips (Boy Soprano), John McMunn (Tenor), James [bass voice] Browning (Bass),
David Allsopp (Countertenor), Alastair Ross (Chamber Organ)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Baroque 
Written: by 1682; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 4 Minutes 44 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
7.
Thou know'st, Lord, the secrets of our hearts, Z 58b by Henry Purcell
Performer:  James [bass voice] Browning (Bass), John McMunn (Tenor), Alastair Ross (Chamber Organ),
Edward Phillips (Boy Soprano), David Allsopp (Countertenor)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Baroque 
Written: by 1683; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 3 Minutes 41 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 
8.
Thou know'st, Lord, the secrets of our hearts, Z 58c by Henry Purcell
Performer:  Stephen Saunders (Flatt Trumpet), Susan Addison (Flatt Trumpet), Alastair Ross (Chamber Organ),
Phillip Bainbridge (Flatt Trumpet), David Blackadder (Flatt Trumpet)
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Baroque 
Written: 1695; England 
Venue:  Chapel, King's College, Cambridge, UK 
Length: 2 Minutes 32 Secs. 
Language: English 
Notes: Chapel, King's College, Cambridge, UK (04/21/2005 - 04/23/2005) 

Sound Samples

Come ye Sons of Art/ Ode: Symphony (largo, allegro, adagio)
Come ye Sons of Art/ Ode: Symphony- come ye sons of art
Come ye Sons of Art/ Ode: Chorus- come ye sons of art
Come ye Sons of Art/ Ode: Sound the trumpet
Come ye Sons of Art/ Ode: Symphony
Come ye Sons of Art/ Ode: Strike the viol
Come ye Sons of Art/ Ode: The day that such a blessing gave
Come ye Sons of Art/ Ode: The day that such a blessing gave- chorus
Come ye Sons of Art/ Ode: Bid the virtues
Come ye Sons of Art/ Ode: These are the sacred charms
Come ye Sons of Art/ Ode: See nature rejoicing
Come ye Sons of Art/ Ode: See nature rejoicing- chorus
Praise the Lord, O Jerusalem Z46
Love's Goddess sure was blind: Symphony
Love's Goddess sure was blind: Love's goddess sure was blind
Love's Goddess sure was blind: Those eyes..
Love's Goddess sure was blind: Sweetness of nature
Love's Goddess sure was blind: Long may she reign
Love's Goddess sure was blind: May her blest example chase
Love's Goddess sure was blind: Many such days
Love's Goddess sure was blind: May she to heaven
Love's Goddess sure was blind: As much as we below shall mourn
Love's Goddess sure was blind: Our short, but their eternal choice
Music for the Funeral of Queen Mary 1695: Drum Processional
Music for the Funeral of Queen Mary 1695: March Z860i
Music for the Funeral of Queen Mary 1695: Canzona Z860ii
Music for the Funeral of Queen Mary 1695: Drum Recessional
Funeral Sentences: Man that is born of a woman Z27
Funeral Sentences: In the midst of life Z17a
Funeral Sentences: Thou knowest, Lord Z58b
Funeral Anthem of Queen Mary 1695: Thou knowest, Lord Z58c

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