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Bach: Cantatas Vol 10 / Koopman, Amsterdam Baroque


Release Date: 04/11/2006 
Label:  Challenge   Catalog #: 72210   Spars Code: DDD 
Composer:  Johann Sebastian Bach
Performer:  Michael ChancePaul AgnewKlaus MertensCaroline Stam
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque OrchestraAmsterdam Baroque Choir
Number of Discs: 3 
Recorded in: Stereo 
Length: 3 Hours 44 Mins. 

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Notes and Editorial Reviews

A striking feature of the tenth volume of this series of Bach's cantatas is the formal fluidity of the works. Although most cantatas open and close with a chorus, with recitatives, arias and duets between, several begin with only a duet (BWV 44) or even a recitative (BWV 134 and 134a). This only reinforces the dictum that we need not lament the omission of opera from Bach's compositions, for we can experience his capacity for dramatic expression in his formal responses to the cantatas' specific occasional and textual requirements.
Another welcome feature is the inclusion of two cantatas in which Bach re-uses musical selections from one work (BWV 134a, a secular serenata from 1719) within another (BWV 134, a cantata for the Tuesday after
Read more Easter Sunday from 1724). Hearing these movements performed in different contexts allows the listener with some knowledge of German to ponder Bach's approach to text-setting.
The Amsterdam Baroque Orchestra and Chorus are led authoritatively by Ton Koopman. The vocal soloists perform with an exceptional degree of subtlety, and Marion Verbruggen's rendition of the obbligato recorder part in the BWV 119 aria "Authority is given by God" is divinely lyrical and effective. Read less

Works on This Recording

1.
O Ewigkeit, du Donnerwort, BWV 20 by Johann Sebastian Bach
Performer:  Michael Chance (Countertenor), Paul Agnew (Tenor), Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 26 Minutes 54 Secs. 
Language: German 
2.
Preise, Jerusalem, den Herrn, BWV 119 by Johann Sebastian Bach
Performer:  Caroline Stam (Soprano), Michael Chance (Countertenor), Paul Agnew (Tenor),
Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 22 Minutes 41 Secs. 
Language: German 
3.
Ein Herz, das seinen Jesum lebend weiss, BWV 134 by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Michael Chance (Countertenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 25 Minutes 16 Secs. 
Language: German 
4.
Sie werden euch in den Bann tun, BWV 44 by Johann Sebastian Bach
Performer:  Michael Chance (Countertenor), Caroline Stam (Soprano), Paul Agnew (Tenor),
Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 16 Minutes 22 Secs. 
Language: German 
5.
Herr, wie du willt, so schicks mit mir, BWV 73 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Caroline Stam (Soprano), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 11 Minutes 32 Secs. 
Language: German 
6.
Ach Gott, vom Himmel sieh' darein, BWV 2 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Paul Agnew (Tenor), Michael Chance (Countertenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 17 Minutes 27 Secs. 
Language: German 
7.
Nimm von uns, Herr, du treuer Gott, BWV 101 by Johann Sebastian Bach
Performer:  Klaus Mertens (Bass), Paul Agnew (Tenor), Michael Chance (Countertenor),
Caroline Stam (Soprano)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 27 Minutes 30 Secs. 
Language: German 
8.
Schmücke dich, o liebe Seele, lass die dunkle Sünden höhle, komm an's helle Licht gegangen, BWV 180 by Johann Sebastian Bach
Performer:  Paul Agnew (Tenor), Klaus Mertens (Bass), Caroline Stam (Soprano),
Michael Chance (Countertenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 23 Minutes 41 Secs. 
Language: German 
9.
Herr Gott, dich loben alle wir, BWV 130 by Johann Sebastian Bach
Performer:  Caroline Stam (Soprano), Paul Agnew (Tenor), Michael Chance (Countertenor),
Klaus Mertens (Bass)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1724; Leipzig, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 14 Minutes 26 Secs. 
Language: German 
10.
Die Zeit, die Tag und Jahre macht, BWV 134a by Johann Sebastian Bach
Performer:  Michael Chance (Countertenor), Paul Agnew (Tenor)
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra,  Amsterdam Baroque Choir
Period: Baroque 
Written: 1719; Cöthen, Germany 
Date of Recording: 10/1998 
Venue:  Walloon Church, Amsterdam, Netherlands 
Length: 20 Minutes 2 Secs. 
Language: German 

Sound Samples

"Preise, Jerusalem, den Herrn" BWV 119: Chorus: "Preise, Jerusalem, den Herrn"
"Preise, Jerusalem, den Herrn" BWV 119: Recitative (Tenor): "Gesegnet Land!"
"Preise, Jerusalem, den Herrn" BWV 119: Aria (Tenor): "Wohl dir, du Vold der Linden"
"Preise, Jerusalem, den Herrn" BWV 119: Recitative (Bass): "So herrlich stehst du, liebe Stadt!"
"Preise, Jerusalem, den Herrn" BWV 119: Aria (Alto): "Die Obrigkeit ist Gottes Gabe"
"Preise, Jerusalem, den Herrn" BWV 119: Recitative (Soprano): "Nun! wir erkennen es und bringen dir"
"Preise, Jerusalem, den Herrn" BWV 119: Chorus: "Der Herr hat Guts an uns getan"
"Preise, Jerusalem, den Herrn" BWV 119: Recitative (Alto): "Zuletzt!"
"Preise, Jerusalem, den Herrn" BWV 119: Chorale: "Hilf deinem Volk, Herr Jesu Christ"
"Ein Herz, das seinen Jesum leben weiß" BWV 134
"Ein Herz, das seinen Jesum leben weiß" BWV 134
"Ein Herz, das seinen Jesum leben weiß" BWV 134
"Ein Herz, das seinen Jesum leben weiß" BWV 134
"Ein Herz, das seinen Jesum leben weiß" BWV 134
"Ein Herz, das seinen Jesum leben weiß" BWV 134
"Sie werden euch in den Bann tun" BWV 44: Duet (Tenor, Bass): "Sie werden euch in den Bann tun"
"Sie werden euch in den Bann tun" BWV 44: Chorus: "Es kömmt aber die Zeit"
"Sie werden euch in den Bann tun" BWV 44: Aria (Alto): "Christen müssen auf der Erden"
"Sie werden euch in den Bann tun" BWV 44: Chorale: "Ach Gott, wie manches Herzeleid"
"Sie werden euch in den Bann tun" BWV 44: Recitative (Bass): "Es sucht der Antichrist"
"Sie werden euch in den Bann tun" BWV 44: Aria (Soprano): "Es ist und bleibt der Christen Trost"
"Sie werden euch in den Bann tun" BWV 44: Chorale: "So sei nun, Seele"
"Herr, wie du Willt, so schicks mit mir" BWV 73: Chorus and Recitative (T, B, S): "Herr, wie du willt, so schicks mit mir"
"Herr, wie du Willt, so schicks mit mir" BWV 73: Aria (Tenor): "Ach, senke doch den Geist der Freuden"
"Herr, wie du Willt, so schicks mit mir" BWV 73: Recitative (Bass): "Ach, unser Wille bleibt verkehrt"
"Herr, wie du Willt, so schicks mit mir" BWV 73: Aria (Bass): "Herr so du willt"
"Herr, wie du Willt, so schicks mit mir" BWV 73: Chorale: "Das ist des Vaters Wille"
"O Ewigkeit, du Donnnerwort" BWV 20: Chorale: "O Ewigkeit, du Donnnerwort"
"O Ewigkeit, du Donnnerwort" BWV 20: Recitative (Tenor): "Kein Unglück ist in aller Welt zu finden"
"O Ewigkeit, du Donnnerwort" BWV 20: Aria (Tenor): "Ewigkeit, du machst mir bange"
"O Ewigkeit, du Donnnerwort" BWV 20: Recitative (Bass): "Gesetzt, es daurte der Verdammten Qual"
"O Ewigkeit, du Donnnerwort" BWV 20: Aria (Bass): "Gott ist gerecht in Werken"
"O Ewigkeit, du Donnnerwort" BWV 20: Aria (Alto): "O Mensch, errette deine Seele"
"O Ewigkeit, du Donnnerwort" BWV 20: Chorale: "Solang ein Gott im Himmel lebt"
"O Ewigkeit, du Donnnerwort" BWV 20: Aria (Bass): "Wacht auf, wacht auf, verloren Schafe"
"O Ewigkeit, du Donnnerwort" BWV 20: Recitative (Alto): "Verlaß, o Mensch! die Wollust dieser Welt"
"O Ewigkeit, du Donnnerwort" BWV 20: Aria (Duet: Alto, Tenor): "O Menschenkind"
"O Ewigkeit, du Donnnerwort" BWV 20: Chorale: "O Ewigkeit, du Donnerwort"
Ach Gott, vom Himmel sieh darein" BWV 2: Chorus: "Ach Gott, vom Himmel sieh darein"
Ach Gott, vom Himmel sieh darein" BWV 2: Recitative (Tenor): "Sie lehren eitel falsche List"
Ach Gott, vom Himmel sieh darein" BWV 2: Aria (Alto): "Tilg, o Gott, die Lehren"
Ach Gott, vom Himmel sieh darein" BWV 2: Recitative (Bass): "Die Armen sind verstört"
Ach Gott, vom Himmel sieh darein" BWV 2: Aria (Tenor): "Druchs Feuer wird das Silber rein"
Ach Gott, vom Himmel sieh darein" BWV 2: Chorale: "Das wollst du, Gott, bewahren rein"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Chorus: "Nimm von uns, Herr du treuer Gott"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Aria (Tenor): "Handle nicht nach deinen Rechten"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Recitative and chorale (Soprano): "Ach! Herr Gott, durch die Treue dein"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Aria (Bass): "Warum willst du so zrnig sein?"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Recitative and chorale (Tenor): "Die Sünd hat uns verderbet sehr"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Aria (Duet: Soprano, Alto): "Gedenk an Jesu bittern Tod"
"Nimm von uns, Herr, du treuer Gott" BWV 101: Chorale: "Leit uns mit deiner rechten Hand"

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