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D'Albert - The Centaur Pianist - Complete Studio Recordings 1910-1928

D'albert / Schubert / Tausig / Weber / Liszt
Release Date: 02/28/2006 
Label:  Arbiter   Catalog #: 147   Spars Code: n/a 
Composer:  Franz SchubertJohannes BrahmsFrédéric ChopinEugen D'Albert,   ... 
Performer:  Eugen D'AlbertGotthelf PistorAndreas Weissgerber
Conductor:  Eugen D'Albert
Number of Discs: 2 
Recorded in: Stereo 
Length: 2 Hours 36 Mins. 

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Notes and Editorial Reviews

I’m not aware that the entire corpus of d’Albert’s commercial recordings has ever before been available in one place. The vast majority are of solo piano works but there are some sides where d’Albert acts as sonata partner to violinist Andreas Weissgerber and some on which he conducts. As an appendix there are also three alternative takes. It all adds up to a comprehensive and magnificent, essential collection. Clearly no one interested in the history of the piano on record will be able to do without it.

Superlatives over, where can one go? Well, listening to splendidly transferred discs such as these – all of the solo and chamber works are acoustic, the orchestral early electric – allows one the pleasure of being able, to an
Read more extent, to refute some of wilder and more condemnatory comments made about d’Albert’s pianism over the years. The existence of so many repeat performances – he was asked to re-record a number of the same works – also gives us a vista into his subtly changeable approaches. The d’Albert Scherzo was recorded three times and several other pieces make re-appearances over the span of the twelve years he spent in the recording studios.

The Brahms Capriccio is the only tantalising evidence of his playing of a composer with whom he was on familiar terms and whose concertos he performed to such acclaim. Similarly he only recorded one piece by Liszt – Au bord d’une source, both for Odeon and later on for Grammophon, which is all the more frustrating as he began working with Liszt in 1882.

Throughout these sides there are certainly accidents, both digital and rhythmic, and as one must always note truncation was very much the order of day in the studios so that abridgements and excisions are commonplace – one of the worst hit is the Chopin Polonaise, though it’s otherwise played with brio and ebullience.

His articulation in the Beethoven Sonata Rondo Op.53 is powerful both in the treble and in the leonine chording – there’s a touch of blasting but as with the majority of these copies it sounds in fine estate. The evidence of his status as a Beethoven player is rather cloudy and the recordings don’t really resolve the issue. Gruffness and wit are certainly present though the recording compromises of the day mean that tempi were pushed - see the Andante favori. Elsewhere it’s always been amusing, given his extreme antipathy to the country of his birth, that d’Albert not only programmed but actually recorded the works of two emergent British lions, Bax and Goossens. The Goossens pieces are bisected by applause and hilarious laughter, a rather remarkable example of recording informality.

The F sharp Chopin Nocturne is played rather "straight." It’s not subject to whimsy or to metrical displacements albeit does sound rather rigid. In the main his Grammophon remakes are less immediately impressive than the earlier recordings for Odeon and less well recorded. It applies in particular to the Chopin A flat waltz – disappointing after the c.1910 recording, one of the first d’Albert ever committed to wax. Still the Grammophon Schubert Impromptu in F minor is intensely exciting, and his own Myrtocle's aria from Die Toten Augen is gloriously late romantic in impress. Interesting too to hear him essay the light Spieluhr of a putative competitor, von Sauer, and the Kleine Waltz by one of d’Albert’s many wives, the fiery and brilliant Carreño.

We also hear him, as noted, as chamber collaborator with Andreas Weissgerber. The violinist, much younger, has an old fashioned cast to his playing – a slack Hubay vibrato and a rather deadpan delivery. Together they both comprehensively miss the wit of the Spring Sonata’s Scherzo. Collectors will be keen to note however that one of their alternative takes has survived and is presented here; it’s almost identical to the published take.

As to transfers there’s a partial competitor in the form of Symposium1146. That, however, is somewhat anomalous in containing the 1930 performance of the first movement of the Emperor Concerto, a live survival and reason enough to need the Symposium independent of the eighteen commercial discs that replicate the Arbiter. Otherwise the Arbiter is in a different league. There are minimal scratches and clicks and bumps. The Arbiter sound is much more immediate, pitch has been stabilised and though surface noise is ever-present it’s not intrusive; d’Albert’s tonal qualities emerge unhindered.

There are fine and interesting notes, with an evocative personal reminiscence by Paul Roës; and well-produced reproductions of surviving concert programmes. Matrix and issue numbers are all present. I really can’t imagine it being better done than this.

-- Jonathan Woolf, MusicWeb International
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Works on This Recording

1.
Military Marches (3) for Piano 4 hands, D 733/Op. 51: Excerpt(s) by Franz Schubert
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1818; Vienna, Austria 
Date of Recording: 1928 
Length: 3 Minutes 40 Secs. 
2.
Pieces (8) for Piano, Op. 76: no 2, Capriccio in B minor by Johannes Brahms
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1878; Austria 
Date of Recording: 1910-12 
Length: 4 Minutes 0 Secs. 
3.
Polonaise for Piano in A flat major, B 147/Op. 53 "Heroic": Excerpt(s) by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1842-1843; Poland 
Date of Recording: 1918-22 
Length: 4 Minutes 28 Secs. 
4.
Waltz for Piano in A flat major, B 131/Op. 42 "Grande Valse" by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: France; Paris, France 
Date of Recording: 1916-22 
Length: 3 Minutes 3 Secs. 
5.
Suite for piano in D minor, Op. 1: Gavotte and Musette by Eugen D'Albert
Performer:  Eugen D'Albert (Piano)
Period: Modern 
Date of Recording: 1923 
Length: 3 Minutes 10 Secs. 
6.
Invitation to the Dance, in D flat major J 260/Op. 65: Excerpt(s) by Carl Maria von Weber
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1819; Germany 
Date of Recording: 1928 
Length: 4 Minutes 17 Secs. 
7.
Etudes (12) for Piano, Op. 25: no 2 in F minor by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1836; Paris, France 
Date of Recording: 1910-12 
Length: 2 Minutes 28 Secs. 
8.
Etudes (12) for Piano, Op. 25: no 9 in G flat major by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1832-1834; Paris, France 
Date of Recording: 1923 
Length: 1 Minutes 44 Secs. 
9.
Album d'un voyageur, S 156: Book 1 - no 2b, Au bord... by Franz Liszt
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1835-1836; Geneva, Switzerland 
Date of Recording: 1916-22 
Length: 3 Minutes 50 Secs. 
10.
Scherzo for Piano in F sharp major, Op. 16 no 2 by Eugen D'Albert
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: Germany 
Date of Recording: 1916-22 
Length: 3 Minutes 48 Secs. 
11.
Waltzes (3) for Piano, B 164/Op. 64: no 2 in C sharp minor by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1846-1847; Paris, France 
Date of Recording: 1923 
Length: 2 Minutes 23 Secs. 
12.
Capriolen for piano, Op. 32: Nos. 2, 4, 5 by Eugen D'Albert
Performer:  Eugen D'Albert (Piano)
Period: Modern 
Date of Recording: 1918-22 
Length: 3 Minutes 28 Secs. 
13.
Estampes (3) for Piano: no 3, Jardins sous la pluie by Claude Debussy
Performer:  Eugen D'Albert (Piano)
Period: 20th Century 
Written: 1903; France 
Date of Recording: 1918-22 
Length: 2 Minutes 59 Secs. 
14.
Kaleidescope, for piano, Op. 18: The Punch and Judy Show by Sir Eugene Goossens
Performer:  Eugen D'Albert (Piano)
Period: Modern 
Written: 1917 
Date of Recording: 1918-22 
Length: 1 Minutes 13 Secs. 
15.
Berceuse for Piano in D flat major, B 154/Op. 57 by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1844; Paris, France 
Date of Recording: 1918-22 
Length: 3 Minutes 18 Secs. 
16.
Nocturnes (3) for Piano, Op. 15: no 2 in F sharp major by Frédéric Chopin
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1830-1831; Poland 
Date of Recording: 1916-22 
Length: 3 Minutes 8 Secs. 
17.
Impromptus (4) for Piano, D 935/Op. 142: no 4 in F minor by Franz Schubert
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Date of Recording: 1916-22 
Length: 3 Minutes 43 Secs. 
18.
Impromptus (4) for Piano, D 935/Op. 142: no 3 in B flat major - Excerpt(s) by Franz Schubert
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 12/1827 
Date of Recording: 1916-22 
Length: 4 Minutes 11 Secs. 
19.
Die Toten Augen, opera: Myrtocle's aria by Eugen D'Albert
Performer:  Eugen D'Albert (Piano)
Period: Modern 
Date of Recording: 1916-22 
Length: 3 Minutes 2 Secs. 
20.
Quintet for 2 Violins, Viola and 2 Cellos in E major, Op. 11 no 5/G 275: 3rd movement, Minuet in A by Luigi Boccherini
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: 1771; Spain 
Date of Recording: 1923 
Length: 4 Minutes 21 Secs. 
21.
Die Spieluhr (The Musical Box) by Emil Von Sauer
Performer:  Eugen D'Albert (Piano)
Period: Modern 
Date of Recording: 1923 
Length: 2 Minutes 58 Secs. 
22.
Kleiner Waltzer "Mi Teresita" by Teresa Carreño
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Date of Recording: 1923 
Length: 3 Minutes 11 Secs. 
23.
Tiefland, opera, Op. 34: Zwischenspiel by Eugen D'Albert
Performer:  Gotthelf Pistor ()
Conductor:  Eugen D'Albert
Period: Modern 
Written: 1903; Germany 
Date of Recording: 1928 
Length: 2 Minutes 51 Secs. 
24.
Tiefland, opera, Op. 34: Schau bei, das ist ein Taler by Eugen D'Albert
Performer:  Gotthelf Pistor ()
Conductor:  Eugen D'Albert
Period: Modern 
Written: 1903; Germany 
Date of Recording: 1928 
Length: 3 Minutes 36 Secs. 
25.
Ecossaises (6) for Piano, WoO 83: Excerpt(s) by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: Vienna, Austria 
Date of Recording: 1916-22 
Length: 2 Minutes 19 Secs. 
26.
Andante for Piano in F major, WoO 57 "Andante Favori" by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano)
Period: Romantic 
Written: 1803; Vienna, Austria 
Date of Recording: 1918-22 
Length: 5 Minutes 11 Secs. 
27.
Rondo a capriccio for Piano in G major, Op. 129 "Rage Over a Lost Penny" by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: 1795; Vienna, Austria 
Date of Recording: 1918-22 
Length: 4 Minutes 28 Secs. 
28.
Sonata for Piano no 21 in C major, Op. 53 "Waldstein": 3rd movement, Rondo by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: 1803-1804; Vienna, Austria 
Date of Recording: 1918-22 
Length: 5 Minutes 11 Secs. 
29.
Sonata for Piano no 18 in E flat major, Op. 31 no 3: 2nd movement, Scherzo by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: 1802; Vienna, Austria 
Date of Recording: 1918-22 
Length: 3 Minutes 17 Secs. 
30.
Sonata for Piano no 11 in A major, K 331 (300i): 3rd movement, Rondo alla turca by Wolfgang Amadeus Mozart
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: 1781-1783; Vienna, Austria 
Date of Recording: 1916-22 
Length: 3 Minutes 45 Secs. 
31.
Sonata for violin & piano No. 17 in C major, K. 296: Andante Sostenuto by Wolfgang Amadeus Mozart
Performer:  Eugen D'Albert (Piano)
Period: Classical 
Written: 1778 
Date of Recording: 1928 
Length: 3 Minutes 42 Secs. 
32.
Sonata for Violin and Piano no 5 in F major, Op. 24 "Spring": 3rd movement, Scherzo by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano), Andreas Weissgerber (Violin)
Period: Classical 
Written: 1800-1801; Vienna, Austria 
Date of Recording: 10/13/1923 
Length: 1 Minutes 7 Secs. 
33.
Sonata for Violin and Piano no 5 in F major, Op. 24 "Spring": 4th movement, Rondo by Ludwig van Beethoven
Performer:  Eugen D'Albert (Piano), Andreas Weissgerber (Violin)
Period: Classical 
Written: 1800-1801; Vienna, Austria 
Date of Recording: 10/13/1923 
Length: 2 Minutes 38 Secs. 
34.
Mediterranean by Arnold Bax
Performer:  Eugen D'Albert (Piano)
Period: 20th Century 
Written: 1920-1922; England 
Date of Recording: 1918-22 
Length: 2 Minutes 22 Secs. 

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