The Sinfonietta is symphonic in scope, ambitious in its materials, and usually lasts about 25 minutes (close to 23 on this disc). It opens with an unforgettably dynamic passage for cellos and basses that recalls Bartσk, then alternates the vigorous and the lyric with Romantic fervor. The gentle Adagio embeds a quote from Alban Berg's Lulu, another composer Alwyn admired and refers to when he writes "... any composer who is honest acknowledges the debt he owes to genius."

The final movement is a complex fugue followed by a peaceful ending, as if to bring rest to the preceding turbulence. Lloyd-Jones is only a couple of minutes faster than his rivals on disc, but it all comes out of the last two movements, producing a more flowing Adagio and a finale that doesn't lose its clarity because of the swifter speeds. Oddly enough, the opening of the work, electrifying in Alwyn's own account, is a bit tamer here.

In general, Alwyn's the best conductor of his own music on disc, but his Lyrita recordings are hard to find. Lloyd-Jones' series of the five symphonies, of which this is the concluding volume, is an excellent alternative. The engineering on this disc has a split personality due to different dates, producers, and engineers. The Symphony is acceptable but a touch opaque; the Sinfonietta has more presence, better dynamics, and a stronger bass. If you are unfamiliar with Alwyn, try this disc--the music, performances, and price make it an unbeatable buy.