Notes and Editorial Reviews
REVIEWS:
Fanfare (5-6/98, p.193) - "This is about as safe as the avant-garde gets. All three works have been repeatedly listener-tested and are guaranteed not to cause soiling of the furniture or cracking of the plaster....If you like the three works together, you will find [the Turovskys'] performances more than adequate..."
BBC Music (3/98, p.70) - Performance: 4 (out of 5), Sound: 4 (out of 5) - "...The Schnittke and Pärt are smoothly given....In the Concerto grosso, three female soloists perform a winning account of a resonant score..."
REVIEWS:
Fanfare (5-6/98, p.193) - "This is about as safe as the avant-garde gets. All three works have been repeatedly listener-tested and are guaranteed not to cause soiling of the furniture or cracking of the plaster....If you like the three works together, you will find [the Turovskys'] performances more than adequate..."
BBC Music (3/98, p.70) - Performance: 4 (out of 5), Sound: 4 (out of 5) - "...The Schnittke and Pärt are smoothly given....In the Concerto grosso, three female soloists perform a winning account of a resonant score..." Read less
Works on This Recording
1.
Concerto for Piano/Harpsichord and Strings, Op. 40 by Henryk Mikolaj Górecki
Performer:
Catherine Perrin (Harpsichord)
Conductor:
Yuli Turovsky
Orchestra/Ensemble:
I Musici de Montreal
Period: 20th Century
Written: 1980; Poland
2.
Tabula Rasa by Arvo Pärt
Performer:
Eleonora Turovsky (Violin),
Natalya Turovsky (Violin)
Conductor:
Yuli Turovsky
Orchestra/Ensemble:
I Musici de Montreal
Period: 20th Century
Written: 1976; Estonia
3.
Concerto Grosso no 1 by Alfred Schnittke
Performer:
Eleonora Turovsky (Violin),
Catherine Perrin (Harpsichord),
Natalya Turovsky (Violin)
Conductor:
Yuli Turovsky
Orchestra/Ensemble:
I Musici de Montreal
Period: 20th Century
Written: 1977; USSR
Sound Samples
Concerto grosso No. 1: I. Preludio: Andante -
Concerto grosso No. 1: II. Toccata: Allegro -
Concerto grosso No. 1: III. Recitativo: Lento -
Concerto grosso No. 1: IV. Cadenza -
Concerto grosso No. 1: V. Rondo: Agitato -
Concerto grosso No. 1: VI. Postludio: Andante
Tabula Rasa: I. Ludus: Con moto
Tabula Rasa: II. Silentium: Senza moto
Harpsichord Concerto, Op. 40: I. Allegro molto -
Harpsichord Concerto, Op. 40: II. Vivace marcatissimo
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