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Tchaikovsky: Piano Concerto No 1; Prokofiev, Balakirev / Gavrilov, Muti, Rattle


Release Date: 11/22/2005 
Label:  Emi Classics Encore Catalog #: 86881   Spars Code: n/a 
Composer:  Peter Ilyich TchaikovskySergei ProkofievMily Balakirev
Performer:  Andrei Gavrilov
Conductor:  Riccardo MutiSimon Rattle
Orchestra/Ensemble:  Philharmonia OrchestraLondon Symphony Orchestra
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 13 Mins. 

CD not available: This title is currently only available as an MP3 download.  

Notes and Editorial Reviews

An elegant and wonderfully attractive reading of the Tchaikovsky Concerto, followed by a virtuosic Prokofiev and an uproarious Balakirev.

In 1989, Andrei Gavrilov recorded with Vladimir Ashkenazy a version of the Tchaikovsky Piano Concerto in B flat minor that I describe here as “fiercely engaged,” its last movement played at a headlong tempo that I at the time found “thrilling, even if, finally, a bit suspect.” That astonishing performance, the fastest I know, certainly has stuck in my memory. That said, this disc contains a much more traditional recording made a decade earlier by the already virtuosic pianist. It’s a more comfortable, elegant, performance—wonderfully attractive. And, in case readers are worried, the
Read more last movement of the Tchaikovsky is still very fast, the lyrical moments pushed a little, and the orchestra challenged.

It is followed by equally compelling recordings of Prokofiev and Balakirev. Gavrilov revels in his own virtuosity. So did Prokofiev, whose First Concerto, written when Prokofiev was still a student, was meant to demonstrate his pianistic flash, and so was Balakirev, whose Islamey is given a virtually uproarious reading. That’s exactly what Balakirev seems to have wanted: I don’t know and can’t imagine a more spectacular performance than this one, which is also found (with the Prokofiev Concerto) on Gavrilov’s “Great Pianists of the 20th Century” discs. I also admire Gavrilov’s playing of the relatively tender Tchaikovsky Theme and Variations.

FANFARE: Michael Ullman
Read less

Works on This Recording

1.
Concerto for Piano no 1 in B flat minor, Op. 23 by Peter Ilyich Tchaikovsky
Performer:  Andrei Gavrilov (Piano)
Conductor:  Riccardo Muti
Orchestra/Ensemble:  Philharmonia Orchestra
Period: Romantic 
Written: Russia 
Notes: Composition written: Russia (1874 - 1875). 
2.
Concerto for Piano no 1 in D flat major, Op. 10 by Sergei Prokofiev
Performer:  Andrei Gavrilov (Piano)
Conductor:  Simon Rattle
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1911-1912; Russia 
3.
Oriental Fantasy for Piano, Op. 18 "Islamey" by Mily Balakirev
Performer:  Andrei Gavrilov (Piano)
Period: Romantic 
Written: 1869/1902; Russia 
4.
Morceaux (6) for Piano, Op. 19: no 6, Thème original et variations by Peter Ilyich Tchaikovsky
Performer:  Andrei Gavrilov (Piano)
Period: Romantic 
Written: 1873; Russia 
5.
Pieces (4) for Piano, Op. 4: no 4, Suggestion diabolique by Sergei Prokofiev
Performer:  Andrei Gavrilov (Piano)
Period: 20th Century 
Written: 1910-1912; Russia 

Sound Samples

Piano Concerto No. 1 in B flat minor Op. 23 (1985 Digital Remaster): I. Allegro non troppo e molto maestoso
Piano Concerto No. 1 in B flat minor Op. 23 (1985 Digital Remaster): II. Andantino semplice - Prestissimo - Tempo primo
Piano Concerto No. 1 in B flat minor Op. 23 (1985 Digital Remaster): III. Allegro con fuoco
Piano Concerto No. 1 in D flat Op. 10 (1992 Digital Remaster): Allegro brioso
Piano Concerto No. 1 in D flat Op. 10 (1992 Digital Remaster): Andante assai
Piano Concerto No. 1 in D flat Op. 10 (1992 Digital Remaster): Allegro scherzando
6 Morceaux Op. 19 (1985 Digital Remaster): Thème original et variations in F
Islamey (1985 Digital Remaster)
4 Pieces Op. 4 (1992 Digital Remaster): Temptation (Suggestion diabolique)

Customer Reviews

Average Customer Review:  1 Customer Review )
 Murky April 19, 2013 By Gary Mitchell (Independence, KS) See All My Reviews "The Tchaikovsky recording isn't very well recorded, in my opinion, Gavrilov's piano sounds lost in the tumult of the orchestra. I also found Gavrilov's interpretation a bit mannered. There are times he slows down unnecessarily in the first movement. The Prokofiev sounds better but isn't nearly as attractive a piece as the Tchaikovsky. Speaking of Tchaikovsky, the encore piece by Tchaikovsky doesn't sing and has little to recommend it except its rarity. Balakirev's "Islamey" gives and gets a good workout." Report Abuse
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