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Bach: Easter Oratorio / Gardiner, Monteverdi Choir, English Baroque Soloists

Release Date: 03/25/2014 
Label:  Soli Deo Gloria Records   Catalog #: 719   Spars Code: DDD 
Composer:  Johann Sebastian Bach
Performer:  Nicholas MulroyMeg BragleHannah MorrisonPeter Harvey
Conductor:  John E. Gardiner
Orchestra/Ensemble:  English Baroque SoloistsMonteverdi Choir
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 0 Mins. 

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Notes and Editorial Reviews

BACH Easter Oratorio . Cantata No. 106 John Eliot Gardiner, cond; Hannah Morrison (sop); Meg Bragle (alt); Nicholas Mulroy (ten); Peter Harvey (bs); Monteverdi Ch; English Baroque Soloists (period instruments) SOLI DEO GLORIA 729 (60:15 Text and Translation)

John Eliot Gardiner’s inspired programming here combines Bach’s Actus Tragicus —Cantata 106—with the Read more style="font-style:italic">Easter Oratorio —but not in cover (or headnote) order. The exquisite and early (1708) Actus Tragicus is a funeral cantata for an unknown person. Gardiner’s note mentions two possible subjects, but both are speculative. The Easter Oratorio , like many another Bach composition, underwent many metamorphoses. The final version, heard on the present recording, dates from the mid-1740s. Gardiner bemoans its relative neglect among Bach’s larger choral works. This recording could well correct the unfortunate situation.

The cantata is through-composed but divided into two distinct parts, the first an Old Testament lament and the second a New Testament message of hope. Thus, Gardiner’s sequence moves from death through hope to resurrection. Following immediately after the cantata, the joy of resurrection bursts forth in the explosive energy of the oratorio’s opening Sinfonia. It prevails, with introspective diversions, to the end of the oratorio. The most notable diversion, the Adagio , is played masterfully here by oboist Michael Niesemann. Gardiner, of course, is at his best in projecting energy, but he can elicit introspection as well. His readings of the two pieces are well nigh ideal, The Monteverdi Choir, 23-strong in the oratorio but reduced to 12 for the cantata, is impeccable, and his solo quartet is superb from top to bottom.

The venerable cantor, in his late 50s, was at the height of his powers when he put his final touches on the oratorio. The Actus Tragicus , composed in 1708, was one of Bach’s first and is one of his most memorable cantatas. Can we safely say that he had already achieved that exalted state at the tender age of 23? Highly recommended.

FANFARE: George Chien
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Works on This Recording

Gottes Zeit ist die allerbeste, BWV 106 "Actus tragicus" by Johann Sebastian Bach
Performer:  Nicholas Mulroy (Tenor), Meg Bragle (Mezzo Soprano), Hannah Morrison (Soprano),
Peter Harvey (Bass)
Conductor:  John E. Gardiner
Orchestra/Ensemble:  English Baroque Soloists,  Monteverdi Choir
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
Venue:  Cadogan Hall, London 
Length: 17 Minutes 44 Secs. 
Easter Oratorio, BWV 249 by Johann Sebastian Bach
Performer:  Peter Harvey (Bass), Hannah Morrison (Soprano), Meg Bragle (Mezzo Soprano),
Nicholas Mulroy (Tenor)
Conductor:  John E. Gardiner
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Venue:  Cadogan Hall, London 
Length: 38 Minutes 22 Secs. 

Sound Samples

Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Sonatina
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Gottes Zeit ist die allerbeste Zeit (Chorus)
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Arioso: Ach Herr, lehre uns bedenken (Tenor)
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Arioso: Bestelle dein Haus (Bass)
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Arioso: Es ist der alte Bund (Soprano, Chorus)
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Aria: In deinen hande befehle ich meinen Geist (Alto)
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Arioso: Heute wirst du mit mir im Paradies sein (Bass, Chorus)
Gottes Zeit ist die allerbeste Zeit, BWV 106, "Actus tragicus": Glorie, Lob, Ehr und Herrlichkeit (Chorus)
Easter Oratorio, BWV 249: Sinfonia
Easter Oratorio, BWV 249: Adagio
Easter Oratorio, BWV 249: Kommt, eilet und laufet (Chorus)
Easter Oratorio, BWV 249: Recitative: O kalter Manner Sinn! (Soprano, Alto, Tenor, Bass)
Easter Oratorio, BWV 249: Aria: Seele, deine Spezereien (Soprano)
Easter Oratorio, BWV 249: Recitative: Hier ist die Gruft (Alto, Tenor, Bass)
Easter Oratorio, BWV 249: Aria: Sanfte soll mein Todeskummer (Tenor)
Easter Oratorio, BWV 249: Recitative: Indessen seufzen wir (Soprano, Alto)
Easter Oratorio, BWV 249: Aria: Saget, saget mit geschwinde (Alto)
Easter Oratorio, BWV 249: Recitative: Wir sind erfreut (Bass)
Easter Oratorio, BWV 249: Preis und Dank (Chorus)

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