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Prokofiev: Sonatas For Violin & Piano, Five Melodies / Crow, Stewart

Prokofiev / Crow / Stewart
Release Date: 02/25/2014 
Label:  Atma Classique   Catalog #: 22535  
Composer:  Sergei Prokofiev
Performer:  Jonathan CrowPaul Stewart
Number of Discs: 1 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Notes and Editorial Reviews



PROKOFIEV Violin Sonatas Nos. 1 and 2. 5 Melodies Jonathan Crow (vn); Paul Stewart (pn) ATMA 2535 (65:28)


Jonathan Crow, concertmaster of the Toronto Symphony Orchestra, and Canadian pianist Paul Stewart recorded their program of Prokofiev’s works for violin and piano in April 2008. Crow produces a reedy but highly flexible and expressive tone from his violin in the First Sonata’s first movement, capturing the work’s haunted atmosphere, even before the winds begin to blow Read more between the gravestones. In the Allegro brusco , Crow and Stewart seem most at home in the most brutal passages, at the same time falling only a bit short of David Oistrakh’s soaring nobility in the second theme. They bestow upon the theme of the third movement a beautiful radiance, to which Crow’s tone in the upper registers (not to mention its richness in the lower ones) contributes in no small way. But they also give an appropriately ashen account of the ghostly noodlings here and there throughout the movement. They begin the finale with a burst of irresistible gusto—and the weight of a juggernaut; but they shift gears effectively before the end’s return to the graveyard effects of the first movement.


I’ve mentioned that while Nathan Milstein played the D-Major work (Sonata No. 2) as a violin sonata, Oistrakh’s performances seemed to suggest its origins as a flute sonata. Crow’s playing in the first movement sounds idiomatically violin-like, but he also preserves the work’s Classical serenity, although interrupted by passing storms—and he bites sharply into the mordant staccatos. If the second movement doesn’t sound quite quicksilver in the duo’s reading, it still speeds along on waxed runners; and Crow and Stewart combine mystery with piquancy in its middle section. I’ve mentioned in the past the way in which many younger violinists play with a sort of equalized emotional tension; but Crow never sounds as though both his highs and lows have been clipped—and he certainly doesn’t in this movement. In the third, Stewart displays an especially keen sensitivity to the piano part’s multifarious timbres and contrasting shades of light and dark. If flute and violin sensibilities remain through the first three movements, the violin dominates the finale almost in the manner in which Milstein makes it do; and listeners should experience an adrenaline high in the movement’s rushing cascades of double stops.


Joseph Szigeti and Carlo Bussotti created a sound universe in the Five Melodies , and I always preferred his way with the piece to that of Prokofiev’s friend and chess partner David Oistrakh. But Szigeti had already begun to suffer from the physical debilities that would mar his performances, no matter how splendidly conceived. So he couldn’t achieve the sharpness of focus and the swirling effect of the second melody’s central section as effectively as Crow does. And Stewart’s bright tone in the third Melody , so vividly captured by the engineers, creates a frisson that the older recording could barely suggest. Nevertheless, Szigeti made the fourth Melody sound more tantalizingly scherzando , and the fifth more achingly nostalgic.


ATMA’s engineers have captured the duo close-up, but manage to surround them with enough reverberation to reinforce the works’ emotional resonances. For all those who admire the composer’s works for violin and piano, Crow and Stewart have provided so many fresh insights in almost every movement yielding an effect that’s almost tantamount to restoration. Urgently recommended.


FANFARE: Robert Maxham
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Works on This Recording

1.
Sonatinas (2) for Piano, Op. 54: no 2 in G major by Sergei Prokofiev
Performer:  Jonathan Crow (Violin), Paul Stewart (Piano)
Period: 20th Century 
Written: 1931-1932; Paris, France 
2.
Sonata for Violin and Piano no 1 in F minor, Op. 80 by Sergei Prokofiev
Performer:  Jonathan Crow (Violin), Paul Stewart (Piano)
Period: 20th Century 
Written: 1938-1946; USSR 
3.
Melodies (5) for Violin and Piano, Op. 35bis by Sergei Prokofiev
Performer:  Jonathan Crow (Violin), Paul Stewart (Piano)
Period: 20th Century 
Written: 1925; Paris, France 

Sound Samples

Violin Sonata No. 1 in F Minor, Op. 80: I. Andante assai
Violin Sonata No. 1 in F Minor, Op. 80: II. Allegro brusco
Violin Sonata No. 1 in F Minor, Op. 80: III. Andante
Violin Sonata No. 1 in F Minor, Op. 80: IV. Allegrissimo
Violin Sonata No. 2 in D Major, Op. 94bis: I. Moderato
Violin Sonata No. 2 in D Major, Op. 94bis: II. Scherzo: Presto
Violin Sonata No. 2 in D Major, Op. 94bis: III. Andante
Violin Sonata No. 2 in D Major, Op. 94bis: IV. Allegro con brio
5 Melodies, Op. 35bis: No. 1. Andante
5 Melodies, Op. 35bis: No. 2. Lento ma non troppo
5 Melodies, Op. 35bis: No. 3. Animato, ma non allegro
5 Melodies, Op. 35bis: No. 4. Allegretto leggero e scherzando
5 Melodies, Op. 35bis: No. 5. Andante non troppo

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