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Grand Tier - Beethoven: Fidelio / Bohm, Ludwig, King, Et Al

Release Date: 08/09/2005 
Label:  Opera D'oro   Catalog #: 7025   Spars Code: n/a 
Composer:  Ludwig van Beethoven
Performer:  James KingEdith MathisHans HotterFranz Crass,   ... 
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna State Opera ChorusVienna Philharmonic Orchestra
Number of Discs: 2 
Recorded in: Stereo 
Length: 2 Hours 15 Mins. 

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Notes and Editorial Reviews

This is an exciting live performance of this opera, recorded in Salzburg in 1969 when all of the principals were in their primes. Karl Böhm leads a sometimes manic reading that nonetheless can be reflective when needed. Unfortunately, the mania occasionally leads to the singers' flying off key and sounding desperate, as in "O namenlose freude". As you might expect, the chorus and orchestra perform superbly, and despite the bad decision to play the Leonore overture No. 3 before the final scene, it's good to hear it done with such excitement.

Christa Ludwig was a great Leonore, and she lives up to her reputation. She sings sharp every so often but that hardly mars an excellent, committed performance. James King is
Read more in ringing voice as Florestan and his vocal security makes up for a lack of insight. Franz Crass is a rich, dark-sounding Rocco, Ingvar Wixell gets through Pizarro's music with real bite (if just a little strain and off-key hollering), and Hans Hotter's Don Fernando is authoritative if wobbly-sounding. Edith Mathis and Donald Grobe round off the cast nicely as the youngsters. This may not be a first-choice Fidelio, but it's a terrific bargain and a sparkling representation of Beethoven's great masterwork. The sound is acceptable-to-good.

--Robert Levine,
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Works on This Recording

Fidelio, Op. 72 by Ludwig van Beethoven
Performer:  James King (Tenor), Edith Mathis (Soprano), Hans Hotter (Baritone),
Franz Crass (Bass Baritone), Christa Ludwig (Mezzo Soprano), Ingvar Wixell (Baritone),
Donald Grobe (Tenor), Curt Malm (Tenor), Klaus Hirte (Baritone)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Philharmonic Orchestra
Period: Classical 
Written: 1804/1814; Vienna, Austria 
Date of Recording: 1969 
Venue:  Live  Salzburg, Austria 
Notes: Composition written: Vienna, Austria (1804).
Composition revised: Vienna, Austria (1806).
Composition revised: Vienna, Austria (1814). 

Sound Samples

Fidelio: Overture
Fidelio: Act I, "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline)
Fidelio: Act I, "Der arme Jaquino!...O wär ich schon mit dir vereint" (Marzelline)
Fidelio: Act I, "Marzelline! Ist Fidelio...Mir ist so wunderbar" (Rocco, Marzelline, Leonore, Jaquino)
Fidelio: Act I, "Höre, Fidelio....Hat man nicht auch Gold beineben"
Fidelio: Act I, "Ihr habt das leicht sagen, Meister Rocco...Gut, Söhnchen, gut" (Leonore, Rocco, Marzelline)
Fidelio: Act I, "March...Ist etwas Neues vorgefallen?..." (Pizarro, Rocco)
Fidelio: Act I, "Ha! Ha! Ha! Welch' ein Augenblick!" (Pizarro, Soldiers, Rocco)
Fidelio: Act I, "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco)
Fidelio: Act I, "Abscheulicher!...Komm, Hoffnung, lass den letzten Stern" (Leonore)
Fidelio: Act I, "Vater Rocco...O, welche Lust!" (Leonore, Rocco, Marzelline, Prisoners)
Fidelio: Act I, "Nun sprecht, wie ging's?" (Leonore, Rocco)
Fidelio: Act I, "Ach, Vater, eilt!...Was hast du denn?" (Marzelline, Rocco, Jaquino, Leonore, Pizarro)
Fidelio: Act I, "Leb wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco)
Fidelio: Act II, "Gott, welch' Dunkel hier!...In des Lebens Frühlingstagen" (Florestan)
Fidelio: Act II, "Wie kalt ist es...Nur hurtig fort ,nur frisch gegraben" (Leonore, Rocco)
Fidelio: Act II, "Er erwacht!" (Leonore, Rocco, Florestan)
Fidelio: Act II, "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore)
Fidelio: Act II, "Alles ist bereit...Er sterbe! Doch er soll erst wissen" (Rocco, Leonore, Florestan, Pizarro)
Fidelio: Act II, "Leonore!...O, namenlose Freude!" (Florestan, Leonore)
Fidelio: Act II, "Leonore Overture No. 3"
Fidelio: Act II, "Heil, heil, heil sei dem Tag" (People, Prisoners, Don Fernando, Rocco, Pizarro)
Fidelio: Act II, "Du schlossest auf des Edlen Grab" (Don Fernando, Leonore, Florestan, Marzelline, Rocco, People, Prisoners)

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