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Haydn: The Creation / Rilling, Gachinger Kantorei Stuttgart


Release Date: 11/01/1995 
Label:  Hänssler Classic   Catalog #: 98938   Spars Code: DDD 
Composer:  Franz Joseph Haydn
Performer:  Christine SchäferMichael SchadeAndreas Schmidt
Conductor:  Helmuth Rilling
Orchestra/Ensemble:  Stuttgart Bach CollegiumGächinger Kantorei Stuttgart
Number of Discs: 2 
Recorded in: Stereo 
Length: 1 Hours 46 Mins. 

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Notes and Editorial Reviews

Here is the fine German performing tradition at its best. Keen scholarship, professional thoroughness and a shared love of music are all shown or felt to be present. And what music it is, its own creativeness the most wonderful testimony to the wonder of Creation itself. Year by year it grows in the mind (there was a time in youth when privately I thought it square and unappetizingly worthy). Also (and this must have something to do with our own increasing awareness of peril) it is a work that induces a passion of feeling, latent in the score and certainly deep in its Miltonic background, that all this clean, early-morning zest and beauty confronts us with our shame. A primly eighteenth-century Creation (and on replaying I found Hogwood not Read more entirely beyond some such imputation) satisfies no more than does an old-fashioned romantic and weighted one. That would not be an apt description of the Levine recording, but the relative slowness of speeds for the big choruses thickens it somewhat and the Overture is very nearly Wagnerian. Rilling, I would say, has it right: the grace, delicacy and nimbleness of mind and movement are there, and so too are the profundity and reverence.

As in the recent Beethoven Christus am Oelberge/Mass in C disc (Hanssler, 11/94) the acoustic is fairly reverberant, but, whereas in the Mass it had a dulling effect, here all is well, and one feels the work to be in a setting that is natural for it. The soloists are recorded close, possibly excessively so, the advantages being a vividness of presence and communication, and, in the numbers where soloists and chorus combine, an additional clarity. All three singers are admirable. Christine Schafer, sounding like a young Elly Ameling, brings a voice of lovely quality, a well-schooled technique and the simple freshness of approach that is so needful. The biographical note tells that the tenor, Michael Schade, has been compared with Nicolai Gedda, and one can see that too, especially in the trio (No. 18) where his solo has such lively rhythmic impetus (Gosta Winbergh, with Levine, sounding merely dutiful by comparison). So much is asked of the bass soloist that few succeed in everything, and perhaps in the first of his arias (No. 6) Andreas Schmidt could do with ampler power and depth but generally he is fine, and particularly impressive in the marvellous solo passage in No. 27.

Rilling has much to say about the work—some of it verbally in notes on matters of textual detail. He lets nothing drag, sometimes (notably in the repeated chorus of Part 2, Nos. 26 and 28) setting a brisk and risky tempo that keeps everyone on their toes and works well. His players once again exhibit their special distinction in the woodwind department. For many English-speaking listeners, The Creation will be a work they want to hear in English; but if that is not a prime requisite then this is a version with a great deal in its favour.'

-- Gramophone [12/1994]
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Works on This Recording

1. The Creation, H 21 no 2 by Franz Joseph Haydn
Performer:  Christine Schäfer (Soprano), Michael Schade (Tenor), Andreas Schmidt (Baritone)
Conductor:  Helmuth Rilling
Orchestra/Ensemble:  Stuttgart Bach Collegium,  Gächinger Kantorei Stuttgart
Period: Classical 
Written: 1796-1798; Vienna, Austria 
Date of Recording: 09/1993 
Venue:  Grosser Saal, Stadthalle Sindelfingen 
Length: 105 Minutes 59 Secs. 
Language: German 

Sound Samples

Die Schopfung (The Creation), Hob.XXI:2: Orchestral Prelude - Recitative: Im Anfange schuf Gott Himmel und Erde (Bass, Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Aria: Nun schwanden vor dem heiligen Strahle (Tenor, Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Und Gott machte das Firmament (Bass)
Die Schopfung (The Creation), Hob.XXI:2: Mit Staunen sieht das Wunderwerk (Soprano, Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Und Gott sprach: Es sammle sich das Wasser (Bass)
Die Schopfung (The Creation), Hob.XXI:2: Aria: Rollend in schaumenden Wellen (Bass)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Und Gott sprach: Es bringe die Erde Gras hervor (Soprano)
Die Schopfung (The Creation), Hob.XXI:2: Aria: Nun beut die Flur das frische Grun (Soprano)
Die Schopfung (The Creation), Hob.XXI:2: Stimmt an die Saiten (Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Und Gott sprach: Es sei'n Lichter (Tenor)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: In vollem Glanze (Tenor)
Die Schopfung (The Creation), Hob.XXI:2: Trio: Die Himmel erzahlen die Ehre Gottes (Chorus, Soprano, Tenor, Bass)
Die Schopfung (The Creation), Hob.XXI:2: Aria: Auf starkem Fittige (Soprano)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Und Gott schuf grosse Walfische (Bass)
Die Schopfung (The Creation), Hob.XXI:2: Trio: In holder Anmut (Soprano, Tenor, Bass)
Die Schopfung (The Creation), Hob.XXI:2: Trio: Der Herr ist gross in seiner Macht (Soprano, Tenor, Bass, Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Gleich offnet sich der Erde Schoss (Bass)
Die Schopfung (The Creation), Hob.XXI:2: Aria: Nun scheint in vollem Glanze der Himmel (Bass)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Und Gott schuf den Menschen (Tenor)
Die Schopfung (The Creation), Hob.XXI:2: Aria: Mirt Wurd' und Hoheit angetan (Tenor)
Die Schopfung (The Creation), Hob.XXI:2: Vollendet ist das grosse Werk (Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Trio: Zu dir, o Herr, blickt alles auf (Soprano, Tenor, Bass)
Die Schopfung (The Creation), Hob.XXI:2: Vollendet ist das grosse Werk (Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Orchestral Prelude - Recitative: Aus Rosenwolken (Tenor)
Die Schopfung (The Creation), Hob.XXI:2: Duet: Von deiner Gut', o Herr und Gott (Soprano, Bass, Chorus)
Die Schopfung (The Creation), Hob.XXI:2: Recitative: Nun ist die erste Pflicht erfullt (Bass, Soprano)
Die Schopfung (The Creation), Hob.XXI:2: Duet: Holde Gattin! Dir zur Seite (Bass, Soprano)
Die Schopfung (The Creation), Hob.XXI:2: Singt dem Herren alle Stimmen (Chorus, Soprano, Tenor, Bass)

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