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Wagner: Gotterdammerung / Janowski, Ryan, Lang, Haller, Salminen, Bruck

Wagner / Rundfunk-sinfonieorchester Berlin
Release Date: 11/19/2013 
Label:  Pentatone   Catalog #: 5186409   Spars Code: DDD 
Composer:  Richard Wagner
Performer:  Jochen SchmeckenbecherPetra LangEdith HallerMatti Salminen,   ... 
Conductor:  Marek Janowski
Orchestra/Ensemble:  Berlin Radio Symphony OrchestraBerlin Radio Chorus
Number of Discs: 1 
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Notes and Editorial Reviews



WAGNER Götterdämmerung Marek Janowski, cond; Lance Ryan ( Siegfried ); Petra Lang ( Brünnhilde ); Matti Salminen ( Hagen ); Markus Brück ( Gunther ); Edith Haller ( Gutrune ); Jochen Schmeckenbecher ( Alberich ); Marina Prudenskaya Read more ( Waltraute ); Julia Borchert ( Woglinde ); Katherine Kammerloher ( Wellgunde ); Kismara Pessatti ( Flosshilde ); Susanne Resmark ( First Norn ); Christa Mayer ( Second Norn ); Jacquelyn Wagner ( Third Norn ); Berlin R Ch & SO PENTATONE 5186 409 (4 SACDs: 243:42 Text and Translation) Live: Berlin 3/15/2013


In the fall of 2010, PentaTone announced plans to release new concert recordings of Wagner’s 10 mature operas—all with the same conductor, orchestra, and chorus plus top Wagnerian singers—by the end of the composer’s 200th birthday year. A given was that, as with all PentaTone releases, these would be hybrid multichannel SACDs featuring the best possible sound that the Polyhymnia engineering team could muster. Well, they did it. My copy of Götterdämmerung , recorded in May of last year, arrived on my doorstep on December 11, 2013. Almost three weeks to spare. It’s a successful conclusion to an ambitious undertaking, even if a couple of key singers here were not in top form.


Marek Janowski, as usual, favors brisk tempos. He brings in this Götterdämmerung in about 4:04:00; a quick check of five other audio-only versions of the work, of various vintages, revealed a range of 4: 17:00 (Keilberth, 1955) to 4:34:00 (Thielemann, 2010). Sometimes, this penchant for speed is quite evident, as with a third act Funeral March that’s something other than a dirge. Mostly, Janowski’s tempo choices translate into an increased sense of dramatic urgency rather than seeming rushed or perfunctory.


As signaled above, two key performers were not at the top of their game. Lance Ryan sang Siegfried for Zubin Mehta in the Valencia Ring —my favored video version—and, as I noted there, while no Melchior, he gave a dramatically effective account of the misguided hero. Here, his voice seems closed-in, pinched, sometimes even a little nasal in character—though his softer singing, as when he remembers his history to Hagen’s men right before he’s murdered, is better. Petra Lang is a top-tier Wagnerian who always brings intelligence and strong sense of character to her portrayals. Best here is her scene with Waltraute (capably sung by Marina Prudenskaya) where she begins with the same aura of radiant happiness she manifested when she waved goodbye to Siegfried in the Prologue—and then evolves into defiant fury. Lang’s Brünnhilde is set up perfectly for the gigantic disappointment in the form of Siegfried-as-Gunther who is the next visitor to her rock. “Verrat!”—“Betrayed!”—she cries out, and really sounds like she means it. In the last act, though, Lang’s vocal instrument does show some wear in more demanding passages: The voice is a little rough on top with some imperfect intonation. Violeta Urmana was the Brünnhilde for PentaTone’s Siegfried and she’s more technically secure—but, of course, the role in Götterdämmerung makes very different and more extreme demands on a vocalist than does the earlier drama.


But then there’s Hagen. Give me a choice between a grade B-plus Brünnhilde/Siegfried combination with a grade B Hagen, and a B-minus Brünnhilde/Siegfried with an A Hagen, and I’ll take the latter deal every time. And Matti Salminen is an A-plus Hagen: As Peter Rabinowitz noted in a review of the Valencia Ring in Fanfare 34:2, “he virtually owns the part these days.” Salminen’s act I monolog “Hier Stiz’ ich zur Wacht” is darkly horrifying, dripping with contempt not just for Siegfried but for the rest of humanity as well. Janowski backs him up with tritone-laden brass declamations of crushing power.


Markus Brück and Edith Haller capably sing Gunther and Gutrune. At least vocally, there’s no obvious attempt to make the former into a puffed-up fop and the latter into a floozy, as is so often the case in staged productions. They are there to function mechanistically in the scheme Alberich and Hagen have devised to recover the ring and there’s really no need to vilify them further. The trios of Norns and Rhine Maidens are dramatically and musically effective as well.


The choral work in act II is thrilling—and the recording lets you hear everything. Orchestral sonorities are wonderfully warm and richly textured: Listen to the blend of the eight horns in the music between scenes 1 and 2 of the second act (after Alberich and Hagen’s exchange), or to the glowing majesty of the work’s closing pages. The packaging is in the same luxuriant mode as the preceding nine releases: PentaTone provides a 320-page bound booklet that holds the four hybrid multichannel SACDs as well as a German/English libretto, another lengthy essay from Steffen Georgi, and plenty of information on the cast. By the way, I did it. I managed to hang onto the vouchers that came with the nine earlier releases in the series, so I’m entitled to a “special CD collection box.”


As the final D? chord so handsomely recorded by the Polyhymnia engineering team fades away, one is left marveling at the achievement of Marek Janowski and the many top-notch singers who joined him for PentaTone’s project. But mostly, one is left in awe at the remarkable staying power of the music penned by one Wilhelm Richard Wagner.


FANFARE: Andrew Quint
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Works on This Recording

1.
Götterdämmerung by Richard Wagner
Performer:  Jochen Schmeckenbecher (Baritone), Petra Lang (Mezzo Soprano), Edith Haller (Soprano),
Matti Salminen (Bass), Markus Brück (Baritone), Marina Prudenskaja (Alto)
Conductor:  Marek Janowski
Orchestra/Ensemble:  Berlin Radio Symphony Orchestra,  Berlin Radio Chorus
Period: Romantic 
Written: 1871-1874; Germany 

Sound Samples

Gotterdammerung (Twilight of the Gods): Prologue: Welch Licht leuchtet dort? (The Norns)
Gotterdammerung (Twilight of the Gods): Prologue: Treu beratner Vertrage Runen (Second Norn)
Gotterdammerung (Twilight of the Gods): Prologue: Es ragt die Burg (The Norns)
Gotterdammerung (Twilight of the Gods): Prologue: Zu neuen Taten, teurer Helde (Brunnhilde)
Gotterdammerung (Twilight of the Gods): Prologue: Willst du mir Minne schenken (Brunnhilde, Siegfried)
Gotterdammerung (Twilight of the Gods): Prologue: O heilige Gotter! (Brunnhilde, Siegfried)
Gotterdammerung (Twilight of the Gods): Prologue: Siegfrieds Rheinfahrt (Siegfried's Rhine Journey)
Gotterdammerung (Twilight of the Gods): Act I Scene 1: Nun hor', Hagen, sage mir, Held (Gunther, Hagen)
Gotterdammerung (Twilight of the Gods): Act I Scene 1: Wen ratst du nun zu frein (Gunther Hagen, Gutrune)
Gotterdammerung (Twilight of the Gods): Act I Scene 1: Jagt er auf Taten wonnig umher (Hagen, Gunther, Siegfried)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Wer ist Gibichs Sohn? (Siegfried, Gunther, Hagen)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Begrusse froh, o Held (Gunther, Siegfried, Hagen)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Willkommen, Gast, in Gibichs Haus! (Gutrune, Siegfried, Gunther)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Gutrune - Sind's gute Runen (Gunther, Siegfried)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Bluhenden Lebens labendes Blut (Siegfried, Gunther, Hagen)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Frisch auf die Fahrt! (Siegfried)
Gotterdammerung (Twilight of the Gods): Act I Scene 2: Hier sitz' ich zur Wacht (Hagen)
Gotterdammerung (Twilight of the Gods): Act I Scene 3: Altgewohntes Gerausch (Brunnhilde, Waltraute)
Gotterdammerung (Twilight of the Gods): Act I Scene 3: Hore mit Sinn (Waltraute)
Gotterdammerung (Twilight of the Gods): Act I Scene 3: Welch banger Traume Maren meldest du Traurige mir (Brunnhilde, Waltraute)
Gotterdammerung (Twilight of the Gods): Act I Scene 3: Was leckt so wutend (Brunnhilde)
Gotterdammerung (Twilight of the Gods): Act I Scene 3: Brunhild'! Ein Freier kam (Siegfried, Brunnhilde)

Customer Reviews

Average Customer Review:  1 Customer Review )
 A Fitting End December 17, 2013 By James C. (Baton Rouge, LA) See All My Reviews "This release is a fitting end to Janowski's SACD Wagner cycle. As with all the releases in this series, Janowski brings out all the inner voices, giving his readings a chamber music feel, without sacrificing power when needed. The only aspect of this recording that keeps it out of the five star category is tenor Lance Ryan. His wobbly tone mitigates most artistic choices he makes and puts a blot on this otherwise fine recording. Petra Lang, erstwhile mezzo, repeats her fine Brunhilde from Janowski's Die Walkure. Hers is a warm, passionate sound, less bright and lithe than rival soprano Nina Stemme. She is the Varnay to Stemme's Nilsson. The rest of the cast is very fine, as is the sound." Report Abuse
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