Notes and Editorial Reviews
The history of Wozzeck began nearly 200 years ago, when Johann Christian Woyzeck, a onetime soldier and jobless wigmaker, killed his sweetheart with a knife in a fit of jealous rage. The tragic incident provided the material for the German playwright Georg Büchner, who interpreted the fate of Woyzeck as a mass phenomenon; in his play, Büchner portrays the convicted murdered as a hopeless, compulsive creature, a mere cog in the wheels of a destructive and repressive system that tramples all human values underfoot.
Such is the message communicated in Alban Berg's setting of the work, which was premiered more than 100 years later in Berlin. Even before its first performance the opera was already causing controversy,
with critics -- Schoenberg among them -- labelling Berg's decision to set Büchner's play to music a daring and ill-conceived venture, but in the end it proved to be one of the great successes on the stage, its perfect blend of a strictly autonomous design and dramatic expressiveness providing the perfect musical dress for the playwright's social criticism. Berg defies operatic conventions, or 'universal human sentiments', instead choosing to arouse sympathy with the humiliated and ridiculed, and allowing them to utter what seems incapable of expression.
An all-star German cast -- the great baritone Theo Adam and contralto Gisela Schröter among them -- graces this recording of the work, recorded live in Leipzig's Kongresshalle back in 1973. 'Kegel's Wozzeck shows typically fine judgment -- intense, but not exaggerated or overwrought, powerfully emotional without indulgence or sensationalism, lucid without being analytical' (MusicWeb International).
- An "intense, powerfully emotional" (Musicweb International) live performance of Alban Berg's Wozzeck, the tale of the individual caught in the destructive forces of the totalitarian and repressive system, which Berg loaded with such explosive musical and socio-political content.
- Starring the great baritone Theo Adam and mezzo soprano Gisela Schröter, conductor Herbert Kegel establishing his status as champion of the great, monumental 20th century masterpieces.
- Booklet contains detailed tracklist, notes and plot synopsis.
- Libretto available on www.brilliantclassics.com. Read less
Works on This Recording
Wozzeck, Op. 7 by Alban Berg
Theo Adam (Bass),
Konrad Rupf (Bass),
Gisela Schröter (Mezzo Soprano),
Helmuth Klotz (Tenor),
Gisela Pohl (Alto),
Reiner Goldberg (Tenor),
Heidrun Zienecker (Boy Soprano),
Monika Vahle (Soprano),
Horst Hiestermann (Tenor),
Alois Tinschert (Tenor),
Norbert Klesse (Boy Soprano),
Ekkehard Wlaschiha (Baritone),
Rolf Wollrad (Bass),
Theo Adam (Baritone),
Frank Grundei (Boy Soprano)
Leipzig Radio Chorus,
Leipzig Radio Orchestra,
Dresden Children's Choir
Period: 20th Century
Written: 1917-1922; Austria
Date of Recording: 04/09/1973
Venue: Live Kongresshalle, Leipzig, East Germany
Length: 85 Minutes 2 Secs.
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