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Erato - 50 CD Collection

Erato: The 50 Cd Collection / Various
Release Date: 11/19/2013 
Label:  Erato   Catalog #: 46441  
Composer:  Tomaso AlbinoniGiuseppe TartiniGeorg Philipp TelemannGiuseppe Torelli,   ... 
Performer:  Maurice AndréPierre PierlotPaul HongneJacques Chambon,   ... 
Conductor:  Sir Neville MarrinerJean-François PaillardFrigyes SándorKent Nagano,   ... 
Orchestra/Ensemble:  Academy of St. Martin in the Fields Chamber Ens.Paillard Chamber OrchestraVienna Soloists,   ... 
Number of Discs: 50 
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Notes and Editorial Reviews

The Erato label flourished from the early 1950s. It is defined both by its discerningly chosen repertoire and by the high quality of its artists — brilliant instrumentalists including Marie-Claire Alain (organ), Maurice André (trumpet), Lily Laskine (harp), Jean-Pierre Rampal (flute), Hélène Grimaud (piano) and outstanding and sympathetic conductors such as Jean-François Paillard, Claudio Scimone, Michel Corboz, John Eliot Gardiner, Marc Minkowski, Ton Koopman and William Christie. Together they recorded a rich catalogue of Baroque — particularly French Baroque — music.

Erato’s second priority was contemporary music, especially that by French composers. No label has better or so faithfully served
Read more this repertoire, and this 50-CD edition includes some of its greatest treasures — Maurice Duruflé conducting his Requiem; Pierre Boulez conducting Le Visage nuptial and Le Soleil des eaux, and Stravinsky’s Pulcinella; Yvonne Loriod, Boulez and Marius Constant performing Messiaen; Messiaen playing his own Méditations sur le mystère de la Sainte Trinité; and Darius Milhaud conducting two of his symphonies.
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Works on This Recording

1. Concerti (12) à 5, Op. 7: no 3 for Oboe in B flat major by Tomaso Albinoni
Performer:  Maurice André (Trumpet)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields Chamber Ens.
Period: Baroque 
Written: by 1715; Venice, Italy 
Date of Recording: 1974 
2. Concerto for Trumpet in D major by Giuseppe Tartini
Performer:  Maurice André (Trumpet)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields Chamber Ens.
Period: Baroque 
Written: 18th Century; Italy 
Date of Recording: 1974 
3. Concerto for Trumpet and 2 Oboes in D major by Georg Philipp Telemann
Performer:  Pierre Pierlot (Oboe), Paul Hongne (Bassoon), Jacques Chambon (Oboe),
Maurice André (Trumpet)
Conductor:  Jean-François Paillard
Orchestra/Ensemble:  Paillard Chamber Orchestra
Period: Baroque 
4. Concert Sonata for Trumpet in D major by Georg Philipp Telemann
Performer:  Maurice André (Trumpet)
Orchestra/Ensemble:  Vienna Soloists
Period: Baroque 
5. Suonata con stromenti e tromba in D major, G 1 by Giuseppe Torelli
Performer:  Maurice André (Trumpet)
Orchestra/Ensemble:  Vienna Soloists
Period: Baroque 
Written: 1690; Italy 
6. Concerto for Oboe no 3 in G minor, HWV 287 by George Frideric Handel
Performer:  Maurice André (Trumpet)
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields Chamber Ens.
Period: Baroque 
Written: 1703-1705; Hamburg, Germany 
7. Concerto for Oboe and Violin in B flat major, RV 548 by Antonio Vivaldi
Performer:  Maurice André (Trumpet)
Conductor:  Frigyes Sándor
Orchestra/Ensemble:  Franz Liszt Academy Chamber Orchestra
Period: Baroque 
Written: Venice, Italy 
8. Concerto for Cello no 1, Op. 136 by Darius Milhaud
Performer:  Mstislav Rostropovich (Cello)
Conductor:  Kent Nagano
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1934; France 
9. Concerto for Cello by Arthur Honegger
Performer:  Mstislav Rostropovich (Cello)
Conductor:  Kent Nagano
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1934; France 
10. Concerto for Ondes Martenot and Orchestra by André Jolivet
Performer:  Yvonne Loriod (Ondes Martinot)
Conductor:  André Jolivet
Written: 1947 
11. Concerto for Trumpet by Henri Tomasi
Performer:  Maurice André (Trumpet)
Period: 20th Century 
Written: 1948; France 
12. Suite for Orchestra no 1 in C major, BWV 1066 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: circa 1717-1723; Cöthen, Germany 
13. Suite for Orchestra no 2 in B minor, BWV 1067 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1738-1739; Leipzig, Germany 
14. Suite for Orchestra no 3 in D major, BWV 1068 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
15. Suite for Orchestra no 4 in D major, BWV 1069 by Johann Sebastian Bach
Conductor:  Ton Koopman
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: circa 1729-1731; Leipzig, Germany 
16. Toccata and Fugue in D minor, BWV 565 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: by 1708; Germany 
17. Toccata, Adagio and Fugue in C major, BWV 564 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: 1708-1717; ?Weimar, Germany 
18. Orgelbüchlein: In dulci jubilo, BWV 608 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: circa 1713-1717; Weimar, Germany 
19. Orgelbüchlein: Jesu, meine Freude, BWV 610 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: circa 1713-1717; Weimar, Germany 
20. Orgelbüchlein: In dir ist Freude, BWV 615 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: circa 1713-1717; Weimar, Germany 
21. Orgelbüchlein: Ich ruf'zu dir, Herr Jesu Christ, BWV 639 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: circa 1713-1717; Weimar, Germany 
22. Concerto for Organ solo in A minor, BWV 593 (after Vivaldi) by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
23. Toccata and Fugue in D minor, BWV 538 "Dorian" by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: 1708-1717; Weimar, Germany 
24. Prelude and Fugue in E major, BWV 566 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: by 1708; Mühlhausen, Germany 
25. Nun komm, der Heiden Heiland, BWV 659 by Johann Sebastian Bach
Performer:  Marie-Claire Alain (Organ)
Period: Baroque 
Written: by 1723; ?Weimar, Germany 
26. Les francs-juges, Op. 3: Overture by Hector Berlioz
Conductor:  Alain Lombard
Orchestra/Ensemble:  Strasbourg Philharmonic Orchestra
Period: Romantic 
Written: 1826; France 
27. Le corsaire Overture, Op. 21 by Hector Berlioz
Conductor:  Alain Lombard
Orchestra/Ensemble:  Strasbourg Philharmonic Orchestra
Period: Romantic 
Written: 1844; France 
28. Le carnaval romain Overture, Op. 9 by Hector Berlioz
Conductor:  Alain Lombard
Orchestra/Ensemble:  Strasbourg Philharmonic Orchestra
Period: Romantic 
Written: 1843-1844; France 
29. Benvenuto Cellini: Overture, Op 23 by Hector Berlioz
Conductor:  Alain Lombard
Orchestra/Ensemble:  Strasbourg Philharmonic Orchestra
Period: Romantic 
Written: 1834-1837; France 
30. Les troyens: Trojan March by Hector Berlioz
Conductor:  Gilbert Amy
Orchestra/Ensemble:  French Radio Philharmonic Orchestra
Period: Romantic 
Written: 1856-1858; France 
31. Les troyens: Royal hunt and storm by Hector Berlioz
Conductor:  Gilbert Amy
Orchestra/Ensemble:  French Radio Philharmonic Orchestra
Period: Romantic 
Written: 1856-1858; France 
32. Les troyens: Ballet music by Hector Berlioz
Conductor:  Gilbert Amy
Orchestra/Ensemble:  French Radio Philharmonic Orchestra
33. Carmen: Excerpt(s) by Georges Bizet
Performer:  Placido Domingo (Tenor), Lillian Watson (Soprano), Faith Esham (Soprano),
Ruggero Raimondi (Bass), Susan Daniel (Mezzo Soprano), Julia Migenes (Soprano)
Conductor:  Lorin Maazel
Orchestra/Ensemble:  French National Orchestra,  Radio France Chorus
Period: Romantic 
Written: 1873-1874; France 
34. Pli selon pli by Pierre Boulez
Performer:  Phyllis Bryn-Julson (Soprano)
Conductor:  Pierre Boulez
Orchestra/Ensemble:  BBC Symphony Orchestra
Period: 20th Century 
Written: 1957-1962 
Language: French 
35. Trio for Horn, Violin and Piano in E flat major, Op. 40 by Johannes Brahms
Performer:  Michel Dalberto (Piano), Pierre Amoyal (Violin), Pierre Del Vescovo (French Horn)
Period: Romantic 
Written: 1865; Austria 
36. Trio for Clarinet, Cello and Piano in A minor, Op. 114 by Johannes Brahms
Performer:  Michel Portal (Clarinet), Frédéric Lodéon (Cello), Michel Dalberto (Piano)
Period: Romantic 
Written: 1891; Austria 
37. Requiem Mass by André Campra
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  English Baroque Soloists
Period: Baroque 
Written: circa 1722; France 
38. Iphigénie en Aulide: Overture by Christoph W. Gluck
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
39. Iphigénie en Aulide: Brilliant auteur de la lumière by Christoph W. Gluck
Performer:  José Van Dam (Bass Baritone)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
40. Iphigénie en Aulide: C'est trop faire de résistance by Christoph W. Gluck
Performer:  José Van Dam (Bass Baritone), Gilles Cachemaille (Baritone)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
41. Iphigénie en Aulide: Tu vieux qur par ma main tremblante by Christoph W. Gluck
Performer:  Gilles Cachemaille (Baritone), José Van Dam (Bass Baritone)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
42. Iphigénie en Aulide: Nommez-nous la victime by Christoph W. Gluck
Performer:  Gilles Cachemaille (Baritone), José Van Dam (Bass Baritone)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
43. Iphigénie en Aulide: Au faîte des grandeurs by Christoph W. Gluck
Performer:  Gilles Cachemaille (Baritone)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
44. Iphigénie en Aulide: Que d'attraits by Christoph W. Gluck
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
45. Iphigénie en Aulide: Armez-vous d'un noble courage by Christoph W. Gluck
Performer:  Anne Sofie von Otter (Mezzo Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
46. Iphigénie en Aulide: Helas! mon coeur sensible! by Christoph W. Gluck
Performer:  Lynne Dawson (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
47. Iphigénie en Aulide: Cruelle, non jamais by Christoph W. Gluck
Performer:  John Aler (Tenor)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
48. Iphigénie en Aulide: Ne doutez jamais de ma flamme by Christoph W. Gluck
Performer:  John Aler (Tenor), Lynne Dawson (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
49. Iphigénie en Aulide: Rassurez-vous, belle Princesse by Christoph W. Gluck
Performer:  Lynne Dawson (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
50. Iphigénie en Aulide: Par la crainte et par l'espérance by Christoph W. Gluck
Performer:  Lynne Dawson (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
51. Iphigénie en Aulide: Chantez, célébrez votre reine by Christoph W. Gluck
Performer:  John Aler (Tenor)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
52. Iphigénie en Aulide: Achille est couronné by Christoph W. Gluck
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
53. Iphigénie en Aulide: Ami sensible, ennemi redoutable by Christoph W. Gluck
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Lyon Opera Orchestra
Period: Classical 
Written: 1772-1774; Vienna, Austria 
54. Come, ye sons of art, away, Z 323 by Henry Purcell
Performer:  John Williams (Countertenor), Thomas Allen (Bass), Charles Brett (Countertenor),
Felicity Lott (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Monteverdi Orchestra,  Equale Brass
Period: Baroque 
Written: 1694; England 
Language: English 
55. March and Canzona in C minor, Z 860 by Henry Purcell
Performer:  Felicity Lott (Soprano), Charles Brett (Countertenor), John Williams (Countertenor),
Thomas Allen (Bass)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Monteverdi Orchestra,  Equale Brass
Period: Baroque 
Written: 1692; England 
Language: English 
56. Man that is born of a woman, Z 27 by Henry Purcell
Performer:  Thomas Allen (Bass), John Williams (Countertenor), Charles Brett (Countertenor),
Felicity Lott (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Monteverdi Orchestra,  Equale Brass
Period: Baroque 
Written: circa 1680-1682; England 
Length: 3 Minutes 46 Secs. 
Language: English 
57. March and Canzona in C minor, Z 860: Canzona by Henry Purcell
Orchestra/Ensemble:  Equale Brass
Period: Baroque 
Written: 1692; England 
Length: 0 Minutes 49 Secs. 
58. In the midst of life, Z 17b by Henry Purcell
Performer:  Thomas Allen (Bass), John Williams (Countertenor), Charles Brett (Countertenor),
Felicity Lott (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Monteverdi Orchestra,  Equale Brass
Period: Baroque 
Written: by 1682; England 
Length: 5 Minutes 53 Secs. 
Language: English 
59. Thou know'st, Lord, the secrets of our hearts, Z 58c by Henry Purcell
Performer:  Thomas Allen (Bass), John Williams (Countertenor), Charles Brett (Countertenor),
Felicity Lott (Soprano)
Conductor:  John Eliot Gardiner
Orchestra/Ensemble:  Monteverdi Choir,  Monteverdi Orchestra,  Equale Brass
Period: Baroque 
Written: 1695; England 
Length: 2 Minutes 18 Secs. 
Language: English 
60. March and Canzona in C minor, Z 860: March by Henry Purcell
Orchestra/Ensemble:  Equale Brass
Period: Baroque 
Written: 1692; England 
Length: 2 Minutes 15 Secs. 
61. Chants d'Auvergne: Volume 1 - no 2, Baïlèro by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
62. Chants d'Auvergne: Volume 1 - no 1, La pastoura als camps by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
63. Chants d'Auvergne: Volume 1 - no 3a, L'Aïo dé rotso by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
64. Chants d'Auvergne: Volume 1 - no 3b, Ound'onorèn gorda by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
65. Chants d'Auvergne: c. Obal, din lou Limouzi by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Modern 
Written: 1923-1930; France 
66. Chants d'Auvergne: Volume 2 - no 2, L'Antouèno by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
67. Chants d'Auvergne: Volume 2 - no 3, La pastrouletta by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
68. Chants d'Auvergne: Volume 2 - no 5a, N'aï pas iéu de mîo by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
69. Chants d'Auvergne: Volume 2 - no 5b, Lo calhé by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
70. Chants d'Auvergne: Volume 3 - no 5, Malurous qu'o uno fenno by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
71. Chants d'Auvergne: Volume 4 - no 3, Pour l'enfant by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
72. Chants d'Auvergne: Vol 5 - no 2, Quand z'eyro petitoune by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
73. Chants d'Auvergne: Volume 5 - no 3, Là-haut, sur le rocher by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
74. Chants d'Auvergne: Volume 5 - no 4, Hé! beyla-z-y dau fé by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
75. Chants d'Auvergne: Vol 5 - no 8, Lou diziou bé by Joseph Canteloube
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: 20th Century 
Written: 1923-1930; France 
76. Chansons bourguignonnes (30), Op. 15: no 4, Complainte by Maurice Emmanuel
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Romantic 
Written: 1913; France 
77. Chansons bourguignonnes (30), Op. 15: no 6,Il était une fille by Maurice Emmanuel
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Romantic 
Written: 1913; France 
78. Chansons bourguignonnes (30), Op. 15: no 10, Noël by Maurice Emmanuel
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Romantic 
Written: 1913; France 
79. Chansons bourguignonnes (30), Op. 15: no 12, Le Pommier by Maurice Emmanuel
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Romantic 
Written: 1913; France 
80. Chansons bourguignonnes (30), Op. 15: no 20, Aidieu, bargeire by Maurice Emmanuel
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Romantic 
Written: 1913; France 
81. Chansons bourguignonnes (30), Op. 15: no 16, Quand j'ai sôti by Maurice Emmanuel
Performer:  Dawn Upshaw (Soprano)
Conductor:  Kent Nagano
Orchestra/Ensemble:  Lyon Opera Orchestra
Period: Romantic 
Written: 1913; France 
82. Requiem in D minor, K 626 by Wolfgang Amadeus Mozart
Performer:  Nathalie Stutzmann (Alto), Anna Maria Panzarella (Soprano), Christoph Prégardien (Tenor),
Nathan Berg (Bass)
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Classical 
Written: 1791; Vienna, Austria 
Date of Recording: 11/1994 
Venue:  Salle Berthier, Paris 
Length: 50 Minutes 1 Secs. 
Language: Latin 
83. Ave verum corpus in D major, K 618 by Wolfgang Amadeus Mozart
Performer:  Nathan Berg (Bass), Christoph Prégardien (Tenor), Nathalie Stutzmann (Alto),
Anna Maria Panzarella (Soprano)
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Classical 
Written: 1791; Austria 
Date of Recording: 11/1994 
Venue:  Salle Berthier, Paris 
Length: 3 Minutes 38 Secs. 
Language: Latin 
84. La guirlande by Jean-Philippe Rameau
Performer:  Paul Agnew (Countertenor), Sophie Daneman (Soprano), François Bazola (Bass)
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants,  Cappella Coloniensis
Period: Classical 
Written: by 1751; France 
Date of Recording: 01/2000 
Venue:  Stolbergerstrasse Studio, Cologne 
Length: 53 Minutes 49 Secs. 
Language: French 
85. Vespro della Beata Vergine: Deus in adjutorium by Claudio Monteverdi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants,  Les Sacqueboutiers du Toulouse
Period: Baroque 
Written: by 1610; Italy 
86. Vespro della Beata Vergine: Nigra sum by Claudio Monteverdi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants,  Les Sacqueboutiers du Toulouse
Period: Baroque 
Written: by 1610; Mantua, Italy 
87. Vespro della Beata Vergine: Pulchra es, amica mea by Claudio Monteverdi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants,  Les Sacqueboutiers du Toulouse
Period: Baroque 
Written: by 1610; Mantua, Italy 
88. Vespro della Beata Vergine: Nisi Dominus a 10 by Claudio Monteverdi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants,  Les Sacqueboutiers du Toulouse
Period: Baroque 
Written: by 1610; Mantua, Italy 
89. Vespro della Beata Vergine: Duo Seraphim clamabant by Claudio Monteverdi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants,  Les Sacqueboutiers du Toulouse
Period: Baroque 
Written: by 1610; Mantua, Italy 
90. Ottavo libro de madrigali a 5 voci, 1624: Alme luci beate by Sigismondo D'India
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1624; Italy 
91. Io vi lascio, mie scorte by Sigismondo D'India
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
92. Quinto libro de madrigali: Sospir che del bel petto by Sigismondo D'India
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1616; Italy 
93. Il primo libro de madrigali: Crud'Amarilli by Sigismondo D'India
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Renaissance 
Written: by 1606; Italy 
94. La pierre philosophale, H 501 by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1681; Paris, France 
95. Ah! qu'ils sont courts les beaux jours, H 442 by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: by 1680; Paris, France 
96. Charmantes fleurs naissez, H 449b by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: Paris, France 
97. Quoi! rien ne peut vous arrêter, H 462 by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: by 1678; Paris, France 
98. Sans frayeur dans ce bois, H 467 by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: by 1680; France 
99. Il Sant'Alessio: Sinfonia by Stefano Landi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: ?1631; Italy 
100. Il Sant'Alessio: Choro di schiavi by Stefano Landi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
101. Il Sant'Alessio: Ritornello e Roma by Stefano Landi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
102. Il Sant'Alessio: Choro di schiavi by Stefano Landi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
103. Il Sant'Alessio: O morte gradita by Stefano Landi
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
104. La Descente d'Orphée aux enfers, H 488: Overture by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
105. La Descente d'Orphée aux enfers, H 488: Inventons mille jeux divers by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
106. La Descente d'Orphée aux enfers, H 488: Compagnes fidèles by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
107. La Descente d'Orphée aux enfers, H 488: Soutiens-moi, chère Enone by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
108. La Descente d'Orphée aux enfers, H 488: Ah! Bergers, c’en est fait by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
109. La Descente d'Orphée aux enfers, H 488: Entrée by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
110. Médée, H 491: Overture by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1693; France 
111. Médée, H 491: Passepieds by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
112. Médée, H 491: Que me peut demander la Gloire by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1693; France 
113. Médée, H 491: Rondeau by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
114. Médée, H 491: Quel bonheur by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
115. Médée, H 491: Que d'épais by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
116. Médée, H 491: Act 1 Entr'acte by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
117. Médée, H 491: Noires filles du Styx by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1693; France 
118. Médée, H 491: Act 3 Scene 6 "L'Enfer..." by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
119. Médée, H 491: Act 3 Scene 7 "Je vois..." by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
120. Médée, H 491: Act 3 Premier air pour les Démons by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
121. Médée, H 491: Act 3 "Dieu..." by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
122. Médée, H 491: Act 3 seconde entrée des Démons by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
123. Dido and Aeneas, Z 626: Overture by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1689; England 
124. Dido and Aeneas, Z 626: Shake the cloud by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1689; England 
125. Dido and Aeneas, Z 626: Ah, Belinda, I am prest with torment by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1689; England 
126. Dido and Aeneas, Z 626: Grief increases by concealing by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
127. Dido and Aeneas, Z 626: Triumphing Dance by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
128. Dido and Aeneas, Z 626: Come away, fellow sailors by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
129. Dido and Aeneas, Z 626: Witches' Dance by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
130. Dido and Aeneas, Z 626: Thy hand, Belinda...When I am laid in earth by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1689; England 
131. King Arthur, or The British Worthy, Z 628: Overture by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
132. King Arthur, or The British Worthy, Z 628: Air by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
133. King Arthur, or The British Worthy, Z 628: Brave souls, to be renown'd in story by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
134. King Arthur, or The British Worthy, Z 628: Act III, Prelude by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
135. King Arthur, or The British Worthy, Z 628: What ho! by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
136. King Arthur, or The British Worthy, Z 628: What power art thou by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
137. King Arthur, or The British Worthy, Z 628: Thou doting fool by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
138. King Arthur, or The British Worthy, Z 628: Great love I know by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
139. King Arthur, or The British Worthy, Z 628: No part of my dominion by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
140. King Arthur, or The British Worthy, Z 628: See, see, we assemble by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
141. King Arthur, or The British Worthy, Z 628: 'Tis I that have warm'd ye by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
142. King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: 1691; England 
143. In nativitatum Domini canticum, H 416 "Usquequo avertis" by Marc-Antoine Charpentier
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
Period: Baroque 
Written: circa ?1685 
144. La guirlande: Air gracieux by Jean-Philippe Rameau
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
145. La guirlande: Hâtons-nous by Jean-Philippe Rameau
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
146. La guirlande: Menuets by Jean-Philippe Rameau
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
147. La guirlande: Air gracieux, tambourins by Jean-Philippe Rameau
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
148. La guirlande: Vole, Amour by Jean-Philippe Rameau
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
149. La guirlande: Contredanse by Jean-Philippe Rameau
Conductor:  William Christie
Orchestra/Ensemble:  Les Arts Florissants
150. Leçons de ténèbres (3): no 1, Incipit lamentio, H 120 by Marc-Antoine Charpentier
Conductor:  Louis Devos
Orchestra/Ensemble:  Musica Polyphonica
Period: Baroque 
Written: circa ?1685; France 
151. Leçons de ténèbres (3): no 2, De lamentatione Jeremiae, H 121 by Marc-Antoine Charpentier
Conductor:  Louis Devos
Orchestra/Ensemble:  Musica Polyphonica
Period: Baroque 
Written: circa ?1685; France 
152. Leçons de ténèbres (3): no 3, Misericordiae Domini, H 122 by Marc-Antoine Charpentier
Conductor:  Louis Devos
Orchestra/Ensemble:  Musica Polyphonica
Period: Baroque 
Written: circa ?1685; France 
153. Leçons de ténèbres (3): no 1, Manum suam, H 123 by Marc-Antoine Charpentier
Conductor:  Louis Devos
Orchestra/Ensemble:  Musica Polyphonica
Period: Baroque 
Written: circa ?1685; France 
154. Leçons de ténèbres (3): no 2, Ego vir videns, H 124 by Marc-Antoine Charpentier
Conductor:  Louis Devos
Orchestra/Ensemble:  Musica Polyphonica
Period: Baroque 
Written: circa ?1685; France 
155. Quartet for Strings in C minor, Op. 35 "Inachève" by Ernest Chausson
Orchestra/Ensemble:  Via Nova String Quartet
Period: Romantic 
Written: 1897-1899; France 
156. Quartet for Strings, Op. 45 by Albert Roussel
Orchestra/Ensemble:  Via Nova String Quartet
Period: 20th Century 
Written: 1932; France 
157. Etudes (12) for Piano, Op. 10 by Frédéric Chopin
Performer:  Nikolai Lugansky (Piano)
Period: Romantic 
Written: 1829-1833; Poland 
Date of Recording: 11/1999 
Venue:  Maison d'Ile de France, Alfortville 
Length: 28 Minutes 21 Secs. 
158. Etudes (12) for Piano, Op. 25 by Frédéric Chopin
Performer:  Nikolai Lugansky (Piano)
Period: Romantic 
Written: 1832-1836; Paris, France 
Date of Recording: 11/1999 
Venue:  Maison d'Ile de France, Alfortville 
Length: 30 Minutes 13 Secs. 
159. Nouvelles Etudes (3) for Piano, B 130 by Frédéric Chopin
Performer:  Nikolai Lugansky (Piano)
Period: Romantic 
Written: 1839; Paris, France 
Date of Recording: 11/1999 
Venue:  Maison d'Ile de France, Alfortville 
Length: 5 Minutes 27 Secs. 
160. Pièces de clavecin, Book 4: Ordre 25 in E flat major/C major/C minor - Les ombres errantes by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1730; Paris, France 
161. Pièces de clavecin, Book 4: Ordre 22 in D major/D minor - Les tours de passe-passe by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1730; Paris, France 
162. Pièces de clavecin, Book 4: Ordre 21 in E minor - La Couperin by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1730; Paris, France 
163. Les Chérubins ou L'Aimable Lazure, for harpsichord (Pièces de clavecin, IV, 20e ordre) by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: France 
164. Pièces de clavecin, Book 4: La Garnier by François Couperin
Performer:  Olivier Baumont (Harpsichord)
165. Pièces de clavecin, Book 3: Ordre 18 in F minor/F major - Le tic-toc-choc ou Les maillotins by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1722; Paris, France 
166. Pièces de clavecin, Book 3: Ordre 15 in A minor/A major - Le dodo ou l'amour au berceau by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1722; Paris, France 
167. Pièces de clavecin, Book 3: Ordre 13 in B minor - Les folies françoises ou Les dominos by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1722; Paris, France 
168. Pièces de clavecin, Book 2: Ordre 9 in A major/A minor - Allemande by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1717; Paris, France 
169. Pièces de clavecin, Book 2: Ordre 6 in B flat major - Les baricades mistérieuses by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1717; Paris, France 
170. Pièces de clavecin, Book 2: Ordre 11 in C minor/C major - Les Fastes de la grande et ancienne menest by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1717; Paris, France 
171. Pièces de clavecin, Book 2: La Fileuse by François Couperin
Performer:  Olivier Baumont (Harpsichord)
172. Pièces de clavecin, Book 1: Ordre 4 in F major/F minor - Le réveil-matin by François Couperin
Performer:  Olivier Baumont (Harpsichord)
Period: Baroque 
Written: by 1713; Paris, France 
173. Pièces de clavecin, Book 1: Ordre 3 in C minor/C major - L'espagnolète by François Couperin
Performer:  Olivier Baumont (Harpsichord)
174. L'apprenti sorcier by Paul Dukas
Conductor:  Armin Jordan
Orchestra/Ensemble:  French Radio New Philharmonic Orchestra
Period: Romantic 
Written: 1897; France 
Length: 11 Minutes 45 Secs. 
175. Symphony in C major by Paul Dukas
Conductor:  Armin Jordan
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: Romantic 
Written: 1895-1896; France 
Length: 40 Minutes 5 Secs. 
176. La péri: Fanfare by Paul Dukas
Conductor:  Armin Jordan
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: Romantic 
Written: 1911-1912; France 
Length: 2 Minutes 13 Secs. 
177. La péri: La péri by Paul Dukas
Conductor:  Armin Jordan
Orchestra/Ensemble:  Suisse Romande Orchestra
Period: Romantic 
Written: 1911-1912; France 
Length: 19 Minutes 21 Secs. 
178. Requiem, Op. 9 by Maurice Duruflé
Performer:  Teresa Berganza (Mezzo Soprano), José Van Dam (Baritone)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Colonne Concerts Orchestra,  Colonne Concerts Chorus,  Audite Nova Vocal Ensemble
Period: 20th Century 
Written: 1947; Paris, France 
Language: Latin 
179. Requiem, Op. 48 by Gabriel Fauré
Performer:  Alain Clément (Boy Soprano), Philippe Corboz (Organ), Philippe Huttenlocher (Baritone)
Conductor:  Michel Corboz
Orchestra/Ensemble:  Berne Symphony Orchestra,  St. Pierre aux Liens de Bulle Choir
Period: Romantic 
Written: 1887-1890; France 
180. Grande pièce symphonique for Organ, Op. 17 by César Franck
Performer:  Marie-Claire Alain (Organ)
Period: Romantic 
Written: 1862; France 
Venue:  St. Étienne Church, Caen, France 
181. Fantasie for Organ in C major, Op. 16 by César Franck
Performer:  Marie-Claire Alain (Organ)
Period: Romantic 
Written: 1862; France 
Venue:  St. Étienne Church, Caen, France 
182. Prelude, Fugue and Variation for Organ in B minor, Op. 18 by César Franck
Performer:  Marie-Claire Alain (Organ)
Period: Romantic 
Written: 1862; France 
Venue:  St. Étienne Church, Caen, France 
183. Prière for Organ in C sharp minor, Op 20 by César Franck
Performer:  Marie-Claire Alain (Organ)
Period: Romantic 
Written: 1862; France 
Venue:  St. Étienne Church, Caen, France 
184. Pieces (3) for Organ: no 1 - Fantaisie in A major, M 35 by César Franck
Performer:  Marie-Claire Alain (Organ)
Period: Romantic 
Written: 1878; France 
Venue:  St. Étienne Church, Caen, France 
185. Concerto for Piano in F major by George Gershwin
Performer:  Hélène Grimaud (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Baltimore Symphony Orchestra
Period: 20th Century 
Written: 1925; USA 
Date of Recording: 05/1997 
Venue:  Meyerhoff Symphony Hall, Baltimore, MD 
Length: 32 Minutes 38 Secs. 
186. Concerto for Piano in G major by Maurice Ravel
Performer:  Hélène Grimaud (Piano)
Conductor:  David Zinman
Orchestra/Ensemble:  Baltimore Symphony Orchestra
Period: 20th Century 
Written: 1929-1931; France 
Date of Recording: 05/1997 
Venue:  Meyerhoff Symphony Hall, Baltimore, MD 
Length: 21 Minutes 58 Secs. 
187. Concertos (6) for Organ, Op. 4: no 1 in G minor, HWV 289 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1736; London, England 
188. Concertos (6) for Organ, Op. 4: no 4 in F major, HWV 292 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1735; London, England 
189. Concertos (6) for Organ, Op. 4: no 3 in G minor, HWV 291 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1735; London, England 
190. Concertos (6) for Organ, Op. 4: no 4 in F major, HWV 292 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1735; London, England 
191. Concertos (6) for Organ, Op. 4: no 5 in F major, HWV 293 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1735; London, England 
192. Concertos (6) for Organ, Op. 7: no 6 in B flat major, HWV 311 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1749; London, England 
193. Concertos (6) for Organ, Op. 4: no 6 in B flat major, HWV 294 by George Frideric Handel
Performer:  Ton Koopman (Organ)
Orchestra/Ensemble:  Amsterdam Baroque Orchestra
Period: Baroque 
Written: 1736; London, England 
194. Via crucis, S 53 by Franz Liszt
Performer:  Marie-Claude Alary (Alto), Michel Piquemal (Baritone), Marie-Claire Alain (Organ),
Donna Brown (Soprano), Regis Oudot (Tenor)
Conductor:  Jean Sourisse
Orchestra/Ensemble:  Audite Nova Vocal Ensemble
Period: Romantic 
Written: 1878-1879; Budapest, Hungary 
195. Missa Choralis, S 10 by Franz Liszt
Performer:  Regis Oudot (Tenor), Donna Brown (Soprano), Marie-Claire Alain (Organ),
Michel Piquemal (Baritone), Marie-Claude Alary (Alto)
Conductor:  Jean Sourisse
Orchestra/Ensemble:  Audite Nova Vocal Ensemble
Period: Romantic 
Written: 1865; Rome, Italy 
196. Concerto for Organ, Strings and Timpani in G minor by Francis Poulenc
Performer:  Marie-Claire Alain (Organ)
Conductor:  Jean-Jacques Kantorow
Period: 20th Century 
Written: 1938; France 
Date of Recording: 11/1997 
Venue:  Sinfonie an der Regnitz, Bamberg, German 
Length: 20 Minutes 34 Secs. 
197. Prelude et fugue sur le nom d'Alain, Op. 7 by Maurice Duruflé
Performer:  Marie-Claire Alain (Organ)
Conductor:  Jean-Jacques Kantorow
Period: 20th Century 
Written: 1942; France 
Date of Recording: 11/1997 
Venue:  Sinfonie an der Regnitz, Bamberg, German 
Length: 12 Minutes 23 Secs. 
198. Sarabande, for organ, string quintet & timpani, JA 120d: Adagio by Jehan-Ariste Alain
Performer:  Marie-Claire Alain (Organ)
Conductor:  Jean-Jacques Kantorow
Period: Modern 
Written: 1938 
Date of Recording: 11/1997 
Venue:  Sinfonie an der Regnitz, Bamberg, German 
Length: 11 Minutes 52 Secs. 
199. Dances (3) for Orchestra, Op. 6 by Maurice Duruflé
Performer:  Marie-Claire Alain (Organ)
Conductor:  Jean-Jacques Kantorow
Period: 20th Century 
Written: 1932; France 
Date of Recording: 11/1997 
Venue:  Sinfonie an der Regnitz, Bamberg, German 
Length: 20 Minutes 12 Secs. 
200. Te Deum, LWV 55 by Jean-Baptiste Lully
Performer:  Philippe Huttenlocher (Bass), Louis Devos (Tenor), Jennifer Smith (Soprano),
Zeger Vandersteene (Countertenor), Francine Bessac (Soprano)
Conductor:  Jean-François Paillard
Orchestra/Ensemble:  A Coeur Joie Vocal Ensemble,  Paillard Chamber Orchestra
Period: Baroque 
Written: 1677; France 
201. Dies irae, LWV 64 no 1 by Jean-Baptiste Lully
Performer:  Philippe Huttenlocher (Bass), Louis Devos (Tenor), Jennifer Smith (Soprano),
Zeger Vandersteene (Countertenor), Francine Bessac (Soprano)
Conductor:  Jean-François Paillard
Orchestra/Ensemble:  A Coeur Joie Vocal Ensemble,  Paillard Chamber Orchestra
Period: Baroque 
Written: by 1684; France 
202. Couleurs de la cité céleste by Olivier Messiaen
Performer:  René Allain (Trombone), Gaston Derytère (Clarinet), André Fournier (Clarinet),
Jean-Paul Finkbeiner (Tubular Bells), Yvonne Loriod (Piano), Pierre Thibaud (Trumpet),
Jean Batigne (Marimba), Guy Deplus (Clarinet), Georges Van Gucht (Xylophone),
Claude Ricou (Xylorimba)
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Domaine Musical Orchestra,  Strasbourg Percussion Ensemble
Period: 20th Century 
Written: 1963; France 
Date of Recording: 01/1966 
Venue:  Notre Dame du Liban, Paris 
Length: 17 Minutes 1 Secs. 
203. Et exspecto resurrectionem mortuorum by Olivier Messiaen
Performer:  Yvonne Loriod (Piano)
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Domaine Musical Orchestra,  Strasbourg Percussion Ensemble
Period: 20th Century 
Written: 1964; France 
Date of Recording: 01/1966 
Venue:  Notre Dame du Liban, Paris 
Length: 29 Minutes 46 Secs. 
204. L'Ascension for Orchestra by Olivier Messiaen
Conductor:  Marius Constant
Orchestra/Ensemble:  ORTF Philharmonic Orchestra
Period: 20th Century 
Written: 1933; France 
Date of Recording: 01/1966 
Venue:  Studio 103, ORTF 
Length: 26 Minutes 8 Secs. 
205. Méditations sur le mystère de la Sainte Trinité by Olivier Messiaen
Performer:  Olivier Messiaen (Organ)
Period: 20th Century 
Written: 1969; France 
Date of Recording: 06/1972 
Venue:  Église de la Trinité, Paris, France 
Length: 77 Minutes 34 Secs. 
206. Symphony no 4, Op. 281 by Darius Milhaud
Conductor:  Darius Milhaud
Orchestra/Ensemble:  ORTF Philharmonic Orchestra
Period: 20th Century 
Written: 1947; USA 
207. Symphony no 8, Op. 362 "Rhodanienne" by Darius Milhaud
Conductor:  Darius Milhaud
Orchestra/Ensemble:  ORTF Philharmonic Orchestra
Period: 20th Century 
Written: 1957; France 
208. Concerto for Piano no 4, Op. 295 by Darius Milhaud
Performer:  Claude Heiffer (Piano)
Conductor:  David Robertson
Orchestra/Ensemble:  French National Orchestra
Period: 20th Century 
Written: 1949; France 
209. Ballade for Piano and Orchestra, Op. 61 by Darius Milhaud
Performer:  Claude Heiffer (Piano)
Conductor:  David Robertson
Orchestra/Ensemble:  French National Orchestra
Period: 20th Century 
Written: 1920; France 
210. Selva morale e spirituale by Claudio Monteverdi
Conductor:  Michel Corboz
Orchestra/Ensemble:  Lausanne Vocal Ensemble Choir,  Lausanne Instrumental Ensemble Choir
Period: Baroque 
Written: by 1640; Italy 
Date of Recording: 1967 
Venue:  Eglise Notre-Dame de 
211. Concerto for Flute and Harp in C major, K 299 (297c) by Wolfgang Amadeus Mozart
Performer:  Lily Laskine (Harp), Jean-Pierre Rampal (Flute)
Conductor:  Jean-François Paillard
Orchestra/Ensemble:  Paillard Chamber Orchestra
Period: Classical 
Written: 1778; Paris, France 
212. Concerto for Clarinet in A major, K 622 by Wolfgang Amadeus Mozart
Performer:  Jacques Lancelot (Clarinet)
Conductor:  Jean-François Paillard
Orchestra/Ensemble:  Paillard Chamber Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
213. Le nozze di Figaro, K 492: Overture by Wolfgang Amadeus Mozart
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
214. Le nozze di Figaro, K 492: Se vuol ballare, Signor contino by Wolfgang Amadeus Mozart
Performer:  John Tomlinson (Bass)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
215. Le nozze di Figaro, K 492: Non so più cosa son, cosa faccio by Wolfgang Amadeus Mozart
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
216. Le nozze di Figaro, K 492: Giovani liete by Wolfgang Amadeus Mozart
Performer:  Lella Cuberli (Soprano), Phyllis Pancella (Mezzo Soprano), Cecilia Bartoli (Mezzo Soprano),
Andreas Schmidt (Baritone), John Tomlinson (Bass), Joan Rodgers (Soprano),
Richard Brünner (Tenor), Graham Clark (Tenor), Hilde Leidland (Soprano),
Günter von Kannen (Bass)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
217. Le nozze di Figaro, K 492: Non più andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer:  John Tomlinson (Bass)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
218. Le nozze di Figaro, K 492: Porgi, amor, qualche ristoro by Wolfgang Amadeus Mozart
Performer:  Lella Cuberli (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
219. Le nozze di Figaro, K 492: Voi che sapete che cosa è amor by Wolfgang Amadeus Mozart
Performer:  Cecilia Bartoli (Mezzo Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
220. Le nozze di Figaro, K 492: Venite, inginocchiatevi by Wolfgang Amadeus Mozart
Performer:  Joan Rodgers (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
221. Le nozze di Figaro, K 492: Aprite, presto, aprite by Wolfgang Amadeus Mozart
Performer:  Joan Rodgers (Soprano), Cecilia Bartoli (Mezzo Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
222. Le nozze di Figaro, K 492: Tutto è come il lasciai by Wolfgang Amadeus Mozart
Performer:  Lella Cuberli (Soprano), Andreas Schmidt (Baritone), Cecilia Bartoli (Mezzo Soprano),
Joan Rodgers (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
223. Le nozze di Figaro, K 492: Dunque?...o ciel! (Act 2 finale) by Wolfgang Amadeus Mozart
Performer:  Phyllis Pancella (Mezzo Soprano), Joan Rodgers (Soprano), Andreas Schmidt (Baritone),
Lella Cuberli (Soprano), John Tomlinson (Bass), Günter von Kannen (Bass),
Richard Brünner (Tenor)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
224. Le nozze di Figaro, K 492: Hai già vinta la causa!...Vedrò, metr'io sospiro by Wolfgang Amadeus Mozart
Performer:  Andreas Schmidt (Baritone)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
225. Le nozze di Figaro, K 492: Riconosci in quest' amplesso by Wolfgang Amadeus Mozart
Performer:  John Tomlinson (Bass), Andreas Schmidt (Baritone), Joan Rodgers (Soprano),
Graham Clark (Tenor), Phyllis Pancella (Mezzo Soprano), Günter von Kannen (Bass)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
226. Le nozze di Figaro, K 492: E Susanna non vien...Dove sono by Wolfgang Amadeus Mozart
Performer:  Lella Cuberli (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
227. Le nozze di Figaro, K 492: Sull' aria...Che soave zeffiretto by Wolfgang Amadeus Mozart
Performer:  Lella Cuberli (Soprano), Joan Rodgers (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
228. Le nozze di Figaro, K 492: L'ho perduta, me meschina! by Wolfgang Amadeus Mozart
Performer:  Hilde Leidland (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
229. Le nozze di Figaro, K 492: In quegl' anni by Wolfgang Amadeus Mozart
Performer:  Richard Brünner (Tenor)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
230. Le nozze di Figaro, K 492: Tutto è disposto...Aprite un po' quegl' occhi by Wolfgang Amadeus Mozart
Performer:  John Tomlinson (Bass)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
231. Le nozze di Figaro, K 492: Pian, pianin le andrò più presso by Wolfgang Amadeus Mozart
Performer:  Phyllis Pancella (Mezzo Soprano), Graham Clark (Tenor), Joan Rodgers (Soprano),
Günter von Kannen (Bass), Hilde Leidland (Soprano), Richard Brünner (Tenor),
Andreas Schmidt (Baritone), Cecilia Bartoli (Mezzo Soprano), John Tomlinson (Bass),
Lella Cuberli (Soprano)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1786; Vienna, Austria 
Language: Italian 
232. Scheherazade, Op. 35 by Nikolai Rimsky-Korsakov
Performer:  Samuel Magad (Violin)
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: Romantic 
Written: 1888; Russia 
233. Tale of Tsar Saltan: Suite, Op. 57 by Nikolai Rimsky-Korsakov
Conductor:  Daniel Barenboim
Orchestra/Ensemble:  Chicago Symphony Orchestra
Period: Romantic 
Written: 1903; Russia 
234. Symphony no 7 in C sharp minor, Op. 131 by Sergei Prokofiev
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  ORTF National Orchestra
Period: 20th Century 
Written: 1951-1952; USSR 
235. Symphony no 5 in B flat major, Op. 100 by Sergei Prokofiev
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  ORTF National Orchestra
Period: 20th Century 
Written: 1944; USSR 
236. Symphony no 15 in A major, Op. 141 by Dmitri Shostakovich
Conductor:  Kurt Sanderling
Orchestra/Ensemble:  Cleveland Orchestra
Period: 20th Century 
Written: 1971; USSR 
237. Rayok, Op. 78b by Dmitri Shostakovich
Performer:  Andrew Wentzel (Bass), Eric Halfvarson (Bass), Jonathan Deutsch (Bass),
Mstislav Rostropovich (Piano), Julian Rodescu (Bass)
Conductor:  Mstislav Rostropovich
Orchestra/Ensemble:  Washington Choral Arts Society
Period: 20th Century 
Written: USSR 
238. Bacchus et Ariane, Op. 43 by Albert Roussel
Conductor:  Jean Martinon
Orchestra/Ensemble:  ORTF National Orchestra
Period: 20th Century 
Written: 1930; France 
239. Le festin de l'araignée, Op. 17 by Albert Roussel
Conductor:  Jean Martinon
Orchestra/Ensemble:  ORTF National Orchestra
Period: 20th Century 
Written: 1912; France 
240. Sonata for Piano in G major, D 894/Op. 78 by Franz Schubert
Performer:  Maria-Joao Pires (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
241. Fantasy for Piano 4 hands in F minor, D 940/Op. 103 by Franz Schubert
Performer:  Maria-Joao Pires (Piano), Huseyin Sermet (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
242. Concerto for Violin in D major, Op. 35 by Peter Ilyich Tchaikovsky
Performer:  Vadim Repin (Violin)
Conductor:  Emmanuel Krivine
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1878; Russia 
243. Concerto for Violin in D minor, Op. 47 by Jean Sibelius
Performer:  Vadim Repin (Violin)
Conductor:  Emmanuel Krivine
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1903-1905; Finland 
244. San Giovanni Battista by Alessandro Stradella
Performer:  Christine Batty (Mezzo Soprano), Catherine Bott (Soprano), Gérard Lesne (Countertenor),
Richard Edgar-Wilson (Tenor), Philippe Huttenlocher (Baritone)
Conductor:  Marc Minkowski
Orchestra/Ensemble:  Les Musiciens du Louvre
Period: Baroque 
Written: 17th Century; Italy 
Venue:  Aix-les-Bains 
Length: 61 Minutes 0 Secs. 
245. Pulcinella by Igor Stravinsky
Conductor:  Pierre Boulez
Orchestra/Ensemble:  Ensemble InterContemporain
Period: 20th Century 
Written: Switzerland 
Length: 41 Minutes 33 Secs. 
246. Chant du rossignol by Igor Stravinsky
Conductor:  Pierre Boulez
Period: 20th Century 
Written: 1917; Switzerland 
247. Sonatas (12) e una pastorale, Op. 1: no 1 in A major, B A14 by Giuseppe Tartini
Performer:  Piero Toso (Violin), Pierre Amoyal (Violin)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Classical 
Written: circa 1731 
Length: 9 Minutes 33 Secs. 
248. Sonatas (12) e una pastorale, Op. 1: no 10 in G minor, B g10 "Didone abbandona" by Giuseppe Tartini
Performer:  Piero Toso (Violin), Pierre Amoyal (Violin)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Classical 
Written: circa 1731 
Length: 12 Minutes 18 Secs. 
249. Sonatas (12) e una pastorale, Op. 1: no 12 in F major, B F4 by Giuseppe Tartini
Performer:  Piero Toso (Violin), Pierre Amoyal (Violin)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Classical 
Written: circa 1731 
Length: 18 Minutes 28 Secs. 
250. Sonatas (12) for Violin and Basso Continuo, Op. 2: no 6 in C major, B C12 by Giuseppe Tartini
Performer:  Piero Toso (Violin), Pierre Amoyal (Violin)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Classical 
Written: circa 1743 
Length: 9 Minutes 37 Secs. 
251. Sonata for Violin and Basso Continuo in G minor, B g5 "Devil's Trill" by Giuseppe Tartini
Performer:  Piero Toso (Violin), Pierre Amoyal (Violin)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: Italy 
Length: 4 Minutes 30 Secs. 
252. Francesca da Rimini, Op. 32 by Peter Ilyich Tchaikovsky
Conductor:  Yevgeny Mravinsky
Orchestra/Ensemble:  Leningrad Philharmonic Orchestra
Period: Romantic 
Written: 1876; Russia 
Date of Recording: 11/1981 
Venue:  Live  Leningrad Philharmonic Large Hall 
253. Khovanshchina: Act 1 Prelude "Dawn on the Moscow River" by Modest Mussorgsky
Conductor:  Yevgeny Mravinsky
Orchestra/Ensemble:  Leningrad Philharmonic Orchestra
Period: Romantic 
Written: 1872-1880; Russia 
Date of Recording: 11/1981 
Venue:  Live  Leningrad Philharmonic Large Hall 
254. Russlan and Ludmilla: Overture by Mikhail Glinka
Conductor:  Yevgeny Mravinsky
Orchestra/Ensemble:  Leningrad Philharmonic Orchestra
Period: Romantic 
Written: 1837-1842; Russia 
Venue:  Live  Leningrad Philharmonic Large Hall 
255. Raymonda Suite, Op. 57a by Alexander Glazunov
Conductor:  Yevgeny Mravinsky
Orchestra/Ensemble:  Leningrad Philharmonic Orchestra
Period: Romantic 
Written: 1898; Russia 
Date of Recording: 12/1969 
Venue:  Live  Leningrad Philharmonic Large Hall 
256. Concerto for Flute in F major, Op. 10 no 1/RV 433 "La tempesta di mare" by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: circa 1728; Venice, Italy 
257. Concerto for Flute in G minor, Op. 10 no 2/RV 439 "La notte" by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: circa 1728; Venice, Italy 
258. Concerto for Flute in D major, Op. 10 no 3/RV 428 "Il gardellino" by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: circa 1728; Venice, Italy 
259. Concerto for Flute in G major, Op. 10 no 4/RV 435 by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: circa 1728; Venice, Italy 
260. Concerto for Flute in F major, Op. 10 no 5/RV 434 by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: circa 1728; Venice, Italy 
261. Concerto for Flute in G major, Op. 10 no 6/RV 437 by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: circa 1728; Venice, Italy 
262. Concerto for Flute in D major, RV 427 by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: Venice, Italy 
263. Concerto for Cello in G major, RV 414 by Antonio Vivaldi
Performer:  Jean-Pierre Rampal (Flute)
Conductor:  Claudio Scimone
Orchestra/Ensemble:  I Solisti Veneti
Period: Baroque 
Written: Venice, Italy 
264. Miserere mei Deus: Miserere mei by Gregorio Allegri
Performer:  Eamonn Dougan (Bass), Matthew Beale (Countertenor), William Petter (Countertenor),
Thomas Herford (Countertenor)
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: Baroque 
Written: 17th Century; Italy 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 14 Minutes 50 Secs. 
Language: Latin 
265. Agnus Dei, Op. 11 by Samuel Barber
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: 20th Century 
Written: 1967; USA 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 7 Minutes 57 Secs. 
Language: Latin 
266. Variations on an Original Theme, Op. 36 "Enigma": Variation 9, Nimrod by Sir Edward Elgar
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: Romantic 
Written: 1898-1899; England 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 3 Minutes 43 Secs. 
Language: Latin 
267. Totus tuus, Op. 60 by Henryk Mikolaj Górecki
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: 20th Century 
Written: 1987; Poland 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 9 Minutes 7 Secs. 
Language: Latin 
268. Hear my prayer by Felix Mendelssohn
Performer:  Thomas Herford (Countertenor)
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: Romantic 
Written: 1844; Germany 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 10 Minutes 57 Secs. 
Language: English 
269. Ave verum corpus in D major, K 618 by Wolfgang Amadeus Mozart
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir,  Capricorn
Period: Classical 
Written: 1791; Austria 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 3 Minutes 5 Secs. 
Language: Latin 
270. Herz und Mund und Tat und Leben, BWV 147: Jesu bleibet meine Freude "Jesu, joy of man's desiring" by Johann Sebastian Bach
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir,  Capricorn
Period: Baroque 
Written: 1723; Leipzig, Germany 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 2 Minutes 56 Secs. 
Language: German 
271. The Lamb "Little Lamb, who made thee?" by John Tavener
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: 20th Century 
Written: 1982; England 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 3 Minutes 10 Secs. 
Language: English 
272. Cantique de Jean Racine, Op. 11 by Gabriel Fauré
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir,  Capricorn
Period: Romantic 
Written: 1865; France 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 5 Minutes 14 Secs. 
Language: French 
273. Requiem, Op. 48: In paradisum by Gabriel Fauré
Performer:  Rebecca Hirsch (Violin)
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir,  Capricorn
Period: Romantic 
Written: 1887-1890; France 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 3 Minutes 6 Secs. 
Language: Latin 
274. Vespers, Op. 37: no 6, Hail, Virgin, Mother of God by Sergei Rachmaninov
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 3 Minutes 25 Secs. 
Language: Latin 
275. Missa "Papae Marcelli": Kyrie by Giovanni Palestrina
Conductor:  Edward Higginbottom
Orchestra/Ensemble:  Oxford New College Choir
Period: Renaissance 
Written: by 1567; Italy 
Date of Recording: 1996 
Venue:  New College Chapel, Oxford, England 
Length: 4 Minutes 14 Secs. 
Language: Latin 
276. Sonata for Keyboard no 84 in D major by Antonio Soler
Performer:  Scott Ross (Harpsichord)
Period: Classical 
Written: 18th Century; Spain 
277. Fandango for Keyboard in D minor by Antonio Soler
Performer:  Scott Ross (Harpsichord)
Period: Classical 
Written: circa 1770; Spain 
278. Italian Concerto, BWV 971 by Johann Sebastian Bach
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 1735; Leipzig, Germany 
279. Suite for Harpsichord in E major, HWV 430 by George Frideric Handel
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: by 1720; London, England 
280. Sonata for Harpsichord in E major, K 380/L 23 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 18th Century 
281. Sonata for Harpsichord in D minor, K 9/L 413 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: by 1738 
282. Sonata for Harpsichord in D minor, K 141/L 422 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 18th Century 
283. Sonata for Harpsichord in D major, K 33/L 424 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 18th Century 
284. Sonata for Harpsichord in B minor, K 87/L 33 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 18th Century 
285. Sonata for Harpsichord in B minor, K 27/L 449 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: by 1738 
286. Sonata for Harpsichord in A major, K 208/L 238 by Domenico Scarlatti
Performer:  Scott Ross (Harpsichord)
Period: Baroque 
Written: 18th Century 
287. La sonnambula: Ah, non credea mirarti by Vincenzo Bellini
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: Romantic 
Written: 1831; Italy 
Language: Italian 
288. Lakmé: Où va la jeune indoue? "Bell Song" by Léo Delibes
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: Romantic 
Written: 1883; France 
Language: French 
289. Rigoletto: Caro nome by Giuseppe Verdi
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: Romantic 
Written: 1851; Italy 
Language: Italian 
290. Le pardon de Ploërmel "Dinorah": Ombre legère by Giacomo Meyerbeer
Performer:  Sumi Jo (Soprano), Anne Maugue (Flute)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: Romantic 
Written: 1859; Germany 
Language: French 
291. Lucia di Lammermoor: Il dolce suono "Mad Scene" by Gaetano Donizetti
Performer:  Sumi Jo (Soprano), Anne Maugue (Flute)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: Romantic 
Written: 1835; Italy 
Language: Italian 
292. Candide: Glitter and be gay by Leonard Bernstein
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: 20th Century 
Written: 1956/1988; USA 
Language: English 
293. Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer:  Sumi Jo (Soprano)
Conductor:  Armin Jordan
Orchestra/Ensemble:  Orchestre de Paris Ensemble
Period: Classical 
Written: 1791; Vienna, Austria 
Language: German 
294. Boribat by Young-Ha Yoon
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
295. Ariadne auf Naxos, Op. 60: Grossmächtige Prinzessin by Richard Strauss
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Period: Romantic 
Written: 1911/1916; Germany 
Language: German 
296. Il barbiere di Siviglia: Una voce poco fa...Io sono dolcile by Gioachino Rossini
Performer:  Sumi Jo (Soprano)
Conductor:  Paolo Olmi
Orchestra/Ensemble:  Monte Carlo Philharmonic Orchestra
Language: Italian 
297. Le p'tites Michu: Vois-tu, je m'en veux by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1897; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 32 Secs. 
Language: French 
298. Passionément: L'amour est un oiseau rebelle by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1925-1926; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 51 Secs. 
Language: French 
299. La petite fonctionnaire: Je regrette mon Pressigny by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1921; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 30 Secs. 
Language: French 
300. Fortunio: Je ne vois rien...lorsque je n'etais qu'une enfant by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1907; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 5 Minutes 32 Secs. 
Language: French 
301. L'amour masque: J'ai deux amants by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1922-1923; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 31 Secs. 
Language: French 
302. L'amour masqué: Mon reve by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1922-1923; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 4 Minutes 2 Secs. 
Language: French 
303. Les dragons de l'impératrice: Amour, amour, quel est donc ton pouvoir by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1905; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 15 Secs. 
Language: French 
304. Coups de roulis: Les hommes sont tous les mêmes by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: by 1928; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 1 Minutes 57 Secs. 
Language: French 
305. Brummell: Air de la lettre by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: by 1931; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 58 Secs. 
Language: French 
306. Ciboulette: C'est sa banlieue by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1923; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 53 Secs. 
Language: French 
307. O mon bel inconnu!: C'est très vilain d'être infidèle by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1933; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 41 Secs. 
Language: French 
308. Mozart: Depuis ton départ, mon amour "Air de la lettre" by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1925; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 58 Secs. 
Language: French 
309. Yes: Yes by Maurice Yvain
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1928; Paris, France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 7 Secs. 
Language: French 
310. Les aventures du roi Pausole: Si vous saviez by Arthur Honegger
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1930; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 4 Minutes 32 Secs. 
Language: French 
311. Toi c'est moi: Vagabonde by Moises Simons
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1934; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 8 Secs. 
Language: French 
312. Toi c'est moi: C'est ça la vie, c'est ça l'amour by Moises Simons
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1934; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 48 Secs. 
Language: French 
313. O mon bel inconnu!: O mon bel inconnu by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1933; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 59 Secs. 
Language: French 
314. Le p'tites Michu: Vois-tu, je m'en veux by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1897; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 32 Secs. 
Language: French 
315. Passionément: L'amour est un oiseau rebelle by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1925-1926; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 51 Secs. 
Language: French 
316. La petite fonctionnaire: Je regrette mon Pressigny by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1921; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 30 Secs. 
Language: French 
317. Fortunio: Je ne vois rien...lorsque je n'etais qu'une enfant by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1907; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 5 Minutes 32 Secs. 
Language: French 
318. L'amour masque: J'ai deux amants by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1922-1923; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 31 Secs. 
Language: French 
319. L'amour masqué: Mon reve by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1922-1923; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 4 Minutes 2 Secs. 
Language: French 
320. Les dragons de l'impératrice: Amour, amour, quel est donc ton pouvoir by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1905; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 15 Secs. 
Language: French 
321. Coups de roulis: Les hommes sont tous les mêmes by André Messager
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: by 1928; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 1 Minutes 57 Secs. 
Language: French 
322. Brummell: Air de la lettre by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: by 1931; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 58 Secs. 
Language: French 
323. Ciboulette: C'est sa banlieue by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1923; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 2 Minutes 53 Secs. 
Language: French 
324. O mon bel inconnu!: C'est très vilain d'être infidèle by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1933; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 41 Secs. 
Language: French 
325. Mozart: Depuis ton départ, mon amour "Air de la lettre" by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1925; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 58 Secs. 
Language: French 
326. Yes: Yes by Maurice Yvain
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: Romantic 
Written: 1928; Paris, France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 7 Secs. 
Language: French 
327. Les aventures du roi Pausole: Si vous saviez by Arthur Honegger
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1930; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 4 Minutes 32 Secs. 
Language: French 
328. Toi c'est moi: Vagabonde by Moises Simons
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1934; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 8 Secs. 
Language: French 
329. Toi c'est moi: C'est ça la vie, c'est ça l'amour by Moises Simons
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1934; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 48 Secs. 
Language: French 
330. O mon bel inconnu!: O mon bel inconnu by Reynaldo Hahn
Performer:  Susan Graham (Mezzo Soprano)
Conductor:  Yves Abel
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1933; France 
Date of Recording: 06/2001 
Venue:  CBSO Centre, Birmingham, England 
Length: 3 Minutes 59 Secs. 
Language: French 

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