Notes and Editorial Reviews
This 50-CD set offers a small sampling of Teldecs rich catalogue, with recordings by some of the worlds great artists, including conductors Andrew Davis, Kurt Masur, Zubin Mehta, Mstislav Rostropovich and Giuseppe Sinopoli, pianists Martha Argerich, Boris Berezovsky, Cyprien Katsaris, András Schiff, Güher and Süher Pekinel, violinist Maxim Vengerov and clarinettist Sharon Kam, singers Barbara Bonney, Thomas Hampson, Dawn Upshaw, Edita Gruberova, Peter Schreier, Jennifer Larmore, and Chanticleer, the all-male, San Francisco-based orchestra of voices.
Daniel Barenboim recorded exclusively and extensively for Teldec as both conductor and pianist. His acclaimed Wagner opera recordings are represented by
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highlights from Die Walküre and Tristan und Isolde, while he can also be heard at the piano in Mozart Piano Concertos and playing tangos in his native Argentina with bandoneónist Rodolfo Mederos and bass player Héctor Console.
As an exclusive Teldec recording artist for nearly forty years, Nikolaus Harnoncourt enjoyed one of the longest relationships with a single record company, making several hundred recordings of music spanning several centuries.
A particular highlight of the set is the premiere recording (1930) of Kurt Weills Dreigroschenoper with the young Lotte Lenya, whilst the labels many contemporary music recordings are represented by Messiaens Turangalîla Symphony; Lontano, Atmosphères and Apparitions by Ligeti; and one of Harrison Birtwistles most significant works, Pulse Shadows.
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Works on This Recording
1.
Concerto for Piano no 1, Sz 83 by Béla Bartók
Performer:
András Schiff (Piano)
Conductor:
Iván Fischer
Orchestra/Ensemble:
Budapest Festival Orchestra
Period: 20th Century
Written: 1926; Budapest, Hungary
2.
Concerto for Piano no 2, Sz 95 by Béla Bartók
Performer:
András Schiff (Piano)
Conductor:
Iván Fischer
Orchestra/Ensemble:
Budapest Festival Orchestra
Period: 20th Century
Written: 1930-1931; Budapest, Hungary
3.
Concerto for Piano no 3, Sz 119 by Béla Bartók
Performer:
András Schiff (Piano)
Conductor:
Iván Fischer
Orchestra/Ensemble:
Budapest Festival Orchestra
Period: 20th Century
Written: 1945; USA
4.
Symphony no 6 in F major, Op. 68 "Pastoral" by Ludwig van Beethoven
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Chamber Orchestra of Europe
Period: Classical
Written: 1808; Vienna, Austria
Date of Recording: 07/01/1990
Venue: Live Stefaniensaal, Graz, Austria
Length: 44 Minutes 24 Secs.
5.
Symphony no 8 in F major, Op. 93 by Ludwig van Beethoven
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Chamber Orchestra of Europe
Period: Classical
Written: 1812; Vienna, Austria
Date of Recording: 07/01/1990
Venue: Live Stefaniensaal, Graz, Austria
Length: 26 Minutes 47 Secs.
6.
Symphony no 9 in E minor, Op. 95/B 178 "From the New World" by Antonín Dvorák
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1893; USA
Date of Recording: 10/1999
Venue: Live Great Hall, Concertgebouw, Amsterdam
Length: 42 Minutes 52 Secs.
7.
Water Goblin, Op. 107/B 195 by Antonín Dvorák
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1896; Bohemia
Date of Recording: 10/1999
Venue: Great Hall, Concertgebouw, Amsterdam
Length: 21 Minutes 8 Secs.
8.
Symphony no 103 in E flat major, H 1 no 103 "Drumroll" by Franz Joseph Haydn
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1795; London, England
Date of Recording: 06/1987
Venue: Concertgebouw, Grosser Saal, Amsterdam
Length: 30 Minutes 6 Secs.
9.
Symphony no 104 in D major, H 1 no 104 "London" by Franz Joseph Haydn
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1795; London, England
Date of Recording: 06/1987
Venue: Concertgebouw, Grosser Saal, Amsterdam
Length: 26 Minutes 19 Secs.
10.
Die Fledermaus: Overture by Johann Strauss Jr.
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
Language: German
11.
Die Fledermaus: Täubchen, das entflattert ist by Johann Strauss Jr.
Performer:
Josef Protschka (Tenor),
Barbara Bonney (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
12.
Die Fledermaus: Du darfst heut' nicht...Ach, ich darf nicht by Johann Strauss Jr.
Performer:
Barbara Bonney (Soprano),
Edita Gruberova (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
13.
Die Fledermaus: Nein, mit solchen Advokaten by Johann Strauss Jr.
Performer:
Werner Hollweg (Tenor),
Edita Gruberova (Soprano),
Waldemar Kmentt (Tenor)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
14.
Die Fledermaus: So muss allein ich bleiben? by Johann Strauss Jr.
Performer:
Werner Hollweg (Tenor),
Edita Gruberova (Soprano),
Barbara Bonney (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
15.
Die Fledermaus: Ein Souper heut' uns winkt...Ich lade gern mir Gäste ein "Chacun ŕ son goűt" by Johann Strauss Jr.
Performer:
Marjana Lipovsek (Mezzo Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra,
Netherlands Opera Chorus
Period: Romantic
Written: 1874; Vienna, Austria
16.
Die Fledermaus: Ach, meine Herr'n... Mein Herr Marquis by Johann Strauss Jr.
Performer:
Barbara Bonney (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra,
Netherlands Opera Chorus
Period: Romantic
Written: 1874; Vienna, Austria
17.
Die Fledermaus: Dieser Anstand, so manierlich by Johann Strauss Jr.
Performer:
Werner Hollweg (Tenor),
Edita Gruberova (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
18.
Die Fledermaus: Klänge der Heimat "Czardas" by Johann Strauss Jr.
Performer:
Edita Gruberova (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
19.
Die Fledermaus: In Feuerstrom...Brüderlein und Schwesterlein by Johann Strauss Jr.
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra,
Netherlands Opera Chorus
Period: Romantic
Written: 1874; Vienna, Austria
20.
Die Fledermaus: Genug damit, genug by Johann Strauss Jr.
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra,
Netherlands Opera Chorus
Period: Romantic
Written: 1874; Vienna, Austria
21.
Die Fledermaus: Melodram by Johann Strauss Jr.
Performer:
Christian Boesch (Baritone)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
22.
Die Fledermaus: Spiel' ich die Unschuld vom Lande by Johann Strauss Jr.
Performer:
Elisabeth von Magnus (Soprano),
Christian Boesch (Baritone),
Barbara Bonney (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
23.
Die Fledermaus: O Fledermaus, o Fledermaus by Johann Strauss Jr.
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
24.
La traviata: Excerpt(s) by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
25.
La traviata: Act 1 Prelude by Giuseppe Verdi
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
26.
La traviata: Se una pudica vergine by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
27.
La traviata: Lunge da lei...De' miei bollenti spiriti by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
28.
La traviata: Follie! by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
29.
La traviata: E strano! E strano! by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
30.
La traviata: Di Provenza il mar by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
31.
La traviata: Teneste la promessa by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
32.
La traviata: Pura siccome un' angelo by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
33.
La traviata: Libiamo ne' lieti calici "Brindisi" by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
34.
La traviata: Dite alla giovine by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
35.
La traviata: Addio del passato by Giuseppe Verdi
Performer:
Edita Gruberova (Soprano),
Alastair Miles (Bass),
Neil Shicoff (Tenor),
Giorgio Zancanaro (Baritone)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
36.
La traviata: Act 3 Prelude by Giuseppe Verdi
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
London Symphony Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1853; Italy
37.
Symphonies (9) after Beethoven for Piano, S 464: no 9 in D minor by Franz Liszt by Franz Liszt
Performer:
Cyprien Katsaris (Piano)
38.
Quartet for Strings no 9 in C major, Op. 59 no 3 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble:
Vermeer String Quartet
Written: 1805/6
39.
Quartet for Strings no 8 in E minor, Op. 59 no 2 "Razumovsky" by Ludwig van Beethoven
Orchestra/Ensemble:
Vermeer String Quartet
Period: Classical
Written: 1805-1806; Vienna, Austria
40.
Concerto for Piano in A minor, Op. 54 by Robert Schumann
Performer:
Martha Argerich (Piano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Chamber Orchestra of Europe
Period: Romantic
Written: 1841-1845; Germany
Date of Recording: 07/1992
Venue: Live Stefaniansaal, Graz, Austria
Length: 29 Minutes 34 Secs.
41.
Concerto for Violin in D minor by Robert Schumann
Performer:
Gidon Kremer (Violin)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Chamber Orchestra of Europe
Period: Romantic
Written: 1853; Germany
Date of Recording: 07/1994
Venue: Live Stefaniansaal, Graz, Austria
Length: 32 Minutes 42 Secs.
42.
Pulse Shadows by Harrison Birtwistle
Performer:
Claron McFadden (Soprano)
Conductor:
Reinbert De Leeuw
Orchestra/Ensemble:
Nash Ensemble,
Arditti String Quartet
Period: 20th Century
Written: 1996; England
Venue: BBC Hippodrome, London, England
Length: 63 Minutes 33 Secs.
Language: English
43.
German Requiem, Op. 45 by Johannes Brahms
Performer:
Margaret Price (Soprano),
Samuel Ramey (Baritone)
Conductor:
André Previn
Orchestra/Ensemble:
Royal Philharmonic Orchestra,
Ambrosian Singers
Period: Romantic
Written: 1854-1868; Austria
Date of Recording: 07/1986
Venue: All Saints Tooting, London, England
Length: 75 Minutes 25 Secs.
Language: German
44.
Trio for Piano and Strings no 3 in C minor, Op. 101 by Johannes Brahms
Orchestra/Ensemble:
Fontenay Trio
Period: Romantic
Written: 1886; Austria
45.
Trio for Piano and Strings in A major by Johannes Brahms
Orchestra/Ensemble:
Fontenay Trio
Period: Romantic
Written: Germany
46.
Symphony no 3 in F major, Op. 90 by Johannes Brahms
Conductor:
Christoph von Dohnányi
Orchestra/Ensemble:
Cleveland Orchestra
Period: Romantic
Written: 1883; Austria
47.
Concerto for Violin in D major, Op. 77 by Johannes Brahms
Performer:
Thomas Zehetmair (Violin)
Conductor:
Christoph von Dohnányi
Orchestra/Ensemble:
Cleveland Orchestra
Period: Romantic
Written: 1878; Austria
48.
Caprices (24) for Violin solo, Op. 1 by Niccolň Paganini
Performer:
Thomas Zehetmair (Violin)
Period: Romantic
Written: circa 1805; Italy
49.
Concerto for Violin no 1 in G minor, Op. 26 by Max Bruch
Performer:
Maxim Vengerov (Violin)
Conductor:
Kurt Masur
Orchestra/Ensemble:
Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1868; Germany
Date of Recording: 09/1993
Venue: Gewandhaus, Leipzig, Germany
Length: 23 Minutes 51 Secs.
50.
Concerto for Violin in E minor, Op. 64 by Felix Mendelssohn
Performer:
Maxim Vengerov (Violin)
Conductor:
Kurt Masur
Orchestra/Ensemble:
Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1844; Germany
Date of Recording: 09/1993
Venue: Gewandhaus, Leipzig, Germany
Length: 27 Minutes 28 Secs.
51.
Symphony no 4 in E flat major, WAB 104 "Romantic" by Anton Bruckner
Conductor:
Kurt Masur
Orchestra/Ensemble:
New York Philharmonic
Period: Romantic
Written: 1874; Vienna, Austria
Date of Recording: 1993
Venue: Avery Fisher Hall, New York City
Length: 67 Minutes 7 Secs.
52.
Midsummer Night's Dream, Op. 61 by Felix Mendelssohn
Performer:
Christiane Oertel (Mezzo Soprano),
Edith Wiens (Soprano),
Friedhelm Eberle (Spoken Vocals)
Conductor:
Kurt Masur
Orchestra/Ensemble:
Leipzig Radio Chorus,
Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1842; Germany
Length: 51 Minutes 29 Secs.
Language: German
53.
Concerto for Clarinet no 1 in F minor, J 114/Op. 73 by Carl Maria von Weber
Performer:
Sharon Kam (Clarinet)
Conductor:
Kurt Masur
Orchestra/Ensemble:
Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1811; Munich, Germany
54.
Concerto for Clarinet no 2 in E flat major, J 118/Op. 74 by Carl Maria von Weber
Performer:
Sharon Kam (Clarinet)
Conductor:
Kurt Masur
Orchestra/Ensemble:
Leipzig Gewandhaus Orchestra
Period: Romantic
Written: 1811; Munich, Germany
55.
Grand Duo concertante for Clarinet and Piano in E flat major, J 204/Op. 48 by Carl Maria von Weber
Performer:
Sharon Kam (Clarinet),
Itamar Golan (Piano)
Period: Romantic
Written: 1815-1816; Germany
56.
Symphony no 9 in D minor, WAB 109 by Anton Bruckner
Conductor:
Eliahu Inbal
Orchestra/Ensemble:
Frankfurt Radio Symphony Orchestra
Period: Romantic
Written: 1891-1896; Vienna, Austria
57.
Old American Songs by Aaron Copland
Performer:
Thomas Hampson (Baritone)
Conductor:
Hugh Wolff
Orchestra/Ensemble:
St. Paul Chamber Orchestra
Period: 20th Century
Written: USA
Length: 23 Minutes 36 Secs.
58.
Down a Country Lane by Aaron Copland
Conductor:
Hugh Wolff
Orchestra/Ensemble:
St. Paul Chamber Orchestra
Period: 20th Century
Written: 1962; USA
Length: 2 Minutes 51 Secs.
59.
Poems (8) of Emily Dickinson by Aaron Copland
Performer:
Dawn Upshaw (Soprano)
Conductor:
Hugh Wolff
Orchestra/Ensemble:
St. Paul Chamber Orchestra
Period: 20th Century
Written: 1950; USA
Length: 19 Minutes 13 Secs.
60.
Billy the Kid: Waltz by Aaron Copland
Conductor:
Hugh Wolff
Orchestra/Ensemble:
St. Paul Chamber Orchestra
Period: 20th Century
Written: 1938; USA
Length: 3 Minutes 51 Secs.
61.
Billy the Kid: Prairie Night by Aaron Copland
Conductor:
Hugh Wolff
Orchestra/Ensemble:
St. Paul Chamber Orchestra
Period: 20th Century
Written: 1938; USA
Length: 4 Minutes 42 Secs.
62.
Billy the Kid: Celebration (after Billy's capture) by Aaron Copland
Conductor:
Hugh Wolff
Orchestra/Ensemble:
St. Paul Chamber Orchestra
Period: 20th Century
Written: 1938; USA
Length: 2 Minutes 15 Secs.
63.
In the South, Op. 50 "Alassio" by Sir Edward Elgar
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
BBC Symphony Orchestra
Period: Romantic
Written: 1903-1904; England
64.
Symphony no 2 in E flat major, Op. 63 by Sir Edward Elgar
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
BBC Symphony Orchestra
Period: Romantic
Written: 1909-1911; England
65.
Symphony no 6 in E minor by Ralph Vaughan Williams
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
BBC Symphony Orchestra
Period: 20th Century
Written: 1944-1947; England
Date of Recording: 10/1990
Venue: St Augustine's Church, Kilburn, London
Length: 32 Minutes 0 Secs.
66.
Fantasia on a theme by Thomas Tallis by Ralph Vaughan Williams
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
BBC Symphony Orchestra
Period: 20th Century
Written: 1910/1919; England
Date of Recording: 10/1990
Venue: St Augustine's Church, Kilburn, London
Length: 15 Minutes 41 Secs.
67.
The lark ascending by Ralph Vaughan Williams
Performer:
Tasmin Little (Violin)
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
BBC Symphony Orchestra
Period: 20th Century
Written: 1914/1920; England
Date of Recording: 10/1990
Venue: St Augustine's Church, Kilburn, London
Length: 14 Minutes 17 Secs.
68.
Fantasia for Piano in C major, H 17 no 4 by Franz Joseph Haydn
Performer:
András Schiff (Piano)
Period: Classical
Written: 1789; Eszterhazá, Hungary
69.
Sonata for Keyboard no 59 in E flat major, H 16 no 49 by Franz Joseph Haydn
Performer:
András Schiff (Piano)
Period: Classical
Written: 1789; Eszterhazá, Hungary
70.
Sonata for Keyboard no 60 in C major, H 16 no 50 by Franz Joseph Haydn
Performer:
András Schiff (Piano)
Period: Classical
Written: c1794-95
71.
Sonata for Keyboard no 61 in D major, H 16 no 51 by Franz Joseph Haydn
Performer:
András Schiff (Piano)
Period: Classical
Written: circa 1794-1795; London, England
72.
Sonata for Keyboard no 62 in E flat major, H 16 no 52 by Franz Joseph Haydn
Performer:
András Schiff (Piano)
Period: Classical
Written: 1794; London, England
73.
Lontano by György Ligeti
Conductor:
Jonathan Nott
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1967; Vienna, Austria
Date of Recording: 12/2001
Venue: Live Philharmonic Hall, Berlin, Germany
Length: 11 Minutes 35 Secs.
74.
Atmospheres by György Ligeti
Conductor:
Jonathan Nott
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1961; Vienna, Austria
Date of Recording: 12/2001
Venue: Live Philharmonic Hall, Berlin, Germany
Length: 8 Minutes 51 Secs.
75.
Apparitions by György Ligeti
Conductor:
Jonathan Nott
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1958-1959; Vienna, Austria
Date of Recording: 12/2001
Venue: Philharmonic Hall, Berlin, Germany
Length: 8 Minutes 35 Secs.
76.
San Francisco Polyphony by György Ligeti
Conductor:
Jonathan Nott
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1973-1974; USA
Date of Recording: 12/2001
Venue: Live Philharmonic Hall, Berlin, Germany
Length: 2 Minutes 40 Secs.
77.
Concert Românesc by György Ligeti
Conductor:
Jonathan Nott
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1952; Hungary
Date of Recording: 12/2001
Venue: Philharmonic Hall, Berlin, Germany
Length: 12 Minutes 10 Secs.
78.
Transcendental Etudes (12) for Piano, S 139 by Franz Liszt
Performer:
Boris Berezovsky (Piano)
Period: Romantic
Written: 1851; Weimar, Germany
79.
Symphony no 5 in C sharp minor by Gustav Mahler
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Chicago Symphony Orchestra
Period: Romantic
Written: 1901-1902; Vienna, Austria
80.
Concerto for Piano no 18 in B flat major, K 456 by Wolfgang Amadeus Mozart
Performer:
Daniel Barenboim (Piano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: 1784; Vienna, Austria
81.
Concerto for Piano no 19 in F major, K 459 by Wolfgang Amadeus Mozart
Performer:
Daniel Barenboim (Piano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: 1784; Vienna, Austria
82.
Rondo for Piano and Orchestra in D major, K 382 by Wolfgang Amadeus Mozart
Performer:
Daniel Barenboim (Piano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: Classical
Written: 1782; Vienna, Austria
83.
Die Walküre: Act 1 Prelude by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
84.
Die Walküre: Friedmund darf ich nicht heissen by Richard Wagner
Performer:
Matthias Hölle (Bass),
Poul Elming (Tenor),
Nadine Secunde (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
85.
Die Walküre: Aus dem Wald trieb es mich fort by Richard Wagner
Performer:
Poul Elming (Tenor)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
86.
Die Walküre: Winterstürme wichen dem Wonnemond by Richard Wagner
Performer:
Poul Elming (Tenor)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
87.
Die Walküre: Du bist der Lenz by Richard Wagner
Performer:
Nadine Secunde (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
88.
Die Walküre: O süsseste Wonne! by Richard Wagner
Performer:
Poul Elming (Tenor),
Nadine Secunde (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
89.
Die Walküre: War Wälse dein Vater, und bist du ein Wälsung by Richard Wagner
Performer:
Poul Elming (Tenor),
Nadine Secunde (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
90.
Die Walküre: Siegmund, sieh' auf mich "Todesverkündigung" by Richard Wagner
Performer:
Poul Elming (Tenor),
Anne Evans (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
91.
Die Walküre: Du sahest der Walküre sehrenden Blick by Richard Wagner
Performer:
Poul Elming (Tenor),
Anne Evans (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
92.
Die Walküre: Ho-jo-to-ho! by Richard Wagner
Performer:
Shirley Close (Mezzo Soprano),
Hebe Dijkstra (Mezzo Soprano),
Ruth Floeren (Soprano),
Birgitta Svendén (Mezzo Soprano),
Hitomi Katagiri (Mezzo Soprano),
Eva-Maria Bundschuh (Soprano),
Eva Johansson (Soprano),
Linda Finnie (Mezzo Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
93.
Die Walküre: Schützt mich und helft in höchster Not! by Richard Wagner
Performer:
Ruth Floeren (Soprano),
Linda Finnie (Mezzo Soprano),
Anne Evans (Soprano),
Hebe Dijkstra (Mezzo Soprano),
Birgitta Svendén (Mezzo Soprano),
Hitomi Katagiri (Mezzo Soprano),
Eva-Maria Bundschuh (Soprano),
Shirley Close (Mezzo Soprano),
Eva Johansson (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
94.
Die Walküre: Was hast Du erdacht, dass ich erdulde? by Richard Wagner
Performer:
John Tomlinson (Bass),
Anne Evans (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
95.
Die Walküre: Leb' wohl..."Farewell and Magic Fire music" by Richard Wagner
Performer:
John Tomlinson (Bass)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
96.
Die Walküre: Der Augen leuchtendes Paar by Richard Wagner
Performer:
John Tomlinson (Bass)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
97.
Die Walküre: Loge, hör! by Richard Wagner
Performer:
John Tomlinson (Bass)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
98.
Die Walküre: Siegmund heiss' ich by Richard Wagner
Performer:
Poul Elming (Tenor),
Nadine Secunde (Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
99.
Die Walküre: Du zeugtest ein edles Geschlecht by Richard Wagner
Performer:
Anne Evans (Soprano),
John Tomlinson (Bass)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Bayreuth Festival Orchestra
Period: Romantic
Written: 1856; Germany
Language: German
100.
Tristan und Isolde: Act 1 Prelude by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1858; Germany
101.
Tristan und Isolde: Tristan! by Richard Wagner
Performer:
Waltraud Meier (Mezzo Soprano),
Siegfried Jerusalem (Tenor)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1857-1859; Germany
102.
Tristan und Isolde: Einsam wachend...Habet Acht! by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1859; Germany
103.
Tristan und Isolde: Tatest du's wirklich by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1859; Germany
104.
Tristan und Isolde: Act 3 Prelude by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1859; Germany
105.
Tristan und Isolde: Kurwenal! He! by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1857-1859; Germany
106.
Tristan und Isolde: Tot denn alles by Richard Wagner
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1857-1859; Germany
107.
Tristan und Isolde: Mild und leise "Liebestod" by Richard Wagner
Performer:
Waltraud Meier (Mezzo Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1859; Germany
108.
Tristan und Isolde: Excerpt(s) by Richard Wagner
Performer:
Siegfried Jerusalem (Tenor),
Waltraud Meier (Mezzo Soprano),
Matti Salminen (Bass),
Marjana Lipovsek (Mezzo Soprano)
Conductor:
Daniel Barenboim
Orchestra/Ensemble:
Berlin Philharmonic Orchestra,
Berlin State Opera Chorus
Period: Romantic
Written: 1859; Germany
109.
Mi Buenos Aires querido by Carlos Gardel
Performer:
Daniel Barenboim (Piano),
Rodolfo Mederos (Bandoneon),
Hector Console (Double Bass)
Period: 20th Century
Written: 1934; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 53 Secs.
110.
Las estaciones porteńas (4): Verano porteńo by Astor Piazzolla
Performer:
Hector Console (Double Bass),
Daniel Barenboim (Piano),
Rodolfo Mederos (Bandoneon)
Period: 20th Century
Written: 1967; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 5 Minutes 31 Secs.
111.
Danzas argentinas (3), Op. 2: no 2, Danza de la moza donosa by Alberto Ginastera
Performer:
Rodolfo Mederos (Bandoneon),
Daniel Barenboim (Piano),
Hector Console (Double Bass)
Period: 20th Century
Written: 1937; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 27 Secs.
112.
Don Agustín Bardi by Horacio Salgán
Performer:
Daniel Barenboim (Piano),
Hector Console (Double Bass),
Rodolfo Mederos (Bandoneon)
Period: 20th Century
Written: 1947; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 12 Secs.
113.
Tzigane Tango by Astor Piazzolla
Performer:
Hector Console (Double Bass),
Rodolfo Mederos (Bandoneon),
Daniel Barenboim (Piano)
Period: 20th Century
Written: 1956; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 25 Secs.
114.
Las estaciones porteńas (4): Invierno porteńo by Astor Piazzolla
Performer:
Rodolfo Mederos (Bandoneon),
Hector Console (Double Bass),
Daniel Barenboim (Piano)
Period: 20th Century
Written: 1970; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 41 Secs.
115.
Aquellos tangos camperos by Horacio Salgán
Performer:
Hector Console (Double Bass),
Rodolfo Mederos (Bandoneon),
Daniel Barenboim (Piano)
Period: 20th Century
Written: 1977; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 34 Secs.
116.
Adios nonino by Astor Piazzolla
Performer:
Hector Console (Double Bass),
Rodolfo Mederos (Bandoneon),
Daniel Barenboim (Piano)
Period: 20th Century
Written: 1961; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 56 Secs.
117.
El día que me quieras by Carlos Gardel
Performer:
Daniel Barenboim (Piano),
Hector Console (Double Bass),
Rodolfo Mederos (Bandoneon)
Period: 20th Century
Written: 1935; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 4 Minutes 14 Secs.
118.
Las estaciones porteńas (4): Primavera porteńa by Astor Piazzolla
Performer:
Hector Console (Double Bass),
Daniel Barenboim (Piano),
Rodolfo Mederos (Bandoneon)
Period: 20th Century
Written: 1970; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 2 Minutes 30 Secs.
119.
A fuego lento by Horacio Salgán
Performer:
Daniel Barenboim (Piano),
Rodolfo Mederos (Bandoneon),
Hector Console (Double Bass)
Period: 20th Century
Written: 1955; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 46 Secs.
120.
Las estaciones porteńas (4): Otońo porteńo by Astor Piazzolla
Performer:
Rodolfo Mederos (Bandoneon),
Hector Console (Double Bass),
Daniel Barenboim (Piano)
Period: 20th Century
Written: 1969; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 4 Minutes 49 Secs.
121.
Contrabajeando by Anibal Troilo
Performer:
Hector Console (Double Bass),
Rodolfo Mederos (Bandoneon),
Daniel Barenboim (Piano)
Period: 20th Century
Written: 1954; Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 3 Minutes 35 Secs.
122.
Bailecito by José Resta
Performer:
Hector Console (Double Bass),
Daniel Barenboim (Piano),
Rodolfo Mederos (Bandoneon)
Period: 20th Century
Written: Argentina
Date of Recording: 10/1995
Venue: Estudio ION, Buenos Aires, Argentina
Length: 1 Minutes 23 Secs.
123.
Turangalîla-Symphonie by Olivier Messiaen
Performer:
Pierre-Laurent Aimard (Piano),
Dominique Kim (Ondes Martenot)
Conductor:
Kent Nagano
Orchestra/Ensemble:
Berlin Philharmonic Orchestra
Period: 20th Century
Written: 1946-1948; France
Date of Recording: 03/2000
Venue: Live Philharmonie, Berlin, Germany
Length: 73 Minutes 1 Secs.
124.
Don Giovanni, K 527: Or sai chi l'onore by Wolfgang Amadeus Mozart
Performer:
Edita Gruberova (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 2 Minutes 59 Secs.
Language: Italian
125.
Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer:
Thomas Hampson (Baritone)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 2 Minutes 25 Secs.
Language: Italian
126.
Don Giovanni, K 527: Vedrai, carino se sei buonino by Wolfgang Amadeus Mozart
Performer:
Barbara Bonney (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 3 Minutes 33 Secs.
Language: Italian
127.
Le nozze di Figaro, K 492: Non piů andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer:
Anton Scharinger (Bass)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 4 Minutes 0 Secs.
Language: Italian
128.
Le nozze di Figaro, K 492: Porgi, amor, qualche ristoro by Wolfgang Amadeus Mozart
Performer:
Charlotte Margiono (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 40 Secs.
Language: Italian
129.
Le nozze di Figaro, K 492: Voi che sapete che cosa č amor by Wolfgang Amadeus Mozart
Performer:
Petra Lang (Mezzo Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 2 Minutes 54 Secs.
Language: Italian
130.
Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart
Performer:
Hans-Peter Blochwitz (Tenor)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Length: 4 Minutes 3 Secs.
Language: German
131.
Die Zauberflöte, K 620: Der Hölle Rache by Wolfgang Amadeus Mozart
Performer:
Edita Gruberova (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Written: 1791; Vienna, Austria
Length: 3 Minutes 1 Secs.
Language: German
132.
Cosě fan tutte, K 588: Un' aura amorosa by Wolfgang Amadeus Mozart
Performer:
Deon Van der Walt (Tenor)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Royal Concertgebouw Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 4 Minutes 49 Secs.
Language: Italian
133.
Die Entführung aus dem Serail, K 384: Martern aller Arten by Wolfgang Amadeus Mozart
Performer:
Yvonne Kenny (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Written: 1782; Vienna, Austria
Length: 10 Minutes 26 Secs.
Language: German
134.
Idomeneo, K 366: Fuor del mar by Wolfgang Amadeus Mozart
Performer:
Werner Hollweg (Tenor)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 6 Minutes 23 Secs.
Language: Italian
135.
La clemenza di Tito, K 621: Parto, parto, ma tu ben mio by Wolfgang Amadeus Mozart
Performer:
Ann Murray (Mezzo Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Length: 6 Minutes 56 Secs.
Language: Italian
136.
La clemenza di Tito, K 621: Ecco il punto...Non piů di fiori by Wolfgang Amadeus Mozart
Performer:
Lucia Popp (Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Written: 1791; Prague, Czech Republ
Length: 7 Minutes 47 Secs.
Language: Italian
137.
Lucio Silla, K 135: Il tenero momento by Wolfgang Amadeus Mozart
Performer:
Cecilia Bartoli (Mezzo Soprano)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Vienna Concentus Musicus
Period: Classical
Written: 1772; Milan, Italy
Length: 8 Minutes 9 Secs.
Language: Italian
138.
Le nozze di Figaro, K 492: Eh giŕ, solita usanza "Fandango" by Wolfgang Amadeus Mozart
Performer:
Philip Langridge (Tenor)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Zurich Opera Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 5 Minutes 6 Secs.
Language: Italian
139.
Carmina burana by Carl Orff
Performer:
Boje Skovhus (Baritone),
Sumi Jo (Soprano),
Jochen Kowalski (Countertenor)
Conductor:
Zubin Mehta
Orchestra/Ensemble:
London Philharmonic Orchestra,
Southend Boys Choir,
London Philharmonic Choir
Period: 20th Century
Written: 1936; Germany
Date of Recording: 09/1992
Venue: Snape Maltings, Aldeburgh, England
Length: 60 Minutes 26 Secs.
Language: Latin
140.
Le sacre du printemps by Igor Stravinsky
Conductor:
Zubin Mehta
Orchestra/Ensemble:
New York Philharmonic
Period: 20th Century
Written: 1911-1913
141.
Symphony in Three Movements by Igor Stravinsky
Conductor:
Zubin Mehta
Orchestra/Ensemble:
New York Philharmonic
Period: 20th Century
Written: 1942-1945; USA
142.
Carnival of the animals by Camille Saint-Saëns
Performer:
Süher Pekinel (Piano),
Güher Pekinel (Piano)
Conductor:
Marek Janowski
Written: 1886
Length: 17 Minutes 41 Secs.
143.
Concerto for 2 Pianos in D minor by Francis Poulenc
Performer:
Süher Pekinel (Piano),
Güher Pekinel (Piano)
Orchestra/Ensemble:
ORTF Philharmonic Orchestra
Period: 20th Century
Written: 1932; France
Length: 17 Minutes 31 Secs.
144.
Danses Andalouses (3), for 2 pianos by Manuel Infante
Performer:
Güher Pekinel (Piano),
Süher Pekinel (Piano)
Period: Modern
Written: 1921
Length: 13 Minutes 28 Secs.
145.
Rapsodie espagnole by Maurice Ravel
Performer:
Güher Pekinel (Piano),
Süher Pekinel (Piano)
Period: 20th Century
Written: 1907-1908; France
Length: 13 Minutes 35 Secs.
146.
Valse for piano in D major by Maurice Ravel
Performer:
Güher Pekinel (Piano),
Süher Pekinel (Piano)
Period: Modern
Written: 1898
Length: 11 Minutes 6 Secs.
147.
Concerto for Piano no 2 in G minor, Op. 16 by Sergei Prokofiev
Performer:
Vladimir Krainev (Piano)
Conductor:
Dmitri Kitayenko
Orchestra/Ensemble:
Frankfurt Radio Symphony Orchestra
Period: 20th Century
Written: 1913/1923; USSR
Date of Recording: 1991-92
Venue: Frankfurt am Main, Germany
Length: 31 Minutes 44 Secs.
148.
Concerto for Piano no 3 in C major, Op. 26 by Sergei Prokofiev
Performer:
Vladimir Krainev (Piano)
Conductor:
Dmitri Kitayenko
Orchestra/Ensemble:
Frankfurt Radio Symphony Orchestra
Period: 20th Century
Written: 1917-1921; USA
Date of Recording: 1991-92
Venue: Frankfurt am Main, Germany
Length: 28 Minutes 1 Secs.
149.
Suite for 2 Pianos no 1, Op. 5 "Fantaisie-tableaux" by Sergei Rachmaninov
Performer:
Alexandre Rabinovitch (Piano),
Martha Argerich (Piano)
Period: Romantic
Written: 1893; Russia
Date of Recording: 09/1991
Venue: TELDEC Studios, Berlin
Length: 22 Minutes 53 Secs.
150.
Suite for 2 Pianos no 2, Op. 17 by Sergei Rachmaninov
Performer:
Martha Argerich (Piano),
Alexandre Rabinovitch (Piano)
Period: Romantic
Written: 1900-1901; Russia
Date of Recording: 09/1991
Venue: TELDEC Studios, Berlin
Length: 21 Minutes 46 Secs.
151.
Symphonic Dances, Op. 45 by Sergei Rachmaninov
Performer:
Martha Argerich (Piano),
Alexandre Rabinovitch (Piano)
Period: Romantic
Written: 1940; USA
Date of Recording: 09/1991
Venue: TELDEC Studios, Berlin
Length: 32 Minutes 48 Secs.
152.
Winterreise, D 911/Op. 89 by Franz Schubert
Performer:
Dietrich Henschel (Baritone),
Irwin Gage (Piano)
Period: Romantic
Written: 1827; Vienna, Austria
153.
Quartet for Strings no 13 in A minor, D 804/Op. 29 no 1 "Rosamunde" by Franz Schubert
Orchestra/Ensemble:
Alban Berg String Quartet
Period: Romantic
Written: 1824; Vienna, Austria
154.
Quartet for Strings no 14 in D minor, D 810 "Death and the Maiden" by Franz Schubert
Orchestra/Ensemble:
Alban Berg String Quartet
Period: Romantic
Written: 1824; Vienna, Austria
155.
Liederkreis, Op. 24 by Robert Schumann
Performer:
Peter Schreier (Tenor),
Christoph Eschenbach (Piano)
Period: Romantic
Written: 1840; Germany
156.
Dichterliebe, Op. 48 by Robert Schumann
Performer:
Peter Schreier (Tenor),
Christoph Eschenbach (Piano)
Period: Romantic
Written: 1840; Germany
157.
Symphony no 10 in E minor, Op. 93 by Dmitri Shostakovich
Conductor:
Mstislav Rostropovich
Orchestra/Ensemble:
London Symphony Orchestra
Period: 20th Century
Written: 1953; USSR
Length: 55 Minutes 32 Secs.
158.
Quartet for Strings no 1 in D major, Op. 11 by Peter Ilyich Tchaikovsky
Performer:
Andrei Abramenkov (Violin),
Mikhail Kopelman (Violin),
Dimitri Shebalin (Viola),
Valentin Berlinsky (Cello)
Orchestra/Ensemble:
Borodin String Quartet
Period: Romantic
Written: 1871; Russia
159.
Quartet for Strings in B flat major by Peter Ilyich Tchaikovsky
Performer:
Andrei Abramenkov (Violin),
Mikhail Kopelman (Violin),
Dimitri Shebalin (Viola),
Valentin Berlinsky (Cello)
Orchestra/Ensemble:
Borodin String Quartet
Period: Romantic
Written: 1865; Russia
160.
Sextet for Strings in D major, Op. 70 "Souvenir de Florence" by Peter Ilyich Tchaikovsky
Performer:
Yury Yurov (Viola),
Mikhail Milman (Cello),
Dimitri Shebalin (Viola),
Valentin Berlinsky (Cello),
Mikhail Kopelman (Violin),
Andrei Abramenkov (Violin)
Orchestra/Ensemble:
Borodin String Quartet
Period: Romantic
Written: 1890/1892; Russia
161.
Quartet for Strings no 2 in F major, Op. 22 by Peter Ilyich Tchaikovsky
Performer:
Andrei Abramenkov (Violin),
Mikhail Kopelman (Violin),
Dimitri Shebalin (Viola),
Valentin Berlinsky (Cello)
Orchestra/Ensemble:
Borodin String Quartet
Period: Romantic
Written: 1874; Russia
162.
Quartet for Strings no 3 in E flat minor, Op. 30 by Peter Ilyich Tchaikovsky
Performer:
Dimitri Shebalin (Viola),
Andrei Abramenkov (Violin),
Valentin Berlinsky (Cello),
Mikhail Kopelman (Violin)
Orchestra/Ensemble:
Borodin String Quartet
Period: Romantic
Written: 1876; Russia
163.
Im Sommerwind by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1904; Preglhof
164.
Passacaglia for Orchestra, Op. 1 by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1908; Vienna, Austria
165.
Pieces (6) for Orchestra, Op. 6 by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1909/1928; Preglhof
166.
Pieces (5) for Orchestra, Op. 10 by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1911-1913; Austria
167.
Symphony, Op. 21 by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1927-1928; Mödling, Austria
168.
Concerto, Op. 24 by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1931-1934; Austria
169.
Variations for Orchestra, Op. 30 by Anton von Webern
Conductor:
Giuseppe Sinopoli
Orchestra/Ensemble:
Dresden Staatskapelle
Period: 20th Century
Written: 1940; Austria
170.
Seis por Derecho by Antonio Lauro
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Written: Venezuela
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 3 Minutes 32 Secs.
171.
Escenas Brasileńas: Batucada by Isaias Savio
Performer:
Sharon Isbin (Guitar),
Gaudencio Thiago de Mello (Percussion)
Period: 20th Century
Written: 1945; Brazil
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 2 Minutes 38 Secs.
172.
Canción de cuna by Leo Brouwer
Performer:
Sharon Isbin (Guitar),
Gaudencio Thiago de Mello (Percussion)
Period: 20th Century
Written: by 1978; Cuba
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 3 Minutes 42 Secs.
173.
Aire de Joropo by Benito Canonico
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 1 Minutes 26 Secs.
174.
Cochichando by Alfredo Vianna
Performer:
Sharon Isbin (Guitar),
Gaudencio Thiago de Mello (Percussion)
Period: 20th Century
Written: Brazil
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 2 Minutes 43 Secs.
175.
Histórias (3) for Guitar: História do Luar by Laurindo Almeida
Performer:
Sharon Isbin (Guitar),
Gaudencio Thiago de Mello (Percussion)
Period: 20th Century
Written: Brazil
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 2 Minutes 9 Secs.
176.
Chants for the Chief (10): no 2, Uirapurú do Amazonas by Gaudenci Thiago de Mello
Performer:
Paul Winter (Soprano Saxophone),
Sharon Isbin (Guitar),
Gaudencio Thiago de Mello (Percussion)
Period: 20th Century
Written: New York, USA
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 5 Minutes 28 Secs.
177.
Valses (6) venezolanos for Guitar: no 1, El marabińo by Antonio Lauro
Performer:
Sharon Isbin (Guitar)
Period: 20th Century
Written: 1968; Venezuela
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 1 Minutes 27 Secs.
178.
Valses (4) venezolanos for Guitar: no 3, Natalia/Criolla by Antonio Lauro
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Written: 1963; Venezuela
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 2 Minutes 22 Secs.
179.
Lago de Janauacá by Gaudenci Thiago de Mello
Performer:
Sharon Isbin (Guitar)
Period: 20th Century
Written: 1973
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 2 Minutes 47 Secs.
180.
Chants for the Chief (10): no 1, A Chamada dos Ventos by Gaudenci Thiago de Mello
Performer:
Paul Winter (Soprano Saxophone),
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 5 Minutes 17 Secs.
181.
Chôro Alegre by Gaudenci Thiago de Mello
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 1 Minutes 42 Secs.
182.
Cavaleiro sem Armadura by Gaudenci Thiago de Mello
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar),
Paul Winter (Soprano Saxophone)
Period: 20th Century
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 4 Minutes 5 Secs.
183.
Suite Colombiana no 2: Porro by Gentil Montańa
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Written: Colombia
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 2 Minutes 16 Secs.
184.
Waltzes (6) for Guitar, Op. 8: no 4 in G major by Agustín Barrios Mangoré
Performer:
Sharon Isbin (Guitar)
Period: 20th Century
Written: 1923; Paraguay
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 3 Minutes 58 Secs.
185.
Julia Florida by Agustín Barrios Mangoré
Performer:
Sharon Isbin (Guitar)
Period: 20th Century
Written: 1938; Paraguay
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 4 Minutes 25 Secs.
186.
A Hug for Pixinguinha by Gaudenci Thiago de Mello
Performer:
Gaudencio Thiago de Mello (Percussion),
Sharon Isbin (Guitar)
Period: 20th Century
Written: New York, USA
Date of Recording: 1997
Venue: Harmolodic, New York
Length: 3 Minutes 52 Secs.
187.
Die Dreigroschenoper: Die Moritat von Mackie Messer "Mack the knife" by Kurt Weill
Performer:
Bertolt Brecht (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 05/1929
Venue: Berlin, Germany
Length: 2 Minutes 53 Secs.
Language: German
188.
Aufstieg und Fall der Stadt Mahagonny: Alabama Song by Kurt Weill
Performer:
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
The Three Admirals,
Jazz Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 02/24/1930
Venue: Berlin, Germany
Length: 3 Minutes 6 Secs.
Language: English
189.
Das Nachtgespenst by Rudolf Nelson
Performer:
Rudolf Nelson (Piano),
Kurt Gerron (Baritone)
Period: 20th Century
Date of Recording: 03/1930
Venue: Berlin, Germany
Length: 3 Minutes 45 Secs.
Language: German
190.
Peter, Peter, komm zu mir zurück by Rudolf Nelson
Performer:
Marlene Dietrich (Voice)
Conductor:
Peter Paul Kreuder
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Date of Recording: 03/11/1931
Venue: Berlin, Germany
Length: 3 Minutes 23 Secs.
Language: German
191.
Guck doch nicht immer nach dem Tangogeiger hin by Frederick Holländer
Performer:
Kurt Bois (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Date of Recording: 04/11/1930
Venue: Berlin, Germany
Length: 3 Minutes 2 Secs.
Language: German
192.
Jonny, wenn Du Geburtstag hast by Frederick Holländer
Performer:
Marlene Dietrich (Voice)
Conductor:
Peter Paul Kreuder
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Date of Recording: 03/11/1931
Venue: Berlin, Germany
Length: 3 Minutes 4 Secs.
Language: German
193.
Vom Seemann Kuttel Daddeldu by Wilhelm Grosz
Performer:
Kurt Gerron (Voice)
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Date of Recording: 09/05/1930
Venue: Berlin, Germany
Length: 5 Minutes 58 Secs.
Language: German
194.
Die Dreigroschenoper: Kanonensong by Kurt Weill
Performer:
Erich Ponto (Voice),
Kurt Gerron (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 1 Minutes 34 Secs.
Language: German
195.
Die Dreigroschenoper: Seerauber-Jenny by Kurt Weill
Performer:
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 3 Minutes 15 Secs.
Language: German
196.
Die Dreigroschenoper: Barbara Song by Kurt Weill
Performer:
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 2 Minutes 8 Secs.
Language: German
197.
Die Dreigroschenoper: Lied von der Unzulänglichkeit menschlichen Strebens by Kurt Weill
Performer:
Willi Trenk-Trebitsch (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 1 Minutes 36 Secs.
Language: German
198.
Die Dreigroschenoper: Love Song by Kurt Weill
Performer:
Kurt Gerron (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 1 Minutes 49 Secs.
Language: German
199.
Die Dreigroschenoper: Tango Ballad "Zuhälterballade" by Kurt Weill
Performer:
Margo Lion (Voice),
Albert Préjean (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 11/27/1930
Venue: Berlin, Germany
Length: 3 Minutes 25 Secs.
Language: French
200.
Die Dreigroschenoper: Ballade vom angenehmen Leben by Kurt Weill
Performer:
Lotte Lenya (Voice),
Willi Trenk-Trebitsch (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 1 Minutes 21 Secs.
Language: German
201.
Die Dreigroschenoper: Dreigroschenfinale I by Kurt Weill
Performer:
Erich Ponto (Voice),
Erika Helmke (Voice),
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 3 Minutes 9 Secs.
Language: German
202.
Die Dreigroschenoper: Tango Ballad "Zuhälterballade" by Kurt Weill
Performer:
Willi Trenk-Trebitsch (Voice),
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 3 Minutes 10 Secs.
Language: German
203.
Die Dreigroschenoper: Eifersuchtsduett by Kurt Weill
Performer:
Lotte Lenya (Voice),
Erika Helmke (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 1 Minutes 23 Secs.
Language: German
204.
Die Dreigroschenoper: Dreigroschenfinale II "Wovon lebt der Mensch" by Kurt Weill
Performer:
Willi Trenk-Trebitsch (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 2 Minutes 10 Secs.
Language: German
205.
Die Dreigroschenoper: Street Singer's Farewell by Kurt Weill
Performer:
Willi Trenk-Trebitsch (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/07/1930
Venue: Berlin, Germany
Length: 3 Minutes 21 Secs.
Language: German
206.
Aufstieg und Fall der Stadt Mahagonny: Meine Herren, meine Mutter prägte...Denn wie Man sich bettet by Kurt Weill
Performer:
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Jazz Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 02/24/1930
Venue: Berlin, Germany
Length: 3 Minutes 2 Secs.
Language: German
207.
Die Dreigroschenoper by Kurt Weill
Performer:
Willi Trenk-Trebitsch (Voice),
Bertolt Brecht (Voice),
Lotte Lenya (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Jazz Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
208.
Orfeo ed Euridice: Che farň senza Euridice? by Christoph W. Gluck
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Classical
Written: 1762/1774; Vienna, Austria
209.
Le nozze di Figaro, K 492: Non so piů cosa son, cosa faccio by Wolfgang Amadeus Mozart
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Classical
Written: 1786; Vienna, Austria
210.
I Capuleti e i Montecchi: Lieto del dolce incarco by Vincenzo Bellini
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1830; Italy
211.
Lucrezia Borgia: Il segreto per esser felice "Brindisi" by Gaetano Donizetti
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1833; Italy
212.
Anna Bolena: E sgombra il loco...Ah! parea che per incanto by Gaetano Donizetti
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1830; Italy
213.
Les Huguenots: Nobles seigneurs, salut! by Giacomo Meyerbeer
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1836; France
214.
Faust: Faites lui mes aveux! Portez mes voeux! by Charles Gounod
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1859; France
215.
Roméo et Juliette: Que fais-tu, blanche tourterelle by Charles Gounod
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1867; France
216.
Maid of Orleans: Adieu, foręts by Peter Ilyich Tchaikovsky
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1878-1879; Russia
217.
Die Fledermaus: Ich lade mir gern Gäste ein by Johann Strauss Jr.
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1874; Vienna, Austria
Language: English
218.
Tancredi: Di tanti palpiti by Gioachino Rossini
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1813; Italy
219.
La donna del lago: Mura felici by Gioachino Rossini
Performer:
Jennifer Larmore (Mezzo Soprano)
Conductor:
Carlo Rizzi
Orchestra/Ensemble:
Welsh National Opera Orchestra
Period: Romantic
Written: 1819; Italy
220.
Carmen Fantasy for Violin and Piano by Franz Waxman
Performer:
Alexander Markovich (Piano),
Sergei Nakariakov (Trumpet)
Period: 20th Century
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 10 Minutes 11 Secs.
221.
Concert Piece no 2 by Vassily Brandt
Performer:
Sergei Nakariakov (Trumpet),
Alexander Markovich (Piano)
Period: Romantic
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 7 Minutes 17 Secs.
222.
Variations on a Tyrolean Theme by Jean-Baptiste Arban
Performer:
Alexander Markovich (Piano),
Sergei Nakariakov (Trumpet)
Period: Romantic
Written: France
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 5 Minutes 44 Secs.
223.
La vida breve: Spanish Dance no 1 by Manuel de Falla
Performer:
Sergei Nakariakov (Trumpet),
Alexander Markovich (Piano)
Period: 20th Century
Written: 1904-1905; Spain
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 3 Minutes 17 Secs.
224.
Carnival of the animals: no 13, The swan by Camille Saint-Saëns
Performer:
Sergei Nakariakov (Flugelhorn),
Alexander Markovich (Piano)
Period: Romantic
Written: 1886; France
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 2 Minutes 50 Secs.
225.
Variations on a theme from Bellini's "Norma" by Jean-Baptiste Arban
Performer:
Sergei Nakariakov (Trumpet),
Alexander Markovich (Piano)
Period: Romantic
Written: France
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 5 Minutes 15 Secs.
226.
Caprices (24) for Violin solo, Op. 1: no 17 in E flat major by Niccolň Paganini
Performer:
Sergei Nakariakov (Trumpet)
Period: Romantic
Written: circa 1805; Italy
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 3 Minutes 24 Secs.
227.
Valse-Scherzo for Violin and Orchestra in C major, Op. 34 by Peter Ilyich Tchaikovsky
Performer:
Alexander Markovich (Piano),
Sergei Nakariakov (Trumpet)
Period: Romantic
Written: 1877; Russia
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 5 Minutes 52 Secs.
228.
Zigeunerweisen, Op. 20 by Pablo de Sarasate
Performer:
Sergei Nakariakov (Trumpet),
Alexander Markovich (Piano)
Period: Romantic
Written: 1878
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 6 Minutes 46 Secs.
229.
Moto perpetuo for Violin and Orchestra in C major, Op. 11 by Niccolň Paganini
Performer:
Sergei Nakariakov (Trumpet),
Alexander Markovich (Piano)
Period: Romantic
Written: 1835
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 4 Minutes 30 Secs.
230.
Aprčs un ręve, Op. 7 no 1 by Gabriel Fauré
Performer:
Sergei Nakariakov (Flugelhorn),
Alexander Markovich (Piano)
Period: Romantic
Written: 1877; France
Date of Recording: 04/1994
Venue: Teldec Studio, Berlin, Germany
Length: 2 Minutes 55 Secs.
231.
I have had singing by Steven Sametz
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Written: USA
Length: 1 Minutes 42 Secs.
Language: English
232.
O clap your hands by Orlando Gibbons
Orchestra/Ensemble:
Chanticleer
Period: Renaissance
Written: 17th Century; England
Length: 4 Minutes 23 Secs.
Language: English
233.
If ye love me by Thomas Tallis
Orchestra/Ensemble:
Chanticleer
Period: Renaissance
Written: 16th Century; England
Length: 2 Minutes 21 Secs.
Language: English
234.
Charm me asleep by David Conte
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Written: USA
Length: 4 Minutes 29 Secs.
Language: English
235.
Nude descending a staircase by Allen Shearer
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Written: USA
Length: 2 Minutes 13 Secs.
Language: English
236.
Betsy: Blue Skies by Irving Berlin
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Written: 1927; USA
Length: 2 Minutes 42 Secs.
Language: English
237.
Shenandoah by Traditional
Orchestra/Ensemble:
Chanticleer
Written: USA
Length: 4 Minutes 35 Secs.
Language: English
238.
Straight street by James Woodie Alexander
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Length: 2 Minutes 56 Secs.
Language: English
239.
Out of this world by Harold Arlen
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Written: 1945; USA
Length: 3 Minutes 35 Secs.
Language: English
240.
O waly, waly by Traditional
Orchestra/Ensemble:
Chanticleer
Written: England
Length: 3 Minutes 39 Secs.
Language: English
241.
Jesus met the woman at the well by James Woodie Alexander
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Length: 5 Minutes 59 Secs.
Language: English
242.
Magnificat á 12 by Andrea Gabrieli
Orchestra/Ensemble:
Chanticleer
Period: Renaissance
Written: Italy
Length: 3 Minutes 46 Secs.
Language: Italian
243.
Choruses (3) for male voices, AV 123: no 1, Vor den Türen by Richard Strauss
Orchestra/Ensemble:
Chanticleer
Period: Romantic
Written: 1935; Germany
Length: 4 Minutes 56 Secs.
Language: German
244.
Choruses (3) for male voices, AV 123: no 2, Traumlicht by Richard Strauss
Orchestra/Ensemble:
Chanticleer
Period: Romantic
Written: 1935; Germany
Length: 5 Minutes 20 Secs.
Language: German
245.
Choruses (3) for male voices, AV 123: no 3, Fröhlicht im Maien by Richard Strauss
Orchestra/Ensemble:
Chanticleer
Period: Romantic
Written: 1935; Germany
Length: 3 Minutes 17 Secs.
Language: German
246.
Journey to Recife by Bill Evans
Orchestra/Ensemble:
Chanticleer
Period: 20th Century
Written: USA
Length: 3 Minutes 59 Secs.
Language: English
247.
Lucia di Lammermoor: Spargi d'amaro pianto "Mad Scene" by Gaetano Donizetti
Performer:
Edita Gruberova (Soprano)
Conductor:
Richard Bonynge
Period: Romantic
Written: 1835; Italy
248.
Lucia di Lammermoor: S'avanza Enrico by Gaetano Donizetti
Performer:
Edita Gruberova (Soprano)
Conductor:
Richard Bonynge
Period: Romantic
Written: 1835; Italy
249.
Lucia di Lammermoor: Ohimč!... sorge il tremendo "Mad Scene" by Gaetano Donizetti
Performer:
Edita Gruberova (Soprano)
Conductor:
Richard Bonynge
Period: Romantic
Written: 1835; Italy
250.
Lucia di Lammermoor: Il dolce suono "Mad Scene" by Gaetano Donizetti
Performer:
Edita Gruberova (Soprano)
Conductor:
Richard Bonynge
Period: Romantic
Written: 1835; Italy
251.
The Creation, H 21 no 2: Excerpt(s) by Franz Joseph Haydn
Performer:
Josef Protschka (Tenor),
Edita Gruberova (Soprano),
Robert Holl (Bass)
Conductor:
Nikolaus Harnoncourt
Orchestra/Ensemble:
Vienna Symphony Orchestra,
Arnold Schoenberg Choir
Period: Classical
Written: 1796-1798; Vienna, Austria
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