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Grand Tour

Trio Settecento
Release Date: 10/29/2013 
Label:  Cedille Records   Catalog #: 1002   Spars Code: n/a 
Composer:  Dario CastelloAlessandro StradellaBiagio MariniArcangelo Corelli,   ... 
Orchestra/Ensemble:  Trio Settecento
Number of Discs: 4 
Recorded in: Stereo 
Length: 5 Hours 7 Mins. 

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Works on This Recording

1.
Sonate concertate in stil moderno Book 1: Sonata no 8 à 2 by Dario Castello
Orchestra/Ensemble:  Trio Settecento
Period: Renaissance 
Written: 1621 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 4 Minutes 42 Secs. 
2.
Sinfonia in D minor by Alessandro Stradella
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 17th Century; Italy 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 7 Minutes 30 Secs. 
3.
Sonata for trumpet & continuo in D minor by Biagio Marini
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 3 Minutes 58 Secs. 
4.
Sonatas (12) for Violin and Basso Continuo, Op. 5: no 3 in C major by Arcangelo Corelli
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1700; Rome, Italy 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 9 Minutes 25 Secs. 
5.
Sonatas (12) e una pastorale, Op. 1: no 13, Pastorale in A major, B A16 by Giuseppe Tartini
Orchestra/Ensemble:  Trio Settecento
Period: Classical 
Written: 1734 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 9 Minutes 13 Secs. 
6.
Sonatas (12) accademiche for Violin and Basso Continuo, Op. 2: no 12 in D minor by Francesco Maria Veracini
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: by 1744; Italy 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 6 Minutes 18 Secs. 
7.
Nobelman by Johann Schop
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 17th Century 
Venue:  Nichols Hall at the Music Institute of C 
Length: 2 Minutes 0 Secs. 
8.
Sonata in D minor by Johann Heinrich Schmelzer
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 17th Century; Austria 
Venue:  Nichols Hall at the Music Institute of C 
Length: 5 Minutes 53 Secs. 
9.
Armonico tributo: Sonata no 1 in D major by Georg Muffat
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: by 1682; Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 11 Minutes 36 Secs. 
10.
Sonatas (12) for Violin, Viola da Gamba and Basso Continuo, Op. 2: no 2 in D minor by Johann Philipp Krieger
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 10 Minutes 0 Secs. 
11.
Sonata for Violin, Viola da Gamba and Harpsichord in D minor, Op. 1 no 5/BuxWV 256 by Dietrich Buxtehude
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: by 1694; Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 3 Minutes 31 Secs. 
12.
Sonatas (6) for Violin, Viola da Gamba/Violin and Basso Continuo: no 3 in A major by Philipp Heinrich Erlebach
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: by 1694; Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 13 Minutes 29 Secs. 
13.
Sonata for Violin and Basso Continuo in D major by Johann Georg Pisendel
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 18th Century; Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 10 Minutes 33 Secs. 
14.
Flore, ballet, LWV 40 by Jean-Baptiste Lully
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 4 Minutes 9 Secs. 
15.
Les goûts réunis, ou Nouveaux concerts: no 7 in G minor - Allemande by François Couperin
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 2 Minutes 49 Secs. 
16.
Les goûts réunis, ou Nouveaux concerts: no 7 in G minor - Sarabande by François Couperin
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 3 Minutes 44 Secs. 
17.
Les goûts réunis, ou Nouveaux concerts: no 7 in G minor - Siciliène by François Couperin
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 2 Minutes 32 Secs. 
18.
Les goûts réunis, ou Nouveaux concerts: no 7 in G minor - Gavotte by François Couperin
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 1 Minutes 18 Secs. 
19.
Concerts royaux: Concert no 3 in A major by François Couperin
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1722; Paris, France 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 15 Minutes 24 Secs. 
20.
Sonatas (12) for Violin and Basso Continuo, Op. 2: no 8 in D minor by Jean-Féry Rebel
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: by 1713; France 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 1 Minutes 38 Secs. 
21.
Pièces de clavecin en concerts: 4th Concert by Jean-Philippe Rameau
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: by 1741; France 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 10 Minutes 27 Secs. 
22.
Sonata for violin & continuo in B flat major, Op. 5/4 by Jean-Marie Leclair
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 15 Minutes 37 Secs. 
23.
Sellinger's Round, MB 84 by William Byrd
Orchestra/Ensemble:  Trio Settecento
Period: Renaissance 
Written: England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 5 Minutes 35 Secs. 
24.
Captaine Humes Poeticall Musicke: Captain Hume Lamentation by Tobias Hume
Orchestra/Ensemble:  Trio Settecento
Period: Renaissance 
Written: by 1607; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 6 Minutes 41 Secs. 
25.
Fantasia-suite for 2 violins, 2 violas da gamba & continuo in G minor (Ms.) by John Jenkins
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 11 Minutes 23 Secs. 
26.
Little Consort: Suite in G minor-major by Christopher Simpson
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 11 Minutes 31 Secs. 
27.
Divisions on "John come kiss me now" by Thomas Baltzar
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 17th Century; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 5 Minutes 6 Secs. 
28.
Bonduca: Overture by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1695; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 4 Minutes 22 Secs. 
29.
Distressed Innocence: Slow Air by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1694 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 2 Minutes 4 Secs. 
30.
The Virtuous Wife: Air by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: circa 1694 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 0 Minutes 36 Secs. 
31.
The Married Beau: Hornpipe on a Ground by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1694; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 2 Minutes 0 Secs. 
32.
The Fairy Queen: Dance for the Chinese Man and Woman by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1689; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 2 Minutes 43 Secs. 
33.
Pavan for 2 Violins and Basso Continuo no 3 in B flat major, Z 750 by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: circa 1680; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 3 Minutes 37 Secs. 
34.
Hornpipe (from Abdelazer, "Hole in the Wall") by Henry Purcell
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: 1695; England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 3 Minutes 4 Secs. 
35.
Sonata for Violin and Basso Continuo in G minor, HWV 364a/Op. 1 no 6 by George Frideric Handel
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: circa 1726-1732; London, England 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 4 Minutes 54 Secs. 
36.
Fugue for Violin and Harpsichord in G minor, BWV 1026 by Johann Sebastian Bach
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: Weimar, Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 3 Minutes 58 Secs. 
37.
Sonata for Violin and Basso Continuo in E minor, BWV 1023 by Johann Sebastian Bach
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Written: Weimar, Germany 
Venue:  Nichols Hall at the Music Institute of C 
Length: 10 Minutes 23 Secs. 
38.
Sonata da camera, for violin & bass in F major, Op. 6/2 by Pietro A. Locatelli
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 16 Minutes 34 Secs. 
39.
Fantasia-Suite for violin, bass viol & organ No. 8 in D major by William Lawes
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 11 Minutes 39 Secs. 
40.
Suite, for recorder (or violin), bass viol & optional continuo in B flat major (For Several Friends) by Matthew Locke
Orchestra/Ensemble:  Trio Settecento
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 7 Minutes 12 Secs. 
41.
La Guitare, for viola da gamba & continuo in G major (Pièces de viole, Book III, No. 107) by Marin Marais
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 6 Minutes 33 Secs. 
42.
Prélude, for viola da gamba & continuo in G major (Pièces de viole, Book III, No. 92) by Marin Marais
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 1 Minutes 38 Secs. 
43.
Chaconne, for 2 violas da gamba & continuo in G major (Pièces de viole, Book I, No. 82) by Marin Marais
Orchestra/Ensemble:  Trio Settecento
Period: Baroque 
Venue:  Nichols Hall, Music Institute of Chicago 
Length: 6 Minutes 23 Secs. 

Sound Samples

Sonata No. 8 in D Minor
Sinfonia No. 22 in D Minor
Sonata a 2 in D Minor
Sonata da camera in F Major, Op. 6, No. 2: I. Andante
Sonata da camera in F Major, Op. 6, No. 2: II. Allegro
Sonata da camera in F Major, Op. 6, No. 2: III. Aria
Violin Sonata in C Major, Op. 5, No. 3: I. Adagio
Violin Sonata in C Major, Op. 5, No. 3: II. Allegro
Violin Sonata in C Major, Op. 5, No. 3: III. Adagio
Violin Sonata in C Major, Op. 5, No. 3: IV. Allegro
Violin Sonata in C Major, Op. 5, No. 3: V. Giga: Allegro
Sonata Pastorale in A Major: I. Grave
Sonata Pastorale in A Major: II. Allegro
Sonata Pastorale in A Major: III. Largo
Violin Sonata in G Minor, HWV 364b: I. Larghetto
Violin Sonata in G Minor, HWV 364b: II. Allegro
Violin Sonata in G Minor, HWV 364b: III. Adagio
Violin Sonata in G Minor, HWV 364b: IV. Allegro
Sonata in D Minor, Op. 2, No. 12: I. Passagallo: Largo
Sonata in D Minor, Op. 2, No. 12: II. Capriccio Cromatico: Allegro, ma non presto
Sonata in D Minor, Op. 2, No. 12: III. Adagio - Ciaccona: Allegro, ma non presto
Nobleman
Sonata variata in D Minor
Sonata in D Major: I. Adagio
Sonata in D Major: II. Allegro - Adagio - Allegro - Adagio
Sonata in D Minor, Op. 2, No. 2: I. Andante - Largo
Sonata in D Minor, Op. 2, No. 2: II. Presto - Largo
Sonata in D Minor, Op. 2, No. 2: III. Aria d'inventione
Sonata in C Major, Op. 1, No. 5, BuxWV 256: Vivace -
Sonata in C Major, Op. 1, No. 5, BuxWV 256: Violino solo - Allegro -
Sonata in C Major, Op. 1, No. 5, BuxWV 256: Largo - Allegro -
Sonata in C Major, Op. 1, No. 5, BuxWV 256: Adagio - Allegro
Fugue in G Minor, BWV 1026: Fugue for Violin and Harpischord in G Minor, BWV 1026
Trio Sonata No. 3 in A Major: I. Adagio - Allegro - Lento
Trio Sonata No. 3 in A Major: II. Allemande
Trio Sonata No. 3 in A Major: III. Courante
Trio Sonata No. 3 in A Major: IV. Sarabande
Trio Sonata No. 3 in A Major: V. Ciaconne
Trio Sonata No. 3 in A Major: VI. Final: Adagio
Violin Sonata in D Major: I. Allegro
Violin Sonata in D Major: II. Larghetto
Violin Sonata in D Major: III. Allegro
Violin Sonata in E Minor, BWV 1023: I. Solo - Adagio ma non tanto
Violin Sonata in E Minor, BWV 1023: II. Adagio ma non tanto
Violin Sonata in E Minor, BWV 1023: III. Allemanda

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