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G.p. Telemann: Trio Sonatas For Recorder, Violin And Continuo

Telemann / Biondi / Cavasanti / Boersma
Release Date: 10/29/2013 
Label:  Dynamic   Catalog #: 7667   Spars Code: DDD 
Composer:  Georg Philipp Telemann
Performer:  Fabio Biondi
Orchestra/Ensemble:  Tripla Concordia
Number of Discs: 1 
Recorded in: Stereo 
Length: 0 Hours 52 Mins. 

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Notes and Editorial Reviews



TELEMANN Trio Sonatas: in d, TWV 42:d10; in a, TWV 42:a1; in F, TWV 42:F8; in f, TWV 42:f2; in a, TWV 42:a4; in f. Sonata in f, TWV 41:f1 Fabio Biondi (vn); Tripla Concordia (period instruments) DYNAMIC 7667 Read more (52:13)


Fabio Biondi’s program of trio sonatas by Georg Philipp Telemann, apparently mastered in the late 1990s, corresponds to an identical program (same works in the same order) once listed as Stradivarius 33685 and not reviewed, so far as I can tell, in Fanfare . Tripla Concordia consists of Lorenzo Cavasanti (recorder), Caroline Boersma (cello), and Sergio Ciomei (harpsichord), and they lend almost bumptious support to the irrepressible Fabio Biondi, playing, in this case, a violin constructed by Desiderio Quercetani in 1991 after an 18th-century Neapolitan model. Danilo Prefumo’s notes explain that the ensemble has gathered together all of Telemann’s works for the combination of violin, recorder, and continuo, omitting other trio sonatas intended for recorder, treble viola da gamba, and continuo, previously considered to have been intended for violin.


The engineers come very close to the ensemble (and if the flute seems almost shrill on occasion, so does the violin on others); but the random breathing they’ve captured seems benign beside the amount of instrumental noise and multitudinous abrasive attacks they’ve registered, all of which might intimidate a faint-hearted listener (the recorded sound also gives the instrumental timbres a sharp edge that, it seems possible, might be an artifact). Nevertheless, there’s no gainsaying the irresistible élan of the ensemble’s reading of the first Sonata, with its three fast movements surrounding a slower second (all the sonatas comprise four movements, in which two fast movements generally provide a contrast with two slower ones). And the close, vibrant recorded sound, however pleasantly or unpleasantly it may strike the listener’s sensibilities from moment to moment, plays a significant role in creating the overall effect. In fact, the razor sharpness of the instrumental sound seems considerably more distracting in slow movements like the opening Adagio of the Sonata in F Minor (TWV 42:f2), rather than in headlong fast ones like the same Sonata’s Finale. The Sonata in A Minor, TWV 42:a4, seems perhaps the most balanced, with all the movements taking about two and a half minutes and alternating slow and fast in the pattern that had become pretty much standard. Yet, from my experience of the work as a performer, it seems to lack in this reading the exuberant energy that characterized the fast movements and the suavity that characterized the slow ones in their performances of the other sonatas. Recommended to those who may have missed this collection in what seems to have been an earlier incarnation and who take delight in this repertoire.


FANFARE: Robert Maxham
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Works on This Recording

1.
Trio Sonata for Recorder, Violin and Basso Continuo in D minor, TV 42 no d 10 by Georg Philipp Telemann
Performer:  Fabio Biondi (Violin)
Orchestra/Ensemble:  Tripla Concordia
Period: Baroque 
Written: Germany 
Date of Recording: 06/29/1997 
Venue:  Chiostro di S. Domenico, Cagliari, Italy 
Length: 8 Minutes 15 Secs. 
2.
Trios (6): no 2 for Recorder, Violin and Basso Continuo in A minor, TV 42 no a 1 by Georg Philipp Telemann
Performer:  Fabio Biondi (Violin)
Orchestra/Ensemble:  Tripla Concordia
Period: Baroque 
Written: by 1718; Frankfurt, Germany 
Date of Recording: 06/29/1997 
Venue:  Chiostro di S. Domenico, Cagliari, Italy 
Length: 9 Minutes 32 Secs. 
3.
Trio Sonata in F major, TV 42 no F 8 by Georg Philipp Telemann
Performer:  Fabio Biondi (Violin)
Orchestra/Ensemble:  Tripla Concordia
Period: Baroque 
Written: Germany 
Date of Recording: 06/29/1997 
Venue:  Chiostro di S. Domenico, Cagliari, Italy 
Length: 7 Minutes 1 Secs. 
4.
Trio Sonata in F minor, TV 42 no f 2 by Georg Philipp Telemann
Performer:  Fabio Biondi (Violin)
Orchestra/Ensemble:  Tripla Concordia
Period: Baroque 
Written: Germany 
Date of Recording: 06/29/1997 
Venue:  Chiostro di S. Domenico, Cagliari, Italy 
Length: 6 Minutes 23 Secs. 
5.
Essercizii musici, P 47: no 10, Trio Sonata in A minor, TV 42 no a 4 by Georg Philipp Telemann
Performer:  Fabio Biondi (Violin)
Orchestra/Ensemble:  Tripla Concordia
Period: Baroque 
Written: by 1740; Germany 
Date of Recording: 06/29/1997 
Venue:  Chiostro di S. Domenico, Cagliari, Italy 
Length: 9 Minutes 45 Secs. 
6.
Getreue Music-Meister: no 36, Sonata for Recorder and Basso Continuo in F minor TV 41 no f 1 by Georg Philipp Telemann
Performer:  Fabio Biondi (Violin)
Orchestra/Ensemble:  Tripla Concordia
Period: Baroque 
Written: by 1728; Germany 
Date of Recording: 06/29/1997 
Venue:  Chiostro di S. Domenico, Cagliari, Italy 
Length: 9 Minutes 5 Secs. 

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