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Liszt at the Opera / Louis Lortie

Release Date: 10/29/2013 
Label:  Chandos   Catalog #: 10793   Spars Code: DDD 
Composer:  Franz LisztRichard Wagner
Performer:  Louis Lortie
Number of Discs: 1 
Recorded in: Stereo 
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Notes and Editorial Reviews

The exclusive Chandos artist and award-winning pianist, Louis Lortie continues his critically acclaimed exploration of piano works by Liszt, turning to opera transcriptions, paraphrases and fantasies that with their technical innovation revolutionized composition for the piano.

In Réminiscences de ‘Don Juan’, based on three scenes from Mozart’s Don Giovanni, Liszt creates a work renowned for its extreme technical difficulty. He dazzled audiences in his own time with performances of it, and it has remained notorious ever since, Ferruccio Busoni claiming that ‘this piece among pianists has acquired the almost symbolic significance of a pianistic summit’.

The Paraphrase de concert on Rigoletto is one of
Read more three Verdi paraphrases only published in 1960, each of which concentrates on one particular moment of its respective Verdi opera, presenting it in highly pianistic terms whilst maintaining the general lines of the original. In the Rigoletto paraphrase Liszt focuses on the aria ‘Bella figlia dell’amore’.

In the Valse de l’opéra ‘Faust’ de Gounod Liszt cleverly combines the waltz from Act I of the opera with a melodious love duet from Act II. After these materials have been transformed and Liszt has added his own musical tangents, the piece accelerates into a vertiginous whirl, reminiscent of Ravel’s much later La Valse, and finally the main theme reappears with majestic swagger and grandeur.

Completing the album are several more or less straightforward transcriptions based on operas by Richard Wagner who, despite a rocky start to their relationship, forged a close musical bond with Liszt. Among these transcriptions is the popular ‘Liebestod’ from Tristan und Isolde. Liszt never completed a transcription of its natural musical companion, the Prelude to the same opera, so here Louis Lortie has recorded his own arrangement of that piece.


"Liszt’s transcriptions of, and fantasias on, excerpts from operas like 'Rigoletto' and 'Faust' – not to mention the works of his future son-in-law, Richard Wagner – are some of the most dazzling and complex piano works of the 19th century. Louis Lortie, a fantastic Lisztian, performs them with confidence and clarity. And his new version of the prelude to Wagner’s 'Tristan und Isolde,' a companion to Liszt’s transcription of the 'Liebestod,' stands comparison with the master." – The New York Times Read less

Works on This Recording

Spinning Chorus from Wagner's "Fliegende Holländer", S 440 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1860; Weimar, Germany 
Réminiscences de Don Juan (Mozart), S 418 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1841; Germany 
Paraphrase on Quartet from Verdi's "Rigoletto", S 434 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1859; Weimar, Germany 
Paraphrase on a Waltz from Gounod's "Faust", S 407 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: by 1861; Weimar, Germany 
Overture to Wagner's "Tannhäuser", S 442 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1848; Weimar, Germany 
Tristan und Isolde: Act 1 Prelude by Richard Wagner
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1858; Germany 
Notes: Arranger: Louis Lortie 
Isolde's "Liebestod" from Wagner's "Tristan", S 447 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1867; Weimar, Germany 
Abendstern Aria from Wagner's "Tannhäuser", S 444 by Franz Liszt
Performer:  Louis Lortie (Piano)
Period: Romantic 
Written: 1849; Weimar, Germany 

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