Notes and Editorial Reviews
These last three Opus 33 quartets define the archetype of the classical string quartet, a genre that would henceforth blossom independently of its patrons. Haydn makes of it a music that is light, subtle, intentionally humorous, concise and radiant, capable of leaving private drawing rooms for public concert venues. Mozart immediately detected its originality as would the classic composers of the 20th century.
These last three Opus 33 quartets define the archetype of the classical string quartet, a genre that would henceforth blossom independently of its patrons. Haydn makes of it a music that is light, subtle, intentionally humorous, concise and radiant, capable of leaving private drawing rooms for public concert venues. Mozart immediately detected its originality as would the classic composers of the 20th century. Read less
Works on This Recording
1.
Quartet for Strings in B minor, Op. 33 no 1/H 3 no 37 by Franz Joseph Haydn
Orchestra/Ensemble:
Parkanyi Quartet
Period: Classical
Written: 1781; Eszterhazá, Hungary
Venue: Prague, Domovina Studio
Length: 19 Minutes 0 Secs.
2.
Quartet for Strings in D major, Op. 33 no 6/H 3 no 42 by Franz Joseph Haydn
Orchestra/Ensemble:
Parkanyi Quartet
Period: Classical
Written: 1781; Eszterhazá, Hungary
Venue: Prague, Domovina Studio
Length: 16 Minutes 9 Secs.
3.
Quartet for Strings in B flat major, Op. 33 no 4/H 3 no 40 by Franz Joseph Haydn
Orchestra/Ensemble:
Parkanyi Quartet
Period: Classical
Written: 1781; Eszterhazá, Hungary
Venue: Prague, Domovina Studio
Length: 16 Minutes 4 Secs.
4.
Quartet for Strings in D minor, Op. 42/H 3 no 43 by Franz Joseph Haydn
Orchestra/Ensemble:
Parkanyi Quartet
Period: Classical
Written: 1785; Eszterhazá, Hungary
Venue: Prague, Domovina Studio
Length: 14 Minutes 35 Secs.
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