Works on This Recording
1.
Die Dreigroschenoper: Tanzmusik by Kurt Weill
Performer:
Oscar Höcker (Voice),
Gustav Püttjer (Voice),
Paul Peter Kemp (Voice),
Ernst Busch (Tenor),
Herbert Grünbaum (Voice),
Kraft Raschig (Voice),
Reinhold Schünzel (Bass),
Valeska Gert (Voice),
Fritz Rasp (Bass),
Carola Neher (Soprano),
Rudolph Forster (Tenor),
Vladimir Sokolov (Voice),
Lotte Lenya (Mezzo Soprano),
Hermann Thimig (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1931
Length: 2 Minutes 59 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
2.
Die Dreigroschenoper: Abschied by Kurt Weill
Performer:
Rudolph Forster (Tenor),
Valeska Gert (Voice),
Oscar Höcker (Voice),
Kraft Raschig (Voice),
Herbert Grünbaum (Voice),
Reinhold Schünzel (Bass),
Paul Peter Kemp (Voice),
Ernst Busch (Tenor),
Gustav Püttjer (Voice),
Lotte Lenya (Mezzo Soprano),
Hermann Thimig (Voice),
Carola Neher (Voice),
Rudolf Förster (Voice),
Lotte Lenya (Voice),
Ernst Busch (Voice),
Paul Kemp (Voice),
Reinhold Schünzel (Voice),
Fritz Rasp (Voice),
Vladimir Sokolov (Voice),
Carola Neher (Soprano),
Fritz Rasp (Bass)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1931
Length: 1 Minutes 48 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
3.
Die Dreigroschenoper: Ballade von angenehmen Leben by Kurt Weill
Performer:
Kurt Gerron (Voice),
Kurt Gerron (Baritone),
Arthur Schröder (Voice)
Orchestra/Ensemble:
Dreigroschenoper Band,
Dreigroschenband
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1929
Length: 0 Minutes 37 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
4.
Die Dreigroschenoper: Kanonensong by Kurt Weill
Conductor:
Otto Klemperer
Orchestra/Ensemble:
Berlin Philharmonic Winds,
Berlin Philharmonic Orchestra Brass,
Berlin State Opera Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Length: 2 Minutes 4 Secs.
Notes: Librettist: Bertolt Brecht.
5.
Aufstieg und Fall der Stadt Mahagonny: Alabama Song by Kurt Weill
Performer:
Lotte Lenya (Voice),
Lotte Lenya (Mezzo Soprano)
Orchestra/Ensemble:
The Three Admirals
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1930
Length: 2 Minutes 56 Secs.
Language: English
Notes: Librettist: Bertolt Brecht.
6.
Happy End: Bilbao Song by Kurt Weill
Performer:
Lotte Lenya (Voice),
Lotte Lenya (Mezzo Soprano)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Theo Mackeben Jazz Orchestra
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 1929
Length: 3 Minutes 4 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
7.
Lover Man by Kurt Weill
Performer:
Kurt Weill (Piano),
Lotte Lenya (Voice),
Lotte Lenya (Mezzo Soprano)
Period: 20th Century
Written: 1939
Length: 2 Minutes 49 Secs.
Language: English
Notes: Lyricist: Maxwell Anderson.
1943 - 1944
8.
Und was bekam des Soldaten Weib? by Kurt Weill
Performer:
Lotte Lenya (Mezzo Soprano),
Kurt Weill (Piano),
Lotte Lenya (Voice)
Period: 20th Century
Written: 1942; USA
Length: 4 Minutes 7 Secs.
Language: German
Notes: Lyricist: Bertolt Brecht.
1943 - 1944
9.
Wie lange noch? by Kurt Weill
Performer:
Lotte Lenya (Mezzo Soprano),
Kurt Weill (Piano),
Lotte Lenya (Voice)
Period: 20th Century
Written: 1944; USA
Length: 3 Minutes 14 Secs.
Language: German
Notes: Lyricist: Walter Mehring.
1943 - 1944
10.
Die Dreigroschenoper: Ballade uber die Frage "Wavon lebt der Mensch" by Kurt Weill
Performer:
Fritz Rasp (Voice),
Reinhold Schünzel (Voice),
Oscar Höcker (Voice),
Gustav Püttjer (Voice),
Paul Peter Kemp (Voice),
Ernst Busch (Tenor),
Herbert Grünbaum (Voice),
Kraft Raschig (Voice),
Reinhold Schünzel (Bass),
Valeska Gert (Voice),
Carola Neher (Soprano),
Fritz Rasp (Bass),
Rudolph Forster (Tenor),
Vladimir Sokolov (Voice),
Lotte Lenya (Mezzo Soprano),
Hermann Thimig (Voice),
Carola Neher (Voice),
Rudolf Förster (Voice),
Lotte Lenya (Voice),
Ernst Busch (Voice),
Paul Kemp (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1931
Length: 2 Minutes 17 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
11.
Die Dreigroschenoper: Die Moritat von Mackie Messer "Mack the knife" by Kurt Weill
Conductor:
Otto Klemperer
Orchestra/Ensemble:
Berlin Philharmonic Winds,
Berlin Philharmonic Orchestra Brass,
Berlin State Opera Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Length: 2 Minutes 30 Secs.
Notes: Librettist: Bertolt Brecht.
12.
Die Dreigroschenoper: Liebeslied by Kurt Weill
Performer:
Carola Neher (Soprano),
Arthur Schröder (Voice),
Kurt Gerron (Baritone),
Carola Neher (Voice),
Kurt Gerron (Voice)
Orchestra/Ensemble:
Dreigroschenoper Band,
Dreigroschenband
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1929
Length: 1 Minutes 33 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
13.
Die Dreigroschenoper: Barbara Song by Kurt Weill
Performer:
Carola Neher (Soprano),
Arthur Schröder (Voice),
Kurt Gerron (Baritone),
Carola Neher (Voice),
Kurt Gerron (Voice)
Orchestra/Ensemble:
Dreigroschenoper Band,
Dreigroschenband
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1929
Length: 1 Minutes 33 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
14.
Die Dreigroschenoper: Lied von der Unzulänglichkeit menschlichen Strebens by Kurt Weill
Performer:
Bertolt Brecht (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Theo Mackeben Jazz Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1929
Length: 2 Minutes 42 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
15.
Die Dreigroschenoper: Seerauber-Jenny by Kurt Weill
Performer:
Carola Neher (Soprano),
Arthur Schröder (Voice),
Kurt Gerron (Baritone),
Carola Neher (Voice),
Kurt Gerron (Voice)
Orchestra/Ensemble:
Dreigroschenoper Band,
Dreigroschenband
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1929
Length: 1 Minutes 57 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
16.
Die Dreigroschenoper: Dreigroschenoperfinale III "Moritat" by Kurt Weill
Performer:
Carola Neher (Voice),
Hermann Thimig (Voice),
Fritz Rasp (Voice),
Reinhold Schünzel (Voice),
Paul Kemp (Voice),
Ernst Busch (Voice),
Lotte Lenya (Voice),
Rudolf Förster (Voice),
Lotte Lenya (Mezzo Soprano),
Vladimir Sokolov (Voice),
Rudolph Forster (Tenor),
Carola Neher (Soprano),
Fritz Rasp (Bass),
Valeska Gert (Voice),
Reinhold Schünzel (Bass),
Kraft Raschig (Voice),
Herbert Grünbaum (Voice),
Ernst Busch (Tenor),
Paul Peter Kemp (Voice),
Gustav Püttjer (Voice),
Oscar Höcker (Voice)
Conductor:
Theo Mackeben
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1931
Length: 1 Minutes 44 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
17.
Die Dreigroschenoper: Dreigroschenfinale II by Kurt Weill
Performer:
Harald Paulsen (Voice)
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 12/1928
Length: 2 Minutes 1 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
18.
Die Dreigroschenoper: Tango Ballad by Kurt Weill
Conductor:
Otto Klemperer
Orchestra/Ensemble:
Berlin Philharmonic Winds,
Berlin Philharmonic Orchestra Brass,
Berlin State Opera Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Length: 2 Minutes 41 Secs.
Notes: Librettist: Bertolt Brecht.
19.
Die Dreigroschenoper: Die Ballade von augenehmen Leben by Kurt Weill
Conductor:
Otto Klemperer
Orchestra/Ensemble:
Berlin Philharmonic Winds,
Berlin Philharmonic Orchestra Brass,
Berlin State Opera Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Length: 2 Minutes 17 Secs.
Notes: Librettist: Bertolt Brecht.
20.
Aufstieg und Fall der Stadt Mahagonny: Excerpt(s) by Kurt Weill
Performer:
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Conductor:
Hans Sommer
Orchestra/Ensemble:
Berlin Kurfurstendamm Theatre Orchestra,
Orchester des Theaters am Kurfurstendamm
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1932
Venue: Kurfürstendamm Theater, Berlin, Germany
Length: 8 Minutes 37 Secs.
Notes: This selection is a medley which includes "Aufstieg und Fall der Stadt Mahagonny: Auf nach Mahagonny" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Alabama Song" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Ach bedenken sie, Herr Jakob Schmidt "Havanna Song"" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Wunderbar ist das Heraufkommen des Abends" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Ihr habt gelernt das Cocktail-Abc" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Erstens vergesst nicht, kommt das Fressen" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Meine Herren, meine Mutter prägte...Denn wie Man sich bettet" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Dieser einfache Holzfäller von Alaska" by Kurt Weill (1900 - 1950), "Aufstieg und Fall der Stadt Mahagonny: Aber weil di meine drei Flaschen Whisky" by Kurt Weill (1900 - 1950) and "Aufstieg und Fall der Stadt Mahagonny: Finale" by Kurt Weill (1900 - 1950).
Librettist: Bertolt Brecht.
21.
Aufstieg und Fall der Stadt Mahagonny: Denn wie man sich bettet by Kurt Weill
Performer:
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Orchestra/Ensemble:
Orchestra
Period: 20th Century
Written: 1928; Berlin, Germany
Date of Recording: 1930
Length: 3 Minutes 22 Secs.
Language: German
Notes: Librettist: Bertolt Brecht.
22.
Happy End: Der Song von Mandalay by Kurt Weill
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 1929
Length: 3 Minutes 4 Secs.
Notes: Librettist: Bertolt Brecht.
23.
Happy End: Matrosen-Tango by Kurt Weill
Orchestra/Ensemble:
Lewis Ruth Band
Period: 20th Century
Written: 1929; Berlin, Germany
Date of Recording: 1929
Length: 3 Minutes 9 Secs.
Notes: Librettist: Bertolt Brecht.
24.
Happy End: Surabaya Johnny by Kurt Weill
Performer:
Kurt Weill (Piano),
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Period: 20th Century
Written: 1929; Berlin, Germany
Length: 3 Minutes 5 Secs.
Language: French
Notes: Librettist: Bertolt Brecht.
25.
Der Silbersee: Das Lied von Schlaraffenland by Kurt Weill
Performer:
Ernst Busch (Tenor),
Ernst Busch (Voice)
Conductor:
Maurice Abravanel
Period: 20th Century
Written: 1932; Germany
Date of Recording: 1933
Length: 2 Minutes 57 Secs.
Language: German
26.
Der Silbersee: Der Bäkker bäckt ums Morgenrot by Kurt Weill
Performer:
Ernst Busch (Tenor),
Ernst Busch (Voice)
Conductor:
Maurice Abravanel
Period: 20th Century
Written: 1932; Germany
Date of Recording: 1933
Length: 3 Minutes 9 Secs.
Language: German
27.
Lost in the Stars by Kurt Weill
Performer:
Kurt Weill (Piano),
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Length: 3 Minutes 0 Secs.
Language: English
Notes: Lyricist: Maxwell Anderson.
1943 - 1944
28.
Marie Galante: J'attends un navire by Kurt Weill
Performer:
Kurt Weill (Piano),
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Period: 20th Century
Written: 1934; Paris, France
Length: 3 Minutes 1 Secs.
Language: French
Notes: Lyricist: Jacques Deval.
1943 - 1944
29.
Complainte de la Seine by Kurt Weill
Performer:
Kurt Weill (Piano),
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Period: 20th Century
Written: 1934; Paris, France
Length: 3 Minutes 26 Secs.
Language: French
Notes: Lyricist: Maurice Magre.
1943 - 1944
30.
Aufstieg und Fall der Stadt Mahagonny: Meine Herren, meine Mutter prägte...Denn wie Man sich bettet by Kurt Weill
Performer:
Kurt Weill (Piano),
Lotte Lenya (Mezzo Soprano),
Lotte Lenya (Voice)
Period: 20th Century
Written: 1928; Berlin, Germany
Length: 3 Minutes 2 Secs.
Language: German
Notes: This selection omits "Meine Herren, meine Mutter prägte"
Lyricist: Bertolt Brecht.
1943 - 1944
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