Notes and Editorial Reviews
Celebratory album sets are nothing new. And those looking for
smuggled novelties in this 5 CD album will look in vain. There
are no unpublished Busch-directed
performances; no unearthed Gui. The box is devoted, perfectly reasonably, to
the established record.
The box cover sets the scene. A contented sheep grazes in the foreground;
toffs graze in the background. There are hampers. The men all look very tall
and lean.
The women are all elegantly decked out. It’s the archetypical Glyndebourne
afternoon.
Inside we have, in the main, the standard EMI transfers of old friends. The exceptions
include the 2009 transfers of the first three
Read more
selections from the Busch Marriage
of Figaro, five tracks from the The Beggar’s Opera, The Soldier’s
Tale, and all the post-War Gui Figaro extracts. The transfers are
in any case non-problematic.
A sampler such as this will inevitably hit on highlights. The first CD takes
pre-War Mozart. Figaro’s extracts last about a quarter of an hour
and allow one to sample Audrey Mildmay, Domgraf-Fassbaender and Aulikki Rautawaara. Così lasts
a little longer and we can hear all the principal singers, which is a satisfactory
solution, given that Heddle Nash didn’t make the earlier Figaro selection. Don
Giovanni was the last of the three Mozart operas conducted by Busch to
be recorded. This has the longest run of excerpts; seven minutes from Act I
including
(inevitably) Leporello’s Madamina - the Leporello was Salvatore
Baccaloni. There are about 22 minutes from Act II and these extracts allow
us to hear John Brownlee’s Don, David Franklin (the Commendatore) and Mildmay’s
Zerlina, as well as the Act II epilogue. The 1940 recording of Gay’s The
Beggar’s Opera is something of a classic. Mildmay and Roy Henderson,
often too wooden a singer, are here. Michael Redgrave is Macheath. In all there
are about ten minutes included.
The second disc begins in the immediate post-War period with Reginald Goodall’s
recording of The Rape of Lucretia. Unlike the Busch recordings, but
like the Gay, these extracts were recorded at Abbey Road in London. These extracts
last nine minutes. Other highlights of this second disc include Busch’s
all-too-brief return with Così and Idomeneo - Sena Jurinac
in both - and Gui’s La Cenerentola. Rather more uncommon is Pritchard’s
1954 Busoni Arlecchino extract, from the same year these forces gave the
British stage premiere. The following year the conductor was in the studio with
Glyndebourne forces to record The Soldier’s Tale with Helpmann,
Terence Longdon and Anthony Nicholls, alongside the elite RPO chamber ensemble
(Leavins, Brymer, Brooke, Walton).
More rejuvenatory Mozart starts disc three. It’s Gui’s Figaro represented
by about nineteen minutes of the performance which featured Jurinac, Sciutti,
Bruscantini, Calabrese and other equally persuasive front-liners. Gui was,
after Busch’s death, effectively the house’s music director from
1952 to 1964. The second Idomeneo, directed by Pritchard, features
different extracts from the Busch, thankfully. Gui’s eminence as a
Rossini conductor is clearly not overlooked; though the Comte Ory examples
are brief it’s inevitable
perhaps that the Barber of Seville should take up the lion’s share.
De Los Angeles’s appearance is a coup. But I wouldn’t overlook the
final scene from Monteverdi’s L’Incoronazione di Poppea where
Richard Lewis and Magda László perform Raymond Leppard’s
edition with exquisite romanticism under Pritchard’s direction. Glyndebourne
was the first British professional company to stage a work from the early baroque,
as George Hall’s notes remind us.
Mozart is a constant in the Glyndebourne story and the fourth disc is given over
entirely to him. Pritchard is on hand once again, in 1972, for Die Entführung with
Margaret Price, Ryland Davies and Noel Mangin in an abridged LP. In the 1980s
Haitink was a regular visitor and his Don Giovanni and Così are
documented. These traversals are well known, naturally enough, though it’s
still pleasurable to sample the sets. For Figaro in 1987 he had in his
cast Rolandi, Desderi, and Lott. The last incarnation of the famous 1988 Rattle-directed Porgy
and Bess was in a big box of Americana collated from Rattle’s many
recordings. There it was in toto; here clearly we only have room and
time for about twenty minutes’ worth, though most of the stand-out numbers.
Felicity Lott and Thomas Hampson are on hand for Lehár. A signpost towards
the house’s interest in and propagation of new music comes in the shape
of Jonathan Dove’s Figures in the Garden. The composer conducts
members of the Orchestra of the Age of Enlightenment. And finally we have a
slice of probably justified auto back-slapping. This comes via the EMI Centenary
Gala
at Glyndebourne in 1987 with Welser-Möst and Andrew Davis presiding, and
some superior vocal talent running through favourites.
It ends a box that necessarily charts the decades adeptly but selectively. The
booklet has full running details, cast lists and recorded information.
-- Jonathan Woolf, MusicWeb International
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Works on This Recording
1.
Le nozze di Figaro, K 492: Overture by Wolfgang Amadeus Mozart
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 54 Secs.
Notes: This selection is a mono recording.
2.
Le nozze di Figaro, K 492: Se a caso madama by Wolfgang Amadeus Mozart
Performer:
Constance Willis (Mezzo Soprano),
Willi Domgraf-Fassbaender (Bass Baritone),
Audrey Mildmay (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 2 Minutes 37 Secs.
Notes: This selection is a mono recording.
3.
Le nozze di Figaro, K 492: Dunque?...o ciel! (Act 2 finale) by Wolfgang Amadeus Mozart
Performer:
Heddle Nash (Tenor),
Aulikki Rautawaara (Soprano),
Constance Willis (Mezzo Soprano),
Norman Allin (Bass),
Roy Henderson (Baritone),
Morgan Jones (Tenor),
Audrey Mildmay (Soprano),
Willi Domgraf-Fassbaender (Bass Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 5 Minutes 30 Secs.
Notes: This selection is a mono recording.
4.
Le nozze di Figaro, K 492: Sull' aria...Che soave zeffiretto by Wolfgang Amadeus Mozart
Performer:
Aulikki Rautawaara (Soprano),
Audrey Mildmay (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 0 Secs.
Notes: This selection is a mono recording.
5.
Le nozze di Figaro, K 492: Ricevete, o padroncina by Wolfgang Amadeus Mozart
Performer:
Morgan Jones (Tenor),
Audrey Mildmay (Soprano),
Heddle Nash (Tenor),
Aulikki Rautawaara (Soprano),
Norman Allin (Bass),
Constance Willis (Mezzo Soprano),
Roy Henderson (Baritone),
Willi Domgraf-Fassbaender (Bass Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 1 Minutes 24 Secs.
Notes: This selection is a mono recording.
6.
Così fan tutte, K 588: Una bella serenata by Wolfgang Amadeus Mozart
Performer:
John Brownlee (Bass Baritone),
Willi Domgraf-Fassbaender (Bass Baritone),
Heddle Nash (Tenor)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 2 Minutes 16 Secs.
Notes: This selection is a mono recording.
7.
Così fan tutte, K 588: Ah guarda, sorella by Wolfgang Amadeus Mozart
Performer:
Ina Souez (Soprano),
Luise Helletsgruber (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 5 Minutes 1 Secs.
Notes: This selection is a mono recording.
8.
Così fan tutte, K 588: Una donna a quindici anni by Wolfgang Amadeus Mozart
Performer:
Irene Eisinger (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 3 Minutes 27 Secs.
Notes: This selection is a mono recording.
9.
Così fan tutte, K 588: Donne mie, la fate a tanti by Wolfgang Amadeus Mozart
Performer:
Willi Domgraf-Fassbaender (Bass Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 2 Minutes 53 Secs.
Notes: This selection is a mono recording.
10.
Così fan tutte, K 588: Fra gli amplessi by Wolfgang Amadeus Mozart
Performer:
Ina Souez (Soprano),
Heddle Nash (Tenor)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 6 Minutes 1 Secs.
Notes: This selection is a mono recording.
11.
Don Giovanni, K 527: Madamina, il catalogo è questo by Wolfgang Amadeus Mozart
Performer:
Salvatore Baccaloni (Bass Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 5 Minutes 51 Secs.
Notes: This selection is a mono recording.
12.
Don Giovanni, K 527: Finch' han dal vino [Brindisi] by Wolfgang Amadeus Mozart
Performer:
John Brownlee (Bass Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 1 Minutes 23 Secs.
Notes: This selection is a mono recording.
13.
Don Giovanni, K 527: Vedrai, carino se sei buonino by Wolfgang Amadeus Mozart
Performer:
Audrey Mildmay (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 3 Minutes 56 Secs.
Notes: This selection is a mono recording.
14.
Don Giovanni, K 527: O statua gentilissima by Wolfgang Amadeus Mozart
Performer:
Salvatore Baccaloni (Bass Baritone),
John Brownlee (Bass Baritone),
David Franklin (Bass)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 3 Minutes 39 Secs.
Notes: This selection is a mono recording.
15.
Don Giovanni, K 527: Gia la mensa è preparata by Wolfgang Amadeus Mozart
Performer:
John Brownlee (Bass Baritone),
Salvatore Baccaloni (Bass Baritone),
David Franklin (Bass)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 8 Minutes 56 Secs.
Notes: This selection is a mono recording.
16.
Don Giovanni, K 527: Ah, dov'è il perfido by Wolfgang Amadeus Mozart
Performer:
Luise Helletsgruber (Mezzo Soprano),
Ina Souez (Soprano),
Audrey Mildmay (Soprano),
Kolomon von Patakay (Tenor),
David Franklin (Bass),
Roy Henderson (Tenor),
Salvatore Baccaloni (Bass Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 6 Minutes 2 Secs.
Notes: This selection is a mono recording.
17.
Beggar's Opera: O Polly, you might have toyed and kissed by John Gay
Performer:
Constance Willis (Mezzo Soprano),
Audrey Mildmay (Soprano),
Roy Henderson (Baritone)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 1 Minutes 55 Secs.
Notes: This selection is a mono recording.
18.
Beggar's Opera: My heart was so free by John Gay
Performer:
Michael Redgrave (Spoken Vocals)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 0 Minutes 38 Secs.
Notes: This selection is a mono recording.
19.
Beggar's Opera: Were I laid on Greenland's coast by John Gay
Performer:
Michael Redgrave (Spoken Vocals),
Audrey Mildmay (Soprano)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 1 Minutes 17 Secs.
Notes: This selection is a mono recording.
20.
Beggar's Opera: How happy could I be with either by John Gay
Performer:
Michael Redgrave (Spoken Vocals)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 0 Minutes 43 Secs.
Notes: This selection is a mono recording.
21.
Beggar's Opera: I'm bubbled, I'm troubled by John Gay
Performer:
Linda Gray (Voice),
Audrey Mildmay (Soprano)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 0 Minutes 41 Secs.
Notes: This selection is a mono recording.
22.
Beggar's Opera: Cease your funning by John Gay
Performer:
Audrey Mildmay (Soprano)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 1 Minutes 49 Secs.
Notes: This selection is a mono recording.
23.
Beggar's Opera: The modes of the court by John Gay
Performer:
Michael Redgrave (Spoken Vocals)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 0 Minutes 59 Secs.
Notes: This selection is a mono recording.
24.
Beggar's Opera: Would I might be hanged by John Gay
Performer:
Constance Willis (Mezzo Soprano),
Michael Redgrave (Spoken Vocals),
Audrey Mildmay (Soprano)
Conductor:
Michael Muddie
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: by 1728; England
Length: 2 Minutes 10 Secs.
Notes: This selection is a mono recording.
25.
Rape of Lucretia, Op. 37: Tarquinius does not wait by Benjamin Britten
Performer:
Peter Pears (Tenor),
Reginald Goodall (Piano)
Conductor:
Reginald Goodall
Orchestra/Ensemble:
English Opera Group Orchestra
Length: 2 Minutes 50 Secs.
Notes: This selection is a mono recording.
26.
Rape of Lucretia, Op. 37: She sleeps as a rose by Benjamin Britten
Performer:
Joan Cross (Soprano),
Reginald Goodall (Piano)
Conductor:
Reginald Goodall
Orchestra/Ensemble:
English Opera Group Orchestra
Length: 3 Minutes 1 Secs.
Notes: This selection is a mono recording.
27.
Rape of Lucretia, Op. 37: Flowers bring to every year by Benjamin Britten
Performer:
Flora Nielsen (Mezzo Soprano),
Reginald Goodall (Piano),
Nancy Evans (Mezzo Soprano)
Conductor:
Reginald Goodall
Orchestra/Ensemble:
English Opera Group Orchestra
Length: 3 Minutes 19 Secs.
Notes: This selection is a mono recording.
28.
Macbeth: Una macchia è qui tuttora "Sleepwalking Scene" by Giuseppe Verdi
Performer:
Ernest Frank (Tenor),
Vera Terry (Soprano),
Margherita Grandi (Soprano)
Conductor:
Sir Thomas Beecham
Orchestra/Ensemble:
Royal Philharmonic Orchestra
Period: Romantic
Written: 1847/1865; Italy
Length: 7 Minutes 39 Secs.
Notes: This selection is a mono recording.
29.
Così fan tutte, K 588: Soave sia il vento by Wolfgang Amadeus Mozart
Performer:
Blanche Thebom (Mezzo Soprano),
Sena Jurinac (Soprano),
Mario Borriello (Baritone)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 3 Minutes 4 Secs.
Notes: This selection is a mono recording.
30.
Così fan tutte, K 588: Sorella...Prenderò quel brunettino by Wolfgang Amadeus Mozart
Performer:
Mario Borriello (Baritone),
Blanche Thebom (Mezzo Soprano),
Sena Jurinac (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 3 Minutes 6 Secs.
Notes: This selection is a mono recording.
31.
Così fan tutte, K 588: Il core vi dono by Wolfgang Amadeus Mozart
Performer:
Mario Borriello (Baritone),
Sena Jurinac (Soprano),
Blanche Thebom (Mezzo Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 4 Minutes 9 Secs.
Notes: This selection is a mono recording.
32.
Idomeneo, K 366: Tranquillo è il mar...Vedrommi intorno by Wolfgang Amadeus Mozart
Performer:
Richard Lewis (Tenor)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 3 Minutes 40 Secs.
Notes: This selection is a mono recording.
33.
Idomeneo, K 366: Placido è il mar by Wolfgang Amadeus Mozart
Performer:
Dorothy McNeil (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 4 Minutes 41 Secs.
Notes: This selection is a mono recording.
34.
Idomeneo, K 366: Solitudini amiche...Zeffiretti lusinghieri by Wolfgang Amadeus Mozart
Performer:
Sena Jurinac (Soprano)
Conductor:
Fritz Busch
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 4 Minutes 48 Secs.
Notes: This selection is a mono recording.
35.
La Cenerentola: Miei rampolli, miei rampolli femmini by Gioachino Rossini
Performer:
Ian Wallace (Baritone)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1817; Italy
Length: 4 Minutes 50 Secs.
Notes: This selection is a mono recording.
36.
La Cenerentola: Nel volto estatico by Gioachino Rossini
Performer:
Marina De Gaburain (Soprano),
Ian Wallace (Baritone),
Sesto Bruscantini (Baritone),
Harvey Alan (Bass),
Juan Oncina (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1817; Italy
Length: 5 Minutes 6 Secs.
Notes: This selection is a mono recording.
37.
La Cenerentola: Nacqui all' affano by Gioachino Rossini
Performer:
Sesto Bruscantini (Baritone),
Harvey Alan (Bass),
Ian Wallace (Baritone),
Marina De Gaburain (Soprano),
Fernanda Cadoni (Soprano),
Juan Oncina (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1817; Italy
Length: 6 Minutes 26 Secs.
Notes: This selection is a mono recording.
38.
Arlecchino, Op. 50/K 270: Mit dem Schwerte, mit der Laute by Ferruccio Busoni
Performer:
Elaine Malbin (Soprano),
Murray Dickie (Tenor),
Kurt Gester (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: 20th Century
Written: 1917; Zurich, Switzerland
Length: 9 Minutes 9 Secs.
Notes: This selection is a mono recording.
39.
L'histoire du soldat: Tango by Igor Stravinsky
Performer:
Anthony Nicholls (Spoken Vocals),
Terence Longdon (Spoken Vocals),
Robert Helpmann (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 1 Minutes 46 Secs.
Notes: This selection is a mono recording.
40.
L'histoire du soldat: Waltz by Igor Stravinsky
Performer:
Anthony Nicholls (Spoken Vocals),
Robert Helpmann (Spoken Vocals),
Terence Longdon (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 1 Minutes 38 Secs.
Notes: This selection is a mono recording.
41.
L'histoire du soldat: Ragtime by Igor Stravinsky
Performer:
Anthony Nicholls (Spoken Vocals),
Terence Longdon (Spoken Vocals),
Robert Helpmann (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 2 Minutes 4 Secs.
Notes: This selection is a mono recording.
42.
L'histoire du soldat: The devil's dance by Igor Stravinsky
Performer:
Terence Longdon (Spoken Vocals),
Robert Helpmann (Spoken Vocals),
Anthony Nicholls (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 1 Minutes 20 Secs.
Notes: This selection is a mono recording.
43.
L'histoire du soldat: The little choral by Igor Stravinsky
Performer:
Terence Longdon (Spoken Vocals),
Robert Helpmann (Spoken Vocals),
Anthony Nicholls (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 0 Minutes 28 Secs.
Notes: This selection is a mono recording.
44.
L'histoire du soldat: The devil's song by Igor Stravinsky
Performer:
Anthony Nicholls (Spoken Vocals),
Robert Helpmann (Spoken Vocals),
Terence Longdon (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 0 Minutes 39 Secs.
Notes: This selection is a mono recording.
45.
L'histoire du soldat: The great choral by Igor Stravinsky
Performer:
Terence Longdon (Spoken Vocals),
Robert Helpmann (Spoken Vocals),
Anthony Nicholls (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 3 Minutes 42 Secs.
Notes: This selection is a mono recording.
46.
L'histoire du soldat: Triumphal march of the devil by Igor Stravinsky
Performer:
Terence Longdon (Spoken Vocals),
Robert Helpmann (Spoken Vocals),
Anthony Nicholls (Spoken Vocals)
Conductor:
John Pritchard
Orchestra/Ensemble:
Royal Philharmonic Orchestra members
Period: 20th Century
Written: 1918; Switzerland
Length: 2 Minutes 22 Secs.
Notes: This selection is a mono recording.
47.
Le nozze di Figaro, K 492: Bravo, signor padrone!...Se vuol ballare by Wolfgang Amadeus Mozart
Performer:
Sesto Bruscantini (Bass)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 20 Secs.
48.
Le nozze di Figaro, K 492: E Susanna non vien...Dove sono by Wolfgang Amadeus Mozart
Performer:
Sena Jurinac (Soprano)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 6 Minutes 58 Secs.
49.
Le nozze di Figaro, K 492: In quegl' anni by Wolfgang Amadeus Mozart
Performer:
Hugues Cuénod (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 58 Secs.
50.
Le nozze di Figaro, K 492: Pace, pace, mio dolce tesoro! by Wolfgang Amadeus Mozart
Performer:
Gwyn Griffiths (Soprano),
Franco Calabrese (Baritone),
Graziella Sciutti (Soprano),
Monica Sinclair (Mezzo Soprano),
Daniel McCoshan (Tenor),
Ian Wallace (Bass),
Sesto Bruscantini (Bass),
Sena Jurinac (Soprano),
Hugues Cuénod (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 6 Minutes 44 Secs.
51.
Idomeneo, K 366: Spiegarti non poss'io by Wolfgang Amadeus Mozart
Performer:
Sena Jurinac (Soprano),
Léopold Simoneau (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 4 Minutes 36 Secs.
52.
Idomeneo, K 366: Andrò rammingo e solo by Wolfgang Amadeus Mozart
Performer:
Sena Jurinac (Soprano),
Richard Lewis (Tenor),
Léopold Simoneau (Tenor),
Lucille Udovick (Soprano)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 5 Minutes 34 Secs.
53.
Idomeneo, K 366: D'Oreste, d'Ajace by Wolfgang Amadeus Mozart
Performer:
Lucille Udovick (Soprano)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Classical
Written: 1781; Munich, Germany
Length: 2 Minutes 54 Secs.
54.
Le comte ory: O bon emite by Gioachino Rossini
Performer:
Sari Barabas (Soprano),
Cora Canne-Meijer (Mezzo Soprano),
Flora Nielsen (Mezzo Soprano),
Juan Oncina (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1828; Italy
Length: 3 Minutes 32 Secs.
55.
Le Comte Ory: A la faveur de cette nuit obscure by Gioachino Rossini
Performer:
Sari Barabas (Soprano),
Cora Canne-Meijer (Mezzo Soprano),
Flora Nielsen (Mezzo Soprano),
Juan Oncina (Tenor)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1828; Italy
Length: 9 Minutes 51 Secs.
56.
Il barbiere di Siviglia: Largo al factotum by Gioachino Rossini
Performer:
Sesto Bruscantini (Bass)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1816; Italy
Length: 4 Minutes 50 Secs.
57.
Il barbiere di Siviglia: La calunnia è un venticello by Gioachino Rossini
Performer:
Carlo Cava (Bass)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1816; Italy
Length: 4 Minutes 35 Secs.
58.
Il barbiere di Siviglia: Fredda ed immobile by Gioachino Rossini
Performer:
Laura Sarti (Soprano),
Luigi Alva (Bass Baritone),
Sesto Bruscantini (Bass),
Carlo Cava (Bass),
John Rhys Evans (Baritone),
Ian Wallace (Baritone),
Victoria de los Angeles (Soprano)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Romantic
Written: 1816; Italy
Length: 10 Minutes 3 Secs.
59.
Il barbiere di Siviglia: Zitti, zitti, piano, piano by Gioachino Rossini
Performer:
John Rhys Evans (Baritone),
Victoria de los Angeles (Soprano),
Carlo Cava (Bass),
Sesto Bruscantini (Bass),
Luigi Alva (Bass Baritone),
Laura Sarti (Soprano),
Ian Wallace (Baritone)
Conductor:
Vittorio Gui
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Length: 6 Minutes 5 Secs.
60.
L'Incoronazione di Poppea: Pur ti miro [Final Duet] by Claudio Monteverdi
Performer:
Magda László (Soprano),
Richard Lewis (Tenor)
Conductor:
John Pritchard
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
Glyndebourne Festival Orchestra
Period: Baroque
Written: 1642; Venice, Italy
Length: 4 Minutes 19 Secs.
61.
Die Entführung aus dem Serail, K 384: Ach, ich liebte by Wolfgang Amadeus Mozart
Performer:
Margaret Price (Mezzo Soprano)
Conductor:
John Pritchard
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1782; Vienna, Austria
Length: 5 Minutes 42 Secs.
62.
Die Entführung aus dem Serail, K 384: O wie ängstlich, o wie feurig by Wolfgang Amadeus Mozart
Performer:
Noël Mangin (Bass)
Conductor:
John Pritchard
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1782; Vienna, Austria
Length: 3 Minutes 30 Secs.
63.
Die Entführung aus dem Serail, K 384: Welch ein Geschick...Wie, du solltest für mich sterben by Wolfgang Amadeus Mozart
Performer:
Noël Mangin (Bass),
Ryland Davies (Bass)
Conductor:
John Pritchard
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1782; Vienna, Austria
Length: 8 Minutes 3 Secs.
64.
Don Giovanni, K 527: Là ci darem la mano by Wolfgang Amadeus Mozart
Performer:
Sesto Bruscantini (Bass)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Classical
Written: 1787
Length: 3 Minutes 42 Secs.
65.
Don Giovanni, K 527: Or sai chi l'onore by Wolfgang Amadeus Mozart
Performer:
Carol Vaness (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 2 Minutes 54 Secs.
66.
Don Giovanni, K 527: Dalla sua pace by Wolfgang Amadeus Mozart
Performer:
Keith Lewis (Tenor)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 4 Minutes 35 Secs.
67.
Don Giovanni, K 527: Riposate, vezzose ragazze! (Act I finale) by Wolfgang Amadeus Mozart
Performer:
Keith Lewis (Tenor),
Elisabeth Gale (Soprano),
Maria Ewing (Mezzo Soprano),
Thomas Allen (Bass Baritone),
Richard Van Allan (Bass Baritone),
Carol Vaness (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 9 Minutes 16 Secs.
68.
Don Giovanni, K 527: Deh vieni alla finestra [Serenade] by Wolfgang Amadeus Mozart
Performer:
Thomas Allen (Bass Baritone)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Classical
Written: 1787; Prague, Czech Republ
Length: 2 Minutes 7 Secs.
69.
Così fan tutte, K 588: Ah costati...Smanie implacabili by Wolfgang Amadeus Mozart
Performer:
Delores Ziegler (Mezzo Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 1 Minutes 52 Secs.
70.
Così fan tutte, K 588: Temerari!...Come scoglio by Wolfgang Amadeus Mozart
Performer:
Carol Vaness (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 4 Minutes 46 Secs.
71.
Così fan tutte, K 588: Non siate ritrosi by Wolfgang Amadeus Mozart
Performer:
Dale Duesing (Baritone)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 1 Minutes 37 Secs.
72.
Così fan tutte, K 588: Un' aura amorosa by Wolfgang Amadeus Mozart
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 4 Minutes 46 Secs.
73.
Così fan tutte, K 588: Dove son? Che loco è questo by Wolfgang Amadeus Mozart
Performer:
Delores Ziegler (Mezzo Soprano),
John Aler (Tenor),
Carol Vaness (Soprano),
Dale Duesing (Baritone),
Claudio Desderi (Bass)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1790; Vienna, Austria
Length: 3 Minutes 27 Secs.
74.
Le nozze di Figaro, K 492: Non più andrai farfallone amoroso by Wolfgang Amadeus Mozart
Performer:
Claudio Desderi (Bass Baritone)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 42 Secs.
75.
Le nozze di Figaro, K 492: Porgi, amor, qualche ristoro by Wolfgang Amadeus Mozart
Performer:
Felicity Lott (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 4 Minutes 37 Secs.
76.
Le nozze di Figaro, K 492: Voi che sapete che cosa è amor by Wolfgang Amadeus Mozart
Performer:
Faith Esham (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 2 Minutes 57 Secs.
77.
Le nozze di Figaro, K 492: Hai già vinta la causa!...Vedrò, metr'io sospiro by Wolfgang Amadeus Mozart
Performer:
Richard Stilwell (Bass Baritone)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 34 Secs.
78.
Le nozze di Figaro, K 492: L'ho perduta, me meschina! by Wolfgang Amadeus Mozart
Performer:
Anne Dawson (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 1 Minutes 55 Secs.
79.
Le nozze di Figaro, K 492: Giunse alfin il momento...Deh vieni, non tardar by Wolfgang Amadeus Mozart
Performer:
Gianna Rolandi (Soprano)
Conductor:
Bernard Haitink
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Classical
Written: 1786; Vienna, Austria
Length: 3 Minutes 56 Secs.
80.
Porgy and Bess: Summertime by George Gershwin
Performer:
Harolyn Blackwell (Soprano)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: 20th Century
Written: 1935; USA
Length: 3 Minutes 21 Secs.
81.
Porgy and Bess: Bess, you is my woman now by George Gershwin
Performer:
Cynthia Haymon (Soprano),
Willard White (Bass)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: 20th Century
Written: 1935; USA
Length: 5 Minutes 35 Secs.
82.
Porgy and Bess: Oh, I can't sit down by George Gershwin
Performer:
Cynthia Haymon (Soprano),
Marietta Simpson (Mezzo Soprano),
Willard White (Bass)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: 20th Century
Written: 1935; USA
Length: 4 Minutes 16 Secs.
83.
Porgy and Bess: It ain't necessarily so by George Gershwin
Performer:
Willard White (Bass)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: 20th Century
Written: 1935; USA
Length: 3 Minutes 47 Secs.
84.
Porgy and Bess: Bess is gone by George Gershwin
Performer:
Willard White (Bass)
Conductor:
Simon Rattle
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: 20th Century
Written: 1935; USA
Length: 3 Minutes 26 Secs.
85.
Die lustige Witwe: O Vaterland, du machst bei Tag by Franz Lehár
Performer:
Thomas Hampson (Baritone)
Conductor:
Franz Welser-Möst
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Romantic
Written: 1905; Vienna, Austria
Length: 2 Minutes 26 Secs.
86.
Die lustige Witwe: Es lebt eine Vilja...Vilja, o Vilja by Franz Lehár
Performer:
Thomas Hampson (Baritone)
Conductor:
Franz Welser-Möst
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Romantic
Written: 1905; Vienna, Austria
Length: 6 Minutes 20 Secs.
87.
Die lustige Witwe: Lippen schweigen by Franz Lehár
Performer:
Thomas Hampson (Baritone)
Conductor:
Franz Welser-Möst
Orchestra/Ensemble:
Glyndebourne Festival Chorus,
London Philharmonic Orchestra
Period: Romantic
Written: 1905; Vienna, Austria
Length: 3 Minutes 35 Secs.
88.
Figures in the Garden: no 1, Dancing in the Dark by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 2 Minutes 14 Secs.
89.
Figures in the Garden: no 2, Susanna in the Rain by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 3 Minutes 47 Secs.
90.
Figures in the Garden: no 3, A conservation by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 1 Minutes 19 Secs.
91.
Figures in the Garden: no 4, Barbarina alone by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 2 Minutes 18 Secs.
92.
Figures in the Garden: no 5, The countess interrupts a quarrel by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 2 Minutes 36 Secs.
93.
Figures in the Garden: no 6, Voices in the Garden by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 1 Minutes 39 Secs.
94.
Figures in the Garden: no 7, Nocturne: Figaro and Susanna by Jonathan Dove
Conductor:
Jonathan Dove
Orchestra/Ensemble:
Orchestra of the Age of Enlightenment members
Period: 20th Century
Length: 3 Minutes 15 Secs.
95.
Rusalka: Song to the Moon by Alexander Dargomizhsky
Performer:
Amanda Roocroft (Soprano)
Conductor:
Franz Welser-Möst
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1848-1855; Russia
Length: 5 Minutes 49 Secs.
96.
Show Boat: Ol' Man River by Jerome Kern
Performer:
Willard White (Bass)
Conductor:
Franz Welser-Möst
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: 20th Century
Written: 1927; USA
Length: 3 Minutes 29 Secs.
97.
Falstaff: E sogno, o realtà? by Giuseppe Verdi
Performer:
Thomas Hampson (Baritone)
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1893; Italy
Length: 4 Minutes 55 Secs.
98.
Falstaff: Sul fil d'un soffio etesio by Giuseppe Verdi
Performer:
Alison Hagley (Soprano)
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Romantic
Written: 1893; Italy
Length: 3 Minutes 49 Secs.
99.
Semele, HWV 58: Where'er you walk by George Frideric Handel
Performer:
John Mark Ainsley (Tenor)
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: Baroque
Written: 1744; London, England
Length: 4 Minutes 26 Secs.
100.
Candide: Glitter and be gay by Leonard Bernstein
Performer:
Natalie Dessay (Soprano)
Conductor:
Sir Andrew Davis
Orchestra/Ensemble:
London Philharmonic Orchestra
Period: 20th Century
Written: 1956/1988; USA
Length: 5 Minutes 45 Secs.
Sound Samples
Le Nozze di Figaro - Overture (2009 Digital Remaster)
Le Nozze di Figaro: Se a caso Madama (Act I) (2009 Digital Remaster)
Le Nozze di Figaro: Dunque...O cielo! Il patente del paggio (Act 2 finale) - Tutti (2009 Digital Remaster)
Le Nozze di Figaro K492 (1994 Digital Remaster), Act 3: Duettino: Sull'aria ... Che soave zeffiretto (Susanna/Contessa)
Le Nozze di Figaro K492 (1994 Digital Remaster): Ricevete o padroncina
Così fan tutte K588 (1991 Digital Remaster), ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 3 Terzetto: Una bella serenata (Ferrando/Guglielmo/Don Alfonso)
Così fan tutte K588 (1991 Digital Remaster), ATTO PRIMO/ACT ONE/ERSTER AKT/PREMIER ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 4 Duetto: Ah guarda, sorella (Fiordiligi/Dorabella)
Così fan tutte K588 (1991 Digital Remaster), ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena prima/Scene One/Erste Szene/Première Scène: No. 19 Aria: Una donna a quindici anni (Despina)
Così fan tutte K588 (1991 Digital Remaster), ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena seconda/Scene Two/Zweite Szene/Deuxième Scène: No. 26 Aria: Donne mie, la fate a tanti a tanti (Guglielmo)
Così fan tutte K588 (1991 Digital Remaster), ATTO SECONDO/ACT TWO/ZWEITER AKT/DEUXIEME ACTE, Scena terza/Scene Three/Dritte Szene/Troisième Scène: No. 29 Duetto: Fra gli amplessi in pochi istanti (Fiordiligi/Ferrando)
Don Giovanni K527 (1988 Digital Remaster), ATTO PRIMO, Scena seconda: Madamina il catalogo è questo (Leporello)
Don Giovanni K527 (1988 Digital Remaster), ATTO PRIMO, Scena terza: Finch' han dal vino (Don Giovanni)
Don Giovanni K527 (1988 Digital Remaster), ATTO SECONDO, Scena prima: Vedrai, carino (Zerlina)
Don Giovanni K527 (1988 Digital Remaster), ATTO SECONDO, Scena terza: O statua gentilissima (Don Giovanni/Leporello/La Statua)
Don Giovanni: Ah! Che grido è questa mai?...Don Giovanni, a cenar teco (1988 Digital Remaster)
Don Giovanni: Ah, dov'è il perfido?...Questo è il fin (1988 Digital Remaster)
The Beggar's Opera (1994 Digital Remaster): O Polly, you might have toy'd and kissed (Mrs. Peacham/Polly/Peachum)
The Beggar's Opera (1994 Digital Remaster): My heart was so free (Macheath)
The Beggar's Opera (1994 Digital Remaster): When I laid on Greenland's coast (Polly/Macheath)
The Beggar's Opera: How happy could I be with either (2009 Digital Remaster)
The Beggar's Opera: I'm bubbled, I'm troubled (2009 Digital Remaster)
The Beggar's Opera: Cease your funning (2009 Digital Remaster)
The Beggar's Opera: The modes of the court (2009 Digital Remaster)
The Beggar's Opera: Would I might be hanged (2009 Digital Remaster)
The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 1 Scene 1: Interlude: Tarquinius does not wait (Male Chorus)
The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 1: She sleeps as a rose (Female & Male Chorus)
The Rape of Lucretia Op. 37 (revised 1947 version: abridged) (1993 Digital Remaster), ACT 2 Scene 2: Flowers bring to every year (Lucretia/ Bianca)
Macbeth (2000 Digital Remaster): Una macchia è qui tuttora! (Atto IV)
Così Fan Tutte: Soave sia il vento (Act 1) (1994 Digital Remaster)
Così Fan Tutte: Prenderò quel brunettino (Act 2) (1994 Digital Remaster)
Così fan tutte K588 (1994 Digital Remaster): Act 2: Questa picciola .... Il core vi dono
Idomeneo KV366 (1994 Digital Remaster), ATTO PRIMO: Vedrommi intorno l'ombra dolente (Idomeneo)
Idomeneo: Placido è il mar (Act 2) (2009 Digital Remaster)
Idomeneo: Zeffiretti lusighieri (Act 3) (2009 Digital Remaster)
La Cenerentola (1992 Digital Remaster), ACT 1: Miei rampolli, miei rampolli femminini (Magnifico)
La Cenerentola (1992 Digital Remaster), ACT 1: Nel volto estatico di questo e quello (Alidoro/Magnifico/Cenerentola/Ramiro/Dandini)
La Cenerentola: Nacqui all'affanno e al pianto.....Non più mesta (1992 Digital Remaster)
Arlecchino: Mit dem Schwerte, mit der Laute...Madame, ich seh, ihr bildet euch an meiner Schule (1994 Digital Remaster)
The Soldier's Tale (2009 Digital Remaster): Tango
The Soldier's Tale (2009 Digital Remaster): Waltz
The Soldier's Tale (2009 Digital Remaster): Ragtime
The Soldier's Tale (2009 Digital Remaster): The Devil's Dance
The Soldier's Tale (2009 Digital Remaster): The Devil's Song
The Soldier's Tale (2009 Digital Remaster): The Great Choral
The Soldier's Tale (2009 Digital Remaster): Ttiumphal March of the Devil
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