Works on This Recording
1.
Suite No. 2 à 5 in F major: Fantasia by William Lawes
Performer:
Gustav Leonhardt (Viol),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ)
Orchestra/Ensemble:
Leonhardt Consort
Period: Baroque
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 4 Minutes 27 Secs.
2.
Suite No. 2 à 5 in F major: Aire by William Lawes
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Viol),
Gustav Leonhardt (Organ)
Orchestra/Ensemble:
Leonhardt Consort
Period: Baroque
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 1 Minutes 57 Secs.
3.
Pavan, for 6 viols, MB41 by Orlando Gibbons
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal)
Period: Renaissance
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 2 Minutes 55 Secs.
4.
Fantasia No. 5 for keyboard, MB 5 by Giles Farnaby
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Organ)
Period: Baroque
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 5 Minutes 1 Secs.
5.
Sonata No. 7 in D minor by William Lawes
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Viol)
Orchestra/Ensemble:
Leonhardt Consort
Period: Baroque
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 4 Minutes 14 Secs.
6.
Pavan and Galliard a 6 in C major by William Byrd
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Viol),
Gustav Leonhardt (Virginal)
Orchestra/Ensemble:
Leonhardt Consort
Period: Renaissance
Written: England
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 4 Minutes 9 Secs.
7.
Lachrimae Pavan by John Dowland
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Organ)
Period: Renaissance
Written: 1612; England
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 6 Minutes 21 Secs.
8.
Firste Booke of Songes or Ayres: no 5, Can she excuse my wrongs? by John Dowland
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Organ)
Period: Renaissance
Written: 1597; England
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 2 Minutes 37 Secs.
9.
Pavan "for these distracted times" by Thomas Tomkins
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord)
Period: Renaissance
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 3 Minutes 35 Secs.
10.
Suite No. 3 in B flat major: In nomine by William Lawes
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Viol),
Gustav Leonhardt (Organ)
Orchestra/Ensemble:
Leonhardt Consort
Period: Baroque
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 5 Minutes 23 Secs.
11.
Nancy, variations for keyboard by Thomas Morley
Performer:
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ)
Orchestra/Ensemble:
Leonhardt Consort
Period: Renaissance
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 4 Minutes 5 Secs.
12.
Pavana chromatica (Mrs. Katherine Tregian's pavan) by William Tisdale
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Organ)
Period: Renaissance
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 5 Minutes 28 Secs.
13.
Pavan and Galliard in D minor no 1, MB 52 by William Byrd
Performer:
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ)
Period: Renaissance
Written: England
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 6 Minutes 38 Secs.
14.
Hexachord Fantasia by John Bull
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ),
Gustav Leonhardt (Harpsichord)
Period: Renaissance
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 6 Minutes 16 Secs.
15.
Fantasia in C major no 3, MB 27 by William Byrd
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Viol),
Gustav Leonhardt (Organ)
Orchestra/Ensemble:
Leonhardt Consort
Period: Renaissance
Written: England
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 3 Minutes 25 Secs.
16.
Fantasia for keyboard in D minor by Thomas Morley
Performer:
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ)
Period: Renaissance
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 5 Minutes 36 Secs.
17.
Fantasia a 6 no 2 in G minor by William Byrd
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Viol)
Orchestra/Ensemble:
Leonhardt Consort
Period: Renaissance
Written: England
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 5 Minutes 26 Secs.
18.
A Toye by Anonymous
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal)
Period: Renaissance
Written: England
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 1 Minutes 11 Secs.
19.
The Duchesse of Brunswick's Toye by John Bull
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Organ)
Period: Renaissance
Date of Recording: 02/1966
Venue: Bremen, Germany
Length: 0 Minutes 59 Secs.
20.
The Old Spagnoletta (Fitzwilliam Virginal Book), for keyboard by Giles Farnaby
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal)
Period: Baroque
Written: England
Date of Recording: 03/1966
Venue: Washington D.C.
Length: 2 Minutes 22 Secs.
21.
Pavan of Three Parts by Thomas Tomkins
Performer:
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ),
Gustav Leonhardt (Harpsichord)
Period: Baroque
Date of Recording: 02/1967
Venue: Aurich
Length: 2 Minutes 31 Secs.
22.
Galliard of Three Parts by Thomas Tomkins
Performer:
Gustav Leonhardt (Organ),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Harpsichord)
Period: Baroque
Date of Recording: 02/1967
Venue: Aurich
Length: 1 Minutes 3 Secs.
23.
Clarifica me, Pater III, MB 49 by William Byrd
Performer:
Gustav Leonhardt (Harpsichord),
Gustav Leonhardt (Virginal),
Gustav Leonhardt (Organ)
Period: Renaissance
Written: England
Date of Recording: 10/1965
Venue: Hervormde Kerk, Bennebroek, The Netherla
Length: 2 Minutes 41 Secs.
24.
My Joy Is Dead by Giovanni Coprario
Performer:
Grayston Burgess (),
Franz Eder (Trombone),
Karl Heinz Klein (),
Sterling Jones (Viol),
Thomas Binkley (Lute),
Willard Cobb (),
Don Smithers (Cornet),
Andrea von Ramm (),
Viktor Lukas (Organ),
Andrea von Ramm (Organetto),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Baroque
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 4 Minutes 20 Secs.
25.
Tobacco for bass & ensemble by Tobias Hume
Performer:
Thomas Binkley (Lute),
Grayston Burgess (),
Franz Eder (Trombone),
Willard Cobb (),
Karl Heinz Klein (),
Sterling Jones (Viol),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Andrea von Ramm (),
Andrea von Ramm (Organetto),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Renaissance
Written: 1605
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 1 Minutes 24 Secs.
26.
Fantasia a 3, No.3, for viols, MB9 by Orlando Gibbons
Orchestra/Ensemble:
Concentus Musicus Wien
Period: Renaissance
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 2 Minutes 17 Secs.
27.
Cease sorrowes now by Thomas Weelkes
Performer:
Andrea von Ramm (Organetto),
Andrea von Ramm (),
Grayston Burgess (),
Thomas Binkley (Lute),
Franz Eder (Trombone),
Karl Heinz Klein (),
Willard Cobb (),
Sterling Jones (Viol),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Renaissance
Written: by 1597; England
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 3 Minutes 16 Secs.
28.
Fantasia a 4 for viols No. 1 in C minor by John Ward
Orchestra/Ensemble:
Concentus Musicus Wien
Period: Baroque
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 3 Minutes 38 Secs.
29.
Stay, o stay by John Wilson
Performer:
Andrea von Ramm (),
Thomas Binkley (Lute),
Grayston Burgess (),
Franz Eder (Trombone),
Karl Heinz Klein (),
Sterling Jones (Viol),
Willard Cobb (),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Andrea von Ramm (Organetto),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Baroque
Written: 17th Century; England
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 1 Minutes 30 Secs.
30.
Beauty Which All Men Admire by John Wilson
Performer:
Sterling Jones (Viol),
Willard Cobb (),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Andrea von Ramm (Organetto),
Andrea von Ramm (),
Franz Eder (Trombone),
Grayston Burgess (),
Nigel Rogers (),
Thomas Binkley (Lute),
Karl Heinz Klein ()
Orchestra/Ensemble:
Studio for Early Music
Period: Baroque
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 1 Minutes 5 Secs.
31.
Fantasia for trumpet, trombone & continuo by John Hingeston
Performer:
Grayston Burgess (),
Thomas Binkley (Lute),
Sterling Jones (Viol),
Karl Heinz Klein (),
Franz Eder (Trombone),
Willard Cobb (),
Viktor Lukas (Organ),
Don Smithers (Cornet),
Nigel Rogers (),
Andrea von Ramm (Organetto),
Andrea von Ramm ()
Orchestra/Ensemble:
Studio for Early Music
Period: Baroque
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 2 Minutes 22 Secs.
32.
Come, You Pretty False-Ey'd Wanton for voice, lute & bass viol by Thomas Campion
Performer:
Andrea von Ramm (),
Grayston Burgess (),
Franz Eder (Trombone),
Karl Heinz Klein (),
Willard Cobb (),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Andrea von Ramm (Organetto),
Sterling Jones (Viol),
Thomas Binkley (Lute),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Renaissance
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 2 Minutes 45 Secs.
33.
Deerest Love by Anonymous
Performer:
Andrea von Ramm (Organetto),
Thomas Binkley (Lute),
Grayston Burgess (),
Franz Eder (Trombone),
Karl Heinz Klein (),
Sterling Jones (Viol),
Willard Cobb (),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Andrea von Ramm (),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 2 Minutes 9 Secs.
34.
Suite, for 4 viols & optional continuo No. 2 in D minor/D major (Consort of Fower Parts No. 2) by Matthew Locke
Orchestra/Ensemble:
Concentus Musicus Wien
Period: Renaissance
Written: by 1678
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 8 Minutes 41 Secs.
35.
Nothing on earth by Anonymous
Performer:
Thomas Binkley (Lute),
Grayston Burgess (),
Franz Eder (Trombone),
Karl Heinz Klein (),
Sterling Jones (Viol),
Willard Cobb (),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Andrea von Ramm (Organetto),
Andrea von Ramm (),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Renaissance
Written: England
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 3 Minutes 45 Secs.
36.
Fantasia à 3 No. 20 by Thomas Lupo
Orchestra/Ensemble:
Concentus Musicus Wien
Period: Renaissance
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 2 Minutes 9 Secs.
37.
Care-Charming Sleep, for high voice & lute by Robert Johnson
Performer:
Andrea von Ramm (Organetto),
Willard Cobb (),
Andrea von Ramm (),
Thomas Binkley (Lute),
Grayston Burgess (),
Franz Eder (Trombone),
Sterling Jones (Viol),
Karl Heinz Klein (),
Don Smithers (Cornet),
Viktor Lukas (Organ),
Nigel Rogers ()
Orchestra/Ensemble:
Studio for Early Music
Period: Baroque
Written: circa 1614
Date of Recording: 12/1964/06/1965
Venue: Vienna, Palais Schönburg; Munich, AEG-St
Length: 4 Minutes 44 Secs.
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