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Original Masters - The Art Of Fritz Wunderlich


Release Date: 09/13/2005 
Label:  Deutsche Grammophon   Catalog #: 000480702   Spars Code: ADD 
Composer:  Johann Sebastian BachWolfgang Amadeus MozartLuigi DenzaEduardo Di Capua,   ... 
Performer:  August MessthalerFritz WunderlichFriedrich LenzLotte Schädle,   ... 
Conductor:  Marcel CouraudEugen JochumKarl BöhmHans Carste,   ... 
Orchestra/Ensemble:  Ensemble StuttgartBavarian State Opera OrchestraBerlin Philharmonic Orchestra,   ... 
Number of Discs: 7 
Recorded in: Mixed 
Length: 7 Hours 44 Mins. 

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Notes and Editorial Reviews

Includes lied(er) by various composers. Soloist: Fritz Wunderlich.
Includes opera(s): aria(s) by various composers. Soloist: Fritz Wunderlich.
Includes song(s) by various composers. Soloist: Fritz Wunderlich.
Includes work(s) by Johann Sebastian Bach. Soloist: Fritz Wunderlich.
Includes lied(er) by various composers. Soloist: Fritz Wunderlich.
Includes opera(s): aria(s) by various composers. Soloist: Fritz Wunderlich.
Includes song(s) by various composers. Soloist: Fritz Wunderlich.
Includes work(s) by Johann Sebastian Bach. Soloist: Fritz Wunderlich. Read less

Works on This Recording

1.
Easter Oratorio, BWV 249: Kommt, eilet und laufet by Johann Sebastian Bach
Performer:  August Messthaler (Bass), Fritz Wunderlich (Tenor)
Conductor:  Marcel Couraud
Orchestra/Ensemble:  Ensemble Stuttgart
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 1956 
Venue:  SDR Stuttgart 
Length: 5 Minutes 24 Secs. 
Language: German 
Notes: This selection is a mono recording.
Composition written: Leipzig, Germany (1732 - 1735). 
2.
Easter Oratorio, BWV 249: Sanfte soll mein Todeskummer by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Marcel Couraud
Orchestra/Ensemble:  Ensemble Stuttgart
Period: Baroque 
Written: 1732-1735; Leipzig, Germany 
Date of Recording: 1956 
Venue:  SDR Stuttgart 
Length: 6 Minutes 45 Secs. 
Language: German 
Notes: This selection is a mono recording. 
3.
Die Entführung aus dem Serail, K 384: Hier soll ich dich denn sehen by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 2 Minutes 40 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
4.
Die Entführung aus dem Serail, K 384: Wenn der Freude Tränen fliessen by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 4 Minutes 15 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
5.
Die Entführung aus dem Serail, K 384: Ach, Belmonte by Wolfgang Amadeus Mozart
Performer:  Friedrich Lenz (Tenor), Lotte Schädle (Soprano), Erika Köth (Soprano),
Fritz Wunderlich (Tenor)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 10 Minutes 47 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
6.
Die Entführung aus dem Serail, K 384: Ich baue ganz auf deine Stärke by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 6 Minutes 9 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
7.
Die Entführung aus dem Serail, K 384: Welch ein Geschick...Wie, du solltest für mich sterben by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor), Erika Köth (Soprano)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 8 Minutes 49 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
8.
Die Zauberflöte, K 620: Dies Bildnis ist bezaubernd schön by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Venue:  Jesus-Christus-Kirche, Berlin, Germany 
Length: 4 Minutes 36 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) 
9.
Die Zauberflöte, K 620: Der, welcher wandert diese Strasse by Wolfgang Amadeus Mozart
Performer:  James King (Tenor), Fritz Wunderlich (Tenor), Evelyn Lear (Soprano),
Martti Talvela (Bass)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Venue:  Jesus-Christus-Kirche, Berlin, Germany 
Length: 5 Minutes 25 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) 
10.
Die Entführung aus dem Serail, K 384: O wie ängstlich, o wie feurig by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 5 Minutes 12 Secs. 
Language: German 
Notes: This selection begins with the recitative "Konstanze, dich wiederzusehen, dich!"
This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
11.
Die Zauberflöte, K 620: Wie stark ist nicht dein Zauberton by Wolfgang Amadeus Mozart
Performer:  Fritz Wunderlich (Tenor), Dietrich Fischer-Dieskau (Baritone)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Venue:  Jesus-Christus-Kirche, Berlin, Germany 
Length: 3 Minutes 19 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) 
12.
Die Zauberflöte, K 620: Tamino/Pamina mein! O welch' ein Glück by Wolfgang Amadeus Mozart
Performer:  Martti Talvela (Bass), James King (Tenor), Evelyn Lear (Soprano),
Fritz Wunderlich (Tenor)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Venue:  Jesus-Christus-Kirche, Berlin, Germany 
Length: 7 Minutes 4 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) 
13.
Funiculì funiculà by Luigi Denza
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Period: Romantic 
Written: 1880; Naples, Italy 
Date of Recording: 01/05/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 2 Minutes 19 Secs. 
Language: Italian 
Notes: This selection is a stereo recording. 
14.
'O sole mio by Eduardo Di Capua
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Written: 1898; Italy 
Date of Recording: 01/04/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 13 Secs. 
Language: Italian 
Notes: This selection is a stereo recording. 
15.
Saint Matthew Passion, BWV 244: no 25, O Schmerz! by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Münchinger
Orchestra/Ensemble:  Stuttgart Hymnus Boys Choir,  Stuttgart Chamber Orchestra
Period: Baroque 
Written: ?1727; Leipzig, Germany 
Venue:  Schlosskirche Ludwigsburg, Stuttgart 
Length: 1 Minutes 59 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) 
16.
Saint Matthew Passion, BWV 244: no 26, Ich will bei meinem Jesu wachen by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Münchinger
Orchestra/Ensemble:  Stuttgart Hymnus Boys Choir,  Stuttgart Chamber Orchestra
Period: Baroque 
Written: ?1727; Leipzig, Germany 
Venue:  Schlosskirche Ludwigsburg, Stuttgart 
Length: 5 Minutes 42 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) 
17.
Saint Matthew Passion, BWV 244: no 40, Mein Jesus Schweigt zu falschen Lügen stille by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Münchinger
Orchestra/Ensemble:  Stuttgart Hymnus Boys Choir,  Stuttgart Chamber Orchestra
Period: Baroque 
Written: by 1727; Leipzig, Germany 
Venue:  Schlosskirche Ludwigsburg, Stuttgart 
Length: 1 Minutes 4 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) 
18.
Saint Matthew Passion, BWV 244: no 41, Geduld, wenn mich falsche Zungen stechen by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Münchinger
Orchestra/Ensemble:  Stuttgart Hymnus Boys Choir,  Stuttgart Chamber Orchestra
Period: Baroque 
Written: ?1727; Leipzig, Germany 
Venue:  Schlosskirche Ludwigsburg, Stuttgart 
Length: 1 Minutes 59 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Schlosskirche Ludwigsburg, Stuttgart (07/27/1964 - 07/28/1964) 
19.
Magnificat in D major, BWV 243: Et misericordia by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor), Margarethe Bence (Alto)
Conductor:  Marcel Couraud
Orchestra/Ensemble:  Ensemble Stuttgart
Period: Baroque 
Written: circa 1728-1731; Leipzig, Germany 
Date of Recording: 1956 
Venue:  SDR Stuttgart 
Length: 3 Minutes 4 Secs. 
Language: Latin 
Notes: This selection is a mono recording. 
20.
Magnificat in D major, BWV 243: Deposuit potentes by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Marcel Couraud
Orchestra/Ensemble:  Ensemble Stuttgart
Period: Baroque 
Written: circa 1728; Leipzig, Germany 
Date of Recording: 1956 
Venue:  SDR Stuttgart 
Length: 2 Minutes 13 Secs. 
Language: Latin 
Notes: This selection is a mono recording. 
21.
Der Himmel lacht! die Erde jubilieret, BWV 31: no 5, So stehe denn, du gottergeb'ne Seele by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Marcel Couraud
Orchestra/Ensemble:  Ensemble Stuttgart
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1956 
Venue:  SDR Stuttgart 
Length: 1 Minutes 11 Secs. 
Language: German 
Notes: This selection is a mono recording. 
22.
Der Himmel lacht! die Erde jubilieret, BWV 31: no 6, Adam muss in uns verwessen by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Marcel Couraud
Orchestra/Ensemble:  Ensemble Stuttgart
Period: Baroque 
Written: 1715; Cöthen, Germany 
Date of Recording: 1956 
Venue:  SDR Stuttgart 
Length: 2 Minutes 21 Secs. 
Language: German 
Notes: This selection is a mono recording. 
23.
Christmas Oratorio, BWV 248: Cantata no 1, Jauchzet, frohlocket, auf, preiset die Tage by Johann Sebastian Bach
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 8 Minutes 17 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
24.
Christmas Oratorio, BWV 248: no 2, Es begab sich aber zu der Zeit by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 1 Minutes 47 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Composition written: Leipzig, Germany (1734 - 1735). 
25.
Christmas Oratorio, BWV 248: no 15, Frohe Hirten, eilt, ach by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 3 Minutes 59 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
26.
Christmas Oratorio, BWV 248: no 41, Ich will nur dir zu Ehren leben by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 4 Minutes 57 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
27.
Christmas Oratorio, BWV 248: no 50, Und liess versammeln alle Hohenpriester by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 1 Minutes 37 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Composition written: Leipzig, Germany (1734 - 1735). 
28.
Christmas Oratorio, BWV 248: no 51, Ach, wann wird die Zeit by Johann Sebastian Bach
Performer:  Christa Ludwig (Alto), Gundula Janowitz (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 5 Minutes 21 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
29.
Christmas Oratorio, BWV 248: no 61, Und Gott befahl ihnen im Traum by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 2 Minutes 25 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Composition written: Leipzig, Germany (1734 - 1735). 
30.
Christmas Oratorio, BWV 248: no 62, Nun mögt ihr stolzen Feinde schrecken by Johann Sebastian Bach
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Karl Richter
Orchestra/Ensemble:  Munich Bach Orchestra,  Munich Bach Choir
Period: Baroque 
Written: 1734-1735; Leipzig, Germany 
Date of Recording: 02/1965 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 4 Minutes 17 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
31.
Die Entführung aus dem Serail, K 384: Overture by Wolfgang Amadeus Mozart
Conductor:  Eugen Jochum
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Classical 
Written: 1782; Vienna, Austria 
Venue:  Bürgerbräu-Keller, Munich, Germany 
Length: 4 Minutes 23 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Bürgerbräu-Keller, Munich, Germany (12/12/1965 - 12/22/1965) 
32.
Die Zauberflöte, K 620: Zum Ziele by Wolfgang Amadeus Mozart
Performer:  Raili Kostia (Mezzo Soprano), Antonia Fahberg (Soprano), Rosl Schwaiger (Soprano),
Fritz Wunderlich (Tenor), Hans Hotter (Bass), Martin Vantin (Tenor),
Hubert Hilten (Bass), Manfred Röhrl (Bass)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Berlin Philharmonic Orchestra
Period: Classical 
Written: 1791; Vienna, Austria 
Venue:  Jesus-Christus-Kirche, Berlin, Germany 
Length: 10 Minutes 25 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Jesus-Christus-Kirche, Berlin, Germany (06/18/1964 - 06/25/1964) 
33.
La sonnambula: Prendi, l'anell' ti dono by Vincenzo Bellini
Performer:  Erika Köth (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Kurt Eichhorn
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1831; Italy 
Date of Recording: 09/05/1962 
Venue:  Haus des Sports, Munich, Germany 
Length: 4 Minutes 25 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
34.
Rigoletto: Signor nè principe...T'amo! t'amo ripetilo by Giuseppe Verdi
Performer:  Erika Köth (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Kurt Eichhorn
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1851; Italy 
Date of Recording: 12/03/1961 
Venue:  Live  Congress Hall, German Museum, Munich 
Length: 6 Minutes 12 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
35.
La traviata: Libiamo ne' lieti calici "Brindisi" by Giuseppe Verdi
Performer:  Hilde Gueden (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Bruno Bartoletti
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra,  Bavarian Radio Chorus
Period: Romantic 
Written: 1853; Italy 
Venue:  Congress Hall, German Museum, Munich 
Length: 2 Minutes 20 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Congress Hall, German Museum, Munich (09/06/1966 - 09/10/1966) 
36.
La traviata: Un dì, felice by Giuseppe Verdi
Performer:  Hilde Gueden (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Bruno Bartoletti
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Romantic 
Written: 1853; Italy 
Venue:  Congress Hall, German Museum, Munich 
Length: 3 Minutes 16 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Congress Hall, German Museum, Munich (09/06/1966 - 09/10/1966) 
37.
La traviata: Parigi, o cara by Giuseppe Verdi
Performer:  Hilde Gueden (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Bruno Bartoletti
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Romantic 
Written: 1853; Italy 
Venue:  Congress Hall, German Museum, Munich 
Length: 3 Minutes 48 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Congress Hall, German Museum, Munich (09/06/1966 - 09/10/1966) 
38.
Don Carlos: Dio, che nell' alma infondere by Giuseppe Verdi
Performer:  Hermann Prey (Baritone), Fritz Wunderlich (Tenor)
Conductor:  Horst Stein
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1867/1884; Italy 
Date of Recording: 01/09/1963 
Venue:  Haus des Sports, Munich, Germany 
Length: 5 Minutes 56 Secs. 
Language: German 
Notes: This selection begins with the recitative "Er ist's! Carlos! Mein Prinz!" ("E lui! desso! l'Infante!" / "Le voilà! C'est l'infant!")
This selection is a stereo recording. 
39.
La Bohème: O Mimì, tu più non torni by Giacomo Puccini
Performer:  Fritz Wunderlich (Tenor), Hermann Prey (Baritone)
Conductor:  Kurt Eichhorn
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1896; Italy 
Date of Recording: 12/03/1961 
Venue:  Live  Congress Hall, German Museum, Munich 
Length: 3 Minutes 30 Secs. 
Language: German 
Notes: This selection begins with "Infame Feder! Welch scheusslicher Pinsel" ("Che penna infame! Che infame pennello!")
This selection is a stereo recording. 
40.
Tosca: E lucevan le stelle by Giacomo Puccini
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Emmerich Smola
Orchestra/Ensemble:  Southwest German Radio Symphony Orchestra
Period: Romantic 
Written: 1900; Italy 
Date of Recording: 11/08/1965 
Venue:  Southwest German Radio, Kaiserslautern 
Length: 2 Minutes 45 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
41.
Die schweigsame Frau, Op. 80: Nicht an mich, Geliebter, denke by Richard Strauss
Performer:  Hilde Gueden (Soprano), Karl Dönch (Baritone), Pierrette Alarie (Soprano),
Hetty Plümacher (Alto), Josef Knapp (Baritone), Fritz Wunderlich (Tenor),
Alois Pernerstorfer (Bass Baritone)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Philharmonic Orchestra
Period: Romantic 
Written: Germany 
Date of Recording: 08/06/1959 
Venue:  Live  Festspielhaus, Salzburg, Austria 
Length: 4 Minutes 34 Secs. 
Language: German 
Notes: This selection is a mono recording.
Composition written: Germany (1933 - 1934). 
42.
Die schweigsame Frau, Op. 80: Du süssester Engel, wie herrlich hast du geteufelt by Richard Strauss
Performer:  Fritz Wunderlich (Tenor), Hilde Gueden (Soprano)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: Germany 
Date of Recording: 08/06/1959 
Venue:  Live  Festspielhaus, Salzburg, Austria 
Length: 3 Minutes 41 Secs. 
Language: German 
Notes: This selection is a mono recording.
Composition written: Germany (1933 - 1934). 
43.
Daphne, Op. 82: Leukippos, du! by Richard Strauss
Performer:  Fritz Wunderlich (Tenor), Hilde Gueden (Soprano)
Conductor:  Karl Böhm
Orchestra/Ensemble:  Vienna Philharmonic Orchestra
Period: Romantic 
Written: Germany 
Venue:  Live  Theater an der Wien, Vienna, Austria 
Length: 6 Minutes 10 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Theater an der Wien, Vienna, Austria (05/21/1964 - 05/26/1964)
Composition written: Germany (1936 - 1937). 
44.
Eugene Onegin, Op. 24: I love you, Olga by Peter Ilyich Tchaikovsky
Performer:  Fritz Wunderlich (Tenor), Brigitte Fassbaender (Mezzo Soprano)
Conductor:  Otto Gerdes
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Period: Romantic 
Written: 1877-1878; Russia 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 3 Minutes 23 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (07/20/1966 - 07/24/1966) 
45.
Eugene Onegin, Op. 24: Lensky's aria by Peter Ilyich Tchaikovsky
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Otto Gerdes
Orchestra/Ensemble:  Bavarian State Opera Orchestra
Written: 1879 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 6 Minutes 56 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (07/20/1966 - 07/24/1966) 
46.
Serse, HWV 40: Ombra mai fu "Largo" by George Frideric Handel
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Baroque 
Written: 1738; London, England 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 3 Minutes 26 Secs. 
Language: German 
Notes: This selection begins with "Holdes Laubgezweig, du schönes" ("Fondi tenere, e belle").
This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) 
47.
Serse, HWV 40: Più che penso alle fiamme del core by George Frideric Handel
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Baroque 
Written: 1738; London, England 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 2 Minutes 58 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) 
48.
Serse, HWV 40: Se bramate d'amar, chi vi sdegna by George Frideric Handel
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Baroque 
Written: 1738; London, England 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 2 Minutes 48 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) 
49.
Serse, HWV 40: Crude furie degl'orridi abissi by George Frideric Handel
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Baroque 
Written: 1738; London, England 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 3 Minutes 58 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (10/22/1962 - 10/28/1962) 
50.
Iphigénie en Tauride: Unis de la plus tendre enfance by Christoph W. Gluck
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Classical 
Written: 1778-1779; Vienna, Austria 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 3 Minutes 39 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (03/17/1965 - 03/20/1965) 
51.
Iphigénie en Tauride: Et tu prétends encore que tu m'aimes? by Christoph W. Gluck
Performer:  Hermann Prey (Baritone), Fritz Wunderlich (Tenor)
Conductor:  Rafael Kubelik
Orchestra/Ensemble:  Bavarian Radio Symphony Orchestra
Period: Classical 
Written: 1778-1779; Vienna, Austria 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 4 Minutes 5 Secs. 
Language: German 
Notes: This selection begins with "O unverhofftes Glück" ("O moment trop heureux!")
This selection is a stereo recording.
Herkulessaal, Residenz, Munich, Germany (03/17/1965 - 03/20/1965) 
52.
L'Orfeo: Ma il nostro gior...Alcun non sia by Claudio Monteverdi
Performer:  Fritz Wunderlich (Tenor), Clemens Kaiser-Breme (Tenor)
Conductor:  August Wenzinger
Orchestra/Ensemble:  Sommerlichen Musiktage Hitzacker Orchester
Period: Baroque 
Written: 1607; Mantua, Italy 
Venue:  Beethoven Hall, Hanover, Germany 
Length: 2 Minutes 32 Secs. 
Language: German 
Notes: This selection is a mono recording.
Beethoven Hall, Hanover, Germany (07/25/1955 - 07/30/1955) 
53.
L'Orfeo: Perché a lo sdegno by Claudio Monteverdi
Performer:  Fritz Wunderlich (Tenor), Helmut Krebs (Tenor)
Conductor:  August Wenzinger
Orchestra/Ensemble:  Sommerlichen Musiktage Hitzacker Orchester
Period: Baroque 
Written: 1607; Mantua, Italy 
Venue:  Beethoven Hall, Hanover, Germany 
Length: 4 Minutes 52 Secs. 
Language: German 
Notes: This selection is a mono recording.
Beethoven Hall, Hanover, Germany (07/25/1955 - 07/30/1955) 
54.
Giulio Cesare, HWV 17: Svegliatevi nel core by George Frideric Handel
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Period: Baroque 
Written: 1724; London, England 
Date of Recording: 03/20/1966 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 4 Minutes 21 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
55.
Giulio Cesare, HWV 17: Son nata a lagrimar by George Frideric Handel
Performer:  Christa Ludwig (Mezzo Soprano), Fritz Wunderlich (Tenor)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Period: Baroque 
Written: 1724; London, England 
Date of Recording: 03/20/1966 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 5 Minutes 58 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
56.
Giulio Cesare, HWV 17: L'angue offeso mai riposa by George Frideric Handel
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Ferdinand Leitner
Orchestra/Ensemble:  Munich Philharmonic Orchestra
Period: Baroque 
Written: 1724; London, England 
Date of Recording: 03/20/1966 
Venue:  Herkulessaal, Residenz, Munich, Germany 
Length: 5 Minutes 31 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
57.
Les dragons de Villars: Ne parle pas, Rose, je t'en supplie by Aimé Maillart
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Moltkau
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1856; France 
Date of Recording: 05/07/1962 
Venue:  Haus des Sports, Munich, Germany 
Length: 2 Minutes 58 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
58.
Das Nachtlager in Granada: Trenne nicht das Band der Liebe by Conradin Kreutzer
Performer:  Hermann Prey (Baritone), Erika Köth (Soprano), Fritz Wunderlich (Tenor)
Conductor:  Kurt Eichhorn
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1834; Vienna, Austria 
Date of Recording: 09/05/1962 
Venue:  Haus des Sports, Munich, Germany 
Length: 5 Minutes 46 Secs. 
Language: German 
Notes: This selection begins "Doch nun zu dir".
This selection is a stereo recording. 
59.
Der Waffenschmied: Man wird ja einmal nur geboren by Albert Lortzing
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Moltkau
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1846; Germany 
Date of Recording: 03/08/1962 
Venue:  Haus des Sports, Munich, Germany 
Length: 3 Minutes 30 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
60.
Zar und Zimmermann: Lebe wohl, mein flandrisch Mädchen by Albert Lortzing
Performer:  Fritz Wunderlich (Tenor), Ingeborg Hallstein (Soprano)
Conductor:  Hans Gierster
Orchestra/Ensemble:  Bavarian Radio Chorus,  Bamberg Symphony Orchestra
Period: Romantic 
Written: 1837; Germany 
Venue:  Kulturraum, Bamberg, Germany 
Length: 5 Minutes 6 Secs. 
Language: German 
Notes: Kulturraum, Bamberg, Germany (09/12/1966 - 09/14/1966) 
61.
Les pêcheurs de perles: Au fond du temple saint by Georges Bizet
Performer:  Fritz Wunderlich (Tenor), Hermann Prey (Baritone)
Conductor:  Horst Stein
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1863; France 
Date of Recording: 01/14/1963 
Venue:  Haus des Sports, Munich, Germany 
Length: 8 Minutes 45 Secs. 
Language: German 
Notes: This selection begins with the recitative "Du stehst wirklich vor mir" ("C'est toi, toi qu'enfin je revois...")
This selection is a stereo recording. 
62.
Dichterliebe, Op. 48 by Robert Schumann
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1840; Germany 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 27 Minutes 20 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
63.
Zärtliche Liebe, WoO 123 "Ich liebe dich" by Ludwig van Beethoven
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 2 Minutes 8 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
64.
Adelaide, Op. 46 by Ludwig van Beethoven
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical 
Written: 1794-1795; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 5 Minutes 52 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
65.
Resignation, WoO 149 by Ludwig van Beethoven
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical 
Written: 1817; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 2 Minutes 22 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
66.
Der Kuss, Op. 128 by Ludwig van Beethoven
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Classical 
Written: ?1822; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 2 Minutes 0 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
67.
An Sylvia, D 891/Op. 106 no 4 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1826; Vienna, Austria 
Venue:  Plenarsaal, Academy of Science, Munich 
Length: 2 Minutes 56 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) 
68.
Lied eines Schiffers an die Dioskuren, D 360/Op. 65 no 1 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1816; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 2 Minutes 42 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
69.
Liebhaber in allen Gestalten, D 558 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 1 Minutes 13 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
70.
Der Einsame, D 800 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1825; Vienna, Austria 
Venue:  Plenarsaal, Academy of Science, Munich 
Length: 4 Minutes 18 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) 
71.
Im Abendrot, D 799 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1824-1825; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 3 Minutes 21 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
72.
Schwanengesang, D 957: no 4, Ständchen by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1828; Vienna, Austria 
Venue:  Plenarsaal, Academy of Science, Munich 
Length: 3 Minutes 42 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) 
73.
An die Laute, D 905/Op. 81 no 2 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1827; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 1 Minutes 52 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
74.
Der Musensohn, D 764/Op. 92 no 1 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1822; Vienna, Austria 
Venue:  Hochschule für Musik, Munich, Germany 
Length: 2 Minutes 11 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Hochschule für Musik, Munich, Germany (10/31/1965 - 11/03/1965) 
75.
An die Musik, D 547 by Franz Schubert
Performer:  Fritz Wunderlich (Tenor), Hubert Giesen (Piano)
Period: Romantic 
Written: 1817; Vienna, Austria 
Venue:  Plenarsaal, Academy of Science, Munich 
Length: 2 Minutes 19 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Plenarsaal, Academy of Science, Munich (07/02/1966 - 07/05/1966) 
76.
Granada by Agustín Lara
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: 20th Century 
Written: 1932; Mexico 
Venue:  Polydor Studio, Munich, Germany 
Length: 5 Minutes 1 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
77.
Mattinata by Ruggero Leoncavallo
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Period: Romantic 
Written: 1904; Italy 
Date of Recording: 01/05/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 56 Secs. 
Language: Italian 
Notes: This selection is a stereo recording. 
78.
Vergiss mein nicht by Ernesto De Curtis
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Written: Italy 
Date of Recording: 01/07/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 59 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
79.
Ein Lied geht um die Welt by Hans May
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Date of Recording: 01/04/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 41 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
80.
Der singende Traum: Du bist die Welt für mich by Richard Tauber
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Period: 20th Century 
Written: 1934 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 28 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
81.
Ich küsse ihre Hand, Madame by Ralph Erwin
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: 20th Century 
Written: 1912; Germany 
Venue:  Polydor Studio, Munich, Germany 
Length: 2 Minutes 25 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
82.
Caro mio ben by Tommaso Giordani
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Classical 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 10 Secs. 
Language: Italian 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
83.
Ave Maria by Charles Gounod
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Period: Romantic 
Written: 1859; France 
Date of Recording: 01/07/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 0 Secs. 
Language: Latin 
Notes: This selection is a stereo recording.
This work is based on J.S. Bach's Prelude no 1 in C from 'The Well-Tempered Clavier.' 
84.
Plaisir d'amour by Johann Paul A. Martini
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Classical 
Written: by 1775; France 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 33 Secs. 
Language: French 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
85.
Serenade, Op. 6 no 1 by Enrico Toselli
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Period: Romantic 
Venue:  Polydor Studio, Munich, Germany 
Length: 4 Minutes 23 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
86.
The Toast of New Orleans: Be My Love by Nicholas Brodszky
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Period: 20th Century 
Written: 1949; USA 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 4 Secs. 
Language: English 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
87.
Santa Lucia by Teodoro Cottrau
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Written: Italy 
Date of Recording: 01/04/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 2 Minutes 51 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
88.
Tiritomba by Traditional
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Written: Italy 
Date of Recording: 01/07/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 9 Secs. 
Language: Italian 
Notes: This selection is a stereo recording. 
89.
Heute Nacht oder nie by Mischa Spoliansky
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Written: Germany 
Date of Recording: 01/07/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 28 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
90.
Wien, du Stadt meiner Träume by Rudolf Sieczynski
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Volksoper Orchestra
Period: Romantic 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 3 Minutes 18 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
91.
Denk dir, die Welt wär ein Blumenstrauss by Hans Toifl
Performer:  Fritz Wunderlich (Tenor)
Orchestra/Ensemble:  Die Spilar-Schrammeln (salon orchestra)
Period: 20th Century 
Written: by 1966; Vienna, Austria 
Date of Recording: 08/12/1966 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 0 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
92.
Ich kenn'ein kleines Wegerl im Helenental by A. Steinbrecher
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna Volksoper Orchestra
Period: Romantic 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 2 Minutes 58 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
93.
In Wien gibt's manch' winziges Gasserl, Op. 249 by Robert Stolz
Performer:  Fritz Wunderlich (Tenor)
Orchestra/Ensemble:  Die Spilar-Schrammeln (salon orchestra)
Period: 20th Century 
Written: 1916; Austria 
Date of Recording: 08/12/1966 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 11 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
94.
Die Tänzerin Fanny Elssler: Draussen in Sievering blüht schon der Flieder by Johann Strauss Jr.
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Volksoper Orchestra
Period: Romantic 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 3 Minutes 19 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
95.
Ich weiss auf der Wieden ein kleines Hotel by Johann Strauss Jr.
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Volksoper Orchestra
Period: Romantic 
Written: Vienna, Austria 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 3 Minutes 32 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
96.
Ich muss wieder einmal in Grinzing sein by Ralph Benatzky
Performer:  Fritz Wunderlich (Tenor)
Orchestra/Ensemble:  Die Spilar-Schrammeln (salon orchestra)
Period: 20th Century 
Date of Recording: 08/12/1966 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 35 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
97.
Im Prater blüh'n wieder die Bäume, Op. 247 by Robert Stolz
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Volksoper Orchestra
Period: 20th Century 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 3 Minutes 5 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
98.
Ich hab' die schönen Maderln net erfunden by Ludwig Schmidseder
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna Volksoper Orchestra
Period: 20th Century 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 2 Minutes 29 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
99.
Es steht ein alter Nussbaum by Zillner,
Performer:  Fritz Wunderlich (Tenor)
Orchestra/Ensemble:  Die Spilar-Schrammeln (salon orchestra)
Period: Romantic 
Written: Austria 
Date of Recording: 08/12/1966 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 0 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
100.
Frühjahrsparade: Wien wird bei Nacht erst Schön by Robert Stolz
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Volksoper Orchestra
Period: 20th Century 
Written: by 1964 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 3 Minutes 7 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
101.
Gräfin Mariza: Wenn es Abend wird...Grüss mir die Süssen by Emmerich Kálmán
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Robert Stolz
Orchestra/Ensemble:  Vienna State Opera Chorus,  Vienna Volksoper Orchestra
Period: 20th Century 
Written: 1924; Vienna, Austria 
Venue:  Grosser Musikvereinsaal, Vienna, Austria 
Length: 2 Minutes 39 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Grosser Musikvereinsaal, Vienna, Austria (06/27/1966 - 06/28/1966) 
102.
Ich liebe alle Frauen: Ob blond, ob braun, ich liebe alle Frau'n by Robert Stolz
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: 20th Century 
Written: 1935; Germany 
Date of Recording: 01/05/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 2 Minutes 50 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
103.
Weine nicht by Robert Stolz
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: 20th Century 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 23 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
104.
Mein Herz ruft nach dir, o Marita by Robert Stolz
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: 20th Century 
Written: Austria 
Date of Recording: 01/04/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 55 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
105.
Humoreske "Eine kleine Frühlingsweise" by Hans Lengsfelder
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: 20th Century 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 13 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
106.
Schlaf ein, mein blond Engelein by Osman Perez Freire
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Venue:  Polydor Studio, Munich, Germany 
Length: 4 Minutes 15 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
107.
Ännchen von Tharau by Traditional
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Written: Germany 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 40 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
108.
Still wie die Nacht by Traditional
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra,  Rudolf Lamy Choir
Written: Germany 
Venue:  Polydor Studio, Munich, Germany 
Length: 2 Minutes 55 Secs. 
Language: German 
Notes: This selection is a stereo recording.
Polydor Studio, Munich, Germany (05/31/1965 - 06/04/1965) 
109.
Herr Hofrat, erinnen Sie sich noch? by Hübsch,
Performer:  Fritz Wunderlich (Tenor)
Orchestra/Ensemble:  Die Spilar-Schrammeln (salon orchestra)
Period: 20th Century 
Date of Recording: 08/12/1966 
Venue:  Polydor Studio, Munich, Germany 
Length: 4 Minutes 9 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
110.
Il barbiere di Siviglia: All' idea di qual metallo by Gioachino Rossini
Performer:  Hermann Prey (Baritone), Fritz Wunderlich (Tenor)
Conductor:  Kurt Eichhorn
Orchestra/Ensemble:  Munich Radio Symphony Orchestra
Period: Romantic 
Written: 1816; Italy 
Date of Recording: 09/05/1962 
Venue:  Haus des Sports, Munich, Germany 
Length: 7 Minutes 27 Secs. 
Language: German 
Notes: This selection is a stereo recording. 
111.
Les soirées musicales: no 8, La danza by Gioachino Rossini
Performer:  Fritz Wunderlich (Tenor)
Conductor:  Hans Carste
Orchestra/Ensemble:  Graunke Symphony Orchestra
Period: Romantic 
Written: circa 1830-1835; Italy 
Date of Recording: 01/05/1965 
Venue:  Polydor Studio, Munich, Germany 
Length: 3 Minutes 23 Secs. 
Language: Italian 
Notes: This selection is a stereo recording. 

Sound Samples

Kommt, eilet und laufet (Easter Oratorio), BWV 249: 3. Duetto (& Chorus) "Kommt, eilet und laufet"
Kommt, eilet und laufet (Easter Oratorio), BWV 249: 7. Aria "Sanfte soll mein Todeskummer"
St. Matthew Passion / Part 1: No.19 Recitative (Tenor, Chorus II): "O Schmerz! hier zittert das gequälte Herz"
St. Matthew Passion / Part 1: No.20 Aria (Tenor, Chorus II): "Ich will bei meinem Jesu wachen"
St. Matthew Passion / Part 2: No.34 Recitative (Tenor): "Mein Jesus schweigt zu falschen Lügen stille"
St. Matthew Passion / Part 2: No.35 Aria (Tenor): "Geduld, Geduld, wenn mich falsche Zungen stechen
Magnificat in D Major, BWV 243: Aria (Duet): "Et misericordia"
Magnificat in D Major, BWV 243: Aria: "Deposuit potentes"
Cantate No.31 "Der Himmel lacht, die Erde jubilieret", BWV 31: 5. Recitativo "So stehe denn, du gottergeb'ne Seele"
Cantate No.31 "Der Himmel lacht, die Erde jubilieret", BWV 31: 6. Aria "Adam muss in uns verwesen"
Christmas Oratorio, BWV 248 / Part One - For the first Day of Christmas: No.1 Chorus: "Jauchzet, frohlocket"
Christmas Oratorio, BWV 248 / Part One - For the first Day of Christmas: No.2 Evangelist: "Es begab sich aber zu der Zeit"
Christmas Oratorio, BWV 248 / Part Two - For The Second Day Of Christmas: No.15 Aria (Tenor): "Frohe Hirten, eilt, ach eilet"
Christmas Oratorio, BWV 248 / Part Four - For New Year's Day: No.41 Aria (Tenor): "Ich will nur dir zu Ehren leben"
Christmas Oratorio, BWV 248 / Part Five - For the 1st Sunday in the New Year: No.50 Evangelist: "Und ließ versammeln alle Hohepriester"
Christmas Oratorio, BWV 248 / Part Five - For the 1st Sunday in the New Year: No.51 Terzetto (Soprano, Alto, Tenor): "Ach, wann wird die Zeit erscheinen?"
Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany: No.60/61 "Und Gott befahl ihnen im Traum" - "Genug, mein Schatz geht nicht von hier"
Christmas Oratorio, BWV 248 / Part Six - For the Feast of Epiphany: No.62 Aria (Tenor): "Nun mögt ihr stolzen Feinde schrecken"
Die Entführung aus dem Serail, K.384: Ouvertüre
Die Entführung aus dem Serail, K.384 / Act 1: "Hier soll ich dich denn sehen"
Die Entführung aus dem Serail, K.384 / Act 1: "Konstanze, dich wiederzusehen" - "O wie ängstlich, o wie feurig"
Die Entführung aus dem Serail, K.384 / Act 2: "Wenn der Freude Tränen fließen"
Die Entführung aus dem Serail, K.384 / Act 2: "Ach Belmonte! Ach, mein Leben!"
Die Entführung aus dem Serail, K.384 / Act 3: "Ich baue ganz auf deine Stärke"
Die Entführung aus dem Serail, K.384 / Act 3: "Welch ein Geschick!"
Die Zauberflöte, K.620 / Act 1: Dies Bildnis ist bezaubernd schön (Tamino)
Die Zauberflöte, K.620 / Act 1: "Zum Ziele führt dich diese Bahn"
Die Zauberflöte, K.620 / Act 1: "Wie stark ist nicht dein Zauberton"
Die Zauberflöte, K.620 / Act 2: "Der, welcher wandelt diese Straße voll Beschwerden"
Die Zauberflöte, K.620 / Act 2: Tamino mein, o welch ein Glück (Tamino, Pamina, die Geharnischten)

Customer Reviews

Average Customer Review:  1 Customer Review )
 The wonders of recordins November 29, 2013 By W. Blocher (crompond, NY) See All My Reviews "Even if you own all of the original complete recordings in this collection, the selections are a bargain in price and availabilty. There has not been a voice of this caliber and warmth since his death. Fritz's musicality is unquestioned. A voice for the ages. Now if someone would only release the complete Weihnachtsmusik album with Hermann Prey and Will Quadflig on CD his legacy would be complete." Report Abuse
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