Sergei Rachmaninov

Biography

Born: Apr 1, 1873; Russia   Died: Mar 28, 1943; USA   Period: 20th Century
Sergei Vasilyevich Rachmaninov, born in Semyonovo, Russia, on April 1, 1873, is today remembered as one of the most formidable pianists of all time and the last truly great composer in the Russian Romantic tradition. Rachmaninov came from a music-loving, land-owning family; young Sergey's mother fostered the boy's innate talent by giving him his first piano lessons. After a decline in the family fortunes, the Rachmaninovs moved to St. Petersburg, Read more where Sergei studied with Vladimir Delyansky at the Conservatory. As his star continued to rise, Sergei went to the Moscow Conservatory, where he received a sound musical training: piano lessons from the strict disciplinarian Nikolay Zverev and Alexander Siloti (Rachmaninov's cousin), counterpoint with Taneyev, and harmony with Arensky. During his time at the Conservatory, Rachmaninov boarded with Zverev, whose weekly musical Sundays provided the young musician the valuable opportunity to make important contacts and to hear a wide variety of music.

As Rachmaninov's conservatory studies continued, his burgeoning talent came into full flower; he received the personal encouragement of Tchaikovsky, and, a year after earning a degree in piano, took the Conservatory's gold medal in composition for his opera Aleko (1892). Early setbacks in his compositional career -- particularly, the dismal reception of his Symphony No. 1 (1895) -- led to an extended period of depression and self-doubt, which he overcame with the aid of hypnosis. With the resounding success of his Piano Concerto No. 2 (1900-1901), however, his lasting fame as a composer was assured. The first decade of the twentieth century proved a productive and happy one for Rachmaninov, who during that time produced such masterpieces as the Symphony No. 2 (1907), the tone poem Isle of the Dead (1907), and the Piano Concerto No. 3 (1909). On May 12, 1902, the composer married his cousin, Natalya Satina.

By the end of the decade, Rachmaninov had embarked on his first American tour, which cemented his fame and popularity in the United States. He continued to make his home in Russia but left permanently following the Revolution in 1917; he thereafter lived in Switzerland and the United States between extensive European and American tours. While his tours included conducting engagements (he was twice offered, and twice refused, leadership of the Boston Symphony Orchestra), it was his astounding pianistic abilities which won him his greatest glory. Rachmaninov was possessed of a keyboard technique marked by precision, clarity, and a singular legato sense. Indeed, the pianist's hands became the stuff of legend. He had an enormous span -- he could, with his left hand, play the chord C-E flat-G-C-G -- and his playing had a characteristic power, which pianists have described as "cosmic" and "overwhelming." He is, for example, credited with the uncanny ability to discern, and articulate profound, mysterious movements in a musical composition which usually remain undetected by the superficial perception of rhythmic structures.

Fortunately for posterity, Rachmaninov recorded much of his own music, including the four piano concerti and what is perhaps his most beloved work, the Rhapsody on a Theme of Paganini (1934). He became an American citizen a few weeks before his death in Beverly Hills, CA, on March 28, 1943. Read less

Rachmaninov: Piano Sonatas / Xiayin Wang
Release Date: 05/27/2014   Label: Chandos  
Catalog: 10816   Number of Discs: 1
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Rachmaninov: Piano Concertos No 1-4, Rhapsody / Wild, Et Al
Release Date: 06/24/2003   Label: Chandos  
Catalog: 10078   Number of Discs: 2
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Rachmaninov: Transcriptions For Orchestra / Järvi, Detroit
Release Date: 03/22/1994   Label: Chandos  
Catalog: 9261   Number of Discs: 1
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Rachmaninov: Francesca Da Rimini / Noseda, Et Al
Release Date: 12/04/2007   Label: Chandos  
Catalog: 10442   Number of Discs: 1
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Rachmaninov: The Isle Of The Dead,
Release Date: 06/24/2008   Label: Chandos  
Catalog: 10475   Number of Discs: 1
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Work: Vocalise

 

About This Work
Rachmaninov's Vocalise, Op. 34/14 (1912), is one of the few members of an elite repertory niche: popular, non-avant-garde vocal works without text. In fact, having been arranged for orchestra, piano, various chamber ensembles, and solo string Read more instruments, it is easily the most popular and recognizable of such works, matched perhaps only by the aria from Heitor Villa Lobos' Bacchianas Brasileiras No. 5.

The Opus 34 group contains some of the Rachmaninov's best-loved songs, each of which was tailored to the vocal personality of a particular singer with whom he was acquainted from the Bolshoi opera. The highly declamatory examples, such as In the Soul of Each of Us, Op. 34/2, were dedicated to the great bass Feodor Chaliapin, whose ability to shape words into dramatic musical statements was legendary. The Vocalise, on the other hand, was dedicated to Antonina Nezhdanova, who can be presumed to have possessed a singularly pleasing and flexible voice, given the sustained, almost violin-like character of the piece.

Though originally written for voice and piano, the Vocalise is most often heard in its orchestrated version as a concert hall delicacy. In this setting, the rich, seamless nature of the strings compliment the soaring voice to great effect, and make for an altogether more sensual piece.

 -- All Music Guide Read less

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