Wolfgang Amadeus Mozart

Biography

Born: Jan 27, 1756; Austria   Died: Dec 5, 1791; Austria   Period: Classical
Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later Read more efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music.
Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January, 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson.
In the years 1763 - 1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works were also coming from his pen now.
In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works.
In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions now and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success.
In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early- and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the fifteen piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790 and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791. Read less
Mozart: Opera Arias & Overtures / Watts, Baldini, Scottish CO
Release Date: 06/09/2015   Label: Linn Records  
Catalog: 460   Number of Discs: 1
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Mozart: Die Entfuhrung aus dem Serail / Damrau, Villazon, Prohaska
Release Date: 07/31/2015   Label: Deutsche Grammophon  
Catalog: 002347402   Number of Discs: 2
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Mozart: The Complete Piano Sonatas, Vol. 2 / Jeffrey Biegel
Release Date: 08/21/2015   Label: eOne  
Catalog: 7758   Number of Discs: 3
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Beethoven: Piano Concerto No 3; Mozart: Piano Concerto No 24 / Sudbin, Vanska
Release Date: 02/25/2014   Label: Bis  
Catalog: 1978   Number of Discs: 1
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Mozart: Piano Concertos Nos. 14 & 21 / Brautigam, Sampson, Willens
Release Date: 01/13/2015   Label: Bis  
Catalog: 2054   Number of Discs: 1
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Work: A Musical Joke, K 522

 

Mozart: Ein musikalischer Spass, K.522 - 1. Allegro
Mozart: Ein musikalischer Spass, K.522 - 2. Menuetto (Maestoso) - Trio
Mozart: Ein musikalischer Spass, K.522 - 3. Adagio cantabile
Mozart: Ein musikalischer Spass, K.522 - 4. Presto
About This Work
During the summer of 1787, Mozart entered two works of the divertimento type (light, multi-movement works for a small assortment of instruments) in his catalog. Neither was given the divertimento title, and it would be difficult to imagine a greater Read more contrast between the two works concerned: Ein musikalischer Spass (A Musical Joke) and Eine kleine Nachtmusik, K. 525 (A Little Night Music). Whereas the latter is probably the most popular of all Mozart's works and a perfect example of entertainment music at its most refined, K. 522 is a satire on inept composers and performers, a deliberately clumsy work. Mozart's sense of humor is well documented; its more childish aspects were highlighted in the now famous Peter Shaffer play (and later film), Amadeus. Yet his "musical joke," despite some obvious moments of sheer farce, goes beyond mere horseplay; it contains subtler forms of stylistic satire as well. Some of the jokes are technical "in-jokes" that only those aware of the work of Mozart's more mediocre contemporaries would appreciate. Indeed the work may have at least in part have served Mozart as a sort of personal revenge upon poor composers with whom he constantly found himself in competition. The fugue in the final Presto, for instance, has been shown to be based on an exercise by Mozart's English pupil Thomas Attwood.

Research has shown that Mozart worked on the idea of Ein musikalischer Spass for some two years, the opening Allegro having been started before the end of 1785. There are four movements in all, with the outer sections already mentioned framing a Menuetto and an Adagio cantabile. The work is scored for two horns, two violins, viola and bass; the string parts are intended for single instruments.

-- Brian Robins
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Wolfgang Amadeus Mozart


WORKS
1. Molto allegro
2. Andante
3. Menuetto (Allegretto) - Trio
4. Finale (Allegro assai)
1. Allegro vivace
2. Andante cantabile
3. Menuetto (Allegretto)
4. Molto allegro
1. Allegro
2. Romance (Andante)
3. Menuetto (Allegretto)
4. Rondo (Allegro)
I. Largo - Molto allegro
II. Menuetto - Trio I - Trio II
III. Adagio
IV. Menuetto. Allegretto - Trio I - Trio II
V. Romance. Adagio - Allegretto - Adagio
VI. Tema con variazioni - Tema. Andante
Var. 1
Var. 2
Var. 3
Var. 4
Var. 5
Var. 6
VII. Finale. Molto allegro
Concerto No. 20 in D minor for Piano and Orchestra, K. 466: I. Allegro
II. Romance
III. Rondo. Allegro assai
I. Allegro maestoso
II. Andante
III. Allegro vivace assai
Mozart: Piano Concerto No.23 in A, K.488 - 1. Allegro
Mozart: Piano Concerto No.23 in A, K.488 - 2. Andante
Mozart: Piano Concerto No.23 in A, K.488 - 3. Allegro assai
1. Allegro
2. Larghetto
3. Menuetto
4. Allegretto con variazioni
1. Allegro
2. Adagio
3. Andantino - Presto non assai, ma con sentimento
4. Con moto
Piano Sonata in B-flat, K. 333: Allegro
Andante cantabile
Presto
Introitus: Requiem aeternam
Introitus: Kyrie
Sequentia: Dies irae
Sequentia: Tuba mirum
Sequentia: Rex tremendae
Sequentia: Recordare
Sequentia: Confutatis
Sequentia: Lacrimosa
Offertorium: Domine Jesu Christe
Offertorium: Hostias
Sanctus: Sanctus
Sanctus: Benedictus
Sanctus: Agnus Dei
Communio: Lux Aeterna


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