Wolfgang Amadeus Mozart

Biography

Born: Jan 27, 1756; Austria   Died: Dec 5, 1791; Austria   Period: Classical
Wolfgang Amadeus Mozart was not only one of the greatest composers of the Classical period, but one of the greatest of all time. Surprisingly, he is not identified with radical formal or harmonic innovations, or with the profound kind of symbolism heard in some of Bach's works. Mozart's best music has a natural flow and irresistible charm, and can express humor, joy or sorrow with both conviction and mastery. His operas, especially his later Read more efforts, are brilliant examples of high art, as are many of his piano concertos and later symphonies. Even his lesser compositions and juvenile works feature much attractive and often masterful music.
Mozart was the last of seven children, of whom five did not survive early childhood. By the age of three he was playing the clavichord, and at four he began writing short compositions. Young Wolfgang gave his first public performance at the age of five at Salzburg University, and in January, 1762, he performed on harpsichord for the Elector of Bavaria. There are many astonishing accounts of the young Mozart's precocity and genius. At the age of seven, for instance, he picked up a violin at a musical gathering and sight-read the second part of a work with complete accuracy, despite his never having had a violin lesson.
In the years 1763 - 1766, Mozart, along with his father Leopold, a composer and musician, and sister Nannerl, also a musically talented child, toured London, Paris, and other parts of Europe, giving many successful concerts and performing before royalty. The Mozart family returned to Salzburg in November 1766. The following year young Wolfgang composed his first opera, Apollo et Hyacinthus. Keyboard concertos and other major works were also coming from his pen now.
In 1769, Mozart was appointed Konzertmeister at the Salzburg Court by the Archbishop. Beginning that same year, the Mozarts made three tours of Italy, where the young composer studied Italian opera and produced two successful efforts, Mitridate and Lucio Silla. In 1773, Mozart was back in Austria, where he spent most of the next few years composing. He wrote all his violin concertos between 1774 and 1777, as well as Masses, symphonies, and chamber works.
In 1780, Mozart wrote his opera Idomeneo, which became a sensation in Munich. After a conflict with the Archbishop, Mozart left his Konzertmeister post and settled in Vienna. He received a number of commissions now and took on a well-paying but unimportant Court post. In 1782 Mozart married Constanze Weber and took her to Salzburg the following year to introduce her to his family. 1782 was also the year that saw his opera Die Entführung aus dem Serail staged with great success.
In 1784, Mozart joined the Freemasons, apparently embracing the teachings of that group. He would later write music for certain Masonic lodges. In the early- and mid-1780s, Mozart composed many sonatas and quartets, and often appeared as soloist in the fifteen piano concertos he wrote during this period. Many of his commissions were for operas now, and Mozart met them with a string of masterpieces. Le nozze di Figaro came 1786, Don Giovanni in 1787, Così fan tutte in 1790 and Die Zauberflöte in 1791. Mozart made a number of trips in his last years, and while his health had been fragile in previous times, he displayed no serious condition or illness until he developed a fever of unknown origin near the end of 1791. Read less
Mozart: Concertos & Sonatas / Friedrich Gulda
Release Date: 07/10/2015   Label: Deutsche Grammophon  
Catalog: 002344102   Number of Discs: 10
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Mozart: Die Entfuhrung aus dem Serail / Damrau, Villazon, Prohaska
Release Date: 07/31/2015   Label: Deutsche Grammophon  
Catalog: 002347402   Number of Discs: 2
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Mozart: La Finta Giardiniera / Haim, Morley, Scala, Chappuis, Allemano
Release Date: 07/10/2015   Label: Erato  
Catalog: 550560   Number of Discs: 2
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Mozart: Flute Concertos, Concerto for Flute & Harp / Gallois, Andreasson, Swedish CO
Release Date: 10/28/2003   Label: Naxos  
Catalog: 8557011   Number of Discs: 1
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Mozart: Bassoon Concert, Oboe Concerto, Clarinet Concerto
Release Date: 06/30/1992   Label: Naxos  
Catalog: 8550345   Number of Discs: 1
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Work: Concerto for Violin no 5 in A major, K 219 "Turkish"

 

1. Allegro aperto
2. Adagio
3. Rondeau. Tempo di Menuetto
About This Work
Each of Wolfgang Amadeus Mozart's successive violin concertos is longer and more epic than the one that preceded it, and by the time he reached the last of the authentic ones, the Violin Concerto No. 5 in A major, K. 219 (the "Turkish" Read more Concerto), Mozart had managed to create something very nearly in line with the instrumental concerto of the next century. Though the piece itself is clearly within the Classical chamber concerto tradition, its scale (better than 25 minutes, usually) and the degree of its technical demands mark the work as something new for the violin. Many pieces with equal or greater raw physical demands had already been composed by the time of the Concerto No. 5, but none of them has survived the test of time, and certainly none is as formidable a piece of music -- it is not without reason that this is the only one of the five to regularly receive as much attention from musicologists and historians as do the crown jewels of Mozart's piano concerto catalog. A warhorse of the student repertory and a staple of the professional's diet, this may well be the most frequently played violin concerto ever written.

The dramatic scope of the Concerto No. 5 is truly impressive: it is very nearly an opera in concerto guise, with the soloist as protagonist. Mozart no longer asks the soloist to be content merely to slip into the first movement after the orchestra has made the requisite exposition of the main material, but instead actually stops the Allegro aperto movement altogether at the point of the solo violin entry and provides a wonderfully rich six-measure Adagio. The Allegro aperto almost immediately begins anew, but the fact that the solo violin had the power to halt the entire ensemble at so unlikely a juncture remains fresh in the mind throughout the rest of the concerto -- and it is worth noting that even as that Allegro aperto opening music takes off again, the violinist supplies a completely new melody, a high-flying, electrifying one, to go along with it.

The Adagio is a superb movement, longer by a considerable span than the slow movements of the previous four concertos. The melody tumbles along sublimely, and in the central portion we are treated to one of the most astoundingly beautiful passages ever conceived.

Mozart turns again to the French Rondo finale that he used in the third and fourth violin concertos for his third movement (Tempo di menuetto). In a French Rondo, the basic movement is interrupted in mid-stride by a section that contrasts with it in every way, and it is from this contrasting section -- a wild, frenzied Allegro -- that the "Turkish" Concerto gets its nickname. Read less

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Wolfgang Amadeus Mozart


WORKS
1. Molto allegro
2. Andante
3. Menuetto (Allegretto) - Trio
4. Finale (Allegro assai)
1. Allegro vivace
2. Andante cantabile
3. Menuetto (Allegretto)
4. Molto allegro
1. Allegro
2. Romance (Andante)
3. Menuetto (Allegretto)
4. Rondo (Allegro)
I. Largo - Molto allegro
II. Menuetto - Trio I - Trio II
III. Adagio
IV. Menuetto. Allegretto - Trio I - Trio II
V. Romance. Adagio - Allegretto - Adagio
VI. Tema con variazioni - Tema. Andante
Var. 1
Var. 2
Var. 3
Var. 4
Var. 5
Var. 6
VII. Finale. Molto allegro
Concerto No. 20 in D minor for Piano and Orchestra, K. 466: I. Allegro
II. Romance
III. Rondo. Allegro assai
I. Allegro maestoso
II. Andante
III. Allegro vivace assai
1. Allegro
2. Andante
3. Allegro assai
1. Allegro
2. Larghetto
3. Menuetto
4. Allegretto con variazioni
1. Allegro
2. Adagio
3. Andantino - Presto non assai, ma con sentimento
4. Con moto
Piano Sonata in B-flat, K. 333: Allegro
Andante cantabile
Presto
Introitus: Requiem aeternam
Introitus: Kyrie
Sequentia: Dies irae
Sequentia: Tuba mirum
Sequentia: Rex tremendae
Sequentia: Recordare
Sequentia: Confutatis
Sequentia: Lacrimosa
Offertorium: Domine Jesu Christe
Offertorium: Hostias
Sanctus: Sanctus
Sanctus: Benedictus
Sanctus: Agnus Dei
Communio: Lux Aeterna


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