Gustav Mahler

Biography

Born: July 7, 1860; Czech Republic   Died: May 18, 1911; Austria   Period: Romantic
"Imagine the universe beginning to sing and resound," Mahler wrote of his Symphony No. 8, the "Symphony of a Thousand." "It is no longer human voices; it is planets and suns revolving." Mahler was late Romantic music's ultimate big thinker. In his own lifetime he was generally regarded as a conductor who composed on the side, producing huge, bizarre symphonies accepted only by a cult following.
Born in 1860, in Kalischt, Bohemia, he came
Read more from a middle-class family. He entered the Vienna Conservatory in 1875, studying piano, harmony, and composition in a musically conservative atmosphere. Nevertheless, he became a supporter of Wagner and Bruckner, both of whose works he would later conduct frequently, and became part of a social circle interested in socialism, Nietzschean philosophy, and pan-Germanism. Around 1880, he began conducting and wrote his first mature work, Das klagende Lied. Mahler's conducting career advanced rapidly, moving him from Kassel to Prague to Leipzig to Budapest; he was usually either greatly respected or thoroughly despised by the performers for his exacting rehearsals and perfectionism. In 1897 he became music director of the Vienna Court Opera and then, a year later, of the Vienna Philharmonic. Mahler's conducting career permitted composition only during the summers, in a series of "composing huts" he had built in picturesque rural locations. He completed his first symphony in 1888, but it met with utter audience incomprehension. He reserved this time for symphonies, all of them large-scale works, and song cycles. In Das Lied von der Erde (The Song of the Earth), he merged the two forms into an immense song-symphony. The Viennese public largely failed to understand his music, but Mahler took their reactions calmly, accurately predicting that "My time will yet come." Meanwhile, his autocratic ways as a conductor alienated musicians. In 1901, the press and the musicians essentially forced his resignation from the Philharmonic. He married a young composition student, Alma Schindler in 1902, and they soon had two daughters. By 1907 Mahler was increasingly away from Vienna, conducting his own works, and thus he resigned from the opera as well. Just after accepting the position of principal conductor of New York's Metropolitan Opera, but before leaving Vienna, Mahler's older daughter, age 4, died from scarlet fever and diphtheria, and he learned he himself had a defective heart valve. In New York, he was impressed by the caliber of talent and quickly gained audience approval. In 1909 he became conductor of the New York Philharmonic, which he found much more agreeable than the opera work by this time. The following year, he had a triumphant premiere of his massive Symphony No. 8 in Munich. Despite the professional successes, his personal life suffered another blow when his and Alma's marriage began having problems. They stayed together, and after he became ill in February 1911, she saw to it that he made it back to Vienna, where he died on May 18.
The conductors Bruno Walter, Otto Klemperer, Willem Mengelberg, and Maurice Abravanel kept Mahler's legacy alive, and Mahler's are now among the most recorded of any symphonies. His frequent incorporation of vocal elements into symphonic writing brought to full fruition a process that had begun with Beethoven's Symphony No. 9, demonstrating his music's firm roots in the Germanic classical tradition. However, it was his huge tapestries of shifting moods and tones, ranging from tragedy to bitter irony (often explicitly indicated in performance directions), from café music to evocations of the sublime, that portended a century in which multiplicity ruled. Read less
Brahms, Schumann, Mahler: Piano Quartets /  Hope, Neubauer, Finckel, Han
Release Date: 04/21/2015   Label: Deutsche Grammophon  
Catalog: 002290602  
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Mahler: Kindertotenlieder; Ruckert Lieder / Schwanewilms, Martineau
Release Date: 05/12/2015   Label: Onyx  
Catalog: 4146   Number of Discs: 1
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Mahler: Symphonies No 9 & 10 / Paavo Jarvi, Frankfurt Radio Symphony Orchestra
Release Date: 05/26/2015   Label: C Major  
Catalog: 729708   Number of Discs: 1
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Mahler: Symphony No. 4  / Albrecht,  Netherlands Philharmonic
Release Date: 05/12/2015   Label: Pentatone  
Catalog: 5186487   Number of Discs: 1
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Mahler: Symphony No 4 / Karina Gauvin, Yannick Nézet-séguin
Release Date: 04/06/2004   Label: Atma Classique  
Catalog: 22306   Number of Discs: 1
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Work: Das Lied von der Erde

 

Mahler: Das Lied von der Erde - Das Trinklied vom Jammer der Erde
Mahler: Das Lied von der Erde - Der Einsame im Herbst
Mahler: Das Lied von der Erde - Von der Jugend
Mahler: Das Lied von der Erde - Von der Schönheit
Mahler: Das Lied von der Erde - Der Trunkene im Frühling
Mahler: Das Lied von der Erde - Der Abschied
About This Work
Although seemingly a set of songs with orchestra, this is for all intents and purposes Mahler's ninth symphony. Das Lied represents a refinement and concentration of the means and expression of the Eighth Symphony. In Das Lied, the same Read more contrapuntally oriented style prevails, but the thinner textures make it seem more pronounced. Also, the more intimate and personal nature of much of the writing is a direct response to the private musings of the Chinese poems rather than a major stylistic upheaval.

Das Lied is an integrated symphonic whole, as the six songs are organized into four parts analogous to symphonic movements. Mahler's harmonic and expressive language is so powerful that he was able to create a progressive effect that unite these songs into a single semantic and artistic entity.

"Das Trinklied vom Jammer der Erde" (The Drinking Song of Earth's Sorrow). The first song is a hybrid of strophic song and sonata form. It stands by itself, not only formally, but in its black, uncompromising defiance of grief in the face of mortality. The powerfully sweeping opening is contrasted with an ethereal central section, but eventually culminates in a weird and shrieking evocation of Man's fate.

"Der Einsame im Herbst" (The Lonely One in Autumn). This resigned song evokes the mists of Fall as the poet grieves over the loss of summer and life. The thin textures and wandering lines perfectly capture bitter loneliness.

"Von der Jugend" (Of Youth). This and the next two songs comprise the "scherzo" of the symphonic structure. They are all shorter, lighter in tone, and nostalgic in mood. Here, memories of young people drinking tea is captured with light and airy pentatonic lines, invoking the innocence and carefree attitude of youth.

"Von der Schönheit" (Of Beauty). A romantic scene. The gentle innocence of the girls is depicted with a delicately moving Andante. At the appearance of the horsemen there is a sudden military outburst in the orchestra, while the voice accelerates into a breathless melody, effectively portraying the maidens' fluttering hearts.

"Der Trunkene im Frühling" (The Drunk in Spring). In spite of a longing central passage, this song is mostly comic in its evocations of nature and a young man's drunken reeling. Mahler here uses an astonishing variety of harmonic and orchestral effects.

"Der Abschied" (The Farewell). There are two separate poems here. The first depicts a solitary figure waiting for a friend to come for a last farewell, the second is the farewell itself. By far the longest movement of the work, Mahler precedes each poem with a lengthy orchestral section, also making this the most instrumentally oriented movement. The first is longing and plaintive, repeated in part after the voice finally enters. The second is a long and moving funeral march, culminating in a huge and tragic climax. In the final stanza, as the poet looks back at life, Mahler composed a resigned and expansive coda.

-- Steven Coburn
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Performers

Gustav Mahler


WORKS
1. Langsam. Schleppend
2. Kräftig bewegt
3. Feierlich und gemessen, ohne zu schleppen
4. Stürmisch bewegt
1. Trauermarsch (In gemessenem Schritt. Streng. Wie ein Kondukt - Plötzlich schneller. Leidenschaftlich. Wild - Tempo I)
2. Stürmisch bewegt. Mit größter Vehemenz - Bedeutend langsamer - Tempo I subito
3. Scherzo (Kräftig, nicht zu schnell)
4. Adagietto (Sehr langsam)
5. Rondo-Finale (Allegro)
Mahler: Das Lied von der Erde - Das Trinklied vom Jammer der Erde
Mahler: Das Lied von der Erde - Der Einsame im Herbst
Mahler: Das Lied von der Erde - Von der Jugend
Mahler: Das Lied von der Erde - Von der Schönheit
Mahler: Das Lied von der Erde - Der Trunkene im Frühling
Mahler: Das Lied von der Erde - Der Abschied
Nun will die Sonn' so hell aufgeh'n
Nun seh' ich wohl, warum so dunkle Flammen
Wenn dein Mütterlein
Oft denk' ich, sie sind nur ausgegangen
In diesem Wetter
Lieder eines fahrenden Gesellen (1999 Digital Remaster): I: Wenn mein Schatz Hochzeit macht
Lieder eines fahrenden Gesellen (1999 Digital Remaster): II: Ging heut' Morgen übers Feld
Lieder eines fahrenden Gesellen (1999 Digital Remaster): III: Ich hab' ein glühend Messer
Lieder eines fahrenden Gesellen (1999 Digital Remaster): IV: Die zwei blauen Augen
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): I. Allegro Maestoso
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): II. Andante moderato
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): III. In ruhig fliessender Bewegung
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): IV. Urlicht. Sehr feierlich, aber schlicht
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): V. Im Tempo des Scherzos. Wild herausfahrend
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): Wieder sehr breit
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): Ritardando...Maestoso
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): Wieder zurückaltend
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): Langsam. Misterioso
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): Etwas bewegter
Symphony No.2 in C minor ("Resurrection") (2000 Digital Remaster): Mit Aufschwung aber nicht eilen
1. Bedächtig. Nicht eilen - Recht gemächlich
2. In gemächlicher Bewegung. Ohne Hast
3. Ruhevoll (Poco adagio)
4. Sehr behaglich: "Wir genießen die himmlischen Freuden"
Andante comodo
Etwas frischer
(Horns)
Mit Wut. Allegro risoluto
(Brass)
Bewegter
Wie von Anfang
Ploetzlich bedeutend langsamer (Lento) und leise
Im Tempo eines gemaechlichen Laendlers. Etwas taeppisch und sehr derb
Poco più mosso subito (Tempo II)
Tempo III
A tempo II
Tempo I
Tempo II
Tempo I. subito
Rondo-Burleske. Allegro assai. Sehr trotzig.
L'istesso tempo
Sempre l'istesso tempo
L'istesso tempo
(Clarinets)
Tempo I subito
Più stretto
Adagio. Sehr langsam und noch zurueckhaltend
Ploetzlich wieder sehr langsam (wie zu Anfang) und etwas zoegernd
Molto adagio subito
A tempo (Molto adagio)
Stets sehr gehalten
Fliessender, doch durchaus nicht eilend
Tempo I. Molto adagio
Adagissimo
1. Kräftig. Entschieden
1. - Langsam. Schwer
1. - Tempo I
1. - a tempo
1. - Immer dasselbe Tempo. (Marsch.) Nicht eilen
1. - Im alten Marschtempo (Allegro Moderato)
1. - Tempo I
2. Tempo di minuetto. Sehr mäßig
2. - A tempo. (Wie im Anfang)
2. - Ganz ploetzlich gemaechlich. Tempo di Menuetto
3. Comodo. Scherzando. Ohne Hast
3.- Wieder sehr gemaechlich, wie zu Anfang
3.- Sehr gemächlich (Posthorn)
3.- Tempo I
3.- Wieder sehr gemaechlich, beinahe langsam
4. Sehr langsam. Misterioso: "O Mensch! Gib acht!" 'O Mensch! Gib acht'
4.- Più mosso subito
5. Lustig im Tempo und keck im Ausdruck: "Bimm Bamm. Es sungen drei Engel"
6. Langsam. Ruhevoll. Empfunden
6.- Nicht mehr so breit
6.- Tempo I. Ruhevoll
6.- a tempo (Etwas bewegter)
6.- Tempo I
6.- Langsam. Tempo I


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