Aram Khachaturian


Born: 1903   Died: 1978   Country: Russia   Period: 20th Century
Although he was indicted (along with Shostakovich, Prokofiev, and a number of other prominent Soviet musicians) for "formalism," in the infamous Zhdanov decree of 1948, Aram Khachaturian was, for most of his long career, one of the Soviet musical establishment's most prized representatives. Born into an Armenian family, in Tbilisi, in 1903, Khachaturian's musical identity formed slowly, and, although a tuba player in his school band and a Read more self-taught pianist, he wanted to be a biologist, and did not study music formally until entering Moscow's Gnesin Music Academy (as a cellist) in 1922. His considerable musical talents soon manifested themselves, and by 1925 he was studying composition privately with Gnesin himself. In 1929, Khachaturian joined Miaskovsky's composition class at the Moscow Conservatory. Khachaturian graduated in 1934, and before the completion, in 1937, of his postgraduate studies, the successful premieres of such works as the Symphony No. 2 in A Minor "With a Bell" (1935) and, especially, the Piano Concerto in D flat Major (1936) established Khachaturian as the leading Soviet composer of his generation. During the vicious government-sponsored attacks, in 1948, on the Soviet Composers' Union (in which Khachaturian, an active member since 1937, also held an administrative function) Khachaturian took a great deal of criticism. However, although he was officially censured for employing modernistic, politically incorrect musical techniques which fostered an "anti-people art," Khachaturian's music contained few, if any, of the objectionable traits found in the music of some of his more adventuresome colleagues. In retrospect, it was most likely Khachaturian's administrative role in the Union, perceived by the government as a bastion of politically incorrect music, and not his music as such, which earned him a place on the black list of 1948. Nevertheless, Khachaturian made a very full and humble apology for his artistic "errors" following the Zhdanov decree; his musical style, however, underwent no changes. Khachaturian joined the composition faculty of the Moscow Conservatory and the Gnesin Academy in 1950, and that same year he made his debut as a conductor. During the years until his death in 1978 Khachaturian made frequent European conducting appearances, and in January of 1968 he made a culturally significant trip to Washington, D.C., conducting the National Symphony Orchestra in a program of his own works. Khachaturian's characteristic musical style draws on the melodic and rhythmic vitality of Armenian folk music. Although not adverse to sharp dissonance, Khachaturian never strayed from a basically diatonic musical language. The Piano Concerto and the Violin Concerto in D Minor are truly Romantic works, virtuosic, clear, and unaffectedly expressive, remaining therefore popular and frequently performed composition. Of course, many neither of these works matches the popularity of the famous "Sabre Dance" from the ballet Gayane, which made Khachaturian a household name during World War II. His other works include film scores, songs, piano pieces, and chamber music. The degree of Khachaturian's success as a Soviet composer can be measured by his many honors, which include the 1941 Lenin Prize, for the Violin Concerto, the 1959 Stalin Prize, for the ballet Spartacus, and the title, awarded in 1954, of People's Artist. Read less
Khachaturian: Gayane Suites Nos 1-3 / André Anichanov
Release Date: 10/04/1994   Label: Naxos  
Catalog: 8550800   Number of Discs: 1
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Milhaud, Khachaturian, Knight & Bartok: Piano Trios / Trio Solari
Release Date: 09/09/2016   Label: Centaur Records  
Catalog: 3485   Number of Discs: 1
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Khachaturian: Spartacus Suites 1-3 / Anichanov
Release Date: 11/21/1995   Label: Naxos  
Catalog: 8550801   Number of Discs: 1
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Khachaturian: Spartacus Suite No 4, Etc / Anichanov, Yablonsky, St. Petersburg Orchestra
Release Date: 12/17/1996   Label: Naxos  
Catalog: 8550802   Number of Discs: 1
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Khachaturian: Piano Concerto, Etc / Yablonskaya, Yablonsky
Release Date: 04/29/1997   Label: Naxos  
Catalog: 8550799   Number of Discs: 1
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Work: Concerto for Piano in D flat major


Khachaturian: Piano Concerto in D flat (1936) - 1. Allegro ma non troppo e maestoso
Khachaturian: Piano Concerto in D flat (1936) - 2. Andante con anima
Khachaturian: Piano Concerto in D flat (1936) - 3. Allegro brillante
About This Work
Although Aram Khachaturian is revered in the Soviet Union for a large body of music, his fame in the West is based largely on a mere handful of works, among which is the Piano Concerto (1936). The concerto's widespread appeal is at once Read more understandable, given its virtuosic flair, honest, unabashedly passionate melodic sense, and rich orchestration, all in the Russian Romantic manner of Tchaikovsky and Rachmaninov.

The opening movement of the concerto is cast in a somewhat loose sonata form, the impatient main theme developing almost immediately upon its appearance. Out of this sonic mass the secondary material arises and evolves into a powerful, cerebral monologue for the soloist before the furious development leads into an exuberant, headstrong cadenza. The primary theme returns in force as the subject of the coda. The second movement begins with a dignified melody, introduced by the bass clarinet. The dramatic heart of the movement is the middle section, a potent combination of oriental flavoring and turbulent Russian drama that builds to an ecstatic climax. The movement is rounded out by a return of the introductory material. The far-reaching, virtuosic Allegro brillante finale is built around contrasting themes and an outrageous, bravura cadenza. The concerto comes to a close with the return, on a grand scale, of material from the first movement.

-- Graham Olson
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