Aram Khachaturian

Biography

Born: 1903   Died: 1978   Country: Russia   Period: 20th Century
Although he was indicted (along with Shostakovich, Prokofiev, and a number of other prominent Soviet musicians) for "formalism," in the infamous Zhdanov decree of 1948, Aram Khachaturian was, for most of his long career, one of the Soviet musical establishment's most prized representatives. Born into an Armenian family, in Tbilisi, in 1903, Khachaturian's musical identity formed slowly, and, although a tuba player in his school band and a Read more self-taught pianist, he wanted to be a biologist, and did not study music formally until entering Moscow's Gnesin Music Academy (as a cellist) in 1922. His considerable musical talents soon manifested themselves, and by 1925 he was studying composition privately with Gnesin himself. In 1929, Khachaturian joined Miaskovsky's composition class at the Moscow Conservatory. Khachaturian graduated in 1934, and before the completion, in 1937, of his postgraduate studies, the successful premieres of such works as the Symphony No. 2 in A Minor "With a Bell" (1935) and, especially, the Piano Concerto in D flat Major (1936) established Khachaturian as the leading Soviet composer of his generation. During the vicious government-sponsored attacks, in 1948, on the Soviet Composers' Union (in which Khachaturian, an active member since 1937, also held an administrative function) Khachaturian took a great deal of criticism. However, although he was officially censured for employing modernistic, politically incorrect musical techniques which fostered an "anti-people art," Khachaturian's music contained few, if any, of the objectionable traits found in the music of some of his more adventuresome colleagues. In retrospect, it was most likely Khachaturian's administrative role in the Union, perceived by the government as a bastion of politically incorrect music, and not his music as such, which earned him a place on the black list of 1948. Nevertheless, Khachaturian made a very full and humble apology for his artistic "errors" following the Zhdanov decree; his musical style, however, underwent no changes. Khachaturian joined the composition faculty of the Moscow Conservatory and the Gnesin Academy in 1950, and that same year he made his debut as a conductor. During the years until his death in 1978 Khachaturian made frequent European conducting appearances, and in January of 1968 he made a culturally significant trip to Washington, D.C., conducting the National Symphony Orchestra in a program of his own works. Khachaturian's characteristic musical style draws on the melodic and rhythmic vitality of Armenian folk music. Although not adverse to sharp dissonance, Khachaturian never strayed from a basically diatonic musical language. The Piano Concerto and the Violin Concerto in D Minor are truly Romantic works, virtuosic, clear, and unaffectedly expressive, remaining therefore popular and frequently performed composition. Of course, many neither of these works matches the popularity of the famous "Sabre Dance" from the ballet Gayane, which made Khachaturian a household name during World War II. His other works include film scores, songs, piano pieces, and chamber music. The degree of Khachaturian's success as a Soviet composer can be measured by his many honors, which include the 1941 Lenin Prize, for the Violin Concerto, the 1959 Stalin Prize, for the ballet Spartacus, and the title, awarded in 1954, of People's Artist. Read less
Khachaturian: Symphonic Highlights From Gayane, Spartacus, Masquerade
Release Date: 01/11/2011   Label: Royal Philharmonic Masterworks  
Catalog: 28640   Number of Discs: 1
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Khachaturian: Violin Concerto; Shostakovich / Ehnes
Release Date: 04/08/2014   Label: Onyx  
Catalog: 4121   Number of Discs: 1
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Khachaturian: Spartacus / Bolshoi Ballet
Release Date: 03/28/2006   Label: Kultur Video  
Catalog: 2854   Number of Discs: 1
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Khachaturian: Spartacus / Zhuraitis, Bolshoi Ballet
Release Date: 07/29/2008   Label: Kultur Video  
Catalog: 1198   Number of Discs: 1
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Khachaturian: Spartacus / Australian Ballet
Release Date: 06/24/2008   Label: Kultur Video  
Catalog: 2112   Number of Discs: 1
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Work: Concerto for Violin in D minor

 

About This Work
The particular élan that characterizes Aram Khachaturian's concerti has no doubt contributed to their continued popularity, and indeed, the Violin Concerto (1940) takes a place among the staples of the twentieth century violin repertoire. The Read more concerto bears the unmistakable stamp of its composer in its characteristic rhythmic drive and rich, folk-infused melodies. The first movement begins with a fierce, energetic figure, played in unison, that eventually evolves into the rustically lyrical second subject. The intoxicating Andante sostenuto second movement, redolent of the undulating, gradually unfolding style of ashugs (Armenian folk musicians), has a free-flowing, semi-improvisatory feel. Based largely on material from the first movement's secondary theme, the highly folk-influenced finale takes the form of a vigorous Armenian country dance in which the solo violin figures prominently with unrelenting, fiery virtuosity.

Khachaturian wrote the Violin Concerto for David Oistrakh, the dedicatee of so many mid-century Russian violin concerti. Oistrakh was the soloist at the work's premiere on November 16, 1940.

-- Graham Olson
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