Scott Joplin


Born: November 24, 1868; Marshall, TX   Died: April 1, 1917; New York, NY  
Scott Joplin was "The King of Ragtime Writers," a composer who elevated "banjo piano playing," a lowly entertainment associated with saloons and brothels, into an American art form loved by millions. Born in Texas in either 1867 or 1868, Scott Joplin was raised in Texarkana, the son of a laborer and former slave. As a child, Joplin taught himself piano on an instrument belonging to a white family that granted him access to it, and ultimately Read more studied with a local, German-born teacher who introduced Joplin to classical music. Joplin attended high school in Sedalia, MO, a town that would serve as Joplin's home base during his most prosperous years, and where a museum now bears his name.

In 1891, the first traceable evidence of Joplin's music career is found, placing him in a minstrel troupe in Texarkana. In 1893, he played in Chicago during the Columbian Exposition, reportedly leading a band with a cornet. Afterward, Joplin settled in Sedalia, worked with other brass bands and founded a vocal group called the Texas Medley Quartette. During an 1895 appearance in Syracuse, NY, the quality of Joplin's original songs for the Texas Medley Quartette so impressed a group of local businessmen that they arranged for Joplin's first publications. Around 1896, Joplin enrolled in Sedalia's George R. Smith College for Negroes to study formally, publishing a few more pieces in the years to follow.

In 1899, publisher John Stark of Sedalia issued Joplin's second ragtime composition, Maple Leaf Rag. It didn't catch on like wildfire, but within a few years the popularity of Maple Leaf Rag was so enormous that it made Joplin's name; and Joplin earned a small percentage of income from it for the rest of his days, helping stabilize him in his last years. By the end of 1899, Joplin presented his first ambitious work, the ballet The Ragtime Dance, at the Wood Opera House in Sedalia. It didn't appear in print until 1902, and then only in a truncated form. Joplin moved to St. Louis in 1901, as did Stark, who set his new publishing venture up as The House of Classic Rags. Joplin wrote many of the other rags he is known for during this time, including The Entertainer, The Easy Winners, and Elite Syncopations.

In 1903, Joplin organized a touring company to perform his first opera, "A Guest of Honor," which foundered after a couple of months, leaving Joplin destitute. He had recovered well enough to appear at the 1904 St. Louis World's Fair to present his rag The Cascades, which proved his second great success. Joplin also married for a second time to a woman who died only a few weeks into their marriage after a bout with pneumonia, plunging Joplin into another bout of despair. During a visit to Chicago he renewed an acquaintance with St. Louis pianist Louis Chauvin, who did not long outlast their visit. Joplin utilized a strain drawn from Chauvin's playing into the finest of his "collaborative" rags, Heliotrope Bouquet. This was published after Joplin moved to New York in 1907. Stark had also resettled there, and they resumed their partnership to some degree, but Joplin also published through Seminary Music, likewise home to aspiring songwriter Irving Berlin. Through Seminary many of the best of his late works appeared, such as Pine Apple Rag, the transparently beautiful "Mexican serenade" Solace, and the harmonically adventurous Euphonic Sounds.

From 1911 until his death in 1917, most of Joplin's efforts went into his second opera, Treemonishia, which he heard in concert and except performances, but never managed to stage during his own lifetime. With his third wife Lotte Joplin, Joplin formed his own music company and published his final piano rag, Magnetic Rag (1914), one of his best. By this time, the debilitating, long-term effects of syphilis were beginning to undermine Joplin's health, although he did manage to make seven hand-played piano rolls in 1916 and 1917; though heavily edited, these rolls are as close as we are likely to get to hearing Joplin's own playing. One of them is W.C. Handy's Ole Miss Rag, which suggests that Joplin might have had a hand in its composition or arrangement. Joplin was selfless in his advocacy of his fellow ragtime composers, collaborating with James Scott, Arthur Marshall, Louis Chauvin, and Scott Hayden and helping arrange pieces by Artie Matthews and the white New Jersey composer Joseph Lamb, whose work Joplin pitched to Stark.

Maple Leaf Rag remained a constant in popular music throughout the Jazz Age, but the better part of Joplin's work remained unknown until the ragtime revival of the early '70s, during which "Scott Joplin" became a household name and Treemonishia was finally staged by the Houston Grand Opera. Although primary sources on Joplin's music were still extant as late as the late '40s, today not a single manuscript page in Joplin's hand still exists and only three photographs of him have survived, along with precious few first-hand quotations. Joplin died in a mental facility convinced that he had failed in his mission to achieve success as an African-American composer of serious music. Were he alive today, Joplin would be astounded to learn that, a century after his work was first printed, he is by far the most successful African-American composer of serious music who ever lived. Some of his works have been recorded hundreds of times and arranged for practically every conceivable instrumental combination, played by everything from symphony orchestras to ice cream trucks. For a couple of generations of Americans who have never heard of Stephen Foster, the music of Scott Joplin represents the old, traditional order of all things American. Read less
American Classics - Joplin: Piano Rags / Peskanov
Release Date: 08/17/2004   Label: Naxos  
Catalog: 8559114   Number of Discs: 1
On sale! $12.99
CD: $11.49
In Stock
On sale!   $12.99   CD:  $11.49 Add CD to Cart

American Classics - Joplin: Piano Rags Vol 2 / Benjamin Loeb
Release Date: 05/29/2007   Label: Naxos  
Catalog: 8559277   Number of Discs: 1
On sale! $12.99
CD: $11.49
In Stock
On sale!   $12.99   CD:  $11.49 Add CD to Cart

Work: Elite Syncopations


About This Work
1902 saw the issue of four new rags from Scott Joplin, who, seeking a better commercial outlet for his music, had moved from Sedalia, MO (today home to the annual Scott Joplin Festival), to the city of St. Louis about a year earlier. Three of these Read more new pieces have since become standards of the genre: The Ragtime Dance, all-time favorite The Entertainer, and Elite Syncopations.

All ragtime music is rhythmically charged -- forward-thrusting, syncopated -- but there is a particular bounce to the step of Elite Syncopations, a frequent intrusion of unusual and quite wry off-beats (they are also quite graceless when played badly, as they all too often are) into the flow. Hence its title. Elite Syncopations is built, as are all of Joplin's pieces, from several tuneful strands. Throughout the first of them, which comes back several times, Joplin slides around chromatically, first up and then, in a charming little offbeat filler at the end of the opening phrase, back down. Towards the end of the piece we move from the F major that has thus far been home base to B flat major, never to return -- lovers of Viennese waltzes and many polkas will find this last-hour shift to another key quite familiar, and once again we have to marvel at how closely Joplin's ultra-American music follows the venerable dance traditions of Europe. Read less

Select a specific Performer, Conductor or Ensemble or browse recordings by Formats & Featured below

ArkivMusic Recommendation


Formats & Featured

Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $0.0/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Already a subscriber? Sign In