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George Frideric Handel

Biography

Born: 1685   Died: 1759   Country: Germany   Period: Baroque
Most music lovers have encountered George Frederick Handel through holiday-time renditions of the Messiah's "Hallelujah" chorus. And many of them know and love that oratorio of Christ's life and death, as well as a few other greatest hits like the orchestral Water Music and Royal Fireworks Music, and perhaps Judas Maccabeus or one of the other English oratorios. Yet his operas, for which he was widely known in his own time, are the province Read more mainly of specialists in Baroque music, and the events of his life, even though they reflected some of the most important musical issues of the day, have never become as familiar as the careers of Bach or Mozart. Perhaps the single word that best describes his life and music is "cosmopolitan": he was a German composer, trained in Italy, who spent most of his life in England.
Handel was born in the German city of Halle on February 23, 1685. His father noted but did not nurture his musical talent, and he had to sneak a small keyboard instrument into his attic to practice. As a child he studied music with Friedrich Wilhelm Zachow, organist at the Liebfrauenkirche, and for a time he seemed destined for a career as a church organist himself. After studying law briefly at the University of Halle, Handel began serving as organist on March 13, 1702, at the Domkirche there. Dissatisfied, he took a post as violinist in the Hamburg opera orchestra in 1703, and his frustration with musically provincial northern Germany was perhaps shown when he fought a duel the following year with the composer Matheson over the accompaniment to one of Matheson's operas. In 1706 Handel took off for Italy, then the font of operatic innovation, and mastered contemporary trends in Italian serious opera. He returned to Germany to become court composer in Hannover, whose rulers were linked by family ties with the British throne; his patron there, the Elector of Hannover, became King George I of England. English audiences took to his 1711 opera Rinaldo, and several years later Handel jumped at the chance to move to England permanently. He impressed King George early on with the Water Music of 1716, written as entertainment for a royal boat outing.
Through the 1720s Handel composed Italian operatic masterpieces for London stages: Ottone, Serse (Xerxes), and other works often based on classical stories. His popularity was dented, though, by new English-language works of a less formal character, and in the 1730s and 1740s Handel turned to the oratorio, a grand form that attracted England's new middle-class audiences. Not only Messiah but also Israel in Egypt, Samson, Saul, and many other works established him as a venerated elder of English music. The oratorios displayed to maximum effect Handel's melodic gift and the sense of timing he brought to big choral numbers. Among the most popular of all the oratorios was Judas Maccabeus, composed in 32 days in 1746. Handel presented the oratorio six times during its first season and about 40 times before his death 12 years later, conducting it 30 times himself. In 1737, Handel suffered a stroke, which caused both temporary paralysis in his right arm and some loss of his mental faculties, but he recovered sufficiently to carry on most normal activity. He was urged to write an autobiography, but never did. Blind in old age, he continued to compose. He died in London on April 14, 1759. Beethoven thought Handel the greatest of all his predecessors; he once said, "I would bare my head and kneel at his grave." Read less
Handel: Messiah / Higginbottom, AAM, Oxford New College Choir
Release Date: 10/31/2006   Label: Naxos  
Catalog: 8570131   Number of Discs: 2
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Handel: Messiah / Haim, Crowe, Mead, Purves, Staples
Release Date: 10/28/2014   Label: Erato  
Catalog: 624055   Number of Discs: 2
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Handel: Agrippina / Daniels, Ostman
Release Date: 10/18/2005   Label: Euroarts  
Catalog: 2054538   Number of Discs: 1
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Handel: Messiah / Boult, Sutherland, Bumbry, Mckellar, Ward
Release Date: 10/22/2007   Label: Decca  
Catalog: 433003   Number of Discs: 3
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Sir Thomas Beecham Conducts Handel's Messiah
Release Date: 07/14/1992   Label: Rca Victor Gold Seal  
Catalog: 61266   Number of Discs: 3
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Work: Music for the Royal Fireworks, HWV 351

 

About This Work
The War of Austrian Succession was brought to an end by the Treaty of Aix-la-Chapelle, signed in October 1748. Although England had been a somewhat reluctant participant and had gained little from the war, preparations for celebrations commenced the Read more following month with the erection of a large wooden structure incorporating a triumphal arch in London's Green Park -- the framework for a large and impressive display of fireworks. Peace was formally declared in the following February, and Handel, who had then just completed two contrasting oratorios, Susanna and Solomon, was commissioned to provide music for the occasion. Obviously, such music would have to be both grand in scale and suitable for open-air performance -- this latter aspect, in practical terms, calling for a large contingent of wind and brass instruments. Handel originally intended to make use of no fewer than 16 each of trumpets and horns. However, he ran into trouble with the organizers, evidenced by a sequence of bad-tempered letters. Ultimately, he settled for something a little more "modest": 24 oboes, 12 bassoons (including a contrabassoon), nine each of trumpets and horns, three pairs of kettledrums, and an unspecified number of side drums.

Music for the Royal Fireworks consists of five movements, commencing with a suitably pompous and ceremonial Overture in the French style: a slow, dotted-rhythm introduction followed by a contrapuntal Allegro. The suite continues with a lively Bourée, a quieter movement entitled "La paix," the ebullient "La réjouissance," and a final Minuet. A second Minuet, in D minor, which seems to have been added later, was probably used by the composer as a trio section before a final triumphant return to the main Minuet in D major.

The rehearsal of Music for the Royal Fireworks in Vauxhall Gardens on April 21, 1749 takes a place as one of the best attended in the history of musical performance. A huge crowd, said to number in excess of 12,000, is reported to have turned up, blocking many surrounding streets and causing traffic chaos. The actual event was rather less successful; observers reported that in particular, many of the fireworks failed to impress. To make matters worse, the display set fire to one of the pavilions that formed part of the structure. A month later, the music was performed in the rather more peaceful surroundings of the Foundling Hospital. For this occasion Handel reverted to a traditional combination of strings and winds. This is the version in which the music, one of Handel's most popular works, is most often heard today, although at least two recordings have been made which employ the massive wind forces heard at the first performance.

-- Brian Robins
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