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George Gershwin

Biography

Born: 1898   Died: 1937   Country: USA   Period: 20th Century
In a career tragically cut short in mid-stride by a brain tumor, George Gershwin (1898-1937) proved himself to be not only one of the great songwriters of his extremely rich era, but also a gifted "serious" composer who bridged the worlds of classical and popular music. The latter is all the more striking, given that, of his contemporaries, Gershwin was the most influenced by such styles as jazz and blues.

Gershwin's first
Read more major hit, interpolated into the show Sinbad in 1919, was "Swanee," sung by Al Jolson. Gershwin wrote both complete scores and songs for such variety shoes as George White's Scandals (whose annual editions thus were able to introduce such songs as "I'll Build a Stairway to Paradise" and "Somebody Loves Me").

After 1924, Gershwin worked primarily with his brother Ira as his lyricist. The two scored a series of Broadway hits in the '20s and early '30s, starting with Lady Be Good (1924), which included the song "Fascinatin' Rhythm." 1924 was also the year Gershwin composed his first classical piece, "Rhapsody in Blue," and he would continue to work in the classical field until his death.

By the '30s, the Gershwins had turned to political topics and satire in response to the onset of the Depression, and their Of Thee I Sing became the first musical to win a Pulitzer Prize. In the mid '30s, Gershwin ambitiously worked to meld his show music and classical leanings in the creation of the folk opera Porgy and Bess, with lyrics by Ira and Dubose Heyward. The Gershwins had moved to Hollywood and were engaged in several movie projects at the time of George Gershwin's death. Read less
Gershwin By Grofe - Original Orchestrations & Arrangements
Release Date: 04/13/2010   Label: Harmonia Mundi  
Catalog: 907492   Number of Discs: 1
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Gershwin: Rhapsody In Blue; Strike Up The Band Overture; Promenade / Falletta, Buffalo Philharmonic
Release Date: 06/25/2013   Label: Naxos  
Catalog: 8559750   Number of Discs: 1
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Gershwin / Judd, New Zealand
Release Date: 05/21/2002   Label: Naxos  
Catalog: 8559107   Number of Discs: 1
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Gershwin: Piano Concerto In F, Etc / Nakamatsu, Et Al
Release Date: 05/08/2007   Label: Harmonia Mundi  
Catalog: 807441   Number of Discs: 1
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Gershwin: Concerto In F, Rhapsody No 2, I Got Rhythm Variations  / Orion Weiss
Release Date: 02/28/2012   Label: Naxos  
Catalog: 8559705   Number of Discs: 1
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Work: An American in Paris

 

About This Work
After the stunning successes of Gershwin's Rhapsody in Blue (1924) and the Piano Concerto in F (1925), Walter Damrosch, then conductor of the New York Philharmonic, was anxious to capitalize on the young composer's growing fame. He requested a work Read more from Gershwin for a first performance in Carnegie Hall in mid-December of 1928. Gershwin had journeyed to Paris and was thoroughly immersed in the mood of the French capital. He brought back authentic Parisian taxi horns, which were used as an integral part of the work. The piece is a true tone poem, inspired by extra-musical considerations -- the sights, sounds, and moods of Paris. Deems Taylor, the 1920s composer and critic, furnished a blow-by-blow program for the piece from which I quote a brief excerpt: "You are to imagine an American visiting Paris, swinging down the Champs-Elysées on a mild sunny morning in May or June....Our American's ears being open as well as his eyes, he notes with pleasure the sounds of the city. French taxicabs seem to amuse him particularly." Although he claimed not to have a program in mind when he wrote the work, Gershwin did sketch his own general scenario: "[A]n opening section, in which an American visitor strolls about Paris and 'absorbs the French atmosphere,' is followed by a rich blues with a strong rhythmic undercurrent," representing an episode of homesickness on the visitor's part. But the American overcomes his spell of depression and once again revels in the sights and sounds of Paris. "At the conclusion," according to the composer, "the street noises and French atmosphere are triumphant."

A three-part form is discernible in the composition. The slow middle section includes the famous "homesickness blues" solo by the trumpet, later interrupted by a Charleston-like, highly rhythmic figure also played by the trumpet. The harmonies in this work are spiced with stacked-third sonorities: ninth, eleventh, and thirteenth chords. Gershwin admitted that some influence of Debussy bore on the work, and indeed impressionistic passages can be heard in the section before the unforgettable bluesy trumpet solo. Readers interested in an in-depth analysis should consult Steven E. Gilbert's The Music of Gershwin (Yale University Press, 1995). While there are innumerable recordings of the work available, the most authentic one (although it lacks good sound) is the first one, made on February 4, 1929, with Nathaniel Shilkret conducting the Victor Symphony Orchestra (Victor 39563 and 39564; RCA AVM1-1740); this recording was available (as of 1999) in the Smithsonian Institution's 4-CD album titled I Got Rhythm: The Music of George Gershwin. Gershwin played the celeste part on this recording and obviously was present for the session, presumably indicating that Shilkret's interpretation was acceptable to the composer.

-- Norbert Carnovale, All Msuic Guide Read less

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