Johannes Brahms


Born: 1833   Died: 1897   Country: Germany   Period: Romantic
The stature of Johannes Brahms among classical composers is well illustrated by his inclusion among the "Three Bs" triumvirate of Bach, Beethoven, and Brahms. Of all the major composers of the late Romantic era, Brahms was the one most attached to the Classical ideal as manifested in the music of Haydn, Mozart, and especially Beethoven; indeed, Hans von Bülow once characterized Brahms' Symphony No. 1 (1855-1876) as "Beethoven's Tenth." As a Read more youth, Brahms was championed by Robert Schumann as music's greatest hope for the future; as a mature composer, Brahms became for conservative musical journalists the most potent symbol of musical tradition, a stalwart against the "degeneration" represented by the music of Wagner and his school. Brahms' symphonies, choral and vocal works, chamber music, and piano pieces are imbued with strong emotional feeling, yet take shape according to a thoroughly considered structural plan.

The son of a double bassist in the Hamburg Philharmonic Society, Brahms demonstrated great promise from the beginning. He began his musical career as a pianist, contributing to the family coffers as a teenager by playing in restaurants, taverns, and even brothels. Though by his early twenties he enjoyed associations with luminaries like violinists Eduard Reményi and Joseph Joachim, the friend and mentor who was most instrumental in advancing his career was Schumann, who all but adopted him and became his most ardent partisan, and their esteem was mutual. Following Schumann's death in 1856, Brahms became the closest confidant and lifelong friend of the composer's widow, pianist and composer Clara Wieck Schumann. After a life of spectacular musical triumphs and failed loves (the composer was involved in several romantic entanglements but never wed), Brahms died of liver cancer on April 3, 1897.

In every genre in which he composed, Brahms produced works that have become staples of the repertory. His most ambitious work, the German Requiem (1863-1867), is the composer's singular reinterpretation of an age-old form. The four symphonies -- lushly scored, grand in scope, and deeply expressive -- are cornerstones of the symphonic literature. Brahms' concertos are, similarly, in a monumental, quasi-symphonic vein: the two piano concertos (1856-1859 and 1881) and the Violin Concerto (1878) call for soloists with both considerable technical skill and stamina. His chamber music is among the most sophisticated and exquisitely crafted of the Romantic era; for but a single example, his works that incorporate the clarinet (e.g., the Trio in A minor, Op. 114 and the two Sonatas, Op. 120), an instrument largely overlooked by his contemporaries, remain unsurpassed. Though the piano sonata never held for Brahms the same appeal it had for Beethoven (Brahms wrote three to Beethoven's 32), he produced a voluminous body of music for the piano. He showed a particular affinity for variations -- notably, on themes of Schumann (1854), Handel (1861), and Paganini (1862-1863) -- and likewise produced a passel of national dances and character pieces such as ballades, intermezzi, and rhapsodies. Collectively, these constitute one of the essential bodies of work in the realm of nineteenth century keyboard music. Read less
Schumann & Brahms: Chamber Music / Avanesyan, Brovtsyn, Poppen, Chaushian, Sudbin
Release Date: 01/05/2018   Label: Bis  
Catalog: 2258   Number of Discs: 1
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Brahms: The Symphonies / Ticciati, Scottish Chamber Orchestra
Release Date: 03/23/2018   Label: Linn Records  
Catalog: CKD601   Number of Discs: 2
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Brahms: String Quartet No. 3 & Clarinet Quintet / Campbell, New Zealand String Quartet
Release Date: 04/14/2017   Label: Naxos  
Catalog: 8573454   Number of Discs: 1
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Brahms: Symphony No 1 / Dausgaard, Swedish Chamber Orchestra
Release Date: 01/22/2013   Label: Bis  
Catalog: 1756   Number of Discs: 1
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Brahms: String Quartets Nos. 1 & 2 / New Zealand String Quartet
Release Date: 07/08/2016   Label: Naxos  
Catalog: 8573433   Number of Discs: 1
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Work: Academic Festival Overture in C minor, Op. 80


About This Work
Brahms composed this work and the Tragic Overture in the summer of 1880 in Bad Ischl, Austria, and conducted the first Academic Festival performance in Breslau on January 3, 1881. Despite Brahms' catalogue of 122 numbered works and at least 40 more Read more works without, he wrote only 14 for orchestra: four symphonies, two early serenades, two piano concertos, two string concertos, two concert overtures, the Haydn Variations, and transcriptions of three Hungarian Dances from the 21 composed for four-hand piano between 1868 and 1880. No opera, though, or ballet or incidental theater music. Furthermore, from 1859 to 1874, he limited his orchestral writing to seven choral pieces (which, however, included A German Requiem, his longest work in any form).

On March 11, 1879, the University of Breslau -- Wroclaw today, in Poland -- awarded him an honorary doctorate, for which he thanked them on a postcard. A friend replied that the University expected "a doctoral the very least a solemn ode" quid pro quo. What they received 19 months later was this 10-minute Academic Festival Overture. To start the New Year, Brahms himself premiered it in the Silesian capital.

This music is arguably the crusty composer's most ebullient, scored for the largest orchestra in his oeuvre: piccolo, contrabassoon, a third trumpet, tuba, bass drum, triangle, and cymbals, in addition to the usual wind pairs, four horns, two trumpets, three trombones, timpani, and strings. For subject matter to fill a flexible sonata structure, he chose four student drinking songs. In the order of their appearance, these are "What comes therefrom on high" (staccato triads and off-center accents in C minor), "We have built a stately house" (three trumpets, solemnly in C major), "Der Landesvater" (The Sovereign; legato violins in E major), and finally, after the seriatim reprise of one, two, and three in tonic C major, the most famous song of all, the medieval student song "Gaudeamus igitur" (Let us therefore rejoice), in the coda. This may not have been what Breslau expected, but for global audiences ever since, the Academic Festival Overture ranks alongside the keyboard Waltz, Op. 39/16, as Brahms' most beloved instrumental music.

-- Roger Dettmer, All Music Guide Read less

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