Johannes Brahms

Biography

Born: 1833   Died: 1897   Country: Germany   Period: Romantic
The stature of Johannes Brahms among classical composers is well illustrated by his inclusion among the "Three Bs" triumvirate of Bach, Beethoven, and Brahms. Of all the major composers of the late Romantic era, Brahms was the one most attached to the Classical ideal as manifested in the music of Haydn, Mozart, and especially Beethoven; indeed, Hans von Bülow once characterized Brahms' Symphony No. 1 (1855-1876) as "Beethoven's Tenth." As a Read more youth, Brahms was championed by Robert Schumann as music's greatest hope for the future; as a mature composer, Brahms became for conservative musical journalists the most potent symbol of musical tradition, a stalwart against the "degeneration" represented by the music of Wagner and his school. Brahms' symphonies, choral and vocal works, chamber music, and piano pieces are imbued with strong emotional feeling, yet take shape according to a thoroughly considered structural plan.

The son of a double bassist in the Hamburg Philharmonic Society, Brahms demonstrated great promise from the beginning. He began his musical career as a pianist, contributing to the family coffers as a teenager by playing in restaurants, taverns, and even brothels. Though by his early twenties he enjoyed associations with luminaries like violinists Eduard Reményi and Joseph Joachim, the friend and mentor who was most instrumental in advancing his career was Schumann, who all but adopted him and became his most ardent partisan, and their esteem was mutual. Following Schumann's death in 1856, Brahms became the closest confidant and lifelong friend of the composer's widow, pianist and composer Clara Wieck Schumann. After a life of spectacular musical triumphs and failed loves (the composer was involved in several romantic entanglements but never wed), Brahms died of liver cancer on April 3, 1897.

In every genre in which he composed, Brahms produced works that have become staples of the repertory. His most ambitious work, the German Requiem (1863-1867), is the composer's singular reinterpretation of an age-old form. The four symphonies -- lushly scored, grand in scope, and deeply expressive -- are cornerstones of the symphonic literature. Brahms' concertos are, similarly, in a monumental, quasi-symphonic vein: the two piano concertos (1856-1859 and 1881) and the Violin Concerto (1878) call for soloists with both considerable technical skill and stamina. His chamber music is among the most sophisticated and exquisitely crafted of the Romantic era; for but a single example, his works that incorporate the clarinet (e.g., the Trio in A minor, Op. 114 and the two Sonatas, Op. 120), an instrument largely overlooked by his contemporaries, remain unsurpassed. Though the piano sonata never held for Brahms the same appeal it had for Beethoven (Brahms wrote three to Beethoven's 32), he produced a voluminous body of music for the piano. He showed a particular affinity for variations -- notably, on themes of Schumann (1854), Handel (1861), and Paganini (1862-1863) -- and likewise produced a passel of national dances and character pieces such as ballades, intermezzi, and rhapsodies. Collectively, these constitute one of the essential bodies of work in the realm of nineteenth century keyboard music. Read less
Brahms: Piano Concertos / Barenboim, Dudamel
Release Date: 08/07/2015   Label: Deutsche Grammophon  
Catalog: 002353102   Number of Discs: 2
On sale! $16.98
CD: $14.99
In Stock
On sale!   $16.98   CD:  $14.99 Add CD to Cart

Brahms: Piano Quartet Op 25, Orchestrated by Schoenberg / Albrecht
Release Date: 08/14/2015   Label: Pentatone  
Catalog: 5186398   Number of Discs: 1
On sale! $19.99
SuperAudio CD: $17.99
In Stock
On sale!   $19.99   SuperAudio CD:  $17.99 Add to Cart

Brahms: The Symphonies / Chailly, Gewandhaus
Release Date: 08/19/2014   Label: Decca  
Catalog: 002121502   Number of Discs: 3
On sale! $32.98
CD: $29.99
Low Stock
On sale!   $32.98   CD:  $29.99 Add CD to Cart

Brahms: Violin Concerto, Etc / Swensen, Scottish Chamber Orchesta
Release Date: 02/25/2014   Label: Linn Records  
Catalog: 224   Number of Discs: 1
On sale! $19.99
CD: $15.99
In Stock
On sale!   $19.99   CD:  $15.99 Add CD to Cart

Brahms: Clarinet Quintet; Zemlinsky: Clarinet Trio
Release Date: 08/07/2015   Label: Nimbus  
Catalog: 6310   Number of Discs: 1
On sale! $17.98
CD: $14.99
In Stock
On sale!   $17.98   CD:  $14.99 Add CD to Cart

Work: Symphony no 4 in E minor, Op. 98

 

1. Allegro non troppo
2. Andante moderato
3. Allegro giocoso - Poco meno presto - Tempo I
4. Allegro energico e passionato - Piů allegro
About This Work
That Brahms initially approached the symphonic form with trepidation is fairly evident from the chronology of his works. It wasn't until the age of 43 that he completed his First Symphony. Indeed, the composer's output to that point suggests a Read more conscious process of self-education. A number of smaller-scale orchestral works, including the Variations on a Theme of Haydn and the proto-symphonic Piano Concerto No. 1, suggest preparation for what Brahms clearly saw as the elusive of compositional enterprises. He was to meet the challenge with a skill and individual spirit, one of Classicism refracted through the prism of high Romanticism, that led many to pronounce him heir to Beethoven.

Brahms' Fourth Symphony (1885), his last, provides with its serious tone, striking complexities, and inspired construction a fitting valedictory to his work in this genre. That its impact was immediate if initially puzzling is clear from the account by the biographer Max Kalbeck of its first run-through (at two pianos) for a small and distinguished audience:

"After the wonderful Allegro...I expected that one of those present would break out in a loud 'Bravo.' Into his blond beard [conductor Hans] Richter murmured something that from afar would be taken as an expression of approval.... The others remained persistently quiet.... Finally Brahms grumbled, "So, let's go on!" and gave a sign to continue; whereupon [eminent critic Eduard] Hanslick heaved a sigh and quickly exploded, as if he had to relieve his mind and yet feared speaking up too late: 'For this whole movement I had the feeling that I was being given a beating by two incredibly intelligent people....'"

Each of the movements bears the distinct stamp of the composer's personality. The first begins with a theme in E minor based upon the interval of a third, which also provides a structural and motivic foundation for the remainder of the work. There is a notable sense of unrest from beginning to end, and the tragic, even fatalistic atmosphere is further and stunningly underlined by the final, minor-key plagal (IV-I) cadence. The second movement, which opens with a brief, melancholy sort of fanfare, gives way to the quietly accompanied winds in perhaps one of the loveliest of any of the composer's themes, granted particular plangency through the use of the flat sixth and seventh scale degrees borrowed from the minor mode. This material is gradually developed into soaring, tutti lyricism that fades into ethereal quiet. The third movement, a lusty, stomping, duple dance, proved so popular in Brahms' lifetime that audiences constantly demanded that it be repeated. The last movement is perhaps most notable of all, cast as it is in the "archaic" Baroque form of a chaconne -- variations over a ground bass. The chaconne's subject is in fact a slight modification of that used by Bach in his Cantata No. 150; though deceptively simple -- essentially an ascending minor scale segment from the tonic note to the dominant, then a leap back to the tonic -- Brahms uses this skeleton as the basis for an increasingly elaborate and thematic harmonic framework. From its first presentation, which is not as a bass line, but as a theme in the winds, Brahms gradually weaves some 34 variations that steadily build in intensity, as though in defiance to the oppressive, insistent rotation of the ground. The final variations lead directly into an ending which reconfirms the weight of tragedy and pathos borne by the first movement.

-- Michael Rodman, All Music Guide Read less

Select a specific Conductor, Ensemble or Label or browse recordings by Formats & Featured below

or
ArkivMusic Recommendation

Conductors

Ensembles

Johannes Brahms


WORKS
Symphony No. 1 in C Minor, Op.68 (1999 - Remaster): I. Un poco sostenuto - Allegro
Symphony No. 1 in C Minor, Op.68 (1999 - Remaster): II. Andante sostenuto
Symphony No. 1 in C Minor, Op.68 (1999 - Remaster): III. Un poco allegretto e grazioso
Symphony No. 1 in C Minor, Op.68 (1999 - Remaster): IV. Adagio - Piů andante - Allegro non troppo ma con brio
Brahms: Symphony No.2 In D, Op.73 - 1. Allegro non troppo
Brahms: Symphony No.2 In D, Op.73 - 2. Adagio non troppo - L'istesso tempo, ma grazioso
Brahms: Symphony No.2 In D, Op.73 - 3. Allegretto grazioso ( Quasi andantino) - Presto ma non assai
Brahms: Symphony No.2 In D, Op.73 - 4. Allegro con spirito
Symphony No. 3 in F Major, Op. 90: I. Allegro con brio
II. Andante
III. Poco Allegretto
IV. Allegro
1. Allegro non troppo
2. Andante moderato
3. Allegro giocoso - Poco meno presto - Tempo I
4. Allegro energico e passionato - Piů allegro
I. Maestoso
II. Adagio
III. Rondo - Allegro non troppo
Piano Concerto No. 2 in B-Flat, Op. 83: Allegro non troppo
Allegro appassionato
Andante
Allegretto grazioso
Allegro non troppo
Adagio
Allegro giocoso, ma non troppo vivace
Double Concerto for Violin & Cello in A Minor, Op.102 (1997 - Remaster): I. Allegro
Double Concerto for Violin & Cello in A Minor, Op.102 (1997 - Remaster): II. Andante
Double Concerto for Violin & Cello in A Minor, Op.102 (1997 - Remaster): III. Vivace non troppo
Variations on a Theme by Haydn ('St Antoni Chorale') Op. 56a (1989 Digital Remaster): Variation VIII: Presto non troppo
Variations on a Theme by Haydn ('St Antoni Chorale') Op. 56a (1989 Digital Remaster): Finale: Andante
Hungarian Dance No.1 in G Minor, WoO 1
Hungarian Dance No.2 in D minor - Orchestrated by Iván Fischer
Hungarian Dance No.3 in F - Orchestrated by Brahms
Hungarian Dance No.4 in F sharp minor - Orchestrated by Iván Fischer
Hungarian Dance No.5 in G minor - Orchestrated by Iván Fischer
Hungarian Dance No.6 in D flat - Orchestrated by Albert Parlow
Hungarian Dance No.7 in F Hungarian Dance No. 7 in A - Orchestrated by Iván Fischer
Hungarian Dance No.8 in A minor - Orchestrated by R. Schollum
Hungarian Dance No.9 in E minor - Orchestrated by R. Schollum
Hungarian Dance No.10 in F - Orchestrated by Brahms
Hungarian Dance No.11 in D minor - Orchestrated by Iván Fischer
Hungarian Dance No.12 in D minor - Orchestrated by Iván Fischer
Hungarian Dance No.13 in D - Orchestrated by Iván Fischer
Hungarian Dance No.14 in D minor - Orchestrated by Iván Fischer
Hungarian Dance No.15 in B flat - Orchestrated by Frigyes Hidas
Hungarian Dance No.16 in F minor - Orchestrated by Albert Parlow
Hungarian Dance No.17 in F sharp minor - Orchestrated by Frigyes Hidas
Hungarian Dance No.18 in D - Orchestrated by Frigyes Hidas
Hungarian Dance No.19 in B minor - Orchestrated by Antonín Dvorák
Hungarian Dance No.20 in E minor - Orchestrated by Antonín Dvorák
Hungarian Dance No.21 in E minor - Orchestrated by Antonín Dvorák
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Ziemlich langsam - Selig sind, die da Leid tragen
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Langsam, marschmäßig - Denn alles Fleisch es ist wie Gras
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Andante moderato - Herr, lehre doch mich
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Mäßig bewegt - Wie lieblich sind deine Wohnungen
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Langsam - Ihr habt nun Traurigkeit
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Andante - Denn wir haben hie keine bleibende Statt
Ein deutsches Requiem, Op. 45 (1997 Digital Remaster): Feierlich - Selig sind die Toten, die in dem Herren sterben


YOU MUST BE A SUBSCRIBER TO LISTEN TO ARKIVMUSIC STREAMING.
TRY IT NOW FOR FREE!
Sign up now for two weeks of free access to the world's best classical music collection. Keep listening for only $19.95/month - thousands of classical albums for the price of one! Learn more about ArkivMusic Streaming
Already a subscriber? Sign In