Leonard Bernstein

Biography

Born: 1918   Died: 1990   Country: USA   Period: 20th Century
As composer, conductor, and educator, Leonard Bernstein (1918-1990) emerged as one of a handful of figures in the twentieth century who truly changed the face of music. As a composer, Bernstein left a far-reaching legacy that includes three symphonies, a film score of singular distinction, (On the Waterfront), and an important body of stage works, including one of the cornerstones of American musical theater, West Side Story (1957). The first Read more American-born conductor to attain international superstardom, Bernstein made a profound impression on audiences; his podium manner was dynamic, even flamboyant, to an extent never before witnessed. Bernstein's extroverted manner attracted much criticism from those who dismissed him as a mere exhibitionist; his advocates, however, far outnumbered his detractors.

Born in Lawrence, MA, Bernstein made his mark first as a composer. He attended Harvard University, where he studied with Walter Piston among other distinguished figures. Occasionally he wrote popular songs on the side using the pseudonym Lenny Amber ("amber" being the English translation of the word "Bernstein"). His works of the 1940s, both weighty and light, brought him considerable acclaim; the single year of 1944 saw the premieres of two especially well-received scores, the Symphony No. 1, "Jeremiah", and the ballet Fancy Free. During his sometimes rocky tenure (1958-1969) as music director of the New York Philharmonic, Bernstein brought that ensemble to a new level of prestige and popularity: every Bernstein concert and recording became a much-anticipated event. Through his association with the New York Philharmonic and a neverending stream of guest engagements worldwide, Bernstein became particularly renowned as an interpreter of Mahler and Copland; he did much to carve out the prominent place in the orchestral concert repertory that both composers now maintain. Already well-known by the time he took over the New York Philharmonic, Bernstein became truly famous in 1958, with the first of his series of televised Young People's Concerts, fondly remembered by many as their introduction to the world of classical music. Among the first group of students to receive training at the Berkshire Music Center at Tanglewood, Bernstein soon became the institution's guiding light, serving as teacher and mentor for generations of musicians. Though he remained a giant of the podium until the very end, Bernstein curtailed his conducting activities in later years in order to spend more time composing. Little of Bernstein's music from the 1970s on has attained the same level of popularity achieved by his earlier works; still, it comprises a distinguished, substantial body of work that includes Mass (1971), the opera A Quiet Place (1983), and the song cycle Arias and Barcarolles (1988). Read less
Bernstein Century - The Age Of Anxiety, Serenade
Release Date: 07/14/1998   Label: Sony  
Catalog: 60558   Number of Discs: 1
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Americana - Adams, Bernstein, Ellington, Et Al / Rattle
Release Date: 03/09/2004   Label: Emi Classics  
Catalog: 57691   Number of Discs: 1
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Jubilee Games - Leonard Bernstein, Ned Rorem, Del Tredici
Release Date: 10/29/2008   Label: Deutsche Grammophon  
Catalog: 429231   Number of Discs: 1
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Bernstein: Candide / Hadley, Anderson, Ludwig
Release Date: 10/10/2006   Label: Deutsche Grammophon  
Catalog: 000690509   Number of Discs: 1
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Bayless Meets Bernstein - West Side Story Variations / John Bayless
Release Date: 05/18/2007   Label: Emi Classics  
Catalog: 54507   Number of Discs: 1
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Work: West Side Story: Maria

 

About This Work
Admirers of Leonard Bernstein's most popular Broadway musical West Side Story generally consider "Maria," "Tonight," and "Somewhere" the three finest songs in the show. Of these, "Maria" appears first, coming Read more after Tony leaves the dance, where he met and fell in love with Maria. She would normally be considered off-limits to a boy like Tony: she is Puerto Rican and engaged to Chino. But Tony sees beyond the prejudices of society and senses that this will be the love of his life.

The song begins with Tony mesmerized by thoughts of the beautiful girl he had just kissed, the beautiful girl abruptly pulled away from him at the dance by her overly protective brother Bernardo. Tony repeats her name again and again, and out of it Bernstein ingeniously fashions the three notes that launch the main theme, a beautiful creation full of passion and yearning, of warmth and soaring lyricism. Stephen Sondheim's masterful lyrics contribute to the powerful sweep of emotion here. When Tony expresses his overwhelming feelings of love and infatuation, Sondheim imaginatively yet simply captures his lovesick state of mind: "Maria, say it loud and there's music playing; Say it soft and it's almost like praying." When the orchestra takes up the melody, Tony revels in the beauties of her name once more, singing it ecstatically again and again. Without doubt, "Maria" is one of Bernstein's most memorable and beautiful songs from any genre. Read less

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