Zubin Mehta

Composers

Biography

Born: Apr 29, 1936; India  
Conductor Zubin Mehta was born in Bombay (now Mumbai), Maharashtra state, India on April 29, 1936. He is an adherent of the Parsi religion. His father was Mehli Mehta, a violinist who was the founder and conductor of the Bombay Symphony Orchestra. At the age of 18, after considering a career in medicine, Zubin entered the Vienna Academy of Music, learned to play the double bass in order to join the Academy's orchestra, and took conducting lessons Read more from Hans Swarowsky. He graduated from the Academy in 1957 and made his professional debut in Vienna, guest conducting the Tonkünstler Orchestra. In a London appearance in 1961, Mehta became the first Indian to conduct a major British orchestra. A victory in the first international conductors' competition organized by the Royal Liverpool Philharmonic Orchestra led to a one-year appointment as their assistant conductor. After completing his year-long tenure, Mehta was engaged to conduct the Vienna Philharmonic Orchestra, and made another important and successful guest conducting position with the Philadelphia Orchestra.
Guest appearances with the Montreal and Los Angeles symphonies both led to permanent positions; in 1960 he became music director in Montreal and associate conductor in Los Angeles. Thus Mehta became one of the first of a new breed of conductors sometimes called the "jet set," who are able to maintain two (or even more) principal conductorships of major orchestras by means of frequently flying between the cities involved.
Mehta's accomplishments in Los Angeles, where he became musical director in 1962, were particularly striking. In just a few years he was able to turn the lackluster ensemble into one of the nation's finest orchestras, and, still under 30 years of age when he was appointed, he became the youngest music director of any "major" U.S. orchestra. An exuberant, extroverted performer and person, he possessed a genuine star quality; soon, he conducted the orchestra on a notable series of excellent recordings for London (Decca) Records. Mehta made his operatic debut at the Metropolitan Opera in New York on December 29, 1965, and in 1967 he resigned his position in Montreal, and forged a new relationship with the Israeli Philharmonic Orchestra, eventually becoming its chief music adviser in 1970. In 1971 he conducted the Los Angeles Philharmonic on the soundtrack of Frank Zappa's film 200 Motels.
In 1978 he resigned his Los Angeles post to succeed Pierre Boulez as music director of the New York Philharmonic Orchestra. After the rather ascetic, ultra-modern Boulez, Mehta's interest in lush Romanticism, and a more traditional repertoire made for a favorable impression, and a long and successful relationship with the orchestra. However, by the time of his resignation in 1991, a little of the bloom had faded from his relationship with the critics, some of whom seemed to be put off by the more "Hollywood" aspects of his style and personality.
In 1990 Mehta was asked to conduct the first of the now-legendary Three Tenors concerts. Mehta proved a highly appropriate choice, being one of the few conductors with the charisma to match the well-practiced stagecraft of the three star tenors. The concert was a huge success, with a worldwide television audience, and enormous record sales. When the phenomenon was repeated in 1994 from Los Angeles, Mehta again conducted.
Since 1998, Mehta has been music director of the Bavarian State Opera in Munich. That year, his path intersected with that of U.S. President Bill Clinton, as former Clinton associate Susan McDougal, who went to jail rather than testify against the president, was accused of embezzling $150,000 from the Mehta family, for whom she had worked for several years. He made several tours with the Bavarian State Opera and kept up a busy schedule of guest conducting appearances into the new century. Read less
Bartok: Miraculous Mandarin, Hungarian Sketches / Dorati, Mehta, Roge
Release Date: 10/14/1997   Label: London/Decca Double Decker  
Catalog: 448276   Number of Discs: 2
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Johann Strauss Gala / Mehta, Carreras, Et Al
Release Date: 08/01/2000   Label: Arthaus Musik  
Catalog: 100025   Number of Discs: 1
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Joint Concert In Tel Aviv / Mehta, Hagner, Kam, Berlin & Israel Philharmonic
Release Date: 08/19/2003   Label: Arthaus Musik  
Catalog: 100069   Number of Discs: 1
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Verdi: Aida / Mehta, Tagliavini, D’intino, Hui He, Berti, Prestia
Release Date: 02/28/2012   Label: Arthaus Musik  
Catalog: 101598   Number of Discs: 1
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Verdi: Aida / Mehta, Tagliavini, D’intino, Hui He, Berti, Prestia  [blu-ray]
Release Date: 02/28/2012   Label: Arthaus Musik  
Catalog: 108040   Number of Discs: 1
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There are 480 Zubin Mehta recordings available.

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Composers

Ensembles

Biography

Born: Apr 29, 1936; India  
Conductor Zubin Mehta was born in Bombay (now Mumbai), Maharashtra state, India on April 29, 1936. He is an adherent of the Parsi religion. His father was Mehli Mehta, a violinist who was the founder and conductor of the Bombay Symphony Orchestra. At the age of 18, after considering a career in medicine, Zubin entered the Vienna Academy of Music, learned to play the double bass in order to join the Academy's orchestra, and took conducting lessons Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
"Nessun dorma"
"Nessun dorma"
1. Andante un poco maestoso - Allegro molto vivace
2. Larghetto
3. Scherzo (Molto vivace)
4. Allegro animato e grazioso
1. Lebhaft
2. Scherzo (Sehr mäßig)
3. Nicht schnell
4. Feierlich
5. Lebhaft
1. Sostenuto assai - Un poco piů vivace - Allegro ma non troppo - Con fuoco
2. Scherzo (Allegro vivace)
3. Adagio espresssivo
4. Allegro molto vivace
1. Ziemlich langsam - Lebhaft
2. Romanze (Ziemlich langsam)
3. Scherzo
4. Langsam - Lebhaft - Schneller - Presto
I. Allegro moderato
II. Adagio. Sehr feierlich und sehr langsam
III. Scherzo. Sehr schnell
IV. Finale. Bewegt, doch nicht schnell
Act I: Scene 1: All'erta, all'erta!
Act I: Scene 1: Di due figli vivea padre beato
Act I: Scene 2: Che piů t'arresti?
Act I: Scene 2: Tacea la notte placida
Act I: Scene 2: Di tale amor che dirsi
Act I: Scene 2: Tace la notte!
Act I: Scene 2: Deserto sulla terra
Act I: Scene 2: Non m'inganno
Act I: Scene 2: Di geloso amor sprezzato
Act II: Scene 1: Vedi! Le fosche notturne spoglie
Act II: Scene 1: Stride la vampa!
Act II: Scene 1: Soli or siamo!
Act II: Scene 1: Condotta ell'era in ceppi
Act II: Scene 1: Non son tuo figlio?
Act II: Scene 1: Mal reggendo all'aspro assalto
Act II: Scene 1: Inoltra il pič
Act II: Scene 1: Perigliarti ancor languente
Act II: Scene 2: Tutto č deserto
Act II: Scene 2: Il balen del suo sorriso
Act II: Scene 2: Qual suono! Oh ciel!
Act II: Scene 2: Per me ora fatale
Act II: Scene 2: Ah! Se l'error t'ingombra
Act II: Scene 2: Perchč piangete?
Act II: Scene 2: E deggio e posso crederlo?
Act III: Scene 1: Or co'dadi
Act III: Scene 1: Squilli, echeggi la tromba guerriera
Act III: Scene 1: In braccio al mio rival!... Giorni poveri vivea
Act III: Scene 2: Quale d'armi fragor poc'anzi intesi?
Act III: Scene 2: Ah, sě, ben mio
Act III: Scene 2: L'onda de'suoni mistici
Act III: Scene 2: Di quella pira
Act IV: Scene 1: Siam giunti
Act IV: Scene 1: D'amor sull'ali rosee
Act IV: Scene 1: Miserere d'un'alma giŕ vicina
Act IV: Scene 1: Tu vedrai che amore in terra
Act IV: Scene 1: Udiste? Come albeggi
Act IV: Scene 1: Mira, di acerbe lagrime
Act IV: Scene 1: Vivrŕ! Contende il giubilo
Act IV: Scene 2: Madre, non dormi?
Act IV: Scene 2: Ai nostri monti
Act IV: Scene 2: Che!...Non m'inganna!
1. Maestoso
2. Larghetto
3. Allegro vivace
Chopin: Piano Concerto No.2 In F Minor, Op.21 - 1. Maestoso
Chopin: Piano Concerto No.2 In F Minor, Op.21 - 2. Larghetto
Chopin: Piano Concerto No.2 In F Minor, Op.21 - 3. Allegro vivace
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 1. Allegro maestoso
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 2. Romance (Larghetto)
Chopin: Piano Concerto No.1 In E Minor, Op.11 - 3. Rondo (Vivace)
Copland: Appalachian Spring - 1945 Suite - 1. Very slowly
Copland: Appalachian Spring - 1945 Suite - 2. Allegro
Copland: Appalachian Spring - 1945 Suite - 3. Moderato: The Bride and her Intended
Copland: Appalachian Spring - 1945 Suite - 4. Fast: The Revivalist and his Flock
Copland: Appalachian Spring - 1945 Suite - 5. Allegro: Solo Dance of the Bride
Copland: Appalachian Spring - 1945 Suite - 6. Meno mosso
Copland: Appalachian Spring - 1945 Suite - 7. Doppio movimento: Variations on a Shaker Hymn
Copland: Appalachian Spring - 1945 Suite - 8. Moderato: Coda
Holst: The Planets, op.32 - 1. Mars, the Bringer of War
Holst: The Planets, op.32 - 2. Venus, the Bringer of Peace
Holst: The Planets, op.32 - 3. Mercury, the Winged Messenger
Holst: The Planets, op.32 - 4. Jupiter, the Bringer of Jollity
Holst: The Planets, op.32 - 5. Saturn, the Bringer of Old Age
Holst: The Planets, op.32 - 6. Uranus, the Magician
Holst: The Planets, op.32 - 7. Neptune, the Mystic
"All'erta! all'erta!"
"Di due figli"
"Che piů t'arresti?"
"Tacea la notte" - "Quanto narrasti di turbamento"
"Di tale amor"
"Tacea la notte!"
"Deserto sulla terra"
"Infida!...Qual voce!"
"Vedi! le fosche notturne spoglie" (Anvil Chorus)
"Stride la vampa!...Mesta č la tua canzon!"
"Soli or siamo"..."Condotta ell'era in ceppi"
"Non son tuo figlio?"
"Mal reggendo all'aspro assalto"
"Perigliarti ancor languente"
"Tutto č deserto"
"Il balen del suo sorriso" - "Qual suono! o ciel!"
"Ah, se l'error t'ingombra...Perchč piangete?"
"E deggio e posso crederlo?"
"Or co' dadi"
"Squilli, echeggi la tromba"
"In braccio al mio rival!" - "Che fu?" "Dappresso il campo"
"Giorni poveri vivea"
"Quale d'armi fragor"
"Ah sě ben mio"
"L'onda de'suoni mistici" - "Manrico!"
"Di quella pira"
"Siam giunti: ecco la torre"
"D'amor sull'ali rosee"
"Miserere d'un'alma"
"Tu vedrai che amore"
"Udiste? Come albeggi" - "Abuso forse quel poter"
"A te davanti!" Qual voce!" - "Mira, di aberce la- grime"
"Mira di acerbe lagrime"
"Vivrŕ!...contende il giubilo"
"Madre, non dormi?"
"Sě; la stanchezza m'opprime"
"Che! Non m'inganno! Quel fioco lume..."
"Parlar non vuoi?"
"Ti scosta!"
"Prima che d'altri vivere"
1. Allegro con brio
2. Largo
3. Rondo (Allegro scherzando)
1. Allegro con brio
2. Adagio
3. Rondo (Molto allegro)
1. Allegro con brio
2. Largo
3. Rondo (Allegro)
1. Allegro moderato
2. Andante con moto
3. Rondo (Vivace)
1. Allegro
2. Adagio un poco mosso
3. Rondo (Allegro)
1. Allegro con brio
2. Largo
3. Rondo (Allegro)
Aida (1989 Digital Remaster): Prelude
Aida (1989 Digital Remaster), Act 1, Scene 1: Sě, corre voce che l'Etiope ardisca (Ramfis, Radames)
Aida (1989 Digital Remaster), Act 1, Scene 1: Se quel guerrier io fossi! (Radames)
Aida (1989 Digital Remaster), Act 1, Scene 1: Celeste Aida (Radames)
Aida (1989 Digital Remaster), Act 1, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames)
Aida (1989 Digital Remaster), Act 1, Scene 1: Vieni, o diletta' appressati (Amneris, Aida, Radames)
Aida (1989 Digital Remaster), Act 1, Scene 1: Alta cagion v'aduna (King, Messenger, Aida, Radames, Amneris, Priests, Officers)
Aida (1989 Digital Remaster), Act 1, Scene 1: Su! del Nilo al sacro lido (King, Aida, Radames, Amneris, Ramfis, Priests, Officers, Messenger)
Aida (1989 Digital Remaster), Act 1, Scene 1: Ritorna vincitor! (Aida)
Aida (1989 Digital Remaster), Act 1, Scene 2: Possente Fthŕ...Ti che nulla hai tratto (Priestess, Ramfis, Priests, Priestesses)
Aida (1989 Digital Remaster), Act 1, Scene 2: Sacred Dance of the Priestesses... Immenso Fthŕ...Mortal, diletto ai Numi (Priestesses, Ramfis, Priests)
Aida (1989 Digital Remaster), Act 1, Scene 2: Nume, custode e vindice (Ramfis, Radames, Priests, Priestesses, Priestess)
Aida (1989 Digital Remaster), Act 2, Scene 1: Chi mai fra gl'inni e i plausi (Slaves, Amneris)
Aida (1989 Digital Remaster), Act 2, Scene 1: Dance of the Moorish Slaves
Aida (1989 Digital Remaster), Act 2, Scene 1: Vieni, sul crin ti piovano (Slaves, Amneris)
Aida (1989 Digital Remaster), Act 2, Scene 1: Fu la sorte dell'armi a' tuoi funesta (Amneris, Aida)
Aida (1989 Digital Remaster), Act 2, Scene 1: Pietŕ ti prenda del mio dolor (Amneris, Aida)
Aida (1989 Digital Remaster), Act 2, Scene 1: Su! del Nilo...Numi, pietŕ del mio martir (Chorus, Amneris, Aida)
Aida (1989 Digital Remaster), Act 2, Scene 2: Gloria all'Egitto, ad Iside (Crowd, Priests)
Aida (1989 Digital Remaster), Act 2, Scene 2: Triumphal March
Aida (1989 Digital Remaster), Act 2, Scene 2: Ballet
Aida (1989 Digital Remaster), Act 2, Scene 2: Vieni, o guerriero vindice (People, Priests)
Aida (1989 Digital Remaster), Act 2, Scene 2: Salvator della patria (King, Radames, Ramfis, Priests)
Aida (1989 Digital Remaster), Act 2, Scene 2: Che veggo!...Ma tu, Re (Aida, Amneris, Amonasro, Kings, Prisoners, Ramfis, Priests, People)
Aida (1989 Digital Remaster), Act 2, Scene 2: Il dolor che in quel volto favella (Tutti)
Aida (1989 Digital Remaster), Act 2, Scene 2: O Re, pei sacri Numi...Gloria all'Egitto (Radames, King, Ramfis, Amneris, Amonasro, Tutti)
Aida (1989 Digital Remaster), Act 3: O tu che sei d'Osiride (Chorus)
Aida (1989 Digital Remaster), Act 3: Vieni d'Iside al Tempio (Ramfis, Amneris, Chorus)
Aida (1989 Digital Remaster), Act 3: Qui Radames verrŕ (Aida)
Aida (1989 Digital Remaster), Act 3: O patria mia (Aida)
Aida (1989 Digital Remaster), Act 3: Ciel! mio padre (Aida, Amonasro)
Aida (1989 Digital Remaster), Act 3: Rivedrai le foreste imbalsamente (Amonasro, Aida)
Aida (1989 Digital Remaster), Act 3: Pur ti riveggo, mia dolce Aida (Radames, Aida)
Aida (1989 Digital Remaster), Act 3: Nel fiero anelito di nuova guerra (Radames, Aida)
Aida (1989 Digital Remaster), Act 3: Fuggiam gli ardori inospiti...Lŕ, tra foreste vergini (Aida, Radames)
Aida (1989 Digital Remaster), Act 3: Ma dimmi; per qual via (Aida, Radames, Amonasro, Amneris, Ramfis)
Aida (1989 Digital Remaster), Act 4, Scene 1: L'abborrita rivale a me sfuggia (Amneris)
Aida (1989 Digital Remaster), Act 4, Scene 1: Giŕ i sacerdoti adunansi (Amneris, Radames)
Aida (1989 Digital Remaster), Act 4, Scene 1: Ohimč! morir mi sento! (Amneris)
Aida (1989 Digital Remaster), Act 4, Scene 1: Spirito del Nume (Ramfis, Priests, Amneris)
Aida (1989 Digital Remaster), Act 4, Scene 1: A lui vivo, la tomba!...Sacerdoti:compiste un delitto! (Ramfis, Priests, Amneris)
Aida (1989 Digital Remaster), Act 4, Scene 2: La fatal pietra sovra me si chiuse (Radames, Aida)
Aida (1989 Digital Remaster), Act 4, Scene 2: Vedi? Di morte l'angelo...Immenso Fthŕ (Aida, Priestesses, Priests, Radames)
Aida (1989 Digital Remaster), Act 4, Scene 2: O terra, addio (Aida, Radames, Priests, Priestesses, Amneris)
Le Carnaval des animaux, 'Carnival of the Animals': Introduction and Royal March of the Lion
Le Carnaval des animaux, 'Carnival of the Animals': Hens and Cocks
Le Carnaval des animaux, 'Carnival of the Animals': Wild Asses
Le Carnaval des animaux, 'Carnival of the Animals': Tortoises
Le Carnaval des animaux, 'Carnival of the Animals': The Elephant
Le Carnaval des animaux, 'Carnival of the Animals': Kangaroos
Le Carnaval des animaux, 'Carnival of the Animals': The Aquarium
Le Carnaval des animaux, 'Carnival of the Animals': Persons with Long Ears
Le Carnaval des animaux, 'Carnival of the Animals': Cuckoo in the Heart of the Woods
Le Carnaval des animaux, 'Carnival of the Animals': The Aviary
Le Carnaval des animaux, 'Carnival of the Animals': Pianists
Le Carnaval des animaux, 'Carnival of the Animals': Fossils
Le Carnaval des animaux, 'Carnival of the Animals': The Swan
Le Carnaval des animaux, 'Carnival of the Animals': Finale
Mahler: Symphony No.2 in C minor - "Resurrection" - 1. Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
Mahler: Symphony No.2 in C minor - "Resurrection" - 2. Andante moderato. Sehr gemächlich
Mahler: Symphony No.2 in C minor - "Resurrection" - 3. Scherzo: In ruhig fliessender Bewegung
Mahler: Symphony No.2 in C minor - "Resurrection" - 4. "O Röschen rot! Der Mensch liegt in grösster Not!" (Sehr feierlich aber schlicht) Text from Des Knaben Wunderhorn: "Urlicht"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5a. Im Tempo des Scherzos. Wild herausfahrend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5b. Maestoso. Sehr zurückhaltend - Wieder zurückhaltend -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5c. Sehr langsam und gedehnt -
Mahler: Symphony No.2 in C minor - "Resurrection" - 5d. "Aufersteh'n, ja aufersteh'n wirst du" (Langsam. Misterioso) - Text after F.G. Klopstock: "Auferstehung"
Mahler: Symphony No.2 in C minor - "Resurrection" - 5e. "O glaube, mein Herz, o glaube" (Etwas bewegter) Text after F.G. Klopstock: "Auferstehung"
1. Allegro molto moderato
2. Adagio
3a. Molto vivace
3b. Allegro molto moderato - reprise
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 1. Allegro con brio
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 2. Largo
Beethoven: Piano Concerto No.3 in C minor, Op.37 - 3. Rondo (Allegro)
1. Allegro con brio
2. Largo
3. Rondo (Allegro scherzando)
1. Maestoso
2. Larghetto
3. Allegro vivace
1. Allegro maestoso
2. Romance (Larghetto)
3. Rondo (Vivace)
Puccini: Turandot / Act 3 - Nessun dorma!
Puccini: Turandot / Act 3 - Nessun dorma!
Allegro brioso - Poco piů mosso - Tempo primo
Meno mosso
Andante assai
Allegro scherzando - Poco piů sostenuto
Concerto for Piano and Orchestra No.2 in G minor, Op.16: I. Andantino
II. Scherzo. Vivace
III. Intermezzo. Allegro moderato
IV. Finale. Allegro tempestoso
Concerto No. 3 in C Major for Piano and Orchestra, Op. 26: I. Andante - Allegro
II. Tema con variazioni: Tema. Andantino
Var. 1. L'istesso tempo
Var. 2. Allegro
Var. 3. Allegro moderato (poco meno mosso)
Var. 4. Andantino meditativo
Var. 5. Allegro giusto
Tema. L'istesso tempo
III. Allegro ma non troppo
Beethoven: Piano Concerto No.4 in G, Op.58 - 1. Allegro moderato
Beethoven: Piano Concerto No.4 in G, Op.58 - 2. Andante con moto
Beethoven: Piano Concerto No.4 in G, Op.58 - 3. Rondo (Vivace)
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 1. Allegro
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 2. Adagio un poco mosso
Beethoven: Piano Concerto No.5 in E flat major Op.73 -"Emperor" - 3. Rondo (Allegro)
Aida: Prelude
Aida, Act I, Scene 1: Sě, corre voce che l'Etiope ardisca (Ramfis, Radames)
Aida, Act I, Scene 1: Se quel guerrier io fossi! (Radames)
Aida (1989 Digital Remaster), Act I, Scene 1: Celeste Aida (Radames)
Aida, Act I, Scene 1: Quale insolita gioia nel tuo sguardo! (Amneris, Radames)
Aida, Act I, Scene 1: Vieni, o diletta' appressati (Amneris, Aida, Radames)
Aida, Act I, Scene 1: Alta cagion v'aduna (King, Messenger, Aida, Radames, Amneris, Priests, Officers)
Aida, Act I, Scene 1: Su! del Nilo al sacro lido (King, Aida, Radames, Amneris, Ramfis, Priests, Officers, Messenger)
Verdi: Aida: Act I, Scene 1: Ritorna vincitor! (Aida)
Aida, Act I, Scene 2: Possente Fthŕ...Ti che nulla hai tratto (Priestess, Ramfis, Priests, Priestesses)
Aida, Act I, Scene 2: Sacred Dance of the Priestesses... Immenso Fthŕ...Mortal, diletto ai Numi (Priestesses, Ramfis, Priests)
Aida (1989 Digital Remaster), Act 1, Scene 2: Nume, custode e vindice (Ramfis, Radames, Priests, Priestesses, Priestess)
Aida, Act II, Scene 1: Chi mai fra gl'inni e i plausi (Slaves, Amneris)
Aida, Act II, Scene 1: Dance of the Moorish Slaves
Aida, Act II, Scene 1: Vieni, sul crin ti piovano (Slaves, Amneris)
Aida, Act II, Scene 1: Fu la sorte dell'armi a' tuoi funesta (Amneris, Aida)
Aida, Act II, Scene 1: Pietŕ ti prenda del mio dolor (Amneris, Aida)
Aida, Act II, Scene 1: Su! del Nilo...Numi, pietŕ del mio martir (Chorus, Amneris, Aida)
Aida, Act II, Scene 2: Gloria all'Egitto, ad Iside (Crowd, Priests)
Aida, Act II, Scene 2: Triumphal March
Aida, Act II, Scene 2: Ballet
Aida, Act II, Scene 2: Vieni, o guerriero vindice (People, Priests)
Aida, Act II, Scene 2: Salvator della patria (King, Radames, Ramfis, Priests)
Aida, Act II, Scene 2: Che veggo!...Ma tu, Re (Aida, Amneris, Amonasro, Kings, Prisoners, Ramfis, Priests, People)
Aida, Act II, Scene 2: Il dolor che in quel volto favella (Tutti)
Aida, Act II, Scene 2: O Re, pei sacri Numi...Gloria all'Egitto (Radames, King, Ramfis, Amneris, Amonasro, Tutti)


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