Yuli Turovsky

Biography

Born: June 7, 1937; Moscow, Russia  
Yuli Turovsky is one of many Russian émigré musicians who has established a career in the West as a conductor and soloist. Like Mstislav Rostropovich, he was trained as a cellist who gradually became attracted to conducting, often splitting his career evenly between the podium and instrumental performance. He is probably best-known as the conductor of I Musici de Montréal, the Canadian chamber ensemble he founded and with which he has appeared on Read more over 40 recordings.

Turovsky started lessons on the cello at seven; two years later, in 1946, he began studies at Moscow's Central School of Music. After graduating in 1957, he enrolled at the Tchaikovsky Conservatory, where he studied cello with Galina Kozolupova. He graduated in 1962 with high honors and received a doctorate degree from the conservatory in 1969, by which time he had already established a career both as a soloist and chamber music collaborator. He was a member of the Moscow Chamber Orchestra, led by Rudolf Barshai, serving as principal cellist and often performing as a soloist. He had also tried his hand at conducting by this time, leading a group formed at Moscow's Gnessin Music School. In 1969, he captured first prize at the prestigious U.S.S.R. Cello Competition, after which his career rapidly advanced. He made a number of recordings with the Soviet label Melodiya and began gaining international recognition from their issue, as well as from his tours abroad with the MCO In 1976, he emigrated from the Soviet Union to Canada with his wife, Eleonora Turovsky, a violinist with whom he often concertized. Settling in Montreal, Turovsky founded the Borodin Trio in 1977 and, with his wife, also formed the Turovsky Duo. The other members of the Borodin Trio were Luba Edlina on piano and Rostislav Dubinsky on violin. Turovsky also joined the faculty of the Montreal Conservatory in 1977, serving until 1985. In 1980, Turovsky was granted Canadian citizenship and the following year began teaching at the University of Montreal. He founded the Montreal-based chamber ensemble I Musici de Montréal in 1983, but the group would not give its first public concert until November 1984. The ensemble consists of only 15 players -- nine violinists, three violists, two cellists, and one double-bass player. Eleonora Turovsky was appointed concertmaster. (It should be noted that she is also a well-known painter, her work having attracted attention at exhibitions in both Moscow and Montreal.) In 1983, Turovsky and his I Musici group began making recordings for the Chandos label. Their more successful efforts included the Shostakovich Symphony No. 14, the Tchaikovsky Souvenir de Florence, and Schoenberg's Verklärte Nachte. In 1993, Turovsky departed the Borodin Trio as his activities both in the concert hall and recording studio were growing more demanding. He had made about 25 recordings with the group, which included performances of piano trios by Hummel, Mozart, Mendelssohn, and many other works. Read less
Tranquility / Yuli Turovsky, I Musici De Montreal
Release Date: 10/28/1992   Label: Chandos  
Catalog: 8573   Number of Discs: 1
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Boccherini, Vivaldi: Cello Concertos / Yuli Turovsky
Release Date: 10/28/1992   Label: Chandos  
Catalog: 8408   Number of Discs: 1
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Shostakovich: Symphony No 14 / Turovsky, Holleque, Storojev
Release Date: 10/28/1992   Label: Chandos  
Catalog: 8607   Number of Discs: 1
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Ginastera, Villa-lobos: Music For Strings / Yuli Turovsky
Release Date: 03/19/1996   Label: Chandos  
Catalog: 9434   Number of Discs: 1
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Arensky: Violin Concerto;  Glazunov / Turovsky, Et Al
Release Date: 02/18/1997   Label: Chandos  
Catalog: 9528   Number of Discs: 1
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There are 40 Yuli Turovsky recordings available.

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Biography

Born: June 7, 1937; Moscow, Russia  
Yuli Turovsky is one of many Russian émigré musicians who has established a career in the West as a conductor and soloist. Like Mstislav Rostropovich, he was trained as a cellist who gradually became attracted to conducting, often splitting his career evenly between the podium and instrumental performance. He is probably best-known as the conductor of I Musici de Montréal, the Canadian chamber ensemble he founded and with which he has appeared on Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
II. Allegretto -
III. Andantino -
VI. Allegro brillante
No. 1 in G major
No. 2 in B flat major
No. 3 in G major
No. 4 in C major - Trio
No. 5 in A major
No. 6 in D major
No. 7 in G major
No. 8 in D major
No. 9 in B flat major
No. 10 in C major
No. 11 in F major
No. 12 in D major
No. 8. Tempo I
No. 1. Im Landler Tempo
No. 9. -
I. Prelude
II. Scherzo
III. Nocturne
IV. Fugue -
V. Postlude
Main Title -
Anna's Theme -
Death of Anna -
Coitus Musicales -
Journey to China -
Shanghai -
Pope's Betrayal -
Victoria's Departure -
The Auction -
Gypsy Cadenza -
Anna's Theme
I. Massig
II. Sehr rasch
III. Litanei: Langsam
IV. Entruckung
I. Allegro non troppo
II. Molto adagio
III. Allegro assai
I. Vivace
II. Arioso: Andantino
III. Rondo: Allegro
No. 1 in G major
No. 2 in B flat major
No. 3 in G major
No. 4 in C major - Trio
No. 5 in A major
No. 6 in D major
No. 7 in G major
No. 8 in D major
No. 9 in B flat major
No. 10 in C major
No. 11 in F major
No. 12 in D major
I. Jocul cu bata (Stick dance) -
II. Braul (Sash dance) -
III. Pe loc (In one spot) -
IV. Buciumeana (Horn dance) -
V. Poarga romaneasca (Romanian polka) -
VI. Maruntel (Fast dance): L'istesso tempo -
Allegro vivace
No. 1. Im Landler Tempo
No. 2. Piu agitato
No. 3. Tempo I
No. 4. -
No. 5. -
No. 6. Grazioso - Poco piu lento - Tempo I
No. 7. Piu lento
No. 8. Tempo I
No. 9. -
No. 10. -
No. 11. Piu animato
No. 12. -
No. 13. Tempo I
No. 14. -
No. 15. -
No. 16. Animato
No. 17. Piu lento
No. 18. Animato
I. Allegro, pesante e serioso
II. Themes and Variations: Andante -
III. Presto
I. Andante
II. Allegretto
III. Largo
IV. Allegretto - Allegro - Largo
Caprice No. 2
Caprice No. 21
Caprice No. 20
Caprice No. 9
Caprice No. 24
Slowly and expressively -
Cadenza (freely) -
Rather fast
No. 1. Gospel Train - Old Time Religion: Briskly
No. 2. Were You There? - Steal Away: Slowly
No. 3. All God's Children Got Wings: Fast
No. 4. Little David Play on Your Harp: Freely, out of tempo, rhapsodic
No. 5. Calvary - He Never Said a Mumblin' Word: Slowly, moving, funereal
No. 6. Ezekiel Saw de Wheel: Brisk and spirited
I. Molto agitato ed energico
II. Larghissimo
III. Presto
I. Largo -
II. Allegro molto -
III. Allegretto -
IV. Largo -
V. Largo
I. Andante
II. Allegretto furioso
III. Adagio -
IV. Allegretto
No. 1. The lament for the dead child
No. 2. The thoughtful mother and aunt
No. 3. Lullaby
No. 4. Before a long parting
No. 5. A warning
No. 6. The abandoned father
No. 7. The song of misery
No. 8. Winter
No. 9. A good life
No. 10. The young girl's song
No. 11. Happiness
Moto perpetuo
Funeral March
Chant
Fugue and Finale
Lento -
Allegretto, andante molto -
Animato -
Tranquillo -
Allegro con moto -
Largamente -
Appassionato -
Alla valse moderato -
Allegro marcia -
Lento -
L'istesso tempo
I. Boisterous bouree
I. Boisterous bouree
II. Playful Pizzicato
II. Playful Pizzicato
III. Sentimental Sarabande
III. Sentimental Sarabande
IV. Frolicsome Finale
IV. Frolicsome Finale
I. Introduction: Presto - Moderato -
II. Allegretto -
III. Andantino -
IV. Brillante -
V. Andantino -
VI. Allegro brillante
I. Allegro
II. Andantino
III. Prestissimo
IV. Allegro assai mosso
I. Allegro non molto
II. Largo
III. Allegro molto
I. Allegro
II. Largo
III. Allegro
I. Allegro
II. Largo
III. Allegro
I. Allegro
II. Largo
III. Presto
I. Allegro moderato
II. Largo
III. Allegro
I. Allegro molto
II. Andante molto
III. Allegro
I. Preludio: Andante -
II. Toccata: Allegro -
III. Recitativo: Lento -
IV. Cadenza -
V. Rondo: Agitato -
VI. Postludio: Andante
I. Ludus: Con moto
II. Silentium: Senza moto
I. Allegro molto -
II. Vivace marcatissimo
I. Moderato
II. Tempo di valse
III. Scherzo: Vivace
IV. Larghetto
V. Finale: Allegro vivace
No. 1 in A major: Moderato
No. 2 in D flat major: Allegro vivace
I. Allegro moderato
II. Scherzo: Allegro
III. Notturno: Andante
IV. Finale: Andante - Vivace
Allegro -
Adagio non troppo - Allegro -
Tempo di valse -
Poco meno moss
Allegro commodo -
Adagio - Piu mosso allegro -
Allegro marciale -
I. Allegro moderato
II. Theme: Andantino tranquillo -
II. Variation 1 -
II. Variation 2 [chromatica]: Andantino -
II. Variation 3 [eroica]: Allegro moderato -
II. Variation 4 [lyrica]: Adagio -
II. Variation 5 [Intermezzo]: Allegro -
II. Variation 6 [quasi una fantasia]: Lento -
II. Variation 7 [Mazurka]: Allegretto -
II. Variation 8 [Scherzando]: Allegro ma non troppo -
II. Variation 9 [Finale]: Allegro moderato
I. Variazioni per i solisti
II. Scherzo fantastico: Presto
III. Adagio angoscioso
IV. Finale furioso
I. Timide: Poco andante
II. Mysterieuse: Andantino
III. Inquiete [Air de ballet]: Poco allegretto
No. 1. Calle de la botica -
No. 2. L'Espingueri -
No. 3. Si la nieve resbala -
No. 4. La alegria -
No. 5. Amante, amante -
No. 6. Dansa -
No. 7. Charro va -
No. 8. Arada: Libero -
No. 9. Alsa Bayona -
No. 10. La ronda -
No. 11. Muneiras -
No. 12. Nana -
No. 13. Palomita -
No. 14. Charrada -
No. 15. Cantiga
I. Prelude: Vagaroso e mistico -
II. Fugue: Poco apressado
I. Introduction and Royal March of the Lion
II. Hens and Cockerels
III. Wild Asses
IV. Tortoises
V. The Elephant
VI. Kangaroos
VII. Aquarium
VIII. People with Long Ears
IX. The Cuckoo in the Depths of the Woods
X. Aviary
XI. Pianists
XII. Fossils
XIII. The Swan
XIV. Finale
I. Allegro
II. Minuetto: Maestoso - Trio
III. Adagio cantabile
IV. Presto
I. Introduction
II. Dance
III. Intermezzo No. 1
IV. Changing of the Guard
V. Carmen's Entrance and Habanera
VI. Scene
VII. Intermezzo No. 2
VIII. Bolero
IX. Torero
X. Torero and Carmen
XI. Adagio
XII. Fortune Telling
XIII. Finale
Scene 1: Introduction: Adagio
Scene 1: Vsye govoryat: nyet pravdi na zyemle (Salieri)
Scene 1: O Mozart, Mozart! (Salieri, Mozart)
Scene 1: Iz Mozarta nam chtonibud! (Mozart, Salieri)
Scene 1: Pryedstav sebye ... kovo bui? (Mozart)
Scene 1: Tui s ietim shel ko mnye (Salieri, Mozart)
Scene 1: Nyet, nye mogu protivitsya ya dole dudbye moyei (Salieri)
Scene 1: Intermezzo: Fughetta: Allegro
Scene 2: Chto tui syevodnya pasmuryen? (Salieri, Mozart)
Scene 2: Nyedyeli tri tomu, prishelya pozdno domoi (Mozart, Salieri)
Scene 2: Mozart's Requiem: Adagio
Scene 2: Tui plachesh? (Mozart, Salieri)
Scene 2: Togda b nye mog i mir sushchestvovat (Mozart)
Scene 2: Tui zasnyosh (Salieri)


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