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 The Art Of Robert Bloom - Bach Aria Group Vol 1
Release Date: 01/01/2001 
Label:  Boston Records   Catalog #: 1036   Spars Code: n/a 
Composer:  Johann Sebastian Bach
Performer:  Erna Berger,  Bernard Greenhouse,  Erich Itor Kahn,  Robert Bloom,  Mack Harrell, 
Marian Anderson,  Carol Smith,  Norman Farrow,  Maurice Wilk, 
William Warfield,  Paul Ulanowsky,  Maureen Forrester
Conductor:  William Jonson,  Frank Brieff
Orchestra/Ensemble:  Orchestra,  Bach Aria Group,  Choral Art Society,  Bach Aria Group Orchestra, 
Bach Aria Group Chorus

Number of Discs: 1 
Recorded in: n/a 
Length: 1 Hours 3 Mins. 

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Notes & Editorial Reviews  |  Works On This Recording  |  Customer Reviews
 Notes & Reviews Back to Top 
This CD contains excerpts of William H. Scheide's comments on WQXR and
excerpts from "A Robert Bloom Birthday Party" from "The Listening Room" on WQXR in May, 1988.
 Works on This Recording Back to Top 
1.  Weichet nur, betrübte Schatten, BWV 202 "Wedding Cantata" by Johann Sebastian Bach
Performer:  Erna Berger (Soprano), Bernard Greenhouse (Cello), Erich Itor Kahn (Piano),
Robert Bloom (Oboe)
Conductor:  William Jonson
Orchestra/Ensemble:  Orchestra,  Bach Aria Group,  Choral Art Society
Period: Baroque 
Written: circa 1718-1723; Cöthen, Germany 
 		Date of Recording: 12/05/1951 
Venue:  Live  Town Hall, New York City 
Length: 13 Minutes 57 Secs. 
2.  Ich bin ein guter Hirt, BWV 85: Ich bin ein guter Hirt by Johann Sebastian Bach
Performer:  Mack Harrell (Bass), Robert Bloom (Oboe)
Conductor:  William Jonson
Orchestra/Ensemble:  Orchestra,  Bach Aria Group,  Choral Art Society
Period: Baroque 
Written: 1725; Leipzig, Germany 
 		Date of Recording: 02/13/1952 
Venue:  Live  Town Hall, New York City 
Length: 3 Minutes 40 Secs. 
3.  Ach, lieben Christen, seid getrost, BWV 114: Du Machst, o Tod, mir nun nicht ferner bange by Johann Sebastian Bach
Performer:  Marian Anderson (Alto), Robert Bloom (Oboe)
Conductor:  William Jonson
Orchestra/Ensemble:  Orchestra,  Bach Aria Group,  Choral Art Society
Period: Baroque 
Written: 1724; Leipzig, Germany 
 		Date of Recording: 12/05/1951 
Venue:  Live  Town Hall, New York City 
Length: 4 Minutes 13 Secs. 
4.  Unser Mund sei voll Lachens, BWV 110: Ach Herr, was ist ein Menschenkind by Johann Sebastian Bach
Performer:  Bernard Greenhouse (Cello), Carol Smith (Alto), Erich Itor Kahn (Piano),
Robert Bloom (Oboe d'amore)
Conductor:  William Jonson
Orchestra/Ensemble:  Bach Aria Group
Period: Baroque 
Written: 1725; Leipzig, Germany 
 		Date of Recording: 01/07/1953 
Venue:  Live  Town Hall, New York City 
Length: 5 Minutes 15 Secs. 
5.  O Ewigkeit, du Donnerwort, BWV 60: no 3, Mein letztes Lager will mich schrecken by Johann Sebastian Bach
Performer:  Norman Farrow (Bass), Robert Bloom (Oboe d'amore), Maurice Wilk (Violin),
Carol Smith (Alto)
Conductor:  Frank Brieff
Orchestra/Ensemble:  Bach Aria Group,  Bach Aria Group Orchestra,  Bach Aria Group Chorus
Period: Baroque 
Written: 1723; Leipzig, Germany 
 		Date of Recording: 01/07/1953 
Venue:  Live  Town Hall, New York City 
Length: 13 Minutes 2 Secs. 
Notes: This track shares timing with recitative from Cantata 60: "Der Tod bleibt"
and "Es ist genug." 
6.  Sehet, wir gehn hinauf gen Jerusalem, BWV 159: Es ist vollbracht, das Leid ist alle by Johann Sebastian Bach
Performer:  William Warfield (Bass), Robert Bloom (Oboe)
Conductor:  Frank Brieff
Orchestra/Ensemble:  Bach Aria Group,  Bach Aria Group Orchestra
Period: Baroque 
Written: 1729; Leipzig, Germany 
 		Date of Recording: 01/06/1954 
Venue:  Live  Town Hall, New York City 
Length: 5 Minutes 41 Secs. 
7.  O Ewigkeit, du Donnerwort, BWV 60: no 4a, Der Tod bleibt doch der menschlichen Natur verhasst by Johann Sebastian Bach
Performer:  Maurice Wilk (Violin), Norman Farrow (Bass), Carol Smith (Alto),
Robert Bloom (Oboe d'amore)
Conductor:  Frank Brieff
Orchestra/Ensemble:  Bach Aria Group,  Bach Aria Group Orchestra,  Bach Aria Group Chorus
Period: Baroque 
Written: 1723; Leipzig, Germany 
 		Date of Recording: 01/07/1953 
Venue:  Live  Town Hall, New York City 
Notes: This track shares timing with "Mein letztes lager will mich schrecken" -
Cantata 60 and "Es ist genug." 
8.  O Ewigkeit, du Donnerwort, BWV 60: no 5, Es ist genug by Johann Sebastian Bach
Performer:  Maurice Wilk (Violin), Norman Farrow (Bass), Robert Bloom (Oboe d'amore),
Carol Smith (Alto)
Conductor:  Frank Brieff
Orchestra/Ensemble:  Bach Aria Group,  Bach Aria Group Orchestra,  Bach Aria Group Chorus
Period: Baroque 
Written: 1723; Leipzig, Germany 
 		Date of Recording: 01/07/1953 
Venue:  Live  Town Hall, New York City 
Notes: This track shares timing with "Mein letztes lager.." and "Der Tod bleibt" - from Cantata 60. 
9.  Gott, der Herr, ist Sonn und Schild, BWV 79: no 1, Gott ist unser Sonn' und Schild! by Johann Sebastian Bach
Performer:  Paul Ulanowsky (Piano), Robert Bloom (Oboe), Bernard Greenhouse (Cello),
Maureen Forrester (Alto)
Conductor:  Frank Brieff
Orchestra/Ensemble:  Bach Aria Group
Period: Baroque 
Written: 1725; Leipzig, Germany 
 		Date of Recording: 12/07/1966 
Venue:  Live  Town Hall, New York City 
Length: 3 Minutes 45 Secs. 
Notes: This track shares timing with a chorale from Cantata 79: Nun danket Alle. 
10.  Gott, der Herr, ist Sohn und Schild, BWV 79: no 3, Nun danket alle Gott by Johann Sebastian Bach
Performer:  Robert Bloom (Oboe)
Conductor:  William Jonson
Orchestra/Ensemble:  Orchestra,  Bach Aria Group,  Choral Art Society
Period: Baroque 
Written: 1725; Leipzig, Germany 
 		Date of Recording: 02/13/1952 
Venue:  Live  Town Hall, New York City 
Notes: This track shares timing with an aria from Cantata 79: Gott ist unser.... 
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