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William Croft
Born: December 30, 1678; Nether Ettington, Warwicks, England   Died: August 14, 1727; Bath, Somerset, England  
William Croft (sometimes called "Crofts") was a solid English composer and organist and one of the first of his country to pick up the developing Continental style of the late Baroque sonata. He is primarily known for his anthems and other church works and generally creates a rather dry impression of sturdiness rather than brilliance, charm, or leaps of imagination. He is credited with the great hymn tune of "O God Our Help in Ages ...
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Works
A Hymn on Divine Musick (3)
Almand in G major (1)
Burial Service (2)
Burial Service: I am the Resurrection and the Life (1)
Burial Service: I am the resurrection and the life, saith the Lord (1)
Burial Service: I know that my Redeemer liveth (1)
Burial Service: We brought nothing into this world (1)
Chaconne in A minor (1)
Croft's 136th (1)
Eatington (1)
God is gone up (5)
Ground (1)
Ground for Harpsichord (1)
Ground for harpsichord in C Minor, D 221 (1)
Ground in C minor (3)
Hear my prayer (1)
How long wilt thou forget me, O Lord for ever (1)
How Severe is my Fate (1)
I Hate a Fop that at his Glass (1)
I heard a voice from heaven (1)
I will sing unto the Lord (1)
Interlude (1)
Jubilate in D major (1)
Jubilate in D major: Symphony, Verse and Chorus (1)
Morning Service in D major (1)
Musica sacra: Hear my prayer, O Lord (8vv) (1)
Musica sacra: I will sing unto the Lord (1)
Musica sacra: O Lord God of my salvation (4/6vv) (1)
Musica sacra: O Lord, I will praise Thee (1)
Musica sacra: O Lord, rebuke me not (1)
Musica sacra: We wait for Thy loving kindness (1)
Musica sacra: We will rejoice in Thy salvation (1)
Musicus apparatus academicus (1)
O God our help in ages past (2)
O God Our Help in Ages Past (Tune: St. Anne) (3)
O God, our help in ages past (8)
O Lord God of my salvation (1)
O Lord I will praise thee (1)
O Lord rebuke me not (1)
O worship the king (9)
O worship the King (Tune: Hanover, or Tally's) (2)
Ode for the Peace of Utrecht (1)
Rejoice in the Lord (1)
Sarabande (1)
Sonata for 4 Violins and Basso Continuo (1)
Sonata for Recorder and Basso Continuo in G major (3)
Sonata for violin & harpsichord in A major (1)
Sonata for violin & harpsichord in B minor (1)
Sonata for violin & harpsichord in G minor (1)
St. Anne (2)
St. Matthew (1)
Suite for Harpsichord in A major (1)
Suite for Harpsichord in C minor (1)
Suite for Harpsichord in D minor (2)
Suite for harpsichord in F major (1)
Suite for harpsichord in G major (1)
Suite for Harpsichord no 3 in C minor (1)
Suite for Harpsichord no 3 in C minor: Ground (1)
Suite no 3 in C minor: Ground in C minor, Z D221 (1)
Suite no 3 in C minor: Sarabande (1)
Symphony Song: For rural and sincerer joys (1)
Trumpet Tune (1)
Voluntary (1)
Voluntary for Organ and Trumpets (2)
Voluntary for Organ in A minor (2)
Voluntary for organ in D (2)
Voluntary for Organ in D major (1)
Voluntary for Organ in D minor (1)
Voluntary in A minor for Double Organ (1)
We wait for thy loving kindness (1)
We will rejoice in thy salvation (1)
Work(s): Sarabande (1)
Biography by Joseph Stevenson
William Croft (sometimes called "Crofts") was a solid English composer and organist and one of the first of his country to pick up the developing Continental style of the late Baroque sonata. He is primarily known for his anthems and other church works and generally creates a rather dry impression of sturdiness rather than brilliance, charm, or leaps of imagination. He is credited with the great hymn tune of "O God Our Help in Ages Past."

He was a boy singer in the Chapel Royal and received music lessons from the choirmaster John Blow. As a favored student, Croft was promoted by Blow, whose help apparently got him the position of organist at the Church of St. Anne's in Soho; a good one, because a new organ had just been brought in. Later in the year, Croft and another young organist, Jeremiah Clarke, obtained the rights to the reversion of the position of organist and Gentleman Extraordinary of the Chapel Royal. In May 1704, the occupant of that position, Francis Pigott, died and the two organist/composers took over the job. Clarke, who evidently had a depressive personality, shot himself in 1707, leaving Croft as the sole occupant of the position. Croft had already gained attention owing to some of his anthems, including a couple celebrating the battles of Blenheim and Ramillies, showing that he was helping his aging teacher, Blow. When Blow died in 1708, Croft also inherited Blos's positions as Master of the Children of the Chapel Royal and organist of Westminster Abbey. Croft resigned from St. Anne's in 1712.

In 1713, he submitted two odes for solo voices, chorus, and orchestra to Oxford to earn a doctor of music degree. At a time when the German newcomer George Frideric Handel was gaining popularity, Croft kept in the good favor of Queen Anne. He wrote the standard Anglican burial service and in 1724 published a large number of anthems in a two-volume edition. This was revolutionary in the way it was arranged on the page; rather than the individual parts being printed on separate sheets, he had them all printed in score. These verse anthems marked a change in the style of such works; they are organized into longer subsections and generally juxtapose solos, duets, trios, and choruses, and include organ introductions. His instrumental pieces and secular vocal works, less solemn and formal, were all written in earlier parts of his career; he evidently devoted himself entirely to sacred music after about 1715.
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