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Locke: The Broken Consort, Part 1 / Wayward Sisters


Release Date: 03/25/2014 
Label:  Naxos   Catalog #: 8573020   Spars Code: DDD 
Composer:  Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Number of Discs: 1 
Length: 1 Hours 7 Mins. 

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Notes and Editorial Reviews

"It is gentle music, intimate, intricate and intended to be enjoyed by the players and small groups of friends. This recording is the debut release of Wayward Sisters, whose name refers not only to Henry Purcell’s vivid conjuring of Shakespeare’s witches, but to the group members’ far-flung lives and continuing commitment to making music together.”
-- WQXR, New York

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"Broken" consorts were popular in Restoration England, employing a variety of instruments rather than "unbroken" families of viols or woodwind. Their range of tonal colour allied to sprightly dance rhythms makes attractive listening, particularly when supplied by this highly accomplished US ensemble." Read more /> -- The Observer [2/22/14]

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Matthew Locke was Henry Purcell's direct predecessor at the English court and one of the best-known composers of mid-17th century England. Although this recording provides abundant examples of his harmonic genius, he remains less well-known than Purcell, whose melodic facility he lacked. This release by the U.S. group Wayward Sisters (which includes theorbist and honorary sister John Lenti) provides a reasonable place to start with his music: his compositions for "broken consort," or a mixed group of strings and winds, were numerous, and this release, the first in a series, covers only a small proportion of them. The collection called Tripla Concordia that frames the Broken Consort suites includes longer sequences of brief dances but is otherwise cut from the same cloth. The medium allowed Locke to merge the older style of English polyphony with the "concerted" or contrast-based style coming in from abroad, and this is accomplished in any clever ways in these little dances. Wayward Sisters, although their name may see them miscategorized as an Americana band, understand the music and give it brisk, lightly sentimental performances in something of a French style. The suburban Toronto church where the music was recorded is congenial to it, and in general the music provides the same mix of sophistication and fun that it did 350 years ago for its royal patrons.

-- All Music Guide
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Works on This Recording

1. Broken Consort, Part 1: Suite no 6 in D major by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
Written: 1661; England 
2. Broken Consort, Part 1: Suite no 5 in D minor by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
Written: 1661; England 
3. Broken Consort, Part 1: Suite no 3 in C major by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
Written: 1661; England 
4. Broken Consort, Part 1: Suite no 2 in G major by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
Written: 1661; England 
5. Broken Consort, Part 1: Suite no 1 in G minor by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
Written: 1661; England 
6. Broken Consort, Part 1: Suite no 4 in C major by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
7. Tripla concordia: Suite in E minor by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 
8. Tripla concordia: Suite in G major by Matthew Locke
Orchestra/Ensemble:  Wayward Sisters
Period: Baroque 

Sound Samples

Tripla concordia: Suite in G Major: I. Prelude
Tripla concordia: Suite in G Major: II. Fancy
Tripla concordia: Suite in G Major: III. Chiconae
Tripla concordia: Suite in G Major: IV. Aire
Tripla concordia: Suite in G Major: V. Hornpipe
Tripla concordia: Suite in G Major: VI. Gavat
Tripla concordia: Suite in G Major: VII. Corant
Tripla concordia: Suite in G Major: VIII. Country Dance
The Broken Consort, Part I: Suite No. 1 in G Minor: I. Fantazie
The Broken Consort, Part I: Suite No. 1 in G Minor: II. Courante
The Broken Consort, Part I: Suite No. 1 in G Minor: III. Ayre
The Broken Consort, Part I: Suite No. 1 in G Minor: IV. Saraband
The Broken Consort, Part I: Suite No. 2 in G Major: I. Fantasia
The Broken Consort, Part I: Suite No. 2 in G Major: II. Courante
The Broken Consort, Part I: Suite No. 2 in G Major: III. Ayre
The Broken Consort, Part I: Suite No. 2 in G Major: IV. Saraband
The Broken Consort, Part I: Suite No. 3 in C Major: I. Fantazie
The Broken Consort, Part I: Suite No. 3 in C Major: II. Courante
The Broken Consort, Part I: Suite No. 3 in C Major: III. Ayre
The Broken Consort, Part I: Suite No. 3 in C Major: IV. Saraband
The Broken Consort, Part I: Suite No. 4 in C Major: I. Fantazie
The Broken Consort, Part I: Suite No. 4 in C Major: II. Courante
The Broken Consort, Part I: Suite No. 4 in C Major: III. Ayre
The Broken Consort, Part I: Suite No. 4 in C Major: IV. Saraband
The Broken Consort, Part I: Suite No. 5 in D Minor: I. Fantazie
The Broken Consort, Part I: Suite No. 5 in D Minor: II. Courante
The Broken Consort, Part I: Suite No. 5 in D Minor: III. Ayre
The Broken Consort, Part I: Suite No. 5 in D Minor: IV. Saraband
The Broken Consort, Part I: Suite No. 6 in D Major: I. Fantazie
The Broken Consort, Part I: Suite No. 6 in D Major: II. Courante
The Broken Consort, Part I: Suite No. 6 in D Major: III. Ayre
The Broken Consort, Part I: Suite No. 6 in D Major: IV. Saraband
Tripla concordia: Suite in E Minor: I. Introduction
Tripla concordia: Suite in E Minor: II. Saraband
Tripla concordia: Suite in E Minor: III. Aire
Tripla concordia: Suite in E Minor: IV. Country Dance
Tripla concordia: Suite in E Minor: V. Gavat
Tripla concordia: Suite in E Minor: VI. Saraband
Tripla concordia: Suite in E Minor: VII. Fancy
Tripla concordia: Suite in E Minor: VIII. Jigge

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