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| Bach In The Evening | |||||
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Release Date: 11/13/2001 Label: Platinum Disc Catalog #: 1462 Spars Code: n/a Composer: Johann Sebastian Bach, Charles Gounod Performer: Rhondda Gillespie, Robert Weatherburn, Eberhard Kraus, Lionel Rogg, Roger Steptoe, Kurt Redel, Hans Petermichl, Vittorio Fanti Conductor: Sir Adrian Boult, Hans Petermichl, Kurt Redel, Pierre Lamont Orchestra/Ensemble: London Philharmonic Orchestra, Munich Bach Orchestra, Munich Pro Arte Orchestra, Rome Chamber Orchestra
Number of Discs: 1 |
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| Notes & Editorial Reviews | Works On This Recording | Customer Reviews | |||||
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| This collection contains sounds of nature as well as music. | |||||
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| Works on This Recording | Back to Top | |||
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| 1. |
Suite for Orchestra no 3 in D major, BWV 1068: Air by Johann Sebastian Bach |
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Conductor:
Sir Adrian Boult
Orchestra/Ensemble: London Philharmonic Orchestra Period: Baroque Written: circa 1729-1731; Leipzig, Germany |
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Length: 5 Minutes 7 Secs. |
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| 2. |
Brandenburg Concerto no 3 in G major, BWV 1048: 1st movement, Allegro by Johann Sebastian Bach |
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Conductor:
Hans Petermichl
Orchestra/Ensemble: Munich Bach Orchestra Period: Baroque Written: 1711-1713; ?Weimar, Germany |
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Length: 6 Minutes 27 Secs. |
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| 3. |
Was mir behagt, ist nur die muntre Jagd!, BWV 208 "Hunt Cantata": Schafe können sicher weiden by Johann Sebastian Bach |
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Performer:
Rhondda Gillespie (Piano),
Robert Weatherburn (Piano)
Period: Baroque Written: 1713; Cöthen, Germany |
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Length: 5 Minutes 32 Secs. |
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| Notes: Transcribed: Robert Weatherburn | |||||
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| 4. |
Concerto for Harpsichord in F minor, BWV 1056 by Johann Sebastian Bach |
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Performer:
Eberhard Kraus (Harpsichord)
Conductor: Kurt Redel Orchestra/Ensemble: Munich Pro Arte Orchestra Period: Baroque Written: circa 1738-1739; Leipzig, Germany |
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Length: 10 Minutes 50 Secs. |
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| 5. |
Prelude and Fugue in D major, BWV 532 by Johann Sebastian Bach |
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Performer:
Lionel Rogg (Organ)
Period: Baroque Written: 1708-1717; ?Weimar, Germany |
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Length: 10 Minutes 50 Secs. |
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| 6. |
Ave Maria by Charles Gounod |
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Performer:
Roger Steptoe (Piano)
Period: Romantic Written: 1859; France |
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Length: 1 Minutes 57 Secs. |
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Notes: Transcribed: Tilling This work is based on J.S. Bach's Prelude no 1 in C from 'The Well-Tempered Clavier.' |
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| 7. |
Wachet auf, ruft uns die Stimme, BWV 140: no 1, Wachet auf ruft uns die Stimme by Johann Sebastian Bach |
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Performer:
Rhondda Gillespie (Piano),
Robert Weatherburn (Piano)
Period: Baroque Written: 1731; Leipzig, Germany |
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Length: 5 Minutes 8 Secs. |
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| Notes: Transcribed: Robert Weatherburn | |||||
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| 8. |
Concerto for 3 Harpsichords in D minor, BWV 1063: 1st movement, Allegro by Johann Sebastian Bach |
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Performer:
Eberhard Kraus (Harpsichord),
Kurt Redel (Harpsichord),
Hans Petermichl (Harpsichord)
Conductor: Kurt Redel Orchestra/Ensemble: Munich Pro Arte Orchestra Period: Baroque Written: circa 1738-1739; Leipzig, Germany |
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Length: 6 Minutes 11 Secs. |
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| 9. |
Anna Magdalena Bach Notebook: Excerpt(s) by Johann Sebastian Bach |
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Performer:
Roger Steptoe (Piano)
Period: Baroque |
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Length: 3 Minutes 35 Secs. |
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| Notes: Transcribed: Tilling | |||||
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| 10. |
English Suite no 3 in G minor, BWV 808: Gavotte by Johann Sebastian Bach |
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Performer:
Roger Steptoe (Piano)
Period: Baroque Written: circa 1715; Weimar, Germany |
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Length: 1 Minutes 3 Secs. |
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| 11. |
Suite for Orchestra no 2 in B minor, BWV 1067: Badinerie by Johann Sebastian Bach |
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Performer:
Vittorio Fanti (Flute)
Conductor: Pierre Lamont Orchestra/Ensemble: Rome Chamber Orchestra Period: Baroque Written: Leipzig, Germany |
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Length: 1 Minutes 31 Secs. |
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