Viktor Ullmann

Biography

Born: January 1, 1898; Teschen   Died: October 18, 1944; Auschwitz, Poland  
Viktor Ullmann was among the most talented Czech composers of his generation and might well today be ranked just below the leading composers of the twentieth century but for the fact his life was cut tragically short at the Auschwitz death camp at age 46. Ullmann wrote music in a variety of genres, including opera, symphonic, chamber, piano solo, and song. He started out among the more progressive composers of his time, soaking up the influence Read more of Schoenberg, but by the early '30s he was moderating his style, and during the war, as a prisoner of the Nazis, his music became even more accessible. Today, amid the rediscovery of works by many of the composers victimized by the Holocaust, Ullmann's compositions are gaining supporters, and it would seem that while he likely will not emerge from the back ranks soon, his seven piano sonatas, Schoenberg Variations (for piano solo and for orchestra), Second Symphony, Third Quartet, and several songs may gain regular performances in concert halls and recording studios.

Viktor Ullmann was born in Teschen, Czechoslovakia, on January 1, 1898. He was raised a Roman Catholic by parents who had converted from Judaism. After studying music theory from 1914, he enrolled at Vienna University in 1918 for law studies, but by year's end was studying with Arnold Schoenberg. Ullmann completed studies in Prague, where he was mentored in the early part of his career by Alexander von Zemlinsky. Ullmann served as a répétiteur there and choral director, and then from 1922 as conductor at the opera house of the New German Theatre of Prague.

His earliest works, mostly songs, piano, and chamber works, were attracting attention in the mid-'20s, but it was in 1929, with the appearance of the Concerto for Orchestra and the revised version of the Schoenberg Variations, that Ullmann gained international notice.

Owing to the Nazi's rise to power, Ullmann returned to Prague in 1933, where he taught music, worked for Czechoslovak Radio, and wrote music criticism. He twice received the Emil Hertzka Prize for composition there -- in 1934 for the orchestral version of the Schoenberg Variations and in 1936 for his opera The Fall of the Antichrist. In 1942 Ullmann was arrested and sent to the Theresienstadt concentration camp. There he continued to compose and perform music (he was an accomplished pianist) until he was deported to Auschwitz and executed on October 18, 1944. Read less
Ullmann - Estranged Passengers / Conlon, Gurzenich Orchestra
Release Date: 01/01/2000   Label: Capriccio Records  
Catalog: 93505   Number of Discs: 1
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Ullmann: Symphonies 1 & 2, Six Lieder, Etc / Conlon, Et Al
Release Date: 04/01/2003   Label: Capriccio Records  
Catalog: 67017   Number of Discs: 1
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There are 41 Viktor Ullmann recordings available.

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Works

Viktor Ullmann


MOST POPULAR WORKS
1. Viertel = 100 "... den 24. November 1663 wurde Otto von Rilke"
2. "Reiten, reiten durch den Tag, durch die Nacht"
3. Ruhige Bewegung "Jemand erzählt von seiner Mutter"
4. Molto Allegro "Ein Tag durch den Troß"
5. Allegreto cantabile "Der von Langenau schreibt einen Brief"
1. Sehr ruhig "Rast! Gast sein einmal"
2. Allegro grazioso "Als Mahls beganns"
3. Adagio - Andante tranquillo "Einer, der weiße Seide trägt"
4. Unruhig, bewegt "Die Turmstube ist dunkel"
5. Andante "Ist das der Morgen?"
6. Allegro molto, agité "Aber die Fahne ist nicht dabei"
7. Prestissimo "Er läuft um die Wette mit brennenden Gängen"
Finale 8. Langsmaner als in Nr. 2. Mäßige Halbe "Im nächsten Frühjahr"
No. 1. Wo hast du all die Schonheit hergenommen (Where have you taken all the loveliness)
No. 2. Am Klavier (On the Piano)
No. 3. Stormlied (Storm Song)
No. 4. Wenn je ein Schones mir zu bilden gluckte (If I have managed to create)
No. 5. O schone Hand, Kelch, dessen Duft Musik (Oh lovely hand, vessel, whose scent is music)
I. Molto agitato
II. Andante (quasi marcia funebre) [Im memoriam Gustav Mahler]
III. Adagio - Presto
I. Allegro energico e agitato
II. Moderato. Theme & Variations [on Janacek's arrangement of a Moravian Folk Tune]
III. Prestissimo
I. Allegro grazioso, ma agitato
II. Scherzo: Allegro violente
III. Allegro grazioso [Variationen über ein Thema von Mozart (KV3)]
I. Allegro vivace
II. Adagio
III. Finale: Vivace molto - Presto
I. Allegro con brio
II. Andante
III. Toccatina: Vivace
IV. Serenade: Comodo
V. Finale fugato: Allegro molto
I. Allegro molto - Andante poco adagio
II. Allegretto grazioso -
III. Presto, ma non troppo -
IV. Tempo I
I. Allegro - Meno - Allegro grazioso
II. Alla marcia
III. Adagio, ma con moto
IV. Scherzo: Allegretto grazioso
V. Variationen und Fuge uber ein hebraisches Volkslied
WORKS
1. Viertel = 100 "... den 24. November 1663 wurde Otto von Rilke"
2. "Reiten, reiten durch den Tag, durch die Nacht"
3. Ruhige Bewegung "Jemand erzählt von seiner Mutter"
4. Molto Allegro "Ein Tag durch den Troß"
5. Allegreto cantabile "Der von Langenau schreibt einen Brief"
1. Sehr ruhig "Rast! Gast sein einmal"
2. Allegro grazioso "Als Mahls beganns"
3. Adagio - Andante tranquillo "Einer, der weiße Seide trägt"
4. Unruhig, bewegt "Die Turmstube ist dunkel"
5. Andante "Ist das der Morgen?"
6. Allegro molto, agité "Aber die Fahne ist nicht dabei"
7. Prestissimo "Er läuft um die Wette mit brennenden Gängen"
Finale 8. Langsmaner als in Nr. 2. Mäßige Halbe "Im nächsten Frühjahr"
No. 1. Wo hast du all die Schonheit hergenommen (Where have you taken all the loveliness)
No. 2. Am Klavier (On the Piano)
No. 3. Stormlied (Storm Song)
No. 4. Wenn je ein Schones mir zu bilden gluckte (If I have managed to create)
No. 5. O schone Hand, Kelch, dessen Duft Musik (Oh lovely hand, vessel, whose scent is music)
I. Molto agitato
II. Andante (quasi marcia funebre) [Im memoriam Gustav Mahler]
III. Adagio - Presto
I. Allegro energico e agitato
II. Moderato. Theme & Variations [on Janacek's arrangement of a Moravian Folk Tune]
III. Prestissimo
I. Allegro grazioso, ma agitato
II. Scherzo: Allegro violente
III. Allegro grazioso [Variationen über ein Thema von Mozart (KV3)]
I. Allegro vivace
II. Adagio
III. Finale: Vivace molto - Presto
I. Allegro con brio
II. Andante
III. Toccatina: Vivace
IV. Serenade: Comodo
V. Finale fugato: Allegro molto
I. Allegro molto - Andante poco adagio
II. Allegretto grazioso -
III. Presto, ma non troppo -
IV. Tempo I
I. Allegro - Meno - Allegro grazioso
II. Alla marcia
III. Adagio, ma con moto
IV. Scherzo: Allegretto grazioso
V. Variationen und Fuge uber ein hebraisches Volkslied
Thema - Variationen 1-9
Doppelfuge


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