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The Harry Partch Collection Vol 4 - The Bewitched

Release Date: 04/26/2005 
Label:  New World Records   Catalog #: 80624   Spars Code: ADD 
Composer:  Harry Partch
Performer:  Freda Schell
Conductor:  John Garvey
Orchestra/Ensemble:  University of Illinois Ensemble
Number of Discs: 1 
Recorded in: Stereo 
Length: 1 Hours 16 Mins. 

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Notes and Editorial Reviews

This recording of The Bewitched has been available in one form or another for nearly half-a-century—as an LP set on Partch’s own Gate 5 label, from CRI on LPs, as a CRI CD, and—with remastering by Joseph Dalton—as the fourth and last issue of CRI’s 1998 “Harry Partch Collection”. Its wacky whimsy, piquant microtonal weirdness, and fantasticated satire on musical tradition and American pop culture (still telling, by the way) may be presumed to be—but probably aren’t—known quantities. In any case, they may be far better known from New World’s splendid new recension. Partch’s biographer, Bob Gilmore, provides eminently readable annotation conveying one to the heart of Partch’s aesthetic, fleshed out, so to speak, with production photos Read more suggesting Partch’s freewheeling approach to danced theater. The composer’s own notes have been carried over, though Gilmore lends their flip surrealism a revealing context. The original tape, made just after the 1957 premiere at the University of Illinois-Urbana, has been mined by Mark Hoffman and Bill Blue with startling results. As the booklet proudly notes, “Meticulous analog and digital restoration . . . has brought new life to this amazing recording, with sonic qualities approaching those of modern recording technology.” And that’s a fact—sound is more than marginally richer and fuller than from any other issue. It’s only fair to note that a 1980 performance of The Bewitched, taped by WDR-Cologne, led by Kenneth Gaburo, is more highly inflected, though nearly identical in time. Gaburo and John Garvey, conductor at the premiere, were both students at University of Illinois when Partch was there—present at the creation. Moreover, the Gaburo performance is part of a three-CD set including Partch’s first large theater work, King Oedipus, and his spoken introduction to The Bewitched (Enclosure 5, Innova 405). The collector will want it all. Those discovering Partch have seldom before had such a welcoming introduction, while those who’ve grooved to The Bewitched—or those tantalized and puzzled by it—will find New World’s “upgrade” gratifying.

Adrian Corleonis, FANFARE
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Works on This Recording

The Bewitched by Harry Partch
Performer:  Freda Schell (Voice)
Conductor:  John Garvey
Orchestra/Ensemble:  University of Illinois Ensemble
Period: 20th Century 
Written: 1955; USA 
Date of Recording: 1957 
Venue:  University of Illinois, Champaigne, IL 
Length: 75 Minutes 43 Secs. 

Sound Samples

The Bewitched - Prologue: The Lost Musicians Mix Magic
The Bewitched - Scene1: Three Undergrads Become Transfigured In A Hong Kong Music Hall
The Bewitched - Scene 2: Exercises In Harmony And Counterpoint Are Tried In A Court Of Ancient Ritual
The Bewitched - Scene 3: The Romancing Of A Pathological Liar Comes To An Inspired End
The Bewitched - Scene 4: A Soul Tormented By Contemporary Music Finds A Humanizing Alchemy
The Bewitched - Scene 5: Visions Fill The Eyes Of A Defeated Basketball Team In The Shower Room
The Bewitched - Scene 6: Euphoria Ascends A Sausilito Staircase
The Bewitched - Scene 7: Two Detectives On The Trail Of A Tricky Culprit Turn In Their Badges
The Bewitched - Scene 8: A Court In Its Own Contempt Rises To A Motherly Apothesis
The Bewitched - Scene 9: A Lost Political Soul Finds HimselfAmong The Voteless Women Of Paradise
The Bewitched - Scene 10: The Cognoscenti Are Plunged Into A Demonic Descent While At Cocktails
Bewitched - Epilogue

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