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Troubadour Songs / Azema, Cohen, Camerata Mediterranea

Azema / Cohen / Camerata Mediterranea
Release Date: 10/26/2010 
Label:  Erato   Catalog #: 79864   Spars Code: n/a 
Composer:  Martin CodaxPeire VidalConon de BéthuneAnonymous,   ... 
Performer:  Shira KammenJoel CohenCheryl Ann FultonJean-Luc Madier,   ... 
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Number of Discs: 3 
Recorded in: Stereo 
Length: 3 Hours 14 Mins. 

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Notes and Editorial Reviews

A fascinating recording, characterized by imagination, color and scholarship, as well as by the quality and power of Anne Azéma's singing.


Imagination is an important virtue as far as this particular programme goes, since it pieces together texts and music from a variety of sources, combining them in ways that may well be entirely new. The period represented is the late eleventh century to the thirteenth century, essentially the period of the so-called Twelfth Century Renaissance. In Southern France, in the region of Proenza, or Provence to give it its modern name, this was a period of high originality and achievement in poetry and music alike. Though we are most familiar with the secular love poetry of
Read more the troubadours, many of the minstrel-troubadours, perhaps most of them, also included sacred songs in their repertoire.

A period of evangelical activity, some of these religious songs – all for use outside the liturgy – served the purposes of the new religious orders, while others may perhaps have been associated with the Cathars. Out of the often incomplete surviving materials, a persuasive and beautiful programme of such music has been put together with informed inventiveness and recorded on this CD.

In her booklet notes Anne Azéma quotes from a poem by one troubadour, Pierre de Corbiac: “I know a great many stories: the story of Merlin, of the death of King Arthur, of Tristan and Isolde, the great lovers. My Lords, I also know how to sing well in the service of the Holy Church ... The Lord God allows me to accomplish many things that will earn me salvation at the Day of Judgement” and explains that she and her colleagues have devised their own instrumental performance material, “basing it on pre-existent vocal sources, and drawing on medieval learning methods (embracing such aspects as performance from memory, improvisation, knowledge of rhetoric)”.

The results are fascinating and often very beautiful. In mood and attitude the range is considerable: there is fierce criticism of earthly corruption and tyranny, celebration of the birth of Christ and the new dawn promised by the incarnation; there is empathetic meditation on the sufferings of the crucified Christ and radiant praise of the Virgin Mary; there are narratives of miracles, lyrics of both fear and happiness.

Anne Azéma’s voice is an instrument with a considerable range – it can be earthy or ‘pure’, declamatory or intimate, gentle or powerful. But she never seems to be at pains to ‘display’ her voice, rather to put it at the service of material she obviously treasures. Her love for what she is singing is always evident, her voice always retains a strikingly natural quality, and the details of her performance always conditioned by an overriding determination to communicate the meaning of the text.

Azéma is well supported by a skilled team of vocalists and, above all, by the instrumental work of Shira Kammen and others. Kammen and Azéma work together particularly well, in, for example, ‘D’un sirventes far’, a polemic on the iniquities of Rome, where voice and fiddle intertwine in patterns of rich expressiveness. Throughout the mixture of shorter and longer tracks, and the constant variation of musical forces employed on different items guarantee a constantly changing experience for the listener.

-- Glyn Pursglove, MusicWeb International
reviewing disc 3, Provence Mystique
Read less

Works on This Recording

1.
Atlas undas que venez sur la mar by Martin Codax
Performer:  Shira Kammen (Rebec), Joel Cohen (Percussion), Shira Kammen (Violin),
Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century; Galicia 
2.
Esperanza de totz ferms esperans by Martin Codax
Performer:  Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Joel Cohen (Lute), Shira Kammen (Violin), Joel Cohen (Percussion),
Shira Kammen (Rebec), Cheryl Ann Fulton (Harp), Shira Kammen (Harp)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century; Galicia 
3.
Cantigas (7) de amigo: Ondas do mar de Vigo by Martin Codax
Performer:  Shira Kammen (Violin), Shira Kammen (Harp), Joel Cohen (Lute),
Anne Azéma (Soprano), Cheryl Ann Fulton (Harp), Jean-Luc Madier (),
François Harismendy (Baritone), Shira Kammen (Rebec), Joel Cohen (Percussion)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: circa 1230; Galicia 
Language: Portuguese 
4.
Pos tornatz sui en Proensa by Peire Vidal
Performer:  Jean-Luc Madier (), Shira Kammen (Rebec), Joel Cohen (Percussion),
Shira Kammen (Violin), Joel Cohen (Lute), Shira Kammen (Harp),
Cheryl Ann Fulton (Harp), François Harismendy (Baritone), Anne Azéma (Soprano)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: France 
5.
Ab l'alen tir vas me l'aire by Conon de Béthune
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Violin), Joel Cohen (Percussion), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: France 
Language: French 
6.
Er, quan renovella e gensa by Anonymous
Performer:  Shira Kammen (Rebec), Jean-Luc Madier (), François Harismendy (Baritone),
Cheryl Ann Fulton (Harp), Shira Kammen (Harp), Joel Cohen (Lute),
Shira Kammen (Violin), Joel Cohen (Percussion), Anne Azéma (Soprano)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century; France 
7.
Ab joie et ab joven by Anonymous
Performer:  François Harismendy (Baritone), Jean-Luc Madier (), Shira Kammen (Rebec),
Shira Kammen (Harp), Cheryl Ann Fulton (Harp), Anne Azéma (Soprano),
Joel Cohen (Lute), Shira Kammen (Violin), Joel Cohen (Percussion)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: circa 1200; France 
8.
Domna, pos vos ay chausida by Anonymous
Performer:  Jean-Luc Madier (), Shira Kammen (Rebec), Joel Cohen (Percussion),
Shira Kammen (Violin), Joel Cohen (Lute), Shira Kammen (Harp),
Cheryl Ann Fulton (Harp), François Harismendy (Baritone), Anne Azéma (Soprano)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century 
Language: French 
9.
Ab la dolchor del temps novel by Anonymous
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Violin), Joel Cohen (Percussion), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: circa 1200; France 
10.
Iudicii signum by Anonymous
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Violin), Joel Cohen (Percussion), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 10th Century; Spain 
Language: French 
11.
O Maria Deu maire by Anonymous
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Violin), Joel Cohen (Percussion), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Language: French 
12.
Dona, tant vos ai preiada by Adam de la Halle
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Violin), Joel Cohen (Percussion), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century; France 
Language: French 
13.
Novel' amour que tant m'agreia by Rogeret de Cambrai
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Rebec), Shira Kammen (Violin), Joel Cohen (Percussion)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: France 
Language: French 
14.
Be'm degra de chantar tener by Bernart de Ventadorn
Performer:  Joel Cohen (Percussion), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Joel Cohen (Lute), Shira Kammen (Violin), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Language: French 
15.
Lanquan vei la foilla by Bernart de Ventadorn
Performer:  Joel Cohen (Lute), Shira Kammen (Harp), Cheryl Ann Fulton (Harp),
Jean-Luc Madier (), François Harismendy (Baritone), Anne Azéma (Soprano),
Shira Kammen (Violin), Joel Cohen (Percussion), Shira Kammen (Rebec)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Language: French 
16.
Dirai vos senes doptansa by Marcabru
Performer:  Joel Cohen (Percussion), Shira Kammen (Harp), Shira Kammen (Violin),
Shira Kammen (Rebec), François Harismendy (Baritone), Joel Cohen (Lute),
Anne Azéma (Soprano), Jean-Luc Madier (), Cheryl Ann Fulton (Harp)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Language: French 
17.
Ar mi posc en lauzar d'amor by Peire Cardenal
Performer:  Anne Azéma (Soprano), Jean-Luc Madier (), Cheryl Ann Fulton (Harp),
Shira Kammen (Violin), Shira Kammen (Rebec), François Harismendy (Baritone),
Joel Cohen (Percussion), Shira Kammen (Harp), Joel Cohen (Lute)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 1204-1208; France 
Language: Armenian 
18.
Un sirventes novel vueill comensar by Peire Cardenal
Performer:  Joel Cohen (Percussion), Anne Azéma (Soprano), Cheryl Ann Fulton (Harp),
Shira Kammen (Harp), Joel Cohen (Lute), Shira Kammen (Violin),
Shira Kammen (Rebec), François Harismendy (Baritone), Jean-Luc Madier ()
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century; France 
Language: French 
19.
Can vei le lauzta mover by Bernart de Ventadorn
Performer:  Margriet Tindemans (Fiddle)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 9/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 1 Minutes 2 Secs. 
20.
Non es meravilla s'eu chan by Bernart de Ventadorn
Performer:  Margriet Tindemans (Fiddle), Jean-Luc Madier (Voice), Cheryl Ann Fulton (Harp)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 4 Minutes 9 Secs. 
Language: French 
21.
Cantarai d'aqueszt trobadors by Gautier de Coincy
Performer:  Margriet Tindemans (Fiddle), François Harismendy (Baritone), Cheryl Ann Fulton (Harp),
Joel Cohen (Baritone)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 2 Minutes 28 Secs. 
Language: French 
22.
Lo gens temps de pascor by Guiraut Riquier
Performer:  Anne Azéma (Soprano), Margriet Tindemans (Fiddle)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 4 Minutes 3 Secs. 
Language: French 
23.
Can l'erba fresch' el folha par by Bernart de Ventadorn
Performer:  Jean-Luc Madier (Voice), François Harismendy (Baritone), Cheryl Ann Fulton (Harp)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 5 Minutes 42 Secs. 
Language: French 
24.
Pos mi pregatz seignor by Bernart de Ventadorn
Performer:  Anne Azéma (Soprano), François Harismendy (Baritone)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 2 Minutes 26 Secs. 
Language: French 
25.
Tant ai mo cor ple de joya by Anonymous
Performer:  Jean-Luc Madier (Voice), Margriet Tindemans (Fiddle), Cheryl Ann Fulton (Harp)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 3 Minutes 29 Secs. 
Language: French 
26.
Per melhs cobrir lo mal pes by Uc Brunenc
Performer:  François Harismendy (Baritone), Anne Azéma (Soprano), Margriet Tindemans (Fiddle)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 7 Minutes 32 Secs. 
Language: French 
27.
Bel m'es can eu vei la brolha by Bernart de Ventadorn
Performer:  François Harismendy (Baritone), Anne Azéma (Soprano), Cheryl Ann Fulton (Harp)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 2 Minutes 34 Secs. 
Language: French 
28.
Lancan vei per mei la landa by Anonymous
Performer:  Joel Cohen (Baritone), Anne Azéma (Soprano), François Harismendy (Baritone),
Joel Cohen (Lute)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 3 Minutes 50 Secs. 
Language: French 
29.
En consirier et en esmai by Bernart de Ventadorn
Performer:  Cheryl Ann Fulton (Harp), François Harismendy (Baritone), Anne Azéma (Soprano),
Margriet Tindemans (Vielle)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 5 Minutes 6 Secs. 
Language: French 
30.
Ara m conseillatz siegnor by Bernart de Ventadorn
Performer:  François Harismendy (Baritone), Margriet Tindemans (Vielle), Cheryl Ann Fulton (Harp),
Joel Cohen (Baritone)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 4 Minutes 24 Secs. 
Language: French 
31.
Tuit cil que m pregon qu'eu chan by Bernart de Ventadorn
Performer:  Cheryl Ann Fulton (Harp), Margriet Tindemans (Fiddle), Jean-Luc Madier (Voice)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 1 Minutes 38 Secs. 
Language: French 
32.
Amics Bernart de Ventadorn by Bernart de Ventadorn
Performer:  Margriet Tindemans (Fiddle), Jean-Luc Madier (Voice), François Harismendy (Baritone),
Joel Cohen (Lute)
Conductor:  Joel Cohen
Orchestra/Ensemble:  Camerata Mediterranea
Period: Medieval 
Written: 12th Century; France 
Date of Recording: 09/1993 
Venue:  Abbey Church, Nouaillé-Maupertius 
Length: 5 Minutes 16 Secs. 
Language: French 
33.
Audi pontus, audi tellus by Anonymous
Performer:  Anne Azéma (Soprano)
Period: Medieval 
Written: 13th Century; Spain 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 1 Minutes 27 Secs. 
Language: Latin 
34.
Clara sonent organa by Anonymous
Performer:  Shira Kammen (Fiddle), Annelies Coene (Soprano), Anne Azéma (Soprano),
Margriet Tindemans (Fiddle), Catherine Joussellin (Alto), Laurence Brisset (Voice),
Pasquale Mourey (Soprano)
Period: Medieval 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 3 Minutes 44 Secs. 
Language: Latin 
35.
Ar levatz sus, francha corteza gens by Peire Espanhol
Performer:  Kit Higginson (Psaltery), Margriet Tindemans (Harp), Anne Azéma (Soprano)
Period: Medieval 
Written: 12th Century; Provence, France 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 5 Minutes 13 Secs. 
36.
Planctus Beate Marie: Tantost com fon al loc vengutz by Anonymous
Performer:  Anne Azéma (Soprano)
Period: Medieval 
Written: 13th Century; Provence, France 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 1 Minutes 27 Secs. 
37.
Vexilla Regis prodeunt by Anonymous
Performer:  Laurence Brisset (Voice), Catherine Joussellin (Alto), Annelies Coene (Soprano),
Pasquale Mourey (Soprano)
Period: Medieval 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 0 Minutes 39 Secs. 
Language: Latin 
38.
Dels quatre caps que a la cros by Peire Cardenal
Performer:  Anne Azéma (Soprano), Margriet Tindemans (Fiddle)
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 7 Minutes 32 Secs. 
39.
Verbum patris humanatur by Anonymous
Performer:  Shira Kammen (Fiddle), Pasquale Mourey (Soprano), Anne Azéma (Soprano),
Margriet Tindemans (Fiddle), Kit Higginson (Recorder), Annelies Coene (Soprano),
Laurence Brisset (Voice), Catherine Joussellin (Alto)
Period: Medieval 
Written: circa 1290; England 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 2 Minutes 52 Secs. 
Language: Latin 
40.
D'un sirventes far by Guilhem Figueira
Performer:  Anne Azéma (Soprano), Shira Kammen (Fiddle)
Period: Medieval 
Written: 13th Century; Provence, France 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 6 Minutes 47 Secs. 
41.
Una ciutatz fo, no sai cals by Peire Cardenal
Performer:  Shira Kammen (Fiddle), Margriet Tindemans (Fiddle), Anne Azéma (Soprano),
Kit Higginson (Recorder)
Period: Medieval 
Written: 13th Century; France 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 10 Minutes 37 Secs. 
42.
Planctus Beate Marie: Dona, Maire del salvador by Anonymous
Performer:  Anne Azéma (Soprano)
Period: Medieval 
Written: 13th Century; Provence, France 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 0 Minutes 58 Secs. 
43.
Flore vernans gratie by Anonymous
Performer:  Anne Azéma (Soprano)
Period: Medieval 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 1 Minutes 37 Secs. 
Language: Latin 
44.
Gregis pastor by Anonymous
Performer:  Laurence Brisset (Voice), Margriet Tindemans (Fiddle), Anne Azéma (Soprano),
Catherine Joussellin (Alto), Annelies Coene (Soprano), Shira Kammen (Fiddle),
Kit Higginson (Recorder), Pasquale Mourey (Soprano)
Period: Medieval 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 4 Minutes 7 Secs. 
Language: Latin 
45.
Cantigas de Santa María: no 363, En bon ponto by Alfons X (El Sabio)
Performer:  Pasquale Mourey (Soprano), Kit Higginson (Psaltery), Catherine Joussellin (Alto),
Annelies Coene (Soprano), Laurence Brisset (Voice), Anne Azéma (Soprano),
Margriet Tindemans (Fiddle), Shira Kammen (Fiddle)
Period: Medieval 
Written: 13th Century; Spain 
Date of Recording: 07/1998 
Venue:  Gellone's Abbey, St.-Guilhem-le-Désert 
Length: 8 Minutes 28 Secs. 
Language: Spanish 

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