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Toivo Kuula
Born: July 7, 1883; Alavus, Vaasa   Died: May 18, 1918; Viipuri, Russia  
Finnish composer Toivo Kuula was born in Alavus, Vaasa, Finland, on July 7, 1883. He showed talent early on but did not begin serious studies until 1900, when he enrolled at the Helsinki Music Institute. There he studied under Martin Wegelius but, owing to scarce finances, had to withdraw for three years. After his 1906 return, he began attracting attention with some of his early works, notably the song I gazed long into the fire and the Sonata ...
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Usko, Toivo Ja Rakkaus / Hynninen, Ruuttunen, Tiilikainen
Release Date:    Label: Ondine   Catalog: 925   Number of Discs: 1
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Works
Autumn mood, Op. 2 no 1 (1)
Ave Maria, Op. 23 no 2 (1)
Cry from the bottom of the grave (1)
Epilogi (Epilogue), for voice & piano, Op. 6/2 (1)
Evening Clouds, Op. 27a no 5 (1)
Forest Maid, Op. 23 no 1 (2)
Going to the Lord's temple (1)
Hope of Immortality, Op. 15 (1)
Häämarssi (1)
I'll march through the streets (1)
Iltapilviä (1)
Iltatunnelma (Evening Mood), for chorus (1)
Impi Ja Pajarin Poika, Op. 18 "The Maiden and the Son of a Boyar" (1)
Kesäilta "Summer Evening" (1)
Ketolan Jukka (1)
Kolme kappaletta, Op. 3b (1)
Kolme Satukuvaa, Op. 19 (1)
Lampaanpolska (1)
Long I gazed into the fire, Op. 2 no 2 (4)
Luullahan jotta on lysti olla, for voice & piano (1)
Merenkylpijäneidot, Op. 12 (1)
Morning Song, Op. 2 no 3 (3)
Night (2)
Nuku (1)
O those thousand hours (1)
Paimenet (The Herdsmen), for voice & piano (1)
People think I'm full of joy (1)
Prelude and Fugue, Op. 10 (1)
Purjein kuutamolla (Sailing in the Moonlight), for voice & piano, Op. 31a/1 (2)
Sailing in Moonlight, Op. 31a no 1 (3)
Scherzo in F major (1)
Son of a Slave Suite, Op. 14b (1)
Son of a Slave, Op. 14 (1)
Songs (2), Op. 16a: no 1, Sinikan laulu (1)
Songs (7), Op. 11: no 1, Yonder the apple trees are blooming (1)
Songs (7), Op. 11: no 3, Sunrise (1)
Songs (7), Op. 11: no 4, Rock my child to Tuonela (1)
South Ostrobothnian Suite no 2, Op. 20 (1)
South-Ostrobothnian Folksongs, Op. 17b: Vol 2 (1)
Summer night in the churchyard, Op. 6 no 1 (2)
Syystunnelma (Autumn mood), for voice & piano, Op. 2/1 (1)
The Apple Trees, Op. 11 no 1 (1)
The Boat Song, Op. 21 no 2 (1)
The lads go round the village streets (1)
The Song of the Sea, Op. 11 no 2 (1)
The wind it bent the birchtree top (1)
Trio for Piano and Strings in A major, Op. 7 (1)
Tuijotin tulehen kauan (Long I Stared into the Fire), for voice & piano, Op. 2/2 (1)
Tule armaani (1)
Wedding March, Op. 3 no 2 (2)
Biography by Robert Cummings
Finnish composer Toivo Kuula was born in Alavus, Vaasa, Finland, on July 7, 1883. He showed talent early on but did not begin serious studies until 1900, when he enrolled at the Helsinki Music Institute. There he studied under Martin Wegelius but, owing to scarce finances, had to withdraw for three years. After his 1906 return, he began attracting attention with some of his early works, notably the song I gazed long into the fire and the Sonata for Violin and Piano, both from 1907.

1908 was a pivotal year in the formation of Kuula's style and the rounding of his compositional skills: Jean Sibelius took him on as his first composition student. Sibelius' brother-in-law, Armas Järnefelt, was an early supporter of Kuula) and Kuula traveled abroad to study in Bologna with Marco Enrico Bossi. Further studies came in the succeeding years in Leipzig and Paris, as Kuula began turning out important works, such as The Song of the Seal, for chorus and orchestra (1909), and The Bath Maids, for soprano and orchestra (1910).

Beginning in 1910 Kuula served as conductor of the orchestra in Oulu for two seasons, then moved on to other conducting posts, first for the Helsinki Town Orchestra (1912-1916), then for the Native Orchestra, in Viipuri, 1916-1918. 1914 was another pivotal year in the composer's life: Kuula met and later married soprano Alma Silventoinen, who was the inspiration behind most of his 24 solo songs, and he also began work on his magnum opus, the Stabat Mater, for mixed chorus and orchestra.

The circumstances surrounding Kuula's death were tragic: in an apparently meaningless street fight in the wake of Finnish Civil War - meaningless, because Finland had just won it's independence - the composer was shot and killed by an inebriated soldier. The Stabat Mater was left incomplete at his death, but composer and friend Leevi Madetoja finished it. In the area of choral music and song, Kuula displayed extraordinary talent and must be regarded as one of the leading Finnish composers of his time.
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