Sylvain Cambreling
Born: July 2, 1948; Amiens, France
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Sylvain Cambreling is one of the leading French operatic conductors. He is known for his often startling innovations in many opera productions: in a performance of Mozart's The Marriage of Figaro at the 2001 Salzburg Festival he employed a synthesizer to deliver recitative accompaniments, and at a performance of Janácek's Katya Kabanova, he used some of the composer's songs as transitional material between acts. Cambreling also conducts
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Composers
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Ablinger, Peter (2)
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Absil, Jean (1)
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Andre, Mark [Composer] (1)
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Barraqué, Jean (1)
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Berio, Luciano (1)
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Berlioz, Hector (6)
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Bruckner, Anton (1)
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Cerha, Friedrich (2)
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Charpentier, Gustave (1)
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Debussy, Claude (4)
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Dukas, Paul (1)
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Eötvös, Peter (1)
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Feldman, Morton (1)
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Fibich, Zdenék (1)
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Furrer, Beat (1)
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Gounod, Charles (2)
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Haas, Georg Friedrich (2)
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Haydn, Franz Joseph (1)
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Henze, Hans Werner (1)
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Hindemith, Paul (1)
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Janácek, Leos (2)
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Johnston, Ben (1)
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Lachenmann, Helmut (1)
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Lang, Bernhard (1)
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Massenet, Jules (1)
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Mendelssohn, Felix (2)
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Messiaen, Olivier (4)
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Mozart, Wolfgang Amadeus (7)
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Mundry, Isabel (1)
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Offenbach, Jacques (17)
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Pauset, Brice (1)
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Poppe, Enno (1)
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Poulenc, Francis (1)
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Prokofiev, Sergei (3)
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Ravel, Maurice (2)
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Rihm, Wolfgang (4)
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Rossini, Gioachino (1)
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Schmitt, Florent (1)
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Schubert, Franz (1)
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Schurig, Wolfram (1)
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Sciarrino, Salvatore (1)
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Strauss, Richard (1)
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Stravinsky, Igor (3)
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Tsangaris, Manos (1)
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Verdi, Giuseppe (1)
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Wiéner, Jean (1)
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Wyschnegradsky, Ivan (1)
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Zender, Hans (3)
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Biography |
by Robert Cummings
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Sylvain Cambreling is one of the leading French operatic conductors. He is known for his often startling innovations in many opera productions: in a performance of Mozart's The Marriage of Figaro at the 2001 Salzburg Festival he employed a synthesizer to deliver recitative accompaniments, and at a performance of Janácek's Katya Kabanova, he used some of the composer's songs as transitional material between acts. Cambreling also conducts orchestral concerts on a regular basis, and here as well he imparts imaginative touches to the programming: his concert bills might well mix disparate composers like Haydn and Messiaen or present a colorful assortment of traditional and contemporary works. Cambreling has made many recordings for a variety of labels, including EMI, Hanssler, Orfeo D'or, and others.
Cambreling was born in Amiens, France, on July 2, 1948. At the Paris Conservatory he studied trombone; in 1971 he was taken on as trombonist with the Lyons Symphony Orchestra, but was already preparing for a career in conducting via his studies with conductor/composer Pierre Dervaux. Cambreling won second prize at the 1974 Besançon International Conducting Competition.
In 1975 he debuted as a conductor with the Lyons Symphony Orchestra in a performance of Schumann's Scenes from Goethe's Faust. That same year he accepted a post at the Lyons Opera as an assistant to music director Serge Baudo. Cambreling's operatic debut also came in that watershed year of 1975 in a performance of Rossini's La Cenerentola.
Cambreling began working with Pierre Boulez in 1976, leading many performances of the latter's Ensemble InterContemporain. From 1981-1991 Cambreling served as music director of the Theatre de la Monnaie, Brussels. There he conducted a broad range of operatic repertory to generally favorable response, in the end advancing the reputation of the company. At the Frankfurt Opera he served as music director and artistic director from 1993-1997.
In 1999 Cambreling was appointed chief conductor of the SWR Baden-Baden und Freiburg Sinfonieorchester, a post he still held in 2007. In the new century Cambreling has been appearing regularly at the Paris National Opera leading a variety of compelling performances, including Debussy's Pelléas et Mélisande, Prokofiev's The Love for Three Oranges, Messiaen's St. François d'Assisse, and Mozart's Don Giovanni.
Among Cambreling's more notable recordings include the 1999 Katya Kabanova on Orfeo D'or and the 2005 album of Debussy's Images, Danses, and La Mer, on Hanssler Classics. |
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