Susan Gritton

Biography

Born: Reigate, England  
Susan Gritton is an English soprano who made her breakthrough to singing principal roles in 1999.

After studying botany at Oxford and London Universities she moved her avocational voice training up to a professional level, then took up singing as a career. She first came to prominence when she won the coveted Kathleen Ferrier Memorial Award in 1994.

This resulted in her solo recital debut at London's Wigmore Hall, with Eugene Asti
Read more as accompanist. She joined Graham Johnson in the International Songmakers' series, and made extensive appearances in recital throughout England, especially in summer festivals, appearing at the Lichfield, Arundel, Aldeburgh, Cheltenham, Harrowgate, and City of London Festivals, as well as in the Salzburg Mozartwoche. In 1996 she was invited to appear three times in the BBC Henry Wood Promenade Concerts. One of her early festival appearances was at the Istanbul Festival where she sang the part of Blondchen in Mozart's Die Entführung aus dem Serail in the city where the story is set.

The first few years in her operatic career were in smaller and character parts, such as the First Niece in Britten's Peter Grimes, Frasquita in Bizet's Carmen, Clarine and Thalie in Rameau's Platée, Xenia in Mussorgsky's Boris Godunov, Sister Constance in Poulenc's Dialogues des Carmelites, the Mermaid in Weber's Oberon, and Tiny in Britten's Paul Bunyan. She sang Belinda in Purcell's Dido and Aeneas at the Berlin Staatsoper, Fulvia in Handel's Ezio with the King's Consort in the Théâtre des Champs Elysée of Paris, Atalanta in Handel's Xerxes at the English National Opera, the Governess in Britten's The Turn of the Screw and Lucia in Britten's The Rape of Lucretia in the Aldeburgh Festival under Steuart Bedford's direction, Susanna in Mozart's Le Nozze di Figaro and Zerlina in Don Giovanni for the Glyndebourne Festival and Touring Operas.

Gritton became known as a reliable recording artist early in her career. On the Tring label she sang the soprano part in Górecki's Symphony No. 3 (Symphony of Sorrowful Songs), the part of Miss Wordsworth in the Collins Classics recording under Steuart Bedford of Britten's Albert Herring, a set of Holst songs for the same label, Vivaldi's Ottone in Villa on Chandos with Hickox conducting, several Purcell discs, sacred music of Handel and Handel's Deborah and Occasional Oratorio with the King's Consort on Hyperion, and, on Deutsche Grammophon, Handel's Solomon (as the Queen of Sheba) and Messiah as well as Beethoven's little-known Vesta's Feuer. Her first solo recital disc was a collection of songs by Fanny Mendelssohn-Hensel on Hyperion, and her first operatic lead was as Handel's Theodora with Paul McCreesh and the Gabrieli Consort & Players for Deutsche Grammophon's Archiv label. She also recorded the Purcell/Britten realizations on Hyperion with Graham Johnson.

For the 1999 - 2000 season she received a contract as a principal singer at the English National Opera. Her debuts in lead roles in that capacity were as Pamina in The Magic Flute and the title role in Janacek's The Cunning Little Vixen, as well as appearances as Drusilla in Monteverdi's The Coronation of Poppea and Hero in Berlioz's Beatrice et Benedict. Read less
Gorecki: Symphony No 3, Three Pieces in Old Style / Gritton, Simonov
Release Date: 05/11/2010   Label: Royal Philharmonic Masterworks  
Catalog: 28260   Number of Discs: 1
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Biography

Born: Reigate, England  
Susan Gritton is an English soprano who made her breakthrough to singing principal roles in 1999.

After studying botany at Oxford and London Universities she moved her avocational voice training up to a professional level, then took up singing as a career. She first came to prominence when she won the coveted Kathleen Ferrier Memorial Award in 1994.

This resulted in her solo recital debut at London's Wigmore Hall, with Eugene Asti
Read more
WORKS ALBUMS
TITLE/COMPOSER
LABEL
Prelude: Invocation to Pan: O Thou, whose might palace roof doth hang (Chorus)
I. Song and Bacchanal: Part 1: Beneath my palm trees, by the river side (Soprano)
I. Song and Bacchanal: Part 1: And as I sat, over the light blue hills (Soprano)
I. Song and Bacchanal: Part 2: Whence came ye, merry Damsels (Chorus) - Part 3: Within his car, aloft, young Bacchus stood (Soprano) - Part 4: Whence came ye, jolly Satyrs (Chorus)
I. Song and Bacchanal: Part 5: Onward the tiger and the leopard pants (Soprano) - Part 6: Bacchus, young Bacchus (Chorus)
II. Ode on a Grecian Urn: Thou still unravish'd bride of quietness (Chorus)
II. Ode on a Grecian Urn: Heard melodies are sweet, but those unheard (Chorus)
II. Ode on a Grecian Urn: Ah, happy, happy boughs! that cannot shed (Chorus)
II. Ode on a Grecian Urn: Who are these coming to the sacrifice? (Chorus)
II. Ode on a Grecian Urn: O Attic shape! fair attitude! with brede (Chorus)
III. Scherzo: Part 1: Fancy: Ever let the Fancy roam (Chorus)
III. Scherzo: Part 2: Folly's Song: When wedding fiddles are a-playing (Chorus)
IV. Finale: Part 1: Spirit here that reignest! (Soprano) - Part 2: God of the golden bow (Chorus)
IV. Finale: Part 3: Then, through thy Temple wide (Soprano) - Part 4: 'Tis awful silence then again (Chorus)
IV. Finale: Part 5: Next thy Tasso's ardent numbers (Soprano) - Part 6: But when Thou joinest with the Nine (Chorus)
IV. Finale: Part 6: Bards of Passion and of Mirth (Chorus)
IV. Finale: Part 7: Spirit here that reignest (Soprano) - Bards of Passion and of Mirth (Chorus)
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Kyrie
Gloria
Credo
Sanctus
Benedictus
Agnus Dei
Exsultate, jubilate
Fulgat amica dies
Tu virginum corona
Allelujah
I. Intrada
II. Rhapsody
III. The Rapture
IV. Wonder
V. The Salutation
I. Fanfare
II. Villes
IIIa. Phrase -
IIIb. Antique
IV. Royaute
V. Marine
VI. Interlude
VII. Being Beauteous
VIII. Parade
IX. Depart
No. 1. Nuits de juin
No. 2. Sagesse
No. 3. L'Enfance
No. 4. Chanson d'automne
Part I: Overture
Part I: Herr! Der Du bist der Gott, der Himmel und (Chorus)
Part I: Chorale: Allein Gott in der Hoh' sei Ehr (Chorus)
Part I: Recitative: Die Menge der Glaubigen war ein Herz (Soprano, Bass 1, Bass 2)
Part I: Dieser Mensch hort nicht auf zu reden (Chorus)
Part I: Recitative: Und sie sahen auf ihn Alle (Soprano, Stephen, Chorus)
Part I: Aria: Jerusalem! Jerusalem, die du totest die Propheten (Soprano)
Part I: Recitative: Sie aber sturmten auf ihn ein (Tenor, Chorus)
Part I: Recitative: Und sie steinigten ihn (Tenor) - Chorale: Dir, Herr, dir will ich mich ergeben (Chorus)
Part I: Recitative: Und die Zeugen legten ab ihre Kleider zu den (Soprano)
Part I: Siehe! Wir preisen selig die erdulet haben (Chorus)
Part I: Recitative: Saulus aber zerstorte die Gemeinde (Tenor) - Aria: Vertilge sie, Herr Zebaoth (Bass)
Part I: Recitative: Und zog mit einer Schaar gen Damaskus (Alto) - Arioso: Doch der Herr vergisst der Seinen nicht (Alto)
Part I: Recitative: Und als er auf dem Wege war und nahe zu (Tenor, Bass, Chorus)
Part I: Mache dich auf! Werde Licht! (Chorus)
Part I: Chorale: Wachet auf! ruft uns die Stimme (Chorus)
Part I: Recitative: Die Manner aber, die seine Gefahrten waren (Tenor)
Part I: Aria: Gott sei mir gnadig nach Deiner Gute (Bass)
Part I: Recitative: Es war aber ein Junger zu Damaskus mit Namen (Tenor, Soprano)
Part I: Aria: Ich danke Dir, Herr, mein Gott (Bass, Chorus)
Part I: Recitative: Und Ananias ging hin das Haus (Soprano, Tenor)
Part I: O welch' eine Tiefe des Reichtums (Chorus)
Part II: Der Erdkreis ist nun des Herrn und seines Christ (Chorus)
Part II: Recitative: Und Paulus kam zu der Gemeinde (Soprano)
Part II: Duet: So sind wir nun Botschafter and Christi Start (Tenor, Bass)
Part II: Wie lieblich sind die Boten (Chorus)
Part II: Recitative: Und wie sie ausgesandt von dem Heil'gen Geist (Soprano) - Arioso: Lasst uns singen von der Gnade der Herrn (Soprano)
Part II: Recitative: Da aber die Juden das Volk sah'n (Tenor, Chorus)
Part II: Chorale: Ist das nicht, der zu Jerusalem verstorte Alle (Chorus) - Quartet: O Jesu Christe, wahres Licht (Chorus)
Part II: Recitative: Paulus aber und Barnabas sprachen (Tenor, Bass)
Part II: Duet: Denn also hat uns der Herr geboten (Bass, Tenor)
Part II: Recitative: Und es war ein Mann zu Lystra (Soprano)
Part II: Die Gotter sind den Menschen gleich geworden (Chorus)
Part II: Recitative: Und nannten Barnabas Jupiter, und Paulus (Soprano)
Part II: Seid uns gnadig Gotter! (Chorus)
Part II: Recitative: Da das die Apostel horten (Tenor) - Aria: Ihr Manner, was macht ihr da? (Bass) - Aber unser Gott ist im Himmel (Chorus)
Part II: Recitative: Da ward das Volk erreget (Soprano)
Part II: Hier ist des Herren Tempel! (Chorus)
Part II: Recitative: Und sie alle verfolgten Paulus auf seinem (Soprano)
Part II: Cavatina: Sei getreu bis in den Tod (Tenor)
Part II: Recitative: Paulus sandte hin, und liess frodern die Altesten (Soprano, Bass)
Part II: Quartet: Schone doch deiner selbst! (Chorus) - Recitative: Was machet ihr (Bass, Tenor)
Part II: Sehet, welch' eine Liebe hat uns der Vater (Chorus)
Part II: Recitative: Und wenn er gleich geopfert wird uber dem (Soprano)
Part II: Nicht aber ihm allein, sondern Allen (Chorus)
1. Prelude
2. The Sons of Israel do mourn
3. He put on righteousness
4. When the ear heard him
5. How is the mighty fall'n
6. He deliver'd the poor
7. How is the mighty fall'n
8. The righteous shall be had
9. Their bodies are buried in peace
10. The people will tell
11. They shall receive a glorious kingdom
12. The merciful goodness of the Lord
13. Now there arose a new king
14. And the children of Israel
15. Then sent he Moses
16. They loathed to drink of the river
17. Their land brought forth frogs
18. He spake the word
19. He gave them hailstones
20. He sent a thick darkness
21. He smote all the first-born of Egypt
22. But as for his people
23. Egypt was glad
24. He rebuked the Red Sea
25. He led them through the deep
26. But the waters overwhelmed their enemies
27. And Israel saw that great work
28. And believed the Lord
29. Moses and the children of Israel
30. I will sing unto the Lord
31. The Lord is my strength
32. He is my God
33. The Lord is a man of war
34. The depths have cover'd them
35. Thy right hand, O Lord
36. Thou sendest forth thy wrath
37. And with the blast of thy nostrils
38. The enemy said
39. Thou Didst Blow
40. Who is like unto thee
41. Thou in thy mercy
42. The people shall hear
43. Thou shalt bring them in
44. The Lord shall reign for ever and ever
45. For the horse of Pharaoh
46. The Lord shall reign for ever and ever
47. And Miriam the prophetess
48. Sing ye to the Lord
Overture
" Your harps and cymbals"
" Praise ye the Lord "
" With pious heart "
" Almighty Power "
Imperial Salomon
Sacred raptures
" Throughout the land "
Bless'd be the Lord
What tho' I trace
" And see my Queen "
" Bless'd the day "
Thou fair inhabitant of Nile
Welcome as the dawn of day
Vain are the transient beauties
Indulge thy faith
My blooming fair
Haste to the cedar grove
When thou art absent
With thee th'unshelter'd moor
Search round the world
" May no rash intruder "
" From the censer "
Prais'd be the Lord
When the sun o'er yonder hills
Great prince
Thrice bless'd that wise discerning king
" My sovereign liege "
Words are weak
What says the other
Thy sentence, great king
Withhold, withhold the executing hand!
Can I see my infant gor'd
" Israel' attend "
" Thrice bless'd be the king "
" From the east unto the west "
From morn to eve
See the tall palm
No more shall armed bands
Beneath the vine
" Swell, swell the full chorus "
Sinfony
" From Arabia's spicy shores "
Ev'ry sight these eyes behold
Sweep, sweep the string
Music, spread thy voice around
" Now a diff'rent measure" - " Shake the dome "
Then at once from rage remove
Draw the tear from hopeless love
Next the tortur'd soul release
Thus rolling surge rise
" Thy harmony's divine "
Pious king
Thrice happy king
Golden columns
" Praise the Lord "
Gold now is common
How green our fertile pastures look!
May peace in Salem
Will the sun forget to streak
Adieu, fair queen
Ev'ry joy that wisdom knows
The name of the wicked
Kyrie
Gloria: Gloria in excelsis Deo -
Gloria: Domine Deus -
Gloria: Cum sancto spiritu
Credo: Credo in unum Deum -
Credo: Et incarnatus est -
Credo: Et resurrexit
Sanctus
Benedictus
Agnus Dei
Act I - No.1 Overture
Act I, scene 1 - No.2 Chorus of Priests "Your harps and cymbals sound"
Act I, scene 1 - No.3 Air. Levite "Praise ye the Lord for all his mercies past"
Act I, scene 1 - No.4 Chorus of Priests "With pious heart, and holy tongue"
Act I, scene 1 - No.5 Accompagnato. Solomon "Almighty pow'r"
Act I, scene 1 - No.6 Recitative. Zadok "Imperial Solomon"
Act I, scene 1 - No.7 Air. Zadok "Sacred raptures cheer my breast"
Act I, scene 1 - No.8 Chorus of Israelites "Throughout the land Jehovah's praise record"
Act I, scene 1 - No.9 Recitative. Solomon "Bless'd be the Lord"
Act I, scene 1 - No.10 Air. Solomon "What though I trace each herb and flow'r"
Act I, scene 2 - No.11 Recitative. Solomon "And see my queen, my wedded love"
Act I, scene 2 - No.12 Air. Queen "Bless'd the day when first my eyes"
Act I, scene 2 - No.13 Recitative. Solomon, Queen "Thou fair inhabitant of Nile"
Act I, scene 2 - No.14 Duet. Queen, Solomon "Welcome as the dawn of the day"
Act I, scene 2 - No.17 Recitative. Solomon "My blooming fair"
Act I, scene 2 - No.18 Air. Solomon "Haste, haste to the cedar grove"
Act I, scene 2 - No.19 Recitative. Queen "When thou art absent from my sight"
Act I, scene 2 - No.20 Air. Queen "With thee th'unshelter'd moor I'd tread"
Act I, scene 2 - No.21 Recitative. Zadok "Search round the world"
Act I, scene 2 - No.22 Chorus "May no rash intruder disturb their soft hours"
Act II, scene 1 - No.23 Chorus of Israelites "From the censer curling rise"
Act II, scene 1 - No.24 Recitative. Solomon "Prais'd be the Lord"
Act II, scene 1 - No.25 Air. Solomon "When the sun o'er yonder hills"
Act II, scene 1 - No.26 Recitative. Levite "Great Prince, thy resolution's just"
Act II, scene 1 - No.27 Air. Levite "Thrice bless'd that wise discerning king"
Act II, scene 2 - No.28 Recitative. Attendant, Solomon "My sovereign liege" / Scene 3 - First Harlot "Thou son of David"
Act II, scene 3 - No.29 Trio. Solomon, two Harlots "Words are weak to paint my fears"
Act II, scene 3 - No.30 Recitative. Solomon, second Harlot "What says the other to th'imputed charge?"
Act II, scene 3 - No.31 Air. Second Harlot "Thy sentence, great king"
Act II, scene 3 - No.32 Recitative. First Harlot "Withhold, withhold the executing hand"
Act II, scene 3 - No.33 Air. First Harlot "Can I see my enfant gor'd"
Act II, scene 3 - No.34 Accompagnato. Solomon "Israel, attend to what your king shall say"
Act II, scene 3 - No.35 Duet. First Harlot, Solomon "Thrice bless'd the king"
Act II, scene 3 - No.36 Chorus of Israelites "From the east unto the west"
Act II, scene 3 - No.37 Recitative. Zadok "From morn to eve I could enraptur'd sing"
Act II, scene 3 - No.38 Air. Zadok "See the tall palm that lifts the head"
Act II, scene 3 - No.39 Recitative. First Harlot "No more shall armed bands our hopes destroy"
Act II, scene 3 - No.40 Air. First Harlot "Beneath the vine, or fig-tree's shade"
Act III - No.42 Symphony: arrival of the Queen of Sheba
Act III - No.43 Recitative. Queen of Sheba, Solomon "From Arabia's spicy shores"
Act III - No.44 Air. Queen of Sheba "Ev'ry sight these eyes behold"
Act III - No.45 Recitative. Solomon "Sweep, sweep the string"
Act III - No.46 Solo. Solomon and Israelites "Music, spread thy voice around"
Act III - No.47 Solo. Solomon and Israelites "Now a diff'rent measure try"
Act III - No.48 Recitative. Solomon "Then at once from rage remove"
Act III - No.49 Chorus of Israelites "Draw the tear from hopeless love"
Act III - No.50 Recitative. Solomon "Next the tortur'd soul release"
Act III - No.51 Solo. Solomon and Israelites "Thus rolling surges rise"
Act III - No.52 Recitative. Queen of Sheba "Thy harmony's divine, great king"
Act III - No.53 Recitative. Zadok "Thrice happy king, to have achiev'd"
Act III - No.54 Air. Zadok "Golden columns, fair and bright"
Act III - No.55 Recitative. Solomon "Gold now is common on our happy shore"
Act III - No.56 Air. Solomon "How green our fertile pastures look"
Act III - No.57 Recitative. Queen of Sheba "May peace in Salem ever dwell!"
Act III - No.58 Air. Queen of Sheba "Will the sun forget to streak"
Act III - No.59 Recitative. Solomon "Adieu, fair queen, and in thy breast"
Act III - No.60 Duet. Queen of Sheba, Solomon "Ev'ry joy that wisdom knows"
Act III - No.61 Double Chorus "Praise the Lord with harp and tongue!"
Chorus of Priests, ?Swell, swell the full chorus to Solomon?s praise?
I. Song for all Seas, all Ships
II. On the Beach at Night, alone
III. Scherzo: The Waves
IV. The Explorers
Ein deutsches Requiem (A German Requiem) Op.45: I. Selig sind, die da Leid tragen (Zemlich langsam)
Ein deutsches Requiem (A German Requiem) Op.45: II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig)
Ein deutsches Requiem (A German Requiem) Op.45: III. Herr, lehre doch mich (Andante moderato)
Ein deutsches Requiem (A German Requiem) Op.45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt)
Ein deutsches Requiem (A German Requiem) Op.45: V. Ihr habt nun Traurigkeit (Langsam)
Ein deutsches Requiem (A German Requiem) Op.45: VI. Denn wir haben hie keine bleibende Statt (Andante)
Ein deutsches Requiem (A German Requiem) Op.45: VII. Selig sind die Toten (Feierlich)
Salvatore mundi
Psalm 23, "The Lord is my shepherd"
aeternam I
Psalm 121, "I will lift up mine eyes unto the hills"
aeternam II
I heard a voice from heaven
Kyrie
Gloria: Gloria in excelsis Deo -
Gloria: Qui tollis peccata mundi -
Gloria: Cum Sancto Spiritu
Credo: Credo in unum Deum -
Credo: Et incarnatus est -
Credo: Et resurrexit -
Credo: Et exspecto
Sanctus
Benedictus
Agnus Dei: Agnus Dei, qui tollis peccata mundi
Agnus Dei: Dona nobis pacem
Overture
Act I Scene 1: Time at last for celebration (Chorus)
Act I Scene 1: Why do you look so downcast (Jenik, Marenka, Chorus)
Act I Scene 2: Jenik, what will happen if Mother's right? (Marenka, Jenik)
Act I Scene 2: Promise me that you would never (Marenka)
Act I Scene 2: Is it so unfair to want to know (Marenka, Jenik)
Act I Scene 2: Such a mother is a blessing (Jenik, Marenka)
Act I Scene 2: Faithful love I vow to you (Marenka, Jenik)
Act I Scene 3: Every detail has been sorted (Kecal, Krusina, Ludmila)
Act I Scene 3: Hold it! Are we not forgetting (Krusina, Kecal, Ludmila)
Act I Scene 3: Well, as I told you, he's kind and he's gentle (Kecal, Ludmila, Krusina)
Act I Scene 4: Look! She's coming! (Kecal, Ludmila, Krusina, Marenka)
Act I Scene 4: Fine then, say what you will (Marenka, Krusina, Ludmila, Kecal)
Act I Scene 5: Introduction: Polka - Take your partners for the polka (Chorus)
Act II Scene 1: So charge the glasses, lads (Chorus, Jenik, Kecal)
Act II Scene 1: Furiant
Act II Scene 2: Ma ...Ma ...My mamma said (Vasek)
Act II Scene 3: Don't say you're the boy (Marenka, Vasek)
Act II Scene 3: I know there's a girl for you (Marenka, Vasek)
Act II Scene 4: I have plenty of others (Kecal, Jenik)
Act II Scene 4: Just a word or two, my friend (Kecal, Jenik, Chorus)
Act II Scene 4: Time and time again I encounter men (Kecal, Jenik)
Act II Scene 4: Think what it's worth, lad (Kecal, Jenik)
Act II Scene 4: You'll go home to Moravia? (Kecal, Jenik)
Act II Scene 5: Ah, my friend! Once you learn (Kecal)
Act II Scene 6: Come now everyone, gather round (Kecal, Chorus, Jenik, Krusina)
Act III Scene 1: I'm near now to despairing (Vasek)
Act III Scene 2: Roll up! Roll up ladies and gentlemen! (Ringmaster)
Act III Scene 2: Ballet
Act III Scene 2: Oh, it looks so lovely! (Vasek, Esmeralda, Indian, Ringmaster)
Act III Scene 2: Mother doesn't matter, Mother wouldn't care! (Esmeralda, Ringmaster)
Act III Scene 3: Oh, I don't understand it! (Vasek, Hasek, Kecal, Micha)
Act III Scene 3: What? Dare he? Would he? You do what? (Hata, Micha, Kecal, Vasek)
Act III Scene 4: No! I don't believe you! (Marenka, Krusina, Kecal, Ludmila, Hata, Micha)
Act III Scene 5: Oh, Vasek! Don't run away! (Kecal, Vasek, Ludmila, Hata, Krusina, Micha)
Act III Scene 5: Think it over, Marenka, think it through (Ludmila, Hata, Krusina, Kecal, Micha, Marenka)
Act III Scene 6: Oh, but the pain! The burning pain! (Marenka)
Act III Scene 6: We dreamed upon a moonlit night (Marenka)
Act III Scene 7: Marenka mine, Marenka mine! (Jenik, Marenka)
Act III Scene 8: So then, young man (Kecal, Marenka, Jenik)
Act III Scene 8: Be calm, oh my love (Jenik, Marenka, Kecal)
Act III Scene 9: Tell us, Marenka, it's all up to you (Chorus, Marenka, Jenik)
Act III Scene 9: It's Jenik! What's he doing here? (Hata, Micha, Jenik, Kecal, Marenka, Ludmila, Krusina)
Act III Scene 10: Everybody get out of the way! (2 boys, Vasek, Hata, Krusina, Ludmila, Micha, Marenka, Jenik, Chorus)
Overture
Non sdegnare
"O del mio dolce ardor"
Ballo
Dell'aurea sua stella - Ballo
"Spiagge amate"
Stranier, la mia Regina
Ma, chi sei
Felice te, che possessor sarai
Nell'idea
Ballo A
Ballo B
Ballo C. Maestoso
Ballo D. Amabile moderato
Ballo E. Allegro
Si presenti, mi vegga
Regina! O Dei
Forse più d'una belta
Tutto qui mi sorprende
"Le belle immagini"
Introduzione. Maestoso
Prence, la tua presenza
Dalla reggia rilucente
Negli strali, nell'arco possente
Aria per i Atleti
Non più! L'eroe trojano
Coro d'Atleti
Per te, signor
Quegli occhi belli
Misero! Ahimè!
Fingere più non so
Maestoso
Chaconne
Temerario! E non basta
Vengo, o Regina!
Ah, lo veggo
Non lontana esser già parmi
Sì, spietata. s'accende
"Di te scordarmi"
Lo temei: non mi sento
Lo potrò!
Elena a me s'asconde!
Donzelle semplici
Consolati, o Regina!
Opportuno giungesti
T'inganni, il tuo destino
Va coll'amata in seno
Che udii?
Sempre a te sarò fedele!
Andante
Allegro
Altri mai da ignota sponda
Vieni al mar!
Presto fugge la beltà
Sempre a te sarò fedele!
Vieni al mar!
Andante
Allegro
Vieni al mar!
Altri mai da ignota sponda!
Vieni al mar
Presto fugge la belta!
Sempre a te sarò fedele!
Vieni al mar!
Kyrie
Gloria: Gloria in excelsis Deo -
Gloria: Qui tollis peccata mundi -
Gloria: Quoniam tu solus sanctus -
Gloria: Cum Sancto Spiritu
Credo: Credo in unum Deum -
Credo: Et incarnatus est -
Credo: Et resurrexit
Sanctus
Benedictus
Agnus Dei: Agnus Dei, qui tollis peccata mundi -
Agnus Dei: Dona nobis pacem
Jesu sweet
My soul has nought but fire and ice
I sing of a maiden
My Leman is so true
Act I Scene 1: Florence!
Act I Scene 1: I hope we're not too early
Act I Scene 1: Stuffy! Tobacco stink!
Act I Scene 1: Now then! Notebook, Florence!
Act I Scene 1: The first suggestion on my list
Act I Scene 1: Is this all you can bring?
Act I Scene 1: Beggin' your pardon
Act I Scene 1: Right! We'll have him!
Act I Scene 1: Interlude
Act I Scene 2: Bounce me high, bounce me low
Act I Scene 2: Shop! Hi Albert!
Act I Scene 2: Sid, I'm sorry
Act I Scene 2: Hi Sid! You forgot to pay for the herbs
Act I Scene 2: Good morning, young man
Act I Scene 2: We bring great news to you
Act I Scene 2: Well! Think of that, my lad!
Act II Scene 1: Interlude - Isn't he here?
Act II Scene 1: For three precious weeks
Act II Scene 1: That's a fine sight for sore eyes!
Act II Scene 1: Quickly, quickly, come along!
Act II Scene 1: I don't think you ought
Act II Scene 1: Quick, here they
Act II Scene 1: Hush! Harold Wood!
Act II Scene 1: I'm full of happines
Act II Scene 1: Magnificent, your Ladyship
Act II Scene 1: Fascinating, Mr Mayor
Act II Scene 1: To make our thanks complete
Act II Scene 1: Go on, Albert!
Act II Scene 1: Well tried Albert!
Act II Scene 1: Interlude
Act II Scene 2: Albert the Good
Act II Scene 2: Sounds like Sid serenading
Act II Scene 2: Heaven help those
Act II Scene 2: Albert! Fast asleep, poor kid
Act III Interlude
Act III: Is she asleep?
Act III: What the hell d'you think I am?
Act III: How's the manhunt?
Act III: Hi! Heard the news?
Act III: Threnody - In the midst of life is death
Act III: Albert?
Act III: I can't remember everything
Act III: I didn't lay it on too thick, did I?
Introit: Requiem aeternam (Chorus)
Kyrie eleison (Chorus)
Sequence No. 1: Dies Irae (Chorus)
Sequence No. 2: Tuba mirum (Soprano, Mezzo-soprano, Tenor, Bass)
Sequence No. 3: Rex tremendae majestatis (Chorus)
Sequence No. 4: Recordare, Jesu pie (Soprano, Mezzo-soprano, Tenor, Bass)
Sequence No. 5: Confutatis maledictis (Chorus)
Sequence No. 6: Lacrimosa dies illa (Chorus)
Sequence No. 6: Amen (Chorus)
Offertory No. 1: Domine Jesu Christe (Chorus)
Offertory No. 2: Hostias et preces (Chorus)
Sanctus (Chorus)
Benedictus (Soprano, Mezzo-soprano, Tenor, Bass)
Agnus Dei (Chorus)
Communion: Lux aeterna (Soprano, Chorus)
Cum Sanctis Tuis (Chorus)
Béatrice et Bénédict: Ouverture
Béatrice et Bénédict: Act I, No. 2 - ?Le more est en fuite?
Béatrice et Bénédict: Act I, No. 2bis - Sicilienne
Béatrice et Bénédict: Act I, No. 3 - ?Je vais le voir ... il me revient fidele?
Béatrice et Bénédict: Act I, No. 4 - ?Comment le dedain pourrait-il mourir??


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