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100 Best British Classics

Best British Classics 100 / Various
Release Date: 05/22/2012 
Label:  Emi Classics   Catalog #: 27315   Spars Code: DDD 
Composer:  George Frideric HandelThomas TallisJohn GossCharles Villiers Stanford,   ... 
Performer:  Jacqueline Du PréHugh BeanGerald MooreDame Janet Baker,   ... 
Conductor:  Stephen CleoburySir Philip LedgerSir David WillcocksSir Adrian Boult,   ... 
Orchestra/Ensemble:  Academy of Ancient MusicCambridge King's College ChoirAcademy of St. Martin in the Fields,   ... 
Number of Discs: 6 
Recorded in: Stereo 
In Stock: Usually ships in 24 hours.  

Works on This Recording

1.
Coronation Anthems (4): no 1, HWV 258 "Zadok the priest" by George Frideric Handel
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of Ancient Music,  Cambridge King's College Choir
Period: Baroque 
Written: 1727; London, England 
2.
If ye love me by Thomas Tallis
Conductor:  Sir Philip Ledger
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: 16th Century; England 
3.
Praise my soul, the King of Heaven by John Goss
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Romantic 
Written: 19th Century; England 
4.
Motets (3), Op. 38: no 3, Beati quorum via by Charles Villiers Stanford
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Romantic 
Written: by 1905; England 
5.
The Lord is my shepherd by John Goss
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Romantic 
Written: England 
6.
Dear Lord and Father of mankind by Traditional
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
7.
Messiah, HWV 56: Hallelujah! by George Frideric Handel
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of St. Martin in the Fields,  Cambridge King's College Choir
Period: Baroque 
Written: 1742; London, England 
8.
Gradualia, Volume 1: Part 2 - Ave verum corpus by William Byrd
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: 1605; England 
9.
English Hymnal: no 1, Come down, O Love divine by Ralph Vaughan Williams
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Sinfonia of London,  Cambridge King's College Choir
Period: 20th Century 
Written: by 1906; England 
10.
Hear my prayer, O Lord, Z 15 by Henry Purcell
Conductor:  Sir Adrian Boult
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Baroque 
Written: circa 1680-1682; England 
11.
Abide with me by William Henry Monk
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Romantic 
Written: 1861; England 
12.
Gradualia, Volume 1: Part 1 - no 31, Iustorum animae by William Byrd
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: by 1605; England 
13.
God be merciful unto us, and bless us by Edward Bairstow
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: 20th Century 
Written: England 
14.
Song for Athene by John Tavener
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: 20th Century 
Written: 1993; England 
15.
Requiem: Requiem aeternam by John Rutter
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Sinfonia of London,  Cambridge King's College Choir
Period: 20th Century 
Written: 1985; England 
16.
All people that on Earth do dwell by Loys Bourgeois
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: 16th Century 
17.
O nata lux de lumine by Thomas Tallis
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: after 1559; England 
18.
The day thou gavest by Clement C. Scholefield
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Romantic 
19.
Faire is the Heaven by William Henry Harris
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: 20th Century 
Written: 1925; England 
20.
I was glad by Charles Hubert Parry
Conductor:  Sir Philip Ledger
Orchestra/Ensemble:  Cambridge King's College Choir,  New Philharmonia Orchestra,  Royal Military School of Music Band  ... 
Period: Romantic 
Written: 1902; England 
21.
Concerto for Cello in E minor, Op. 85: 1st movement, Adagio-Moderato by Sir Edward Elgar
Performer:  Jacqueline Du Pré (Cello)
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1919; England 
22.
Koanga: La Calinda by Frederick Delius
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  Hallé Orchestra
Period: 20th Century 
Written: 1895-1897; Paris, France 
23.
The Planets, Op. 32/H 125: Jupiter by Gustav Holst
Conductor:  Sir Adrian Boult
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: 20th Century 
Written: 1914-1916; England 
24.
The lark ascending by Ralph Vaughan Williams
Performer:  Hugh Bean (Violin)
Conductor:  Sir Adrian Boult
Orchestra/Ensemble:  New Philharmonia Orchestra
Period: 20th Century 
Written: 1914/1920; England 
25.
Coronation March "Crown Imperial" by Sir William Walton
Conductor:  Sir Adrian Boult
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: 20th Century 
Written: 1937; England 
26.
Variations on an Original Theme, Op. 36 "Enigma": Variation 9, Nimrod by Sir Edward Elgar
Conductor:  Sir Adrian Boult
Orchestra/Ensemble:  London Symphony Orchestra
Period: Romantic 
Written: 1898-1899; England 
27.
Young Person's Guide to the Orchestra, Op. 34: Theme by Benjamin Britten
Conductor:  Simon Rattle
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1946; England 
28.
Young Person's Guide to the Orchestra, Op. 34: Fugue by Benjamin Britten
Conductor:  Simon Rattle
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1946; England 
29.
Fantasia on a theme by Thomas Tallis by Ralph Vaughan Williams
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  Sinfonia of London
Period: 20th Century 
Written: 1910/1919; England 
30.
Pomp and Circumstance Marches (5), Op. 39: no 1 in D major by Sir Edward Elgar
Conductor:  Vernon Handley
Orchestra/Ensemble:  London Philharmonic Orchestra
Period: Romantic 
Written: 1901; England 
31.
Jerusalem by Charles Hubert Parry
Conductor:  Owain Arwel Hughes
Orchestra/Ensemble:  Goldsmiths' Choral Union
Period: Romantic 
Written: 1916; England 
32.
The wasps: Overture by Ralph Vaughan Williams
Conductor:  André Previn
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1909; England 
33.
Façade: Suite no 2 - Popular Song by Sir William Walton
Conductor:  Louis Frémaux
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: by 1938; England 
34.
Simple Symphony for Strings, Op. 4: 2nd movement, Playful Pizzicato by Benjamin Britten
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Written: 1933-1934; England 
35.
Linden Lea by Ralph Vaughan Williams
Performer:  Gerald Moore (Piano), Dame Janet Baker (Mezzo Soprano)
Period: 20th Century 
Written: 1901; England 
36.
Pieces (2) for Small Orchestra: no 1, On Hearing the First Cuckoo by Frederick Delius
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  Hallé Orchestra
Period: 20th Century 
Written: 1912; France 
37.
Serenade for Strings in E minor, Op. 20: 2nd movement, Larghetto by Sir Edward Elgar
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  Sinfonia of London
Period: Romantic 
Written: 1892; England 
38.
A Village Romeo and Juliet: Walk to the Paradise Garden by Frederick Delius
Orchestra/Ensemble:  Royal Philharmonic Orchestra
Period: 20th Century 
Written: 1900-1901; France 
39.
Chanson de matin, Op. 15 no 2 by Sir Edward Elgar
Conductor:  Lawrence Collingwood
Orchestra/Ensemble:  Royal Philharmonic Orchestra
Period: Romantic 
Written: 1897; England 
40.
Sea fever by John Ireland
Performer:  Robert Lloyd (Bass)
Period: 20th Century 
Written: 1913; England 
41.
Banks of Green Willow by George Butterworth
Conductor:  André Previn
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1913; England 
42.
Preludes on Welsh Hymn Tunes (3) for Organ: no 2, Rhosymedre by Ralph Vaughan Williams
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: 20th Century 
Written: 1920; England 
43.
English Dances (4), Op. 33: no 1, Allegro non troppo by Malcolm Arnold
Conductor:  Sir Charles Groves
Period: 20th Century 
Written: 1951; England 
44.
Henry V: Orchestral Suite - no 4, Touch her soft lips and part by Sir William Walton
Conductor:  Sir Neville Marriner
Orchestra/Ensemble:  Academy of St. Martin in the Fields
Period: 20th Century 
Written: 1943-1944; England 
45.
The Dam Busters by Eric Coates
Conductor:  Sir Charles Groves
Orchestra/Ensemble:  Royal Liverpool Philharmonic Orchestra
Period: 20th Century 
Written: 1955; England 
46.
Elizabethan Serenade by Ronald Binge
Conductor:  Reginald Kilbey
Orchestra/Ensemble:  Studio 2 Symphony Orchestra
Period: 20th Century 
Written: 1952; England 
47.
Calling All Workers by Eric Coates
Conductor:  Reginald Kilbey
Orchestra/Ensemble:  City of Birmingham Symphony Orchestra
Period: 20th Century 
Written: 1940; England 
48.
Fancy Dress, Op. 82: Dusk by Cecil Armstrong Gibbs
Conductor:  Sir Vivian Dunn
Orchestra/Ensemble:  Light Music Society Orchestra
Period: 20th Century 
Written: 1935; England 
49.
Country Gardens by Percy Aldridge Grainger
Conductor:  Sir Vivian Dunn
Orchestra/Ensemble:  Light Music Society Orchestra
Period: 20th Century 
Written: England 
50.
Warsaw Concerto: Introduction by Richard Addinsell
Performer:  Daniel Adni (Piano)
Conductor:  Kenneth Alwyn
Orchestra/Ensemble:  Bournemouth Sinfonietta Orchestra
Period: 20th Century 
Written: 1941; England 
51.
Little Suite: March by Trevor Duncan
Conductor:  Sir Vivian Dunn
Orchestra/Ensemble:  Light Music Society Orchestra
Period: 20th Century 
Written: 1960; England 
52.
HMS Pinafore: Overture by Arthur Sullivan
Conductor:  Sir Malcolm Sargent
Orchestra/Ensemble:  Pro Arte Orchestra
Period: Romantic 
Written: 1878; England 
53.
Shepherd's Hey by Percy Aldridge Grainger
Conductor:  Sir Vivian Dunn
Orchestra/Ensemble:  Light Music Society Orchestra
Period: 20th Century 
Written: England 
54.
The Dream of Olwen by Charles Williams
Performer:  Daniel Adni (Piano)
Conductor:  Kenneth Alwyn
Orchestra/Ensemble:  Bournemouth Symphony Orchestra
Period: 20th Century 
Written: 1947; England 
55.
London "London Every Day": Knightsbridge by Eric Coates
Conductor:  Sir Charles Groves
Orchestra/Ensemble:  Royal Liverpool Philharmonic Orchestra
Period: 20th Century 
Written: 1932; England 
56.
In a Monastery Garden by Albert William Ketèlbey
Conductor:  John Lanchbery
Orchestra/Ensemble:  Philharmonia Orchestra
Period: 20th Century 
Written: 1915; England 
57.
Murder on the Orient Express: Waltz by Richard Rodney Bennett
Conductor:  Marcus Dods
Orchestra/Ensemble:  Royal Opera House Covent Garden Orchestra
Period: 20th Century 
Written: 1973; England 
58.
The Watermill by Ronald Binge
Conductor:  Sir Vivian Dunn
Orchestra/Ensemble:  Light Music Society Orchestra
Period: 20th Century 
Written: 1958; England 
59.
Prelude and Fugue "Spitfire" by Sir William Walton
Conductor:  Sir William Walton
Orchestra/Ensemble:  Philharmonia Orchestra
Period: 20th Century 
Written: 1942; England 
60.
Sleepy Lagoon by Eric Coates
Conductor:  Sir Charles Mackerras
Orchestra/Ensemble:  London Symphony Orchestra
Period: 20th Century 
Written: 1942; England 
61.
Yeomen of the Guard: Overture by Arthur Sullivan
Conductor:  Sir Malcolm Sargent
Orchestra/Ensemble:  Pro Arte Orchestra
Period: Romantic 
Written: 1888; England 
62.
Barwick Green by Arthur Wood
Conductor:  Sidney Torch
Orchestra/Ensemble:  Sidney Torch Orchestra
63.
Devil's Galop by Charles Williams
Conductor:  Charles Williams
Orchestra/Ensemble:  Charles Williams Orchestra
Period: 20th Century 
Written: 1944; England 
64.
Sailing By by Ronald Binge
Conductor:  John Scott
Orchestra/Ensemble:  John Scott Orchestra
Period: 20th Century 
Written: 1950s; England 
65.
Spem in alium by Thomas Tallis
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: after 1559; England 
66.
Gradualia, Volume 2: Easter Day - Haec dies by William Byrd
Conductor:  Sir David Willcocks
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: by 1607; England 
67.
Mass à 7 "Puer natus est nobis": Agnus Dei by Thomas Tallis
Conductor:  Sir Philip Ledger
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: circa 1554; England 
68.
Hosanna to the Son of David by Orlando Gibbons
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: 17th Century; England 
69.
Mass for 4 Voices: Agnus Dei by William Byrd
Conductor:  Harry Christophers
Orchestra/Ensemble:  The Sixteen
Period: Renaissance 
Written: circa 1592-1593; England 
70.
O clap your hands by Orlando Gibbons
Conductor:  Sir Philip Ledger
Orchestra/Ensemble:  Cambridge King's College Choir
Period: Renaissance 
Written: 17th Century; England 
71.
Thou know'st, Lord, the secrets of our hearts, Z 58c by Henry Purcell
Conductor:  Stephen Cleobury
Orchestra/Ensemble:  Academy of Ancient Music,  Cambridge King's College Choir
Period: Baroque 
Written: 1695; England 
72.
King Arthur, or The British Worthy, Z 628: Fairest Isle by Henry Purcell
Performer:  Nancy Argenta (Soprano), Nigel North (Lute)
Period: Baroque 
Written: 1691; England 
73.
Abdelazer, Z 570 "Moor's Revenge": Rondeau by Henry Purcell
Conductor:  Andrew Parrott
Orchestra/Ensemble:  Taverner Players
Period: Baroque 
Written: 1695; England 
74.
Come, ye sons of art, away, Z 323: Sound the trumpet by Henry Purcell
Performer:  James Bowman (Countertenor), Norma Burrowes (Soprano)
Period: Baroque 
Written: 1694; England 
75.
Water Music Suite no 1 in F major, HWV 348: no 6, Air by George Frideric Handel
Conductor:  Roger Norrington
Orchestra/Ensemble:  London Classical Players
Period: Baroque 
Written: circa 1715-1717; London, England 
76.
Messiah, HWV 56: For unto us a child is born by George Frideric Handel
Performer:  Margaret Cable (Alto), Emily van Evera (Soprano), Emma Kirkby (Soprano)
Period: Baroque 
Written: 1742; London, England 
77.
Water Music Suite no 2 in D major, HWV 349: no 2, Alla Hornpipe by George Frideric Handel
Conductor:  Roger Norrington
Orchestra/Ensemble:  London Classical Players
Period: Baroque 
Written: circa 1715-1717; London, England 
78.
Rinaldo, HWV 7: Lascia ch'io pianga by George Frideric Handel
Performer:  James Gilchrist (Tenor)
Orchestra/Ensemble:  Slovak Radio Symphony Orchestra
Period: Baroque 
Written: by 1711; London, England 
79.
Music for the Royal Fireworks, HWV 351: no 4, Réjouissance by George Frideric Handel
Conductor:  Roger Norrington
Orchestra/Ensemble:  London Classical Players
Period: Baroque 
Written: 1749; London, England 
80.
Messiah, HWV 56: I know that my redeemer liveth by George Frideric Handel
Performer:  Emily van Evera (Soprano), Emma Kirkby (Soprano), Margaret Cable (Alto)
Period: Baroque 
Written: 1742; London, England 
81.
Music for the Royal Fireworks, HWV 351: no 5, Minuet 1 & 2 by George Frideric Handel
Conductor:  Roger Norrington
Orchestra/Ensemble:  London Classical Players
Period: Baroque 
Written: 1749; London, England 
82.
English Folk Song Suite by Ralph Vaughan Williams
Orchestra/Ensemble:  Central Band of the Royal Air Force
Period: 20th Century 
Written: 1923; England 
83.
Folksongs from the Eastern Counties (15): Bushes and Briars by Ralph Vaughan Williams
Conductor:  Christopher Bishop
Orchestra/Ensemble:  London Madrigal Singers
Period: 20th Century 
Written: 1903; United Kingdom 
84.
The Turtle Dove by Ralph Vaughan Williams
Conductor:  Christopher Bishop
Orchestra/Ensemble:  London Madrigal Singers
Period: 20th Century 
Written: ?1924; England 
85.
Fantasia on Greensleeves by Ralph Vaughan Williams
Conductor:  Sir John Barbirolli
Orchestra/Ensemble:  Sinfonia of London
Period: 20th Century 
Written: 1934; England 
86.
Suite for Military Band no 1 in E flat major, Op. 28 no 1 by Gustav Holst
Orchestra/Ensemble:  Band of the Royal Air Force Germany
Period: 20th Century 
Written: 1909; England 
87.
Folksongs (7), Volume 3: no 5, Foggy, Foggy Dew by Benjamin Britten
Performer:  Sir Philip Ledger (Piano), Robert Tear (Tenor)
Period: 20th Century 
Written: 1947; England 
88.
Folksongs (7), Volume 3: no 1, The plough boy by Benjamin Britten
Performer:  Robert Tear (Tenor), Sir Philip Ledger (Piano)
Period: 20th Century 
Written: 1947; England 
89.
Folksongs (7), Volume 1: no 1, Salley Gardens by Benjamin Britten
Performer:  Robert Tear (Tenor), Sir Philip Ledger (Piano)
Period: 20th Century 
Written: 1943; England 
90.
Variants (5) of 'Dives and Lazarus' by Ralph Vaughan Williams
Conductor:  Richard Hickox
Orchestra/Ensemble:  Northern Sinfonia of England
Period: 20th Century 
Written: 1939; England 
91.
Alfred: Rule Britannia by Thomas Augustine Arne
Orchestra/Ensemble:  Band of the Irish Guards
Period: Baroque 
Written: 1740; England 
92.
Dido and Aeneas, Z 626: Thy hand, Belinda...When I am laid in earth by Henry Purcell
Orchestra/Ensemble:  Central Band of the Royal Air Force
Period: Baroque 
Written: 1689; England 
93.
It's a long way to Tipperary by Jack Judge
Orchestra/Ensemble:  Band of the Irish Guards
Period: 20th Century 
Written: 1912; USA 

Sound Samples

Zadok the Priest
If ye love me (1994 - Remaster)
Praise, my soul, the King of heaven (Praise, my soul)
Three Motets, Op.38 (1995 - Remaster): 3. Beati quorum via (Psalm 119:1)
Psalm 23: The Lord is my shepherd (1989 - Remaster)
Dear Lord and Father of mankind (Repton)
Messiah, HWV 56 (1992 - Remaster), Part 2: Hallelujah (chorus: Allegro)
Ave verum corpus (Gradualia I, 1605) (2007 - Remaster)
Come down, O Love divine (Down Ampney)
Requiem: I. Requiem aeternam
Hear my prayer, O Lord Z15 (1991 Digital Remaster)
Abide with me (vv. 2, 4 & 5 arr. Cleobury)
Gradualia, Vol 1/i: Feast of All Saints (2004 - Remaster): Iustorum animae
Psalm 67: God be merciful unto us, and bless us (1989 - Remaster)
Song for Athene
All people that on earth do dwell (The Old Hundredth)
O nata lux de lumine
The day thou gavest, Lord, is ended (St Clement)
Faire is the heaven (Spenser)
I was glad (1988 - Remaster)
Cello Concerto in E Minor, Op.85 (2004 - Remaster): I. Adagio - Moderato
Koanga (2007 remaster): La Calinda
The Planets, Op.32/H.125 (2002 - Remaster): Jupiter, the Bringer of Jollity (Allegro giouoso)
The Lark Ascending (1987 - Remaster)
Crown Imperial - Coronation March (1937) (1995 Digital Remaster)
Variations on an Original Theme, Op.36 'Enigma' (1986 Digital Remaster): IX. Nimrod
The Young Person's Guide to the Orchestra - Theme & Fugue
Fantasia on a Theme by Thomas Tallis (2000 - Remaster)
Pomp and Circumstance - Military Marches, Op.39: No. 1 in D
Jerusalem

Customer Reviews

Average Customer Review:  5 Customer Reviews )
 A really nice job November 13, 2012 By james oppenheimer (hyde park, NY) See All My Reviews "There are six CDs, and each of them is devoted to a particular specialty. I found the selection to be very well done for categories I know much about. I currently have the whole six in the player in my car, and they play very well against road noise, and also play well in a quiet setting. The selection of choral works is a bit unusual, which is good. Nothing is there that ought not to be there, but some unusual treasures are to be found. This isn't just a hum-drum collection just tossed together; some thought went into it, and it is a joy to listen to, even the sections on movie music, which I know nothing about." Report Abuse
 Well-balanced musical view of the isles August 2, 2012 By Louis Galie (Leander, TX) See All My Reviews "a "solid" collection with the full gamut of British liturgical, classical, and light classical music performed by top-notch artists. A serious "value buy"." Report Abuse
 Milestone for modern-British-liked music July 4, 2012 By S Cohenroellvaneyck (SOUTH WENTWORTHVILLE, NSW) See All My Reviews "There are 6 CDs and all have an enjoyable but different make up I liked the 18th century CD-1 with pieces from Haendel Purcell etc The other following CDs have pieces played well by large orchestras and pieces by military bands, brass, there is also much to enjoy All in all one should listen to all CDs and tracks to make a mental selection what one likes best, e.g. to play next time I consider this set as a typical British historical milestone with good and less, select and enjoy!" Report Abuse
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